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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC0FB6 it is the complementary color #13F049. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC0FB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC0FB6 shade: #F10FB1, #FF21C4, #FF33D7, #FF45EA and #FF57FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC0FB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC0FB6 shade: #EC0FB6, #DB00A3, #CA0090, #B9007D and #A8006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC0FB6 shade: #EB0FB5, #EB0F7A, #EB0F3F and #EB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC0FB6 shade: #EB0FB5, #E50FEB, #AA0FEB, #6F0FEB and #330FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC0FB6 shade matches the following richer shades: #EB0FB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC0FB6 shade: #EB0FB5, #D723AB, #C237A0, #AE4C96 and #9A608C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC0FB6 shade: #A90FEB, #E40FEB, #EB0FB8, #EB0F7D and #EB0F42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC0FB6 shade: #9D0A79, #C40D97, #EB0FB5, #F231C3 and #F458CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC0FB6 shade: #EC0FB6, #EB6E0F and #0FEBC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC0FB6 shade: #EC0FB6, #B8EB0F and #0FB8EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC0FB6 shade: #EC0FB6, #EB6E0F, #0FEB42 and #0F8CEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC0FB6 shade: #EC0FB6, #EBB00F, #0FEB42 and #0F4AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 23 / 7

HEX #EC0FB6

RGB 236 15 182

HSL 314.66, 0.88%, 0.49%

LAB 53.55, 84.67, -30.31

 

Complementary color

CMYK 92 / 0 / 70 / 6

HEX #13F049

RGB 19 240 73

HSL 134.66, 0.88%, 0.51%

LAB 83.41, -78.39, 64.27

 

CMYK 0 / 94 / 27 / 5

HEX #F10FB1

RGB 241 15 177

HSL 316.99, 0.89%, 0.5%

LAB 54.26, 85.08, -26.22

 

CMYK 0 / 87 / 23 / 0

HEX #FF21C4

RGB 255 33 196

HSL 315.95, 1%, 0.56%

LAB 58.35, 87.79, -30.68

 

CMYK 0 / 80 / 16 / 0

HEX #FF33D7

RGB 255 51 215

HSL 311.76, 1%, 0.6%

LAB 60.37, 86.7, -38.37

 

CMYK 0 / 73 / 8 / 0

HEX #FF45EA

RGB 255 69 234

HSL 306.77, 1%, 0.64%

LAB 62.89, 84.58, -45.08

 

CMYK 0 / 66 / 1 / 0

HEX #FF57FD

RGB 255 87 253

HSL 300.71, 1%, 0.67%

LAB 65.88, 81.58, -50.89

 

CMYK 0 / 94 / 23 / 7

HEX #EC0FB6

RGB 236 15 182

HSL 314.66, 0.88%, 0.49%

LAB 53.55, 84.67, -30.31

 

CMYK 0 / 100 / 26 / 14

HEX #DB00A3

RGB 219 0 163

HSL 315.34, 1%, 0.43%

LAB 49.14, 80.42, -26.22

 

CMYK 0 / 100 / 29 / 21

HEX #CA0090

RGB 202 0 144

HSL 317.23, 1%, 0.4%

LAB 45.04, 75.01, -21.41

 

CMYK 0 / 100 / 32 / 27

HEX #B9007D

RGB 185 0 125

HSL 319.46, 1%, 0.36%

LAB 40.89, 69.54, -16.41

 

CMYK 0 / 100 / 37 / 34

HEX #A8006A

RGB 168 0 106

HSL 322.14, 1%, 0.33%

LAB 36.68, 64, -11.2

 

CMYK 0 / 94 / 23 / 8

HEX #EB0FB5

RGB 235 15 181

HSL 314.73, 0.88%, 0.49%

LAB 53.32, 84.37, -30.1

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7A

RGB 235 15 122

HSL 330.82, 0.88%, 0.49%

LAB 51.16, 78.67, 1.81

 

CMYK 0 / 94 / 73 / 8

HEX #EB0F3F

RGB 235 15 63

HSL 346.91, 0.88%, 0.49%

LAB 49.93, 75.31, 35.98

 

CMYK 0 / 94 / 94 / 8

HEX #EB0F0F

RGB 235 15 15

HSL 0, 0.88%, 0.49%

LAB 49.54, 74.22, 59.25

 

CMYK 0 / 94 / 23 / 8

HEX #EB0FB5

RGB 235 15 181

HSL 314.73, 0.88%, 0.49%

LAB 53.32, 84.37, -30.1

 

CMYK 3 / 94 / 0 / 8

HEX #E50FEB

RGB 229 15 235

HSL 298.36, 0.88%, 0.49%

LAB 55.07, 90.39, -58.34

 

CMYK 28 / 94 / 0 / 8

HEX #AA0FEB

RGB 170 15 235

HSL 282.27, 0.88%, 0.49%

LAB 45.48, 81.92, -74.32

 

CMYK 53 / 94 / 0 / 8

HEX #6F0FEB

RGB 111 15 235

HSL 266.18, 0.88%, 0.49%

LAB 37.33, 75.81, -88.01

 

CMYK 78 / 94 / 0 / 8

HEX #330FEB

RGB 51 15 235

HSL 249.82, 0.88%, 0.49%

LAB 31.91, 72.61, -97.18

 

CMYK 0 / 94 / 23 / 8

HEX #EB0FB5

RGB 235 15 181

HSL 314.73, 0.88%, 0.49%

LAB 53.32, 84.37, -30.1

 

CMYK 0 / 94 / 23 / 8

HEX #EB0FB5

RGB 235 15 181

HSL 314.73, 0.88%, 0.49%

LAB 53.32, 84.37, -30.1

 

CMYK 0 / 84 / 20 / 16

HEX #D723AB

RGB 215 35 171

HSL 314.67, 0.72%, 0.49%

LAB 50.2, 76.32, -29.36

 

CMYK 0 / 72 / 18 / 24

HEX #C237A0

RGB 194 55 160

HSL 314.68, 0.56%, 0.49%

LAB 47.93, 64.72, -26.66

 

CMYK 0 / 56 / 14 / 32

HEX #AE4C96

RGB 174 76 150

HSL 314.69, 0.39%, 0.49%

LAB 47.46, 49.15, -21.69

 

CMYK 0 / 38 / 9 / 40

HEX #9A608C

RGB 154 96 140

HSL 314.48, 0.23%, 0.49%

LAB 48.42, 30.44, -14.49

 

CMYK 28 / 94 / 0 / 8

HEX #A90FEB

RGB 169 15 235

HSL 282, 0.88%, 0.49%

LAB 45.32, 81.79, -74.58

 

CMYK 3 / 94 / 0 / 8

HEX #E40FEB

RGB 228 15 235

HSL 298.09, 0.88%, 0.49%

LAB 54.9, 90.23, -58.62

 

CMYK 0 / 94 / 22 / 8

HEX #EB0FB8

RGB 235 15 184

HSL 313.91, 0.88%, 0.49%

LAB 53.45, 84.71, -31.64

 

CMYK 0 / 94 / 47 / 8

HEX #EB0F7D

RGB 235 15 125

HSL 330, 0.88%, 0.49%

LAB 51.25, 78.91, 0.11

 

CMYK 0 / 94 / 72 / 8

HEX #EB0F42

RGB 235 15 66

HSL 346.09, 0.88%, 0.49%

LAB 49.97, 75.42, 34.25

 

CMYK 0 / 94 / 23 / 38

HEX #9D0A79

RGB 157 10 121

HSL 314.69, 0.88%, 0.33%

LAB 35.53, 62.15, -22.64

 

CMYK 0 / 93 / 23 / 23

HEX #C40D97

RGB 196 13 151

HSL 314.75, 0.88%, 0.41%

LAB 44.6, 73.43, -26.42

 

CMYK 0 / 94 / 23 / 8

HEX #EB0FB5

RGB 235 15 181

HSL 314.73, 0.88%, 0.49%

LAB 53.32, 84.37, -30.1

 

CMYK 0 / 80 / 19 / 5

HEX #F231C3

RGB 242 49 195

HSL 314.61, 0.88%, 0.57%

LAB 57.09, 81.93, -32.25

 

CMYK 0 / 64 / 16 / 4

HEX #F458CE

RGB 244 88 206

HSL 314.62, 0.88%, 0.65%

LAB 62.23, 71.59, -30.52

 

CMYK 0 / 94 / 23 / 7

HEX #EC0FB6

RGB 236 15 182

HSL 314.66, 0.88%, 0.49%

LAB 53.55, 84.67, -30.31

 

CMYK 0 / 53 / 94 / 8

HEX #EB6E0F

RGB 235 110 15

HSL 25.91, 0.88%, 0.49%

LAB 60.65, 44.08, 66.13

 

CMYK 94 / 0 / 16 / 8

HEX #0FEBC6

RGB 15 235 198

HSL 169.91, 0.88%, 0.49%

LAB 83.75, -54.98, 4.82

 

CMYK 0 / 94 / 23 / 7

HEX #EC0FB6

RGB 236 15 182

HSL 314.66, 0.88%, 0.49%

LAB 53.55, 84.67, -30.31

 

CMYK 22 / 0 / 94 / 8

HEX #B8EB0F

RGB 184 235 15

HSL 73.91, 0.88%, 0.49%

LAB 86.82, -40.75, 83.34

 

CMYK 94 / 22 / 0 / 8

HEX #0FB8EB

RGB 15 184 235

HSL 193.91, 0.88%, 0.49%

LAB 69.74, -20.53, -36.1

 

CMYK 0 / 94 / 23 / 7

HEX #EC0FB6

RGB 236 15 182

HSL 314.66, 0.88%, 0.49%

LAB 53.55, 84.67, -30.31

 

CMYK 0 / 53 / 94 / 8

HEX #EB6E0F

RGB 235 110 15

HSL 25.91, 0.88%, 0.49%

LAB 60.65, 44.08, 66.13

 

CMYK 94 / 0 / 72 / 8

HEX #0FEB42

RGB 15 235 66

HSL 133.91, 0.88%, 0.49%

LAB 81.79, -77.75, 65.1

 

CMYK 94 / 40 / 0 / 8

HEX #0F8CEB

RGB 15 140 235

HSL 205.91, 0.88%, 0.49%

LAB 56.93, 4.14, -56.29

 

CMYK 0 / 94 / 23 / 7

HEX #EC0FB6

RGB 236 15 182

HSL 314.66, 0.88%, 0.49%

LAB 53.55, 84.67, -30.31

 

CMYK 0 / 25 / 94 / 8

HEX #EBB00F

RGB 235 176 15

HSL 43.91, 0.88%, 0.49%

LAB 75.29, 9.78, 76.41

 

CMYK 94 / 0 / 72 / 8

HEX #0FEB42

RGB 15 235 66

HSL 133.91, 0.88%, 0.49%

LAB 81.79, -77.75, 65.1

 

CMYK 94 / 69 / 0 / 8

HEX #0F4AEB

RGB 15 74 235

HSL 223.91, 0.88%, 0.49%

LAB 39.58, 45.66, -84.49

 

Description

Color code: HEX #EC0FB6 | qconv.com Color code: HEX #EC0FB6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 15 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 15 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 23 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 23% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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