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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC0DFE it is the complementary color #13F201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC0DFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC0DFE shade: #F10DF9, #FF1FFF, #FF31FF, #FF43FF and #FF55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC0DFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC0DFE shade: #EC0DFE, #DB00EB, #CA00D8, #B900C5 and #A800B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC0DFE shade: #EC0BFE, #FE0BCF, #FE0B8D, #FE0B4C and #FE0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC0DFE shade: #EC0BFE, #AA0BFE, #690BFE, #280BFE and #0B0BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC0DFE shade matches the following richer shades: #EC0BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC0DFE shade: #EC0BFE, #DB1FEA, #CA33D6, #B947C2 and #A85BAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC0DFE shade: #680BFE, #A90BFE, #EA0BFE, #FE0BD1 and #FE0B91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC0DFE shade: #A801B6, #CE01DF, #EC0BFE, #EF34FE and #F25EFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC0DFE shade: #EC0DFE, #FE280B and #0BFE89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC0DFE shade: #EC0DFE, #FEEA0B and #0BFEEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC0DFE shade: #EC0DFE, #FE280B, #20FE0B and #0BE2FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC0DFE shade: #EC0DFE, #FE700B, #20FE0B and #0B99FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 95 / 0 / 0

HEX #EC0DFE

RGB 236 13 254

HSL 295.52, 0.99%, 0.52%

LAB 57.34, 94.43, -65.24

 

Complementary color

CMYK 92 / 0 / 100 / 5

HEX #13F201

RGB 19 242 1

HSL 115.52, 0.99%, 0.48%

LAB 83.78, -82.16, 79.96

 

CMYK 3 / 95 / 0 / 2

HEX #F10DF9

RGB 241 13 249

HSL 297.97, 0.95%, 0.51%

LAB 57.87, 94.46, -61.56

 

CMYK 0 / 88 / 0 / 0

HEX #FF1FFF

RGB 255 31 255

HSL 300, 1%, 0.56%

LAB 61.19, 95.7, -59.46

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 7 / 95 / 0 / 0

HEX #EC0DFE

RGB 236 13 254

HSL 295.52, 0.99%, 0.52%

LAB 57.34, 94.43, -65.24

 

CMYK 7 / 100 / 0 / 8

HEX #DB00EB

RGB 219 0 235

HSL 295.91, 1%, 0.46%

LAB 53.01, 89.93, -61.73

 

CMYK 6 / 100 / 0 / 15

HEX #CA00D8

RGB 202 0 216

HSL 296.11, 1%, 0.42%

LAB 48.9, 84.52, -57.71

 

CMYK 6 / 100 / 0 / 23

HEX #B900C5

RGB 185 0 197

HSL 296.35, 1%, 0.39%

LAB 44.72, 79.01, -53.62

 

CMYK 6 / 100 / 0 / 30

HEX #A800B2

RGB 168 0 178

HSL 296.63, 1%, 0.35%

LAB 40.47, 73.41, -49.45

 

CMYK 7 / 96 / 0 / 0

HEX #EC0BFE

RGB 236 11 254

HSL 295.56, 0.99%, 0.52%

LAB 57.3, 94.57, -65.31

 

CMYK 0 / 96 / 19 / 0

HEX #FE0BCF

RGB 254 11 207

HSL 311.6, 0.99%, 0.52%

LAB 57.86, 91.24, -37.76

 

CMYK 0 / 96 / 44 / 0

HEX #FE0B8D

RGB 254 11 141

HSL 327.9, 0.99%, 0.52%

LAB 55.31, 84.62, -3.12

 

CMYK 0 / 96 / 70 / 0

HEX #FE0B4C

RGB 254 11 76

HSL 343.95, 0.99%, 0.52%

LAB 53.85, 80.66, 33.88

 

CMYK 0 / 96 / 96 / 0

HEX #FE0B0B

RGB 254 11 11

HSL 0, 0.99%, 0.52%

LAB 53.31, 79.19, 64.45

 

CMYK 7 / 96 / 0 / 0

HEX #EC0BFE

RGB 236 11 254

HSL 295.56, 0.99%, 0.52%

LAB 57.3, 94.57, -65.31

 

CMYK 33 / 96 / 0 / 0

HEX #AA0BFE

RGB 170 11 254

HSL 279.26, 0.99%, 0.52%

LAB 46.9, 85.86, -82.68

 

CMYK 59 / 96 / 0 / 0

HEX #690BFE

RGB 105 11 254

HSL 263.21, 0.99%, 0.52%

LAB 38.55, 80.18, -96.74

 

CMYK 84 / 96 / 0 / 0

HEX #280BFE

RGB 40 11 254

HSL 247.16, 0.99%, 0.52%

LAB 33.66, 77.7, -105.01

 

CMYK 96 / 96 / 0 / 0

HEX #0B0BFE

RGB 11 11 254

HSL 240, 0.99%, 0.52%

LAB 32.85, 77.37, -106.39

 

CMYK 7 / 96 / 0 / 0

HEX #EC0BFE

RGB 236 11 254

HSL 295.56, 0.99%, 0.52%

LAB 57.3, 94.57, -65.31

 

CMYK 7 / 96 / 0 / 0

HEX #EC0BFE

RGB 236 11 254

HSL 295.56, 0.99%, 0.52%

LAB 57.3, 94.57, -65.31

 

CMYK 6 / 87 / 0 / 8

HEX #DB1FEA

RGB 219 31 234

HSL 295.57, 0.83%, 0.52%

LAB 54.01, 86.66, -59.57

 

CMYK 6 / 76 / 0 / 16

HEX #CA33D6

RGB 202 51 214

HSL 295.58, 0.67%, 0.52%

LAB 51.59, 75.98, -52.26

 

CMYK 5 / 63 / 0 / 24

HEX #B947C2

RGB 185 71 194

HSL 295.61, 0.5%, 0.52%

LAB 50.35, 61.83, -42.89

 

CMYK 4 / 48 / 0 / 31

HEX #A85BAF

RGB 168 91 175

HSL 295, 0.34%, 0.52%

LAB 50.57, 44.26, -31.67

 

CMYK 59 / 96 / 0 / 0

HEX #680BFE

RGB 104 11 254

HSL 262.96, 0.99%, 0.52%

LAB 38.44, 80.12, -96.92

 

CMYK 33 / 96 / 0 / 0

HEX #A90BFE

RGB 169 11 254

HSL 279.01, 0.99%, 0.52%

LAB 46.75, 85.75, -82.93

 

CMYK 8 / 96 / 0 / 0

HEX #EA0BFE

RGB 234 11 254

HSL 295.06, 0.99%, 0.52%

LAB 56.97, 94.28, -65.86

 

CMYK 0 / 96 / 18 / 0

HEX #FE0BD1

RGB 254 11 209

HSL 311.11, 0.99%, 0.52%

LAB 57.95, 91.48, -38.76

 

CMYK 0 / 96 / 43 / 0

HEX #FE0B91

RGB 254 11 145

HSL 326.91, 0.99%, 0.52%

LAB 55.44, 84.95, -5.32

 

CMYK 8 / 99 / 0 / 29

HEX #A801B6

RGB 168 1 182

HSL 295.36, 0.99%, 0.36%

LAB 40.77, 73.94, -51.33

 

CMYK 8 / 100 / 0 / 13

HEX #CE01DF

RGB 206 1 223

HSL 295.41, 0.99%, 0.44%

LAB 50.06, 86.1, -59.8

 

CMYK 7 / 96 / 0 / 0

HEX #EC0BFE

RGB 236 11 254

HSL 295.56, 0.99%, 0.52%

LAB 57.3, 94.57, -65.31

 

CMYK 6 / 80 / 0 / 0

HEX #EF34FE

RGB 239 52 254

HSL 295.54, 0.99%, 0.6%

LAB 59.85, 88.97, -61.18

 

CMYK 5 / 63 / 0 / 0

HEX #F25EFE

RGB 242 94 254

HSL 295.5, 0.99%, 0.68%

LAB 64.99, 76.23, -52.97

 

CMYK 7 / 95 / 0 / 0

HEX #EC0DFE

RGB 236 13 254

HSL 295.52, 0.99%, 0.52%

LAB 57.34, 94.43, -65.24

 

CMYK 0 / 84 / 96 / 0

HEX #FE280B

RGB 254 40 11

HSL 7.16, 0.99%, 0.52%

LAB 54.67, 75.29, 65.12

 

CMYK 96 / 0 / 46 / 0

HEX #0BFE89

RGB 11 254 137

HSL 151.11, 0.99%, 0.52%

LAB 88.33, -74.72, 42.11

 

CMYK 7 / 95 / 0 / 0

HEX #EC0DFE

RGB 236 13 254

HSL 295.52, 0.99%, 0.52%

LAB 57.34, 94.43, -65.24

 

CMYK 0 / 8 / 96 / 0

HEX #FEEA0B

RGB 254 234 11

HSL 55.06, 0.99%, 0.52%

LAB 91.66, -11.75, 89.63

 

CMYK 96 / 0 / 8 / 0

HEX #0BFEEA

RGB 11 254 234

HSL 175.06, 0.99%, 0.52%

LAB 90.27, -53.29, -4.49

 

CMYK 7 / 95 / 0 / 0

HEX #EC0DFE

RGB 236 13 254

HSL 295.52, 0.99%, 0.52%

LAB 57.34, 94.43, -65.24

 

CMYK 0 / 84 / 96 / 0

HEX #FE280B

RGB 254 40 11

HSL 7.16, 0.99%, 0.52%

LAB 54.67, 75.29, 65.12

 

CMYK 87 / 0 / 96 / 0

HEX #20FE0B

RGB 32 254 11

HSL 114.81, 0.99%, 0.52%

LAB 87.59, -84.41, 82.29

 

CMYK 96 / 11 / 0 / 0

HEX #0BE2FE

RGB 11 226 254

HSL 186.91, 0.99%, 0.52%

LAB 82.71, -35.13, -26.32

 

CMYK 7 / 95 / 0 / 0

HEX #EC0DFE

RGB 236 13 254

HSL 295.52, 0.99%, 0.52%

LAB 57.34, 94.43, -65.24

 

CMYK 0 / 56 / 96 / 0

HEX #FE700B

RGB 254 112 11

HSL 24.94, 0.99%, 0.52%

LAB 63.9, 50.21, 70.39

 

CMYK 87 / 0 / 96 / 0

HEX #20FE0B

RGB 32 254 11

HSL 114.81, 0.99%, 0.52%

LAB 87.59, -84.41, 82.29

 

CMYK 96 / 40 / 0 / 0

HEX #0B99FE

RGB 11 153 254

HSL 204.94, 0.99%, 0.52%

LAB 61.66, 3.47, -59.21

 

Description

Color code: HEX #EC0DFE | qconv.com Color code: HEX #EC0DFE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 13 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 13 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 95 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 95% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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