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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC18EF it is the complementary color #13E710. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC18EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC18EF shade: #F118EA, #FF2AFD, #FF3CFF, #FF4EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC18EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC18EF shade: #EC18EF, #DB06DC, #CA00C9, #B900B6 and #A800A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC18EF shade: #EC1AEF, #EF1AB9, #EF1A7F, #EF1A46 and #EF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC18EF shade: #EC1AEF, #B31AEF, #791AEF, #401AEF and #1A1AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC18EF shade matches the following richer shades: #EC1AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC18EF shade: #EC1AEF, #D92EDB, #C642C7, #B256B4 and #9F69A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC18EF shade: #7A1AEF, #B31AEF, #EC1AEF, #EF1ABA and #EF1A81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC18EF shade: #A90CAB, #CF0FD1, #EC1AEF, #EF41F2 and #F267F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC18EF shade: #EC18EF, #EF411A and #1AEF96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC18EF shade: #EC18EF, #EFEC1A and #1AEFEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC18EF shade: #EC18EF, #EF411A, #1EEF1A and #1AC8EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC18EF shade: #EC18EF, #EF811A, #1EEF1A and #1A88EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 90 / 0 / 6

HEX #EC18EF

RGB 236 24 239

HSL 299.16, 0.87%, 0.52%

LAB 56.8, 91.17, -57.75

 

Complementary color

CMYK 92 / 0 / 93 / 9

HEX #13E710

RGB 19 231 16

HSL 119.16, 0.87%, 0.48%

LAB 80.36, -78.99, 75.82

 

CMYK 0 / 90 / 3 / 5

HEX #F118EA

RGB 241 24 234

HSL 301.94, 0.89%, 0.52%

LAB 57.36, 91.29, -53.99

 

CMYK 0 / 84 / 1 / 0

HEX #FF2AFD

RGB 255 42 253

HSL 300.56, 1%, 0.58%

LAB 61.66, 93.69, -57.59

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 1 / 90 / 0 / 6

HEX #EC18EF

RGB 236 24 239

HSL 299.16, 0.87%, 0.52%

LAB 56.8, 91.17, -57.75

 

CMYK 0 / 97 / 0 / 14

HEX #DB06DC

RGB 219 6 220

HSL 299.72, 0.95%, 0.44%

LAB 52.24, 87.3, -54.48

 

CMYK 0 / 100 / 0 / 21

HEX #CA00C9

RGB 202 0 201

HSL 300.3, 1%, 0.4%

LAB 47.97, 82.29, -50.57

 

CMYK 0 / 100 / 2 / 27

HEX #B900B6

RGB 185 0 182

HSL 300.97, 1%, 0.36%

LAB 43.79, 76.77, -46.33

 

CMYK 0 / 100 / 3 / 34

HEX #A800A3

RGB 168 0 163

HSL 301.79, 1%, 0.33%

LAB 39.53, 71.14, -42

 

CMYK 1 / 89 / 0 / 6

HEX #EC1AEF

RGB 236 26 239

HSL 299.15, 0.87%, 0.52%

LAB 56.88, 90.93, -57.61

 

CMYK 0 / 89 / 23 / 6

HEX #EF1AB9

RGB 239 26 185

HSL 315.21, 0.87%, 0.52%

LAB 54.65, 84.37, -30.3

 

CMYK 0 / 89 / 47 / 6

HEX #EF1A7F

RGB 239 26 127

HSL 331.55, 0.87%, 0.52%

LAB 52.53, 78.66, 0.87

 

CMYK 0 / 89 / 71 / 6

HEX #EF1A46

RGB 239 26 70

HSL 347.61, 0.87%, 0.52%

LAB 51.3, 75.22, 33.66

 

CMYK 0 / 89 / 89 / 6

HEX #EF1A1A

RGB 239 26 26

HSL 0, 0.87%, 0.52%

LAB 50.88, 74, 56.48

 

CMYK 1 / 89 / 0 / 6

HEX #EC1AEF

RGB 236 26 239

HSL 299.15, 0.87%, 0.52%

LAB 56.88, 90.93, -57.61

 

CMYK 25 / 89 / 0 / 6

HEX #B31AEF

RGB 179 26 239

HSL 283.1, 0.87%, 0.52%

LAB 47.69, 82.26, -72.91

 

CMYK 49 / 89 / 0 / 6

HEX #791AEF

RGB 121 26 239

HSL 266.76, 0.87%, 0.52%

LAB 39.64, 75.47, -86.43

 

CMYK 73 / 89 / 0 / 6

HEX #401AEF

RGB 64 26 239

HSL 250.7, 0.87%, 0.52%

LAB 34.11, 71.48, -95.76

 

CMYK 89 / 89 / 0 / 6

HEX #1A1AEF

RGB 26 26 239

HSL 240, 0.87%, 0.52%

LAB 32.24, 70.3, -98.93

 

CMYK 1 / 89 / 0 / 6

HEX #EC1AEF

RGB 236 26 239

HSL 299.15, 0.87%, 0.52%

LAB 56.88, 90.93, -57.61

 

CMYK 1 / 89 / 0 / 6

HEX #EC1AEF

RGB 236 26 239

HSL 299.15, 0.87%, 0.52%

LAB 56.88, 90.93, -57.61

 

CMYK 1 / 79 / 0 / 14

HEX #D92EDB

RGB 217 46 219

HSL 299.31, 0.71%, 0.52%

LAB 53.84, 80.96, -51.38

 

CMYK 1 / 67 / 0 / 22

HEX #C642C7

RGB 198 66 199

HSL 299.55, 0.54%, 0.52%

LAB 51.87, 67.71, -43.25

 

CMYK 1 / 52 / 0 / 29

HEX #B256B4

RGB 178 86 180

HSL 298.72, 0.39%, 0.52%

LAB 51.17, 50.63, -33.55

 

CMYK 1 / 34 / 0 / 37

HEX #9F69A0

RGB 159 105 160

HSL 298.91, 0.22%, 0.52%

LAB 51.85, 30.84, -21.01

 

CMYK 49 / 89 / 0 / 6

HEX #7A1AEF

RGB 122 26 239

HSL 267.04, 0.87%, 0.52%

LAB 39.76, 75.57, -86.22

 

CMYK 25 / 89 / 0 / 6

HEX #B31AEF

RGB 179 26 239

HSL 283.1, 0.87%, 0.52%

LAB 47.69, 82.26, -72.91

 

CMYK 1 / 89 / 0 / 6

HEX #EC1AEF

RGB 236 26 239

HSL 299.15, 0.87%, 0.52%

LAB 56.88, 90.93, -57.61

 

CMYK 0 / 89 / 22 / 6

HEX #EF1ABA

RGB 239 26 186

HSL 314.93, 0.87%, 0.52%

LAB 54.69, 84.49, -30.81

 

CMYK 0 / 89 / 46 / 6

HEX #EF1A81

RGB 239 26 129

HSL 330.99, 0.87%, 0.52%

LAB 52.59, 78.82, -0.25

 

CMYK 1 / 93 / 0 / 33

HEX #A90CAB

RGB 169 12 171

HSL 299.25, 0.87%, 0.36%

LAB 40.64, 71.23, -45.01

 

CMYK 1 / 93 / 0 / 18

HEX #CF0FD1

RGB 207 15 209

HSL 299.38, 0.87%, 0.44%

LAB 49.75, 83.02, -52.29

 

CMYK 1 / 89 / 0 / 6

HEX #EC1AEF

RGB 236 26 239

HSL 299.15, 0.87%, 0.52%

LAB 56.88, 90.93, -57.61

 

CMYK 1 / 73 / 0 / 5

HEX #EF41F2

RGB 239 65 242

HSL 298.98, 0.87%, 0.6%

LAB 60.38, 83.67, -53.69

 

CMYK 1 / 58 / 0 / 4

HEX #F267F4

RGB 242 103 244

HSL 299.15, 0.87%, 0.68%

LAB 65.83, 70.87, -46.13

 

CMYK 1 / 90 / 0 / 6

HEX #EC18EF

RGB 236 24 239

HSL 299.16, 0.87%, 0.52%

LAB 56.8, 91.17, -57.75

 

CMYK 0 / 73 / 89 / 6

HEX #EF411A

RGB 239 65 26

HSL 10.99, 0.87%, 0.52%

LAB 54.24, 64.5, 58.9

 

CMYK 89 / 0 / 37 / 6

HEX #1AEF96

RGB 26 239 150

HSL 154.93, 0.87%, 0.52%

LAB 84.05, -66.82, 30.1

 

CMYK 1 / 90 / 0 / 6

HEX #EC18EF

RGB 236 24 239

HSL 299.16, 0.87%, 0.52%

LAB 56.8, 91.17, -57.75

 

CMYK 0 / 1 / 89 / 6

HEX #EFEC1A

RGB 239 236 26

HSL 59.15, 0.87%, 0.52%

LAB 90.97, -18.81, 86.85

 

CMYK 89 / 0 / 1 / 6

HEX #1AEFEC

RGB 26 239 236

HSL 179.15, 0.87%, 0.52%

LAB 86.01, -45.91, -11.84

 

CMYK 1 / 90 / 0 / 6

HEX #EC18EF

RGB 236 24 239

HSL 299.16, 0.87%, 0.52%

LAB 56.8, 91.17, -57.75

 

CMYK 0 / 73 / 89 / 6

HEX #EF411A

RGB 239 65 26

HSL 10.99, 0.87%, 0.52%

LAB 54.24, 64.5, 58.9

 

CMYK 87 / 0 / 89 / 6

HEX #1EEF1A

RGB 30 239 26

HSL 118.87, 0.87%, 0.52%

LAB 82.96, -80.2, 76.64

 

CMYK 89 / 16 / 0 / 6

HEX #1AC8EF

RGB 26 200 239

HSL 190.99, 0.87%, 0.52%

LAB 74.67, -26.87, -30.63

 

CMYK 1 / 90 / 0 / 6

HEX #EC18EF

RGB 236 24 239

HSL 299.16, 0.87%, 0.52%

LAB 56.8, 91.17, -57.75

 

CMYK 0 / 46 / 89 / 6

HEX #EF811A

RGB 239 129 26

HSL 29.01, 0.87%, 0.52%

LAB 65.06, 36.31, 66.9

 

CMYK 87 / 0 / 89 / 6

HEX #1EEF1A

RGB 30 239 26

HSL 118.87, 0.87%, 0.52%

LAB 82.96, -80.2, 76.64

 

CMYK 89 / 43 / 0 / 6

HEX #1A88EF

RGB 26 136 239

HSL 209.01, 0.87%, 0.52%

LAB 56.15, 8.56, -59.76

 

Description

Color code: HEX #EC18EF | qconv.com Color code: HEX #EC18EF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 24 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 24 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 90 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 90% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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