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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC104F it is the complementary color #13EFB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC104F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC104F shade: #F1104A, #FF225D, #FF3470, #FF4683 and #FF5896

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC104F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC104F shade: #EC104F, #DB003C, #CA0029, #B90016 and #A80003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC104F shade: #EA104E, #EA1014 and #EA1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC104F shade: #EA104E, #EA1089, #EA10C4, #D510EA and #9A10EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC104F shade matches the following richer shades: #EA104E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC104F shade: #EA104E, #D52457, #C13960, #AD4D68 and #996171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC104F shade: #EA10C5, #EA108B, #EA1051, #EA1017 and #EA4310

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC104F shade: #9D0B35, #C30E42, #EA104E, #F13269 and #F35985

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC104F shade: #EC104F, #EAD410 and #10A8EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC104F shade: #EC104F, #51EA10 and #1051EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC104F shade: #EC104F, #EAD410, #10EAA8 and #1026EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC104F shade: #EC104F, #BEEA10, #10EAA8 and #3C10EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 67 / 7

HEX #EC104F

RGB 236 16 79

HSL 342.82, 0.87%, 0.49%

LAB 50.41, 76.12, 27.03

 

Complementary color

CMYK 92 / 0 / 26 / 6

HEX #13EFB0

RGB 19 239 176

HSL 162.82, 0.87%, 0.51%

LAB 84.49, -61.68, 17.36

 

CMYK 0 / 93 / 69 / 5

HEX #F1104A

RGB 241 16 74

HSL 344.53, 0.89%, 0.5%

LAB 51.34, 77.09, 31.41

 

CMYK 0 / 87 / 64 / 0

HEX #FF225D

RGB 255 34 93

HSL 343.98, 1%, 0.57%

LAB 55.27, 78.96, 25.61

 

CMYK 0 / 80 / 56 / 0

HEX #FF3470

RGB 255 52 112

HSL 342.27, 1%, 0.6%

LAB 56.96, 76.33, 16.56

 

CMYK 0 / 73 / 49 / 0

HEX #FF4683

RGB 255 70 131

HSL 340.22, 1%, 0.64%

LAB 59.23, 72.59, 8.51

 

CMYK 0 / 65 / 41 / 0

HEX #FF5896

RGB 255 88 150

HSL 337.72, 1%, 0.67%

LAB 62.03, 67.91, 1.45

 

CMYK 0 / 93 / 67 / 7

HEX #EC104F

RGB 236 16 79

HSL 342.82, 0.87%, 0.49%

LAB 50.41, 76.12, 27.03

 

CMYK 0 / 100 / 73 / 14

HEX #DB003C

RGB 219 0 60

HSL 343.56, 1%, 0.43%

LAB 46.16, 72.62, 32.52

 

CMYK 0 / 100 / 80 / 21

HEX #CA0029

RGB 202 0 41

HSL 347.82, 1%, 0.4%

LAB 42.33, 67.88, 38.55

 

CMYK 0 / 100 / 88 / 27

HEX #B90016

RGB 185 0 22

HSL 352.86, 1%, 0.36%

LAB 38.5, 63.22, 43.99

 

CMYK 0 / 100 / 98 / 34

HEX #A80003

RGB 168 0 3

HSL 358.93, 1%, 0.33%

LAB 34.66, 58.64, 47.72

 

CMYK 0 / 93 / 67 / 8

HEX #EA104E

RGB 234 16 78

HSL 342.94, 0.87%, 0.49%

LAB 49.99, 75.6, 27.01

 

CMYK 0 / 93 / 91 / 8

HEX #EA1014

RGB 234 16 20

HSL 358.9, 0.87%, 0.49%

LAB 49.39, 73.92, 57.34

 

CMYK 0 / 93 / 93 / 8

HEX #EA1010

RGB 234 16 16

HSL 0, 0.87%, 0.49%

LAB 49.38, 73.88, 58.72

 

CMYK 0 / 93 / 67 / 8

HEX #EA104E

RGB 234 16 78

HSL 342.94, 0.87%, 0.49%

LAB 49.99, 75.6, 27.01

 

CMYK 0 / 93 / 41 / 8

HEX #EA1089

RGB 234 16 137

HSL 326.7, 0.87%, 0.49%

LAB 51.46, 79.59, -6.85

 

CMYK 0 / 93 / 16 / 8

HEX #EA10C4

RGB 234 16 196

HSL 310.46, 0.87%, 0.49%

LAB 53.87, 85.88, -37.97

 

CMYK 9 / 93 / 0 / 8

HEX #D510EA

RGB 213 16 234

HSL 294.22, 0.87%, 0.49%

LAB 52.35, 87.66, -62.29

 

CMYK 34 / 93 / 0 / 8

HEX #9A10EA

RGB 154 16 234

HSL 277.98, 0.87%, 0.49%

LAB 43.03, 79.66, -77.85

 

CMYK 0 / 93 / 67 / 8

HEX #EA104E

RGB 234 16 78

HSL 342.94, 0.87%, 0.49%

LAB 49.99, 75.6, 27.01

 

CMYK 0 / 93 / 67 / 8

HEX #EA104E

RGB 234 16 78

HSL 342.94, 0.87%, 0.49%

LAB 49.99, 75.6, 27.01

 

CMYK 0 / 83 / 59 / 16

HEX #D52457

RGB 213 36 87

HSL 342.71, 0.71%, 0.49%

LAB 47.1, 67.66, 16.92

 

CMYK 0 / 70 / 50 / 24

HEX #C13960

RGB 193 57 96

HSL 342.79, 0.54%, 0.49%

LAB 45.78, 56.46, 8.97

 

CMYK 0 / 55 / 40 / 32

HEX #AD4D68

RGB 173 77 104

HSL 343.13, 0.38%, 0.49%

LAB 45.9, 41.99, 3.77

 

CMYK 0 / 37 / 26 / 40

HEX #996171

RGB 153 97 113

HSL 342.86, 0.22%, 0.49%

LAB 47.64, 25.01, 0.5

 

CMYK 0 / 93 / 16 / 8

HEX #EA10C5

RGB 234 16 197

HSL 310.18, 0.87%, 0.49%

LAB 53.91, 86, -38.47

 

CMYK 0 / 93 / 41 / 8

HEX #EA108B

RGB 234 16 139

HSL 326.15, 0.87%, 0.49%

LAB 51.53, 79.77, -7.96

 

CMYK 0 / 93 / 65 / 8

HEX #EA1051

RGB 234 16 81

HSL 342.11, 0.87%, 0.49%

LAB 50.05, 75.75, 25.26

 

CMYK 0 / 93 / 90 / 8

HEX #EA1017

RGB 234 16 23

HSL 358.07, 0.87%, 0.49%

LAB 49.4, 73.96, 56.2

 

CMYK 0 / 71 / 93 / 8

HEX #EA4310

RGB 234 67 16

HSL 14.04, 0.87%, 0.49%

LAB 53.54, 62.13, 61.22

 

CMYK 0 / 93 / 66 / 38

HEX #9D0B35

RGB 157 11 53

HSL 342.74, 0.87%, 0.33%

LAB 33.27, 55.8, 18.06

 

CMYK 0 / 93 / 66 / 24

HEX #C30E42

RGB 195 14 66

HSL 342.76, 0.87%, 0.41%

LAB 41.7, 65.74, 22.2

 

CMYK 0 / 93 / 67 / 8

HEX #EA104E

RGB 234 16 78

HSL 342.94, 0.87%, 0.49%

LAB 49.99, 75.6, 27.01

 

CMYK 0 / 79 / 56 / 5

HEX #F13269

RGB 241 50 105

HSL 342.72, 0.87%, 0.57%

LAB 54.03, 72.74, 16.3

 

CMYK 0 / 63 / 45 / 5

HEX #F35985

RGB 243 89 133

HSL 342.86, 0.87%, 0.65%

LAB 59.79, 62.34, 7.86

 

CMYK 0 / 93 / 67 / 7

HEX #EC104F

RGB 236 16 79

HSL 342.82, 0.87%, 0.49%

LAB 50.41, 76.12, 27.03

 

CMYK 0 / 9 / 93 / 8

HEX #EAD410

RGB 234 212 16

HSL 53.94, 0.87%, 0.49%

LAB 84.29, -9.22, 82.89

 

CMYK 93 / 28 / 0 / 8

HEX #10A8EA

RGB 16 168 234

HSL 198.17, 0.87%, 0.49%

LAB 65.01, -12.3, -42.95

 

CMYK 0 / 93 / 67 / 7

HEX #EC104F

RGB 236 16 79

HSL 342.82, 0.87%, 0.49%

LAB 50.41, 76.12, 27.03

 

CMYK 65 / 0 / 93 / 8

HEX #51EA10

RGB 81 234 16

HSL 102.11, 0.87%, 0.49%

LAB 82.18, -72.09, 77.68

 

CMYK 93 / 65 / 0 / 8

HEX #1051EA

RGB 16 81 234

HSL 222.11, 0.87%, 0.49%

LAB 41.11, 40.99, -81.39

 

CMYK 0 / 93 / 67 / 7

HEX #EC104F

RGB 236 16 79

HSL 342.82, 0.87%, 0.49%

LAB 50.41, 76.12, 27.03

 

CMYK 0 / 9 / 93 / 8

HEX #EAD410

RGB 234 212 16

HSL 53.94, 0.87%, 0.49%

LAB 84.29, -9.22, 82.89

 

CMYK 93 / 0 / 28 / 8

HEX #10EAA8

RGB 16 234 168

HSL 161.83, 0.87%, 0.49%

LAB 82.8, -61.75, 19.15

 

CMYK 93 / 84 / 0 / 8

HEX #1026EA

RGB 16 38 234

HSL 233.94, 0.87%, 0.49%

LAB 32.78, 64.41, -95.19

 

CMYK 0 / 93 / 67 / 7

HEX #EC104F

RGB 236 16 79

HSL 342.82, 0.87%, 0.49%

LAB 50.41, 76.12, 27.03

 

CMYK 19 / 0 / 93 / 8

HEX #BEEA10

RGB 190 234 16

HSL 72.11, 0.87%, 0.49%

LAB 86.91, -37.95, 83.47

 

CMYK 93 / 0 / 28 / 8

HEX #10EAA8

RGB 16 234 168

HSL 161.83, 0.87%, 0.49%

LAB 82.8, -61.75, 19.15

 

CMYK 74 / 93 / 0 / 8

HEX #3C10EA

RGB 60 16 234

HSL 252.11, 0.87%, 0.49%

LAB 32.42, 72.46, -95.75

 

Description

Color code: HEX #EC104F | qconv.com Color code: HEX #EC104F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 16 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 16 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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