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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFE39 it is the complementary color #1401C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFE39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFE39 shade: #F0FE34, #FFFF47, #FFFF5A, #FFFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFE39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFE39 shade: #EBFE39, #DAEC26, #C9DA13, #B8C800 and #A7B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFE39 shade: #EBFE39, #FEDB39, #FEA639, #FE7139 and #FE3C39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFE39 shade: #EBFE39, #B5FE39, #80FE39, #4BFE39 and #39FE5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFE39 shade matches the following richer shades: #EBFE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFE39 shade: #EBFE39, #DEED49, #D1DD59, #C4CD69 and #B7BD79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFE39 shade: #FEA539, #FED939, #EDFE39, #B9FE39 and #84FE39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFE39 shade: #CDE301, #E6FD10, #EBFE39, #EFFE62 and #F3FE8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFE39 shade: #EBFE39, #39FE70 and #BF39FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFE39 shade: #EBFE39, #39EDFE and #FE39ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFE39 shade: #EBFE39, #39FE70, #4939FE and #FE39C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFE39 shade: #EBFE39, #39FEAB, #4939FE and #FE398B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

Complementary color

CMYK 90 / 99 / 0 / 22

HEX #1401C6

RGB 20 1 198

HSL 245.79, 0.99%, 0.39%

LAB 24.47, 65.4, -88.23

 

CMYK 6 / 0 / 80 / 0

HEX #F0FE34

RGB 240 254 52

HSL 64.16, 0.99%, 0.6%

LAB 95.85, -26.34, 85.67

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 8 / 0 / 84 / 7

HEX #DAEC26

RGB 218 236 38

HSL 65.45, 0.84%, 0.54%

LAB 89.41, -27.21, 82.77

 

CMYK 8 / 0 / 91 / 15

HEX #C9DA13

RGB 201 218 19

HSL 65.13, 0.84%, 0.46%

LAB 83.24, -26.07, 80.55

 

CMYK 8 / 0 / 100 / 22

HEX #B8C800

RGB 184 200 0

HSL 64.8, 1%, 0.39%

LAB 76.98, -24.77, 77.21

 

CMYK 8 / 0 / 100 / 29

HEX #A7B600

RGB 167 182 0

HSL 64.95, 1%, 0.36%

LAB 70.64, -23.24, 71.94

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 0 / 14 / 78 / 0

HEX #FEDB39

RGB 254 219 57

HSL 49.34, 0.99%, 0.61%

LAB 87.98, -3.34, 77.75

 

CMYK 0 / 35 / 78 / 0

HEX #FEA639

RGB 254 166 57

HSL 33.2, 0.99%, 0.61%

LAB 75.23, 24.07, 66.02

 

CMYK 0 / 56 / 78 / 0

HEX #FE7139

RGB 254 113 57

HSL 17.06, 0.99%, 0.61%

LAB 64.3, 50.7, 55.5

 

CMYK 0 / 76 / 78 / 0

HEX #FE3C39

RGB 254 60 57

HSL 0.91, 0.99%, 0.61%

LAB 56.68, 71.23, 47.79

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 29 / 0 / 78 / 0

HEX #B5FE39

RGB 181 254 57

HSL 82.23, 0.99%, 0.61%

LAB 92.13, -48.84, 79.6

 

CMYK 50 / 0 / 78 / 0

HEX #80FE39

RGB 128 254 57

HSL 98.38, 0.99%, 0.61%

LAB 89.75, -65.89, 76.53

 

CMYK 70 / 0 / 78 / 0

HEX #4BFE39

RGB 75 254 57

HSL 114.52, 0.99%, 0.61%

LAB 88.29, -77.73, 74.63

 

CMYK 78 / 0 / 64 / 0

HEX #39FE5B

RGB 57 254 91

HSL 130.36, 0.99%, 0.61%

LAB 88.21, -77.59, 62.61

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 6 / 0 / 69 / 7

HEX #DEED49

RGB 222 237 73

HSL 65.49, 0.82%, 0.61%

LAB 90.13, -24.72, 73.54

 

CMYK 5 / 0 / 60 / 13

HEX #D1DD59

RGB 209 221 89

HSL 65.45, 0.66%, 0.61%

LAB 84.99, -21.31, 61.69

 

CMYK 4 / 0 / 49 / 20

HEX #C4CD69

RGB 196 205 105

HSL 65.4, 0.5%, 0.61%

LAB 79.85, -17.36, 48.31

 

CMYK 3 / 0 / 36 / 26

HEX #B7BD79

RGB 183 189 121

HSL 65.29, 0.34%, 0.61%

LAB 74.73, -12.72, 33.71

 

CMYK 0 / 35 / 78 / 0

HEX #FEA539

RGB 254 165 57

HSL 32.89, 0.99%, 0.61%

LAB 75, 24.59, 65.8

 

CMYK 0 / 15 / 78 / 0

HEX #FED939

RGB 254 217 57

HSL 48.73, 0.99%, 0.61%

LAB 87.48, -2.33, 77.3

 

CMYK 7 / 0 / 78 / 0

HEX #EDFE39

RGB 237 254 57

HSL 65.18, 0.99%, 0.61%

LAB 95.66, -27.38, 84.11

 

CMYK 27 / 0 / 78 / 0

HEX #B9FE39

RGB 185 254 57

HSL 81.02, 0.99%, 0.61%

LAB 92.35, -47.39, 79.88

 

CMYK 48 / 0 / 78 / 0

HEX #84FE39

RGB 132 254 57

HSL 97.16, 0.99%, 0.61%

LAB 89.9, -64.76, 76.72

 

CMYK 10 / 0 / 100 / 11

HEX #CDE301

RGB 205 227 1

HSL 65.84, 0.99%, 0.45%

LAB 85.97, -28.87, 84.49

 

CMYK 9 / 0 / 94 / 1

HEX #E6FD10

RGB 230 253 16

HSL 65.82, 0.98%, 0.53%

LAB 94.79, -30.66, 90.72

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 6 / 0 / 61 / 0

HEX #EFFE62

RGB 239 254 98

HSL 65.77, 0.99%, 0.69%

LAB 96.04, -24.55, 70.57

 

CMYK 4 / 0 / 45 / 0

HEX #F3FE8B

RGB 243 254 139

HSL 65.74, 0.98%, 0.77%

LAB 96.74, -19.71, 53.46

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 78 / 0 / 56 / 0

HEX #39FE70

RGB 57 254 112

HSL 136.75, 0.99%, 0.61%

LAB 88.41, -75.19, 53.91

 

CMYK 25 / 78 / 0 / 0

HEX #BF39FE

RGB 191 57 254

HSL 280.81, 0.99%, 0.61%

LAB 53.12, 79.35, -72.4

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 78 / 7 / 0 / 0

HEX #39EDFE

RGB 57 237 254

HSL 185.18, 0.99%, 0.61%

LAB 86.3, -37.71, -20.82

 

CMYK 0 / 78 / 7 / 0

HEX #FE39ED

RGB 254 57 237

HSL 305.18, 0.99%, 0.61%

LAB 61.75, 88.04, -48.57

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 78 / 0 / 56 / 0

HEX #39FE70

RGB 57 254 112

HSL 136.75, 0.99%, 0.61%

LAB 88.41, -75.19, 53.91

 

CMYK 71 / 78 / 0 / 0

HEX #4939FE

RGB 73 57 254

HSL 244.87, 0.99%, 0.61%

LAB 40.41, 64.32, -93.74

 

CMYK 0 / 78 / 22 / 0

HEX #FE39C6

RGB 254 57 198

HSL 317.06, 0.99%, 0.61%

LAB 59.96, 82.93, -29.36

 

CMYK 7 / 0 / 78 / 0

HEX #EBFE39

RGB 235 254 57

HSL 65.79, 0.99%, 0.61%

LAB 95.51, -28.18, 83.93

 

CMYK 78 / 0 / 33 / 0

HEX #39FEAB

RGB 57 254 171

HSL 154.72, 0.99%, 0.61%

LAB 89.25, -65.47, 26.55

 

CMYK 71 / 78 / 0 / 0

HEX #4939FE

RGB 73 57 254

HSL 244.87, 0.99%, 0.61%

LAB 40.41, 64.32, -93.74

 

CMYK 0 / 78 / 45 / 0

HEX #FE398B

RGB 254 57 139

HSL 335.03, 0.99%, 0.61%

LAB 57.91, 76.82, 1.86

 

Description

Color code: HEX #EBFE39 | qconv.com Color code: HEX #EBFE39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 254 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 254 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 78 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 78% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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