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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC1963 it is the complementary color #13E69C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC1963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC1963 shade: #F1195E, #FF2B71, #FF3D84, #FF4F97 and #FF61AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC1963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC1963 shade: #EC1963, #DB0750, #CA003D, #B9002A and #A80017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC1963 shade: #EC1862, #EC1829 and #EC1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC1963 shade: #EC1862, #EC189C, #EC18D5, #CA18EC and #9118EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC1963 shade matches the following richer shades: #EC1862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC1963 shade: #EC1862, #D82C68, #C4406E, #B05474 and #9B697A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC1963 shade: #EC18D7, #EC189E, #EC1866, #EC182D and #EC3B18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC1963 shade: #A40D42, #CA1052, #EC1862, #EF3E7C and #F26496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC1963 shade: #EC1963, #ECC918 and #18BBEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC1963 shade: #EC1963, #66EC18 and #1866EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC1963 shade: #EC1963, #ECC918, #18EC9E and #183BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC1963 shade: #EC1963, #D0EC18, #18EC9E and #3418EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 58 / 7

HEX #EC1963

RGB 236 25 99

HSL 338.96, 0.85%, 0.51%

LAB 51.19, 76.12, 15.88

 

Complementary color

CMYK 92 / 0 / 32 / 10

HEX #13E69C

RGB 19 230 156

HSL 158.96, 0.85%, 0.49%

LAB 81.36, -62.78, 23.39

 

CMYK 0 / 90 / 61 / 5

HEX #F1195E

RGB 241 25 94

HSL 340.83, 0.89%, 0.52%

LAB 52.07, 77.02, 20.28

 

CMYK 0 / 83 / 56 / 0

HEX #FF2B71

RGB 255 43 113

HSL 340.19, 1%, 0.58%

LAB 56.27, 78.44, 15.01

 

CMYK 0 / 76 / 48 / 0

HEX #FF3D84

RGB 255 61 132

HSL 338.04, 1%, 0.62%

LAB 58.29, 75.39, 6.57

 

CMYK 0 / 69 / 41 / 0

HEX #FF4F97

RGB 255 79 151

HSL 335.45, 1%, 0.65%

LAB 60.86, 71.32, -0.84

 

CMYK 0 / 62 / 33 / 0

HEX #FF61AA

RGB 255 97 170

HSL 332.28, 1%, 0.69%

LAB 63.93, 66.44, -7.28

 

CMYK 0 / 89 / 58 / 7

HEX #EC1963

RGB 236 25 99

HSL 338.96, 0.85%, 0.51%

LAB 51.19, 76.12, 15.88

 

CMYK 0 / 97 / 63 / 14

HEX #DB0750

RGB 219 7 80

HSL 339.34, 0.94%, 0.44%

LAB 46.7, 72.94, 20.93

 

CMYK 0 / 100 / 70 / 21

HEX #CA003D

RGB 202 0 61

HSL 341.88, 1%, 0.4%

LAB 42.6, 68.61, 26.77

 

CMYK 0 / 100 / 77 / 27

HEX #B9002A

RGB 185 0 42

HSL 346.38, 1%, 0.36%

LAB 38.69, 63.74, 32.99

 

CMYK 0 / 100 / 86 / 34

HEX #A80017

RGB 168 0 23

HSL 351.79, 1%, 0.33%

LAB 34.78, 58.95, 38.86

 

CMYK 0 / 90 / 58 / 7

HEX #EC1862

RGB 236 24 98

HSL 339.06, 0.85%, 0.51%

LAB 51.11, 76.2, 16.39

 

CMYK 0 / 90 / 83 / 7

HEX #EC1829

RGB 236 24 41

HSL 355.19, 0.85%, 0.51%

LAB 50.27, 73.82, 48.7

 

CMYK 0 / 90 / 90 / 7

HEX #EC1818

RGB 236 24 24

HSL 0, 0.85%, 0.51%

LAB 50.16, 73.5, 56.5

 

CMYK 0 / 90 / 58 / 7

HEX #EC1862

RGB 236 24 98

HSL 339.06, 0.85%, 0.51%

LAB 51.11, 76.2, 16.39

 

CMYK 0 / 90 / 34 / 7

HEX #EC189C

RGB 236 24 156

HSL 322.64, 0.85%, 0.51%

LAB 52.82, 80.88, -16.12

 

CMYK 0 / 90 / 10 / 7

HEX #EC18D5

RGB 236 24 213

HSL 306.51, 0.85%, 0.51%

LAB 55.37, 87.56, -45.33

 

CMYK 14 / 90 / 0 / 7

HEX #CA18EC

RGB 202 24 236

HSL 290.38, 0.85%, 0.51%

LAB 51, 85.36, -65.69

 

CMYK 39 / 90 / 0 / 7

HEX #9118EC

RGB 145 24 236

HSL 274.25, 0.85%, 0.51%

LAB 42.35, 77.75, -80.15

 

CMYK 0 / 90 / 58 / 7

HEX #EC1862

RGB 236 24 98

HSL 339.06, 0.85%, 0.51%

LAB 51.11, 76.2, 16.39

 

CMYK 0 / 90 / 58 / 7

HEX #EC1862

RGB 236 24 98

HSL 339.06, 0.85%, 0.51%

LAB 51.11, 76.2, 16.39

 

CMYK 0 / 80 / 52 / 15

HEX #D82C68

RGB 216 44 104

HSL 339.07, 0.69%, 0.51%

LAB 48.76, 67.67, 8.86

 

CMYK 0 / 67 / 44 / 23

HEX #C4406E

RGB 196 64 110

HSL 339.09, 0.53%, 0.51%

LAB 47.66, 55.95, 3.14

 

CMYK 0 / 52 / 34 / 31

HEX #B05474

RGB 176 84 116

HSL 339.13, 0.37%, 0.51%

LAB 48.05, 40.96, -0.34

 

CMYK 0 / 32 / 21 / 39

HEX #9B697A

RGB 155 105 122

HSL 339.6, 0.2%, 0.51%

LAB 50.07, 22.59, -1.3

 

CMYK 0 / 90 / 9 / 7

HEX #EC18D7

RGB 236 24 215

HSL 305.94, 0.85%, 0.51%

LAB 55.47, 87.83, -46.3

 

CMYK 0 / 90 / 33 / 7

HEX #EC189E

RGB 236 24 158

HSL 322.08, 0.85%, 0.51%

LAB 52.9, 81.09, -17.19

 

CMYK 0 / 90 / 57 / 7

HEX #EC1866

RGB 236 24 102

HSL 337.92, 0.85%, 0.51%

LAB 51.2, 76.45, 14.07

 

CMYK 0 / 90 / 81 / 7

HEX #EC182D

RGB 236 24 45

HSL 354.06, 0.85%, 0.51%

LAB 50.31, 73.92, 46.63

 

CMYK 0 / 75 / 90 / 7

HEX #EC3B18

RGB 236 59 24

HSL 9.91, 0.85%, 0.51%

LAB 52.98, 65.51, 58.47

 

CMYK 0 / 92 / 60 / 36

HEX #A40D42

RGB 164 13 66

HSL 338.94, 0.85%, 0.35%

LAB 35.15, 58.09, 12.33

 

CMYK 0 / 92 / 59 / 21

HEX #CA1052

RGB 202 16 82

HSL 338.71, 0.85%, 0.43%

LAB 43.56, 68.12, 14.86

 

CMYK 0 / 90 / 58 / 7

HEX #EC1862

RGB 236 24 98

HSL 339.06, 0.85%, 0.51%

LAB 51.11, 76.2, 16.39

 

CMYK 0 / 74 / 48 / 6

HEX #EF3E7C

RGB 239 62 124

HSL 338.98, 0.85%, 0.59%

LAB 55.33, 70.2, 6.7

 

CMYK 0 / 59 / 38 / 5

HEX #F26496

RGB 242 100 150

HSL 338.87, 0.85%, 0.67%

LAB 61.82, 59.05, 0.9

 

CMYK 0 / 89 / 58 / 7

HEX #EC1963

RGB 236 25 99

HSL 338.96, 0.85%, 0.51%

LAB 51.19, 76.12, 15.88

 

CMYK 0 / 15 / 90 / 7

HEX #ECC918

RGB 236 201 24

HSL 50.09, 0.85%, 0.51%

LAB 81.66, -2.67, 79.83

 

CMYK 90 / 21 / 0 / 7

HEX #18BBEC

RGB 24 187 236

HSL 193.87, 0.85%, 0.51%

LAB 70.73, -21.38, -35.11

 

CMYK 0 / 89 / 58 / 7

HEX #EC1963

RGB 236 25 99

HSL 338.96, 0.85%, 0.51%

LAB 51.19, 76.12, 15.88

 

CMYK 57 / 0 / 90 / 7

HEX #66EC18

RGB 102 236 24

HSL 97.92, 0.85%, 0.51%

LAB 83.38, -67.81, 77.85

 

CMYK 90 / 57 / 0 / 7

HEX #1866EC

RGB 24 102 236

HSL 217.92, 0.85%, 0.51%

LAB 46.65, 28.68, -73.45

 

CMYK 0 / 89 / 58 / 7

HEX #EC1963

RGB 236 25 99

HSL 338.96, 0.85%, 0.51%

LAB 51.19, 76.12, 15.88

 

CMYK 0 / 15 / 90 / 7

HEX #ECC918

RGB 236 201 24

HSL 50.09, 0.85%, 0.51%

LAB 81.66, -2.67, 79.83

 

CMYK 90 / 0 / 33 / 7

HEX #18EC9E

RGB 24 236 158

HSL 157.92, 0.85%, 0.51%

LAB 83.26, -64.27, 24.96

 

CMYK 90 / 75 / 0 / 7

HEX #183BEC

RGB 24 59 236

HSL 230.09, 0.85%, 0.51%

LAB 36.7, 54.99, -89.8

 

CMYK 0 / 89 / 58 / 7

HEX #EC1963

RGB 236 25 99

HSL 338.96, 0.85%, 0.51%

LAB 51.19, 76.12, 15.88

 

CMYK 12 / 0 / 90 / 7

HEX #D0EC18

RGB 208 236 24

HSL 67.92, 0.85%, 0.51%

LAB 88.67, -31.57, 84.35

 

CMYK 90 / 0 / 33 / 7

HEX #18EC9E

RGB 24 236 158

HSL 157.92, 0.85%, 0.51%

LAB 83.26, -64.27, 24.96

 

CMYK 78 / 90 / 0 / 7

HEX #3418EC

RGB 52 24 236

HSL 247.92, 0.85%, 0.51%

LAB 32.79, 70.78, -96.28

 

Description

Color code: HEX #EC1963 | qconv.com Color code: HEX #EC1963 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 25 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 25 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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