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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFD8F it is the complementary color #140270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFD8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFD8F shade: #F0FD8A, #FFFF9D, #FFFFB0, #FFFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFD8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFD8F shade: #EBFD8F, #DAEB7C, #C9D969, #B8C756 and #A7B543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFD8F shade: #EBFD91, #FDF191, #FDD491, #FDB791 and #FD9A91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFD8F shade: #EBFD91, #CEFD91, #B1FD91, #94FD91 and #91FDAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFD8F shade matches the following richer shades: #EBFD91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFD8F shade: #EBFD91, #E5F49A, #DFEBA3, #D9E2AC and #D3D8B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFD8F shade: #FDD391, #FDF091, #EDFD91, #D0FD91 and #B3FD91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFD8F shade: #DDFB40, #E4FC69, #EBFD91, #F2FEB9 and #FAFEE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFD8F shade: #EBFD8F, #91FDB7 and #E291FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFD8F shade: #EBFD8F, #91EDFD and #FD91ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFD8F shade: #EBFD8F, #91FDB7, #A191FD and #FD91D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFD8F shade: #EBFD8F, #91FDD7, #A191FD and #FD91B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 43 / 1

HEX #EBFD8F

RGB 235 253 143

HSL 69.82, 0.96%, 0.78%

LAB 95.95, -21.87, 50.48

 

Complementary color

CMYK 82 / 98 / 0 / 56

HEX #140270

RGB 20 2 112

HSL 249.82, 0.96%, 0.22%

LAB 11.7, 42.63, -56.49

 

CMYK 5 / 0 / 45 / 1

HEX #F0FD8A

RGB 240 253 138

HSL 66.78, 0.97%, 0.77%

LAB 96.25, -20.47, 53.28

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD8F

RGB 235 253 143

HSL 69.82, 0.96%, 0.78%

LAB 95.95, -21.87, 50.48

 

CMYK 7 / 0 / 47 / 8

HEX #DAEB7C

RGB 218 235 124

HSL 69.19, 0.74%, 0.7%

LAB 89.76, -21.61, 51.6

 

CMYK 7 / 0 / 52 / 15

HEX #C9D969

RGB 201 217 105

HSL 68.57, 0.6%, 0.63%

LAB 83.48, -21.28, 52.7

 

CMYK 8 / 0 / 57 / 22

HEX #B8C756

RGB 184 199 86

HSL 67.96, 0.5%, 0.56%

LAB 77.11, -20.88, 53.73

 

CMYK 8 / 0 / 63 / 29

HEX #A7B543

RGB 167 181 67

HSL 67.37, 0.46%, 0.49%

LAB 70.64, -20.36, 54.6

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD91

RGB 235 253 145

HSL 70, 0.96%, 0.78%

LAB 95.98, -21.67, 49.56

 

CMYK 0 / 5 / 43 / 1

HEX #FDF191

RGB 253 241 145

HSL 53.33, 0.96%, 0.78%

LAB 94.24, -8.93, 47.68

 

CMYK 0 / 16 / 43 / 1

HEX #FDD491

RGB 253 212 145

HSL 37.22, 0.96%, 0.78%

LAB 87, 5.74, 38.46

 

CMYK 0 / 28 / 43 / 1

HEX #FDB791

RGB 253 183 145

HSL 21.11, 0.96%, 0.78%

LAB 80.06, 20.85, 29.34

 

CMYK 0 / 39 / 43 / 1

HEX #FD9A91

RGB 253 154 145

HSL 5, 0.96%, 0.78%

LAB 73.57, 36, 20.55

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD91

RGB 235 253 145

HSL 70, 0.96%, 0.78%

LAB 95.98, -21.67, 49.56

 

CMYK 19 / 0 / 43 / 1

HEX #CEFD91

RGB 206 253 145

HSL 86.11, 0.96%, 0.78%

LAB 94.06, -32.34, 46.75

 

CMYK 30 / 0 / 43 / 1

HEX #B1FD91

RGB 177 253 145

HSL 102.22, 0.96%, 0.78%

LAB 92.42, -42.32, 44.32

 

CMYK 42 / 0 / 43 / 1

HEX #94FD91

RGB 148 253 145

HSL 118.33, 0.96%, 0.78%

LAB 91.05, -51.31, 42.3

 

CMYK 43 / 0 / 32 / 1

HEX #91FDAB

RGB 145 253 171

HSL 134.44, 0.96%, 0.78%

LAB 91.33, -48.12, 29.77

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD91

RGB 235 253 145

HSL 70, 0.96%, 0.78%

LAB 95.98, -21.67, 49.56

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD91

RGB 235 253 145

HSL 70, 0.96%, 0.78%

LAB 95.98, -21.67, 49.56

 

CMYK 6 / 0 / 37 / 4

HEX #E5F49A

RGB 229 244 154

HSL 70, 0.8%, 0.78%

LAB 93.32, -18.59, 41.73

 

CMYK 5 / 0 / 31 / 8

HEX #DFEBA3

RGB 223 235 163

HSL 70, 0.64%, 0.78%

LAB 90.67, -15.33, 33.68

 

CMYK 4 / 0 / 24 / 11

HEX #D9E2AC

RGB 217 226 172

HSL 70, 0.48%, 0.78%

LAB 88.03, -11.85, 25.45

 

CMYK 2 / 0 / 16 / 15

HEX #D3D8B5

RGB 211 216 181

HSL 68.57, 0.31%, 0.78%

LAB 85.15, -7.63, 16.71

 

CMYK 0 / 17 / 43 / 1

HEX #FDD391

RGB 253 211 145

HSL 36.67, 0.96%, 0.78%

LAB 86.76, 6.26, 38.14

 

CMYK 0 / 5 / 43 / 1

HEX #FDF091

RGB 253 240 145

HSL 52.78, 0.96%, 0.78%

LAB 93.99, -8.43, 47.36

 

CMYK 6 / 0 / 43 / 1

HEX #EDFD91

RGB 237 253 145

HSL 68.89, 0.96%, 0.78%

LAB 96.12, -20.91, 49.77

 

CMYK 18 / 0 / 43 / 1

HEX #D0FD91

RGB 208 253 145

HSL 85, 0.96%, 0.78%

LAB 94.19, -31.62, 46.93

 

CMYK 29 / 0 / 43 / 1

HEX #B3FD91

RGB 179 253 145

HSL 101.11, 0.96%, 0.78%

LAB 92.52, -41.66, 44.48

 

CMYK 12 / 0 / 75 / 2

HEX #DDFB40

RGB 221 251 64

HSL 69.63, 0.96%, 0.62%

LAB 93.77, -32.08, 79.97

 

CMYK 10 / 0 / 58 / 1

HEX #E4FC69

RGB 228 252 105

HSL 69.8, 0.96%, 0.7%

LAB 94.8, -27.42, 66.11

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD91

RGB 235 253 145

HSL 70, 0.96%, 0.78%

LAB 95.98, -21.67, 49.56

 

CMYK 5 / 0 / 27 / 0

HEX #F2FEB9

RGB 242 254 185

HSL 70.43, 0.97%, 0.86%

LAB 97.33, -14.82, 31.76

 

CMYK 2 / 0 / 11 / 0

HEX #FAFEE2

RGB 250 254 226

HSL 68.57, 0.93%, 0.94%

LAB 98.71, -6.02, 12.94

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD8F

RGB 235 253 143

HSL 69.82, 0.96%, 0.78%

LAB 95.95, -21.87, 50.48

 

CMYK 43 / 0 / 28 / 1

HEX #91FDB7

RGB 145 253 183

HSL 141.11, 0.96%, 0.78%

LAB 91.55, -46.02, 23.99

 

CMYK 11 / 43 / 0 / 1

HEX #E291FD

RGB 226 145 253

HSL 285, 0.96%, 0.78%

LAB 71.9, 48.17, -41.68

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD8F

RGB 235 253 143

HSL 69.82, 0.96%, 0.78%

LAB 95.95, -21.87, 50.48

 

CMYK 43 / 6 / 0 / 1

HEX #91EDFD

RGB 145 237 253

HSL 188.89, 0.96%, 0.78%

LAB 88.77, -23.42, -16.33

 

CMYK 0 / 43 / 6 / 1

HEX #FD91ED

RGB 253 145 237

HSL 308.89, 0.96%, 0.78%

LAB 74.35, 53.15, -28.93

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD8F

RGB 235 253 143

HSL 69.82, 0.96%, 0.78%

LAB 95.95, -21.87, 50.48

 

CMYK 43 / 0 / 28 / 1

HEX #91FDB7

RGB 145 253 183

HSL 141.11, 0.96%, 0.78%

LAB 91.55, -46.02, 23.99

 

CMYK 36 / 43 / 0 / 1

HEX #A191FD

RGB 161 145 253

HSL 248.89, 0.96%, 0.78%

LAB 65.69, 30.41, -51.89

 

CMYK 0 / 43 / 15 / 1

HEX #FD91D7

RGB 253 145 215

HSL 321.11, 0.96%, 0.78%

LAB 73.57, 49.63, -18.07

 

CMYK 7 / 0 / 43 / 1

HEX #EBFD8F

RGB 235 253 143

HSL 69.82, 0.96%, 0.78%

LAB 95.95, -21.87, 50.48

 

CMYK 43 / 0 / 15 / 1

HEX #91FDD7

RGB 145 253 215

HSL 158.89, 0.96%, 0.78%

LAB 92.21, -39.74, 8.5

 

CMYK 36 / 43 / 0 / 1

HEX #A191FD

RGB 161 145 253

HSL 248.89, 0.96%, 0.78%

LAB 65.69, 30.41, -51.89

 

CMYK 0 / 43 / 28 / 1

HEX #FD91B7

RGB 253 145 183

HSL 338.89, 0.96%, 0.78%

LAB 72.6, 45.08, -1.84

 

Description

Color code: HEX #EBFD8F | qconv.com Color code: HEX #EBFD8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 253 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 253 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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