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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFE90 it is the complementary color #14016F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFE90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFE90 shade: #F0FE8B, #FFFF9E, #FFFFB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFE90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFE90 shade: #EBFE90, #DAEC7D, #C9DA6A, #B8C857 and #A7B644

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFE90 shade: #EBFE90, #FEF390, #FED690, #FEB890 and #FE9A90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFE90 shade: #EBFE90, #CDFE90, #B0FE90, #92FE90 and #90FEAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFE90 shade matches the following richer shades: #EBFE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFE90 shade: #EBFE90, #E5F599, #DFECA2, #D9E3AB and #D3DAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFE90 shade: #FED690, #FEF390, #ECFE90, #CEFE90 and #B1FE90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFE90 shade: #DCFD3E, #E3FD67, #EBFE90, #F2FEB9 and #FAFFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFE90 shade: #EBFE90, #90FEB8 and #E490FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFE90 shade: #EBFE90, #90ECFE and #FE90EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFE90 shade: #EBFE90, #90FEB8, #A290FE and #FE90D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFE90 shade: #EBFE90, #90FED9, #A290FE and #FE90B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

Complementary color

CMYK 82 / 99 / 0 / 56

HEX #14016F

RGB 20 1 111

HSL 250.36, 0.98%, 0.22%

LAB 11.4, 42.81, -56.34

 

CMYK 6 / 0 / 45 / 0

HEX #F0FE8B

RGB 240 254 139

HSL 67.3, 0.98%, 0.77%

LAB 96.52, -20.85, 53.15

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 8 / 0 / 47 / 7

HEX #DAEC7D

RGB 218 236 125

HSL 69.73, 0.74%, 0.71%

LAB 90.03, -21.99, 51.47

 

CMYK 8 / 0 / 51 / 15

HEX #C9DA6A

RGB 201 218 106

HSL 69.11, 0.6%, 0.64%

LAB 83.76, -21.68, 52.57

 

CMYK 8 / 0 / 57 / 22

HEX #B8C857

RGB 184 200 87

HSL 68.5, 0.51%, 0.56%

LAB 77.39, -21.29, 53.6

 

CMYK 8 / 0 / 63 / 29

HEX #A7B644

RGB 167 182 68

HSL 67.89, 0.46%, 0.49%

LAB 70.93, -20.79, 54.49

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 0 / 4 / 43 / 0

HEX #FEF390

RGB 254 243 144

HSL 54, 0.98%, 0.78%

LAB 94.82, -9.63, 48.9

 

CMYK 0 / 16 / 43 / 0

HEX #FED690

RGB 254 214 144

HSL 38.18, 0.98%, 0.78%

LAB 87.57, 5.01, 39.72

 

CMYK 0 / 28 / 43 / 0

HEX #FEB890

RGB 254 184 144

HSL 21.82, 0.98%, 0.78%

LAB 80.38, 20.61, 30.31

 

CMYK 0 / 39 / 43 / 0

HEX #FE9A90

RGB 254 154 144

HSL 5.45, 0.98%, 0.78%

LAB 73.67, 36.27, 21.26

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 19 / 0 / 43 / 0

HEX #CDFE90

RGB 205 254 144

HSL 86.73, 0.98%, 0.78%

LAB 94.26, -33.27, 47.46

 

CMYK 31 / 0 / 43 / 0

HEX #B0FE90

RGB 176 254 144

HSL 102.55, 0.98%, 0.78%

LAB 92.63, -43.21, 45.06

 

CMYK 43 / 0 / 43 / 0

HEX #92FE90

RGB 146 254 144

HSL 118.91, 0.98%, 0.78%

LAB 91.24, -52.43, 43.01

 

CMYK 43 / 0 / 32 / 0

HEX #90FEAC

RGB 144 254 172

HSL 135.27, 0.98%, 0.78%

LAB 91.59, -48.65, 29.61

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 7 / 0 / 38 / 4

HEX #E5F599

RGB 229 245 153

HSL 70.43, 0.82%, 0.78%

LAB 93.56, -19.19, 42.54

 

CMYK 6 / 0 / 31 / 7

HEX #DFECA2

RGB 223 236 162

HSL 70.54, 0.66%, 0.78%

LAB 90.91, -15.95, 34.51

 

CMYK 4 / 0 / 25 / 11

HEX #D9E3AB

RGB 217 227 171

HSL 70.71, 0.5%, 0.78%

LAB 88.27, -12.49, 26.3

 

CMYK 3 / 0 / 17 / 15

HEX #D3DAB4

RGB 211 218 180

HSL 71.05, 0.34%, 0.78%

LAB 85.65, -8.81, 17.93

 

CMYK 0 / 16 / 43 / 0

HEX #FED690

RGB 254 214 144

HSL 38.18, 0.98%, 0.78%

LAB 87.57, 5.01, 39.72

 

CMYK 0 / 4 / 43 / 0

HEX #FEF390

RGB 254 243 144

HSL 54, 0.98%, 0.78%

LAB 94.82, -9.63, 48.9

 

CMYK 7 / 0 / 43 / 0

HEX #ECFE90

RGB 236 254 144

HSL 69.82, 0.98%, 0.78%

LAB 96.3, -21.87, 50.45

 

CMYK 19 / 0 / 43 / 0

HEX #CEFE90

RGB 206 254 144

HSL 86.18, 0.98%, 0.78%

LAB 94.32, -32.91, 47.55

 

CMYK 30 / 0 / 43 / 0

HEX #B1FE90

RGB 177 254 144

HSL 102, 0.98%, 0.78%

LAB 92.68, -42.89, 45.14

 

CMYK 13 / 0 / 75 / 1

HEX #DCFD3E

RGB 220 253 62

HSL 70.37, 0.98%, 0.62%

LAB 94.23, -33.48, 80.97

 

CMYK 10 / 0 / 59 / 1

HEX #E3FD67

RGB 227 253 103

HSL 70.4, 0.97%, 0.7%

LAB 94.98, -28.42, 67.13

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 5 / 0 / 27 / 0

HEX #F2FEB9

RGB 242 254 185

HSL 70.43, 0.97%, 0.86%

LAB 97.33, -14.82, 31.76

 

CMYK 2 / 0 / 11 / 0

HEX #FAFFE2

RGB 250 255 226

HSL 70.34, 1%, 0.94%

LAB 98.96, -6.52, 13.3

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 43 / 0 / 28 / 0

HEX #90FEB8

RGB 144 254 184

HSL 141.82, 0.98%, 0.78%

LAB 91.81, -46.53, 23.83

 

CMYK 10 / 43 / 0 / 0

HEX #E490FE

RGB 228 144 254

HSL 285.82, 0.98%, 0.78%

LAB 71.96, 49.45, -42.12

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 43 / 7 / 0 / 0

HEX #90ECFE

RGB 144 236 254

HSL 189.82, 0.98%, 0.78%

LAB 88.48, -22.91, -17.29

 

CMYK 0 / 43 / 7 / 0

HEX #FE90EC

RGB 254 144 236

HSL 309.82, 0.98%, 0.78%

LAB 74.24, 53.78, -28.55

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 43 / 0 / 28 / 0

HEX #90FEB8

RGB 144 254 184

HSL 141.82, 0.98%, 0.78%

LAB 91.81, -46.53, 23.83

 

CMYK 36 / 43 / 0 / 0

HEX #A290FE

RGB 162 144 254

HSL 249.82, 0.98%, 0.78%

LAB 65.58, 31.49, -52.59

 

CMYK 0 / 43 / 16 / 0

HEX #FE90D6

RGB 254 144 214

HSL 321.82, 0.98%, 0.78%

LAB 73.46, 50.3, -17.67

 

CMYK 7 / 0 / 43 / 0

HEX #EBFE90

RGB 235 254 144

HSL 70.36, 0.98%, 0.78%

LAB 96.23, -22.25, 50.35

 

CMYK 43 / 0 / 15 / 0

HEX #90FED9

RGB 144 254 217

HSL 159.82, 0.98%, 0.78%

LAB 92.5, -40.01, 7.88

 

CMYK 36 / 43 / 0 / 0

HEX #A290FE

RGB 162 144 254

HSL 249.82, 0.98%, 0.78%

LAB 65.58, 31.49, -52.59

 

CMYK 0 / 43 / 29 / 0

HEX #FE90B5

RGB 254 144 181

HSL 339.82, 0.98%, 0.78%

LAB 72.46, 45.66, -0.9

 

Description

Color code: HEX #EBFE90 | qconv.com Color code: HEX #EBFE90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 254 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 254 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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