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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC0B5B it is the complementary color #13F4A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC0B5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC0B5B shade: #F10B56, #FF1D69, #FF2F7C, #FF418F and #FF53A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC0B5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC0B5B shade: #EC0B5B, #DB0048, #CA0035, #B90022 and #A8000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC0B5B shade: #EA0B5A, #EA0B1E and #EA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC0B5B shade: #EA0B5A, #EA0B96, #EA0BD2, #C50BEA and #890BEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC0B5B shade matches the following richer shades: #EA0B5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC0B5B shade: #EA0B5A, #D61F60, #C23366, #AE466B and #9B5A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC0B5B shade: #EA0BD4, #EA0B98, #EA0B5D, #EA0B21 and #EA300B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC0B5B shade: #9B073C, #C2094B, #EA0B5A, #F52972 and #F7518C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC0B5B shade: #EC0B5B, #EAC50B and #0BB6EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC0B5B shade: #EC0B5B, #5DEA0B and #0B5DEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC0B5B shade: #EC0B5B, #EAC50B, #0BEA98 and #0B30EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC0B5B shade: #EC0B5B, #CCEA0B, #0BEA98 and #290BEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 61 / 7

HEX #EC0B5B

RGB 236 11 91

HSL 338.67, 0.91%, 0.48%

LAB 50.48, 77.19, 19.81

 

Complementary color

CMYK 92 / 0 / 33 / 4

HEX #13F4A4

RGB 19 244 164

HSL 158.67, 0.91%, 0.52%

LAB 85.77, -66.09, 25.3

 

CMYK 0 / 95 / 64 / 5

HEX #F10B56

RGB 241 11 86

HSL 340.43, 0.91%, 0.49%

LAB 51.4, 78.09, 24.24

 

CMYK 0 / 89 / 59 / 0

HEX #FF1D69

RGB 255 29 105

HSL 339.82, 1%, 0.56%

LAB 55.24, 80.41, 18.38

 

CMYK 0 / 82 / 51 / 0

HEX #FF2F7C

RGB 255 47 124

HSL 337.79, 1%, 0.59%

LAB 56.83, 78.34, 9.24

 

CMYK 0 / 75 / 44 / 0

HEX #FF418F

RGB 255 65 143

HSL 335.37, 1%, 0.63%

LAB 59, 75.16, 1.12

 

CMYK 0 / 67 / 36 / 0

HEX #FF53A2

RGB 255 83 162

HSL 332.44, 1%, 0.66%

LAB 61.7, 70.99, -5.98

 

CMYK 0 / 95 / 61 / 7

HEX #EC0B5B

RGB 236 11 91

HSL 338.67, 0.91%, 0.48%

LAB 50.48, 77.19, 19.81

 

CMYK 0 / 100 / 67 / 14

HEX #DB0048

RGB 219 0 72

HSL 340.27, 1%, 0.43%

LAB 46.35, 73.13, 25.42

 

CMYK 0 / 100 / 74 / 21

HEX #CA0035

RGB 202 0 53

HSL 344.26, 1%, 0.4%

LAB 42.48, 68.28, 31.56

 

CMYK 0 / 100 / 82 / 27

HEX #B90022

RGB 185 0 34

HSL 348.97, 1%, 0.36%

LAB 38.6, 63.5, 37.63

 

CMYK 0 / 100 / 91 / 34

HEX #A8000F

RGB 168 0 15

HSL 354.64, 1%, 0.33%

LAB 34.72, 58.8, 42.82

 

CMYK 0 / 95 / 62 / 8

HEX #EA0B5A

RGB 234 11 90

HSL 338.74, 0.91%, 0.48%

LAB 50.06, 76.67, 19.78

 

CMYK 0 / 95 / 87 / 8

HEX #EA0B1E

RGB 234 11 30

HSL 354.89, 0.91%, 0.48%

LAB 49.28, 74.53, 53.09

 

CMYK 0 / 95 / 95 / 8

HEX #EA0B0B

RGB 234 11 11

HSL 0, 0.91%, 0.48%

LAB 49.2, 74.3, 60.12

 

CMYK 0 / 95 / 62 / 8

HEX #EA0B5A

RGB 234 11 90

HSL 338.74, 0.91%, 0.48%

LAB 50.06, 76.67, 19.78

 

CMYK 0 / 95 / 36 / 8

HEX #EA0B96

RGB 234 11 150

HSL 322.6, 0.91%, 0.48%

LAB 51.76, 81.23, -14.2

 

CMYK 0 / 95 / 10 / 8

HEX #EA0BD2

RGB 234 11 210

HSL 306.46, 0.91%, 0.48%

LAB 54.43, 88.07, -45.12

 

CMYK 16 / 95 / 0 / 8

HEX #C50BEA

RGB 197 11 234

HSL 290.04, 0.91%, 0.48%

LAB 49.56, 85.76, -66.93

 

CMYK 41 / 95 / 0 / 8

HEX #890BEA

RGB 137 11 234

HSL 273.9, 0.91%, 0.48%

LAB 40.41, 78.45, -82.26

 

CMYK 0 / 95 / 62 / 8

HEX #EA0B5A

RGB 234 11 90

HSL 338.74, 0.91%, 0.48%

LAB 50.06, 76.67, 19.78

 

CMYK 0 / 95 / 62 / 8

HEX #EA0B5A

RGB 234 11 90

HSL 338.74, 0.91%, 0.48%

LAB 50.06, 76.67, 19.78

 

CMYK 0 / 86 / 55 / 16

HEX #D61F60

RGB 214 31 96

HSL 338.69, 0.75%, 0.48%

LAB 47.13, 69.56, 11.44

 

CMYK 0 / 74 / 47 / 24

HEX #C23366

RGB 194 51 102

HSL 338.6, 0.58%, 0.48%

LAB 45.35, 59.41, 4.68

 

CMYK 0 / 60 / 39 / 32

HEX #AE466B

RGB 174 70 107

HSL 338.65, 0.43%, 0.48%

LAB 44.86, 46.06, 0.45

 

CMYK 0 / 42 / 27 / 39

HEX #9B5A71

RGB 155 90 113

HSL 338.77, 0.27%, 0.48%

LAB 46.28, 29.73, -1.47

 

CMYK 0 / 95 / 9 / 8

HEX #EA0BD4

RGB 234 11 212

HSL 305.92, 0.91%, 0.48%

LAB 54.54, 88.33, -46.1

 

CMYK 0 / 95 / 35 / 8

HEX #EA0B98

RGB 234 11 152

HSL 322.06, 0.91%, 0.48%

LAB 51.84, 81.42, -15.28

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5D

RGB 234 11 93

HSL 337.94, 0.91%, 0.48%

LAB 50.12, 76.84, 18.03

 

CMYK 0 / 95 / 86 / 8

HEX #EA0B21

RGB 234 11 33

HSL 354.08, 0.91%, 0.48%

LAB 49.3, 74.59, 51.7

 

CMYK 0 / 79 / 95 / 8

HEX #EA300B

RGB 234 48 11

HSL 9.96, 0.91%, 0.48%

LAB 51.42, 67.96, 61.28

 

CMYK 0 / 95 / 61 / 39

HEX #9B073C

RGB 155 7 60

HSL 338.51, 0.91%, 0.32%

LAB 32.8, 56.25, 12.75

 

CMYK 0 / 95 / 61 / 24

HEX #C2094B

RGB 194 9 75

HSL 338.59, 0.91%, 0.4%

LAB 41.49, 66.54, 16.19

 

CMYK 0 / 95 / 62 / 8

HEX #EA0B5A

RGB 234 11 90

HSL 338.74, 0.91%, 0.48%

LAB 50.06, 76.67, 19.78

 

CMYK 0 / 83 / 53 / 4

HEX #F52972

RGB 245 41 114

HSL 338.53, 0.91%, 0.56%

LAB 54.25, 76.47, 11.32

 

CMYK 0 / 67 / 43 / 3

HEX #F7518C

RGB 247 81 140

HSL 338.67, 0.91%, 0.64%

LAB 59.48, 67.31, 3.41

 

CMYK 0 / 95 / 61 / 7

HEX #EC0B5B

RGB 236 11 91

HSL 338.67, 0.91%, 0.48%

LAB 50.48, 77.19, 19.81

 

CMYK 0 / 16 / 95 / 8

HEX #EAC50B

RGB 234 197 11

HSL 50.04, 0.91%, 0.48%

LAB 80.43, -1.64, 80.58

 

CMYK 95 / 22 / 0 / 8

HEX #0BB6EA

RGB 11 182 234

HSL 193.99, 0.91%, 0.48%

LAB 69.09, -19.95, -36.57

 

CMYK 0 / 95 / 61 / 7

HEX #EC0B5B

RGB 236 11 91

HSL 338.67, 0.91%, 0.48%

LAB 50.48, 77.19, 19.81

 

CMYK 60 / 0 / 95 / 8

HEX #5DEA0B

RGB 93 234 11

HSL 97.94, 0.91%, 0.48%

LAB 82.48, -69.58, 78.56

 

CMYK 95 / 60 / 0 / 8

HEX #0B5DEA

RGB 11 93 234

HSL 217.94, 0.91%, 0.48%

LAB 44, 33.22, -76.65

 

CMYK 0 / 95 / 61 / 7

HEX #EC0B5B

RGB 236 11 91

HSL 338.67, 0.91%, 0.48%

LAB 50.48, 77.19, 19.81

 

CMYK 0 / 16 / 95 / 8

HEX #EAC50B

RGB 234 197 11

HSL 50.04, 0.91%, 0.48%

LAB 80.43, -1.64, 80.58

 

CMYK 95 / 0 / 35 / 8

HEX #0BEA98

RGB 11 234 152

HSL 157.94, 0.91%, 0.48%

LAB 82.48, -65.31, 26.96

 

CMYK 95 / 79 / 0 / 8

HEX #0B30EA

RGB 11 48 234

HSL 230.04, 0.91%, 0.48%

LAB 34.24, 59.78, -92.76

 

CMYK 0 / 95 / 61 / 7

HEX #EC0B5B

RGB 236 11 91

HSL 338.67, 0.91%, 0.48%

LAB 50.48, 77.19, 19.81

 

CMYK 13 / 0 / 95 / 8

HEX #CCEA0B

RGB 204 234 11

HSL 68.07, 0.91%, 0.48%

LAB 87.83, -32.43, 85.05

 

CMYK 95 / 0 / 35 / 8

HEX #0BEA98

RGB 11 234 152

HSL 157.94, 0.91%, 0.48%

LAB 82.48, -65.31, 26.96

 

CMYK 82 / 95 / 0 / 8

HEX #290BEA

RGB 41 11 234

HSL 248.07, 0.91%, 0.48%

LAB 31, 72.83, -98.14

 

Description

Color code: HEX #EC0B5B | qconv.com Color code: HEX #EC0B5B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 11 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 11 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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