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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC1438 it is the complementary color #13EBC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC1438. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC1438 shade: #F11433, #FF2646, #FF3859, #FF4A6C and #FF5C7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC1438. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC1438 shade: #EC1438, #DB0225, #CA0012, #B90000 and #A80000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC1438 shade: #EC1337 and #EC1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC1438 shade: #EC1337, #EC1372, #EC13AC, #EC13E7 and #B713EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC1438 shade matches the following richer shades: #EC1337

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC1438 shade: #EC1337, #D72845, #C33C53, #AE5161 and #99666E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC1438 shade: #EC13AB, #EC1371, #EC1337, #EC2913 and #EC6313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC1438 shade: #A00D25, #C6102E, #EC1337, #EF3958 and #F25F78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC1438 shade: #EC1438, #E5EC13 and #138EEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC1438 shade: #EC1438, #37EC13 and #1337EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC1438 shade: #EC1438, #E5EC13, #13ECC8 and #1A13EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC1438 shade: #EC1438, #A4EC13, #13ECC8 and #5B13EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 76 / 7

HEX #EC1438

RGB 236 20 56

HSL 350, 0.85%, 0.5%

LAB 50.24, 74.76, 40.45

 

Complementary color

CMYK 92 / 0 / 15 / 8

HEX #13EBC7

RGB 19 235 199

HSL 170, 0.85%, 0.5%

LAB 83.8, -54.58, 4.36

 

CMYK 0 / 92 / 79 / 5

HEX #F11433

RGB 241 20 51

HSL 351.58, 0.89%, 0.51%

LAB 51.2, 75.84, 44.59

 

CMYK 0 / 85 / 73 / 0

HEX #FF2646

RGB 255 38 70

HSL 351.15, 1%, 0.57%

LAB 55.16, 77.21, 38.99

 

CMYK 0 / 78 / 65 / 0

HEX #FF3859

RGB 255 56 89

HSL 350.05, 1%, 0.61%

LAB 56.89, 73.95, 30.06

 

CMYK 0 / 71 / 58 / 0

HEX #FF4A6C

RGB 255 74 108

HSL 348.73, 1%, 0.65%

LAB 59.2, 69.56, 21.95

 

CMYK 0 / 64 / 50 / 0

HEX #FF5C7F

RGB 255 92 127

HSL 347.12, 1%, 0.68%

LAB 62.04, 64.27, 14.79

 

CMYK 0 / 92 / 76 / 7

HEX #EC1438

RGB 236 20 56

HSL 350, 0.85%, 0.5%

LAB 50.24, 74.76, 40.45

 

CMYK 0 / 99 / 83 / 14

HEX #DB0225

RGB 219 2 37

HSL 350.32, 0.98%, 0.43%

LAB 45.96, 71.74, 45.54

 

CMYK 0 / 100 / 91 / 21

HEX #CA0012

RGB 202 0 18

HSL 354.65, 1%, 0.4%

LAB 42.15, 67.4, 50.13

 

CMYK 0 / 100 / 100 / 27

HEX #B90000

RGB 185 0 0

HSL 0, 1%, 0.36%

LAB 38.4, 62.95, 52.82

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 92 / 77 / 7

HEX #EC1337

RGB 236 19 55

HSL 350.05, 0.85%, 0.5%

LAB 50.19, 74.85, 40.96

 

CMYK 0 / 92 / 92 / 7

HEX #EC1313

RGB 236 19 19

HSL 0, 0.85%, 0.5%

LAB 49.91, 74.08, 58.23

 

CMYK 0 / 92 / 77 / 7

HEX #EC1337

RGB 236 19 55

HSL 350.05, 0.85%, 0.5%

LAB 50.19, 74.85, 40.96

 

CMYK 0 / 92 / 52 / 7

HEX #EC1372

RGB 236 19 114

HSL 333.73, 0.85%, 0.5%

LAB 51.28, 77.89, 6.87

 

CMYK 0 / 92 / 27 / 7

HEX #EC13AC

RGB 236 19 172

HSL 317.7, 0.85%, 0.5%

LAB 53.25, 83.16, -24.92

 

CMYK 0 / 92 / 2 / 7

HEX #EC13E7

RGB 236 19 231

HSL 301.38, 0.85%, 0.5%

LAB 56.16, 90.58, -54.28

 

CMYK 22 / 92 / 0 / 7

HEX #B713EC

RGB 183 19 236

HSL 285.35, 0.85%, 0.5%

LAB 47.74, 83.31, -71.12

 

CMYK 0 / 92 / 77 / 7

HEX #EC1337

RGB 236 19 55

HSL 350.05, 0.85%, 0.5%

LAB 50.19, 74.85, 40.96

 

CMYK 0 / 92 / 77 / 7

HEX #EC1337

RGB 236 19 55

HSL 350.05, 0.85%, 0.5%

LAB 50.19, 74.85, 40.96

 

CMYK 0 / 81 / 68 / 16

HEX #D72845

RGB 215 40 69

HSL 350.06, 0.69%, 0.5%

LAB 47.49, 66.24, 28.51

 

CMYK 0 / 69 / 57 / 24

HEX #C33C53

RGB 195 60 83

HSL 349.78, 0.53%, 0.5%

LAB 46.26, 54.91, 17.67

 

CMYK 0 / 53 / 44 / 32

HEX #AE5161

RGB 174 81 97

HSL 349.68, 0.36%, 0.5%

LAB 46.64, 39.56, 9.12

 

CMYK 0 / 33 / 28 / 40

HEX #99666E

RGB 153 102 110

HSL 350.59, 0.2%, 0.5%

LAB 48.76, 21.7, 3.92

 

CMYK 0 / 92 / 28 / 7

HEX #EC13AB

RGB 236 19 171

HSL 317.97, 0.85%, 0.5%

LAB 53.21, 83.05, -24.39

 

CMYK 0 / 92 / 52 / 7

HEX #EC1371

RGB 236 19 113

HSL 334.01, 0.85%, 0.5%

LAB 51.26, 77.81, 7.44

 

CMYK 0 / 92 / 77 / 7

HEX #EC1337

RGB 236 19 55

HSL 350.05, 0.85%, 0.5%

LAB 50.19, 74.85, 40.96

 

CMYK 0 / 83 / 92 / 7

HEX #EC2913

RGB 236 41 19

HSL 6.08, 0.85%, 0.5%

LAB 51.23, 70.31, 59.05

 

CMYK 0 / 58 / 92 / 7

HEX #EC6313

RGB 236 99 19

HSL 22.12, 0.85%, 0.5%

LAB 58.79, 49.71, 64.03

 

CMYK 0 / 92 / 77 / 37

HEX #A00D25

RGB 160 13 37

HSL 350.2, 0.85%, 0.34%

LAB 33.76, 55.55, 29.07

 

CMYK 0 / 92 / 77 / 22

HEX #C6102E

RGB 198 16 46

HSL 350.11, 0.85%, 0.42%

LAB 42.11, 65.4, 35.13

 

CMYK 0 / 92 / 77 / 7

HEX #EC1337

RGB 236 19 55

HSL 350.05, 0.85%, 0.5%

LAB 50.19, 74.85, 40.96

 

CMYK 0 / 76 / 63 / 6

HEX #EF3958

RGB 239 57 88

HSL 349.78, 0.85%, 0.58%

LAB 54.01, 69.22, 26.36

 

CMYK 0 / 61 / 50 / 5

HEX #F25F78

RGB 242 95 120

HSL 349.8, 0.85%, 0.66%

LAB 60.26, 58.36, 16.06

 

CMYK 0 / 92 / 76 / 7

HEX #EC1438

RGB 236 20 56

HSL 350, 0.85%, 0.5%

LAB 50.24, 74.76, 40.45

 

CMYK 3 / 0 / 92 / 7

HEX #E5EC13

RGB 229 236 19

HSL 61.94, 0.85%, 0.5%

LAB 90.18, -23.06, 86.84

 

CMYK 92 / 40 / 0 / 7

HEX #138EEC

RGB 19 142 236

HSL 205.99, 0.85%, 0.5%

LAB 57.6, 3.47, -55.78

 

CMYK 0 / 92 / 76 / 7

HEX #EC1438

RGB 236 20 56

HSL 350, 0.85%, 0.5%

LAB 50.24, 74.76, 40.45

 

CMYK 77 / 0 / 92 / 7

HEX #37EC13

RGB 55 236 19

HSL 110.05, 0.85%, 0.5%

LAB 82.3, -77, 77.21

 

CMYK 92 / 77 / 0 / 7

HEX #1337EC

RGB 19 55 236

HSL 230.05, 0.85%, 0.5%

LAB 35.84, 57, -91.23

 

CMYK 0 / 92 / 76 / 7

HEX #EC1438

RGB 236 20 56

HSL 350, 0.85%, 0.5%

LAB 50.24, 74.76, 40.45

 

CMYK 3 / 0 / 92 / 7

HEX #E5EC13

RGB 229 236 19

HSL 61.94, 0.85%, 0.5%

LAB 90.18, -23.06, 86.84

 

CMYK 92 / 0 / 15 / 7

HEX #13ECC8

RGB 19 236 200

HSL 170.05, 0.85%, 0.5%

LAB 84.12, -54.72, 4.3

 

CMYK 89 / 92 / 0 / 7

HEX #1A13EC

RGB 26 19 236

HSL 241.94, 0.85%, 0.5%

LAB 31.21, 71.42, -98.94

 

CMYK 0 / 92 / 76 / 7

HEX #EC1438

RGB 236 20 56

HSL 350, 0.85%, 0.5%

LAB 50.24, 74.76, 40.45

 

CMYK 31 / 0 / 92 / 7

HEX #A4EC13

RGB 164 236 19

HSL 79.91, 0.85%, 0.5%

LAB 85.97, -48.62, 81.73

 

CMYK 92 / 0 / 15 / 7

HEX #13ECC8

RGB 19 236 200

HSL 170.05, 0.85%, 0.5%

LAB 84.12, -54.72, 4.3

 

CMYK 61 / 92 / 0 / 7

HEX #5B13EC

RGB 91 19 236

HSL 259.91, 0.85%, 0.5%

LAB 35.49, 73.9, -91.7

 

Description

Color code: HEX #EC1438 | qconv.com Color code: HEX #EC1438 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 20 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 20 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 76% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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