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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFD42 it is the complementary color #1402BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFD42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFD42 shade: #F0FD3D, #FFFF50, #FFFF63, #FFFF76 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFD42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFD42 shade: #EBFD42, #DAEB2F, #C9D91C, #B8C709 and #A7B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFD42 shade: #EBFD44, #FDDD44, #FDAB44, #FD7944 and #FD4744

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFD42 shade: #EBFD44, #B9FD44, #88FD44, #56FD44 and #44FD65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFD42 shade matches the following richer shades: #EBFD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFD42 shade: #EBFD44, #DFEE53, #D3DF63, #C6CF72 and #BAC081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFD42 shade: #FDAA44, #FDDB44, #EEFD44, #BCFD44 and #8BFD44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFD42 shade: #D6EC02, #E7FD1B, #EBFD44, #F0FE6D and #F4FE96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFD42 shade: #EBFD42, #44FD79 and #C344FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFD42 shade: #EBFD42, #44EEFD and #FD44EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFD42 shade: #EBFD42, #44FD79, #5444FD and #FD44C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFD42 shade: #EBFD42, #44FDB0, #5444FD and #FD4491

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 74 / 1

HEX #EBFD42

RGB 235 253 66

HSL 65.78, 0.98%, 0.63%

LAB 95.29, -27.37, 81.13

 

Complementary color

CMYK 89 / 99 / 0 / 26

HEX #1402BD

RGB 20 2 189

HSL 245.78, 0.98%, 0.37%

LAB 23.22, 62.93, -85

 

CMYK 5 / 0 / 76 / 1

HEX #F0FD3D

RGB 240 253 61

HSL 64.06, 0.98%, 0.62%

LAB 95.63, -25.56, 83.05

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 7 / 0 / 74 / 1

HEX #EBFD42

RGB 235 253 66

HSL 65.78, 0.98%, 0.63%

LAB 95.29, -27.37, 81.13

 

CMYK 7 / 0 / 80 / 8

HEX #DAEB2F

RGB 218 235 47

HSL 65.43, 0.82%, 0.55%

LAB 89.17, -26.48, 80.49

 

CMYK 7 / 0 / 87 / 15

HEX #C9D91C

RGB 201 217 28

HSL 65.08, 0.77%, 0.48%

LAB 82.98, -25.42, 78.94

 

CMYK 8 / 0 / 95 / 22

HEX #B8C709

RGB 184 199 9

HSL 64.74, 0.91%, 0.41%

LAB 76.71, -24.19, 76.11

 

CMYK 8 / 0 / 100 / 29

HEX #A7B500

RGB 167 181 0

HSL 64.64, 1%, 0.35%

LAB 70.36, -22.75, 71.73

 

CMYK 7 / 0 / 73 / 1

HEX #EBFD44

RGB 235 253 68

HSL 65.84, 0.98%, 0.63%

LAB 95.3, -27.29, 80.52

 

CMYK 0 / 13 / 73 / 1

HEX #FDDD44

RGB 253 221 68

HSL 49.62, 0.98%, 0.63%

LAB 88.45, -4.34, 74.53

 

CMYK 0 / 32 / 73 / 1

HEX #FDAB44

RGB 253 171 68

HSL 33.41, 0.98%, 0.63%

LAB 76.33, 21.48, 62.65

 

CMYK 0 / 52 / 73 / 1

HEX #FD7944

RGB 253 121 68

HSL 17.19, 0.98%, 0.63%

LAB 65.73, 46.96, 51.68

 

CMYK 0 / 72 / 73 / 1

HEX #FD4744

RGB 253 71 68

HSL 0.97, 0.98%, 0.63%

LAB 57.85, 67.88, 43.08

 

CMYK 7 / 0 / 73 / 1

HEX #EBFD44

RGB 235 253 68

HSL 65.84, 0.98%, 0.63%

LAB 95.3, -27.29, 80.52

 

CMYK 27 / 0 / 73 / 1

HEX #B9FD44

RGB 185 253 68

HSL 82.05, 0.98%, 0.63%

LAB 92.12, -46.44, 76.37

 

CMYK 46 / 0 / 73 / 1

HEX #88FD44

RGB 136 253 68

HSL 97.95, 0.98%, 0.63%

LAB 89.81, -62.62, 73.33

 

CMYK 66 / 0 / 73 / 1

HEX #56FD44

RGB 86 253 68

HSL 114.16, 0.98%, 0.63%

LAB 88.28, -74.76, 71.3

 

CMYK 73 / 0 / 60 / 1

HEX #44FD65

RGB 68 253 101

HSL 130.7, 0.98%, 0.63%

LAB 88.17, -74.76, 58.47

 

CMYK 7 / 0 / 73 / 1

HEX #EBFD44

RGB 235 253 68

HSL 65.84, 0.98%, 0.63%

LAB 95.3, -27.29, 80.52

 

CMYK 7 / 0 / 73 / 1

HEX #EBFD44

RGB 235 253 68

HSL 65.84, 0.98%, 0.63%

LAB 95.3, -27.29, 80.52

 

CMYK 6 / 0 / 65 / 7

HEX #DFEE53

RGB 223 238 83

HSL 65.81, 0.82%, 0.63%

LAB 90.53, -24.25, 70.3

 

CMYK 5 / 0 / 56 / 13

HEX #D3DF63

RGB 211 223 99

HSL 65.81, 0.66%, 0.63%

LAB 85.77, -20.73, 58.26

 

CMYK 4 / 0 / 45 / 19

HEX #C6CF72

RGB 198 207 114

HSL 65.81, 0.49%, 0.63%

LAB 80.65, -16.68, 44.96

 

CMYK 3 / 0 / 33 / 25

HEX #BAC081

RGB 186 192 129

HSL 65.71, 0.33%, 0.63%

LAB 75.9, -12.1, 31.12

 

CMYK 0 / 33 / 73 / 1

HEX #FDAA44

RGB 253 170 68

HSL 33.08, 0.98%, 0.63%

LAB 76.1, 22, 62.42

 

CMYK 0 / 13 / 73 / 1

HEX #FDDB44

RGB 253 219 68

HSL 48.97, 0.98%, 0.63%

LAB 87.95, -3.33, 74.05

 

CMYK 6 / 0 / 73 / 1

HEX #EEFD44

RGB 238 253 68

HSL 64.86, 0.98%, 0.63%

LAB 95.52, -26.09, 80.8

 

CMYK 26 / 0 / 73 / 1

HEX #BCFD44

RGB 188 253 68

HSL 81.08, 0.98%, 0.63%

LAB 92.29, -45.35, 76.59

 

CMYK 45 / 0 / 73 / 1

HEX #8BFD44

RGB 139 253 68

HSL 96.97, 0.98%, 0.63%

LAB 89.93, -61.73, 73.49

 

CMYK 9 / 0 / 99 / 7

HEX #D6EC02

RGB 214 236 2

HSL 65.64, 0.98%, 0.47%

LAB 89.06, -29.39, 87

 

CMYK 9 / 0 / 89 / 1

HEX #E7FD1B

RGB 231 253 27

HSL 65.84, 0.98%, 0.55%

LAB 94.87, -30.1, 89.52

 

CMYK 7 / 0 / 73 / 1

HEX #EBFD44

RGB 235 253 68

HSL 65.84, 0.98%, 0.63%

LAB 95.3, -27.29, 80.52

 

CMYK 6 / 0 / 57 / 0

HEX #F0FE6D

RGB 240 254 109

HSL 65.79, 0.99%, 0.71%

LAB 96.21, -23.4, 66.23

 

CMYK 4 / 0 / 41 / 0

HEX #F4FE96

RGB 244 254 150

HSL 65.77, 0.98%, 0.79%

LAB 96.95, -18.23, 48.52

 

CMYK 7 / 0 / 74 / 1

HEX #EBFD42

RGB 235 253 66

HSL 65.78, 0.98%, 0.63%

LAB 95.29, -27.37, 81.13

 

CMYK 73 / 0 / 52 / 1

HEX #44FD79

RGB 68 253 121

HSL 137.19, 0.98%, 0.63%

LAB 88.38, -72.25, 49.83

 

CMYK 23 / 73 / 0 / 1

HEX #C344FD

RGB 195 68 253

HSL 281.19, 0.98%, 0.63%

LAB 54.89, 76.17, -68.95

 

CMYK 7 / 0 / 74 / 1

HEX #EBFD42

RGB 235 253 66

HSL 65.78, 0.98%, 0.63%

LAB 95.29, -27.37, 81.13

 

CMYK 73 / 6 / 0 / 1

HEX #44EEFD

RGB 68 238 253

HSL 184.86, 0.98%, 0.63%

LAB 86.74, -37.36, -19.62

 

CMYK 0 / 73 / 6 / 1

HEX #FD44EE

RGB 253 68 238

HSL 304.86, 0.98%, 0.63%

LAB 62.67, 85.03, -47.69

 

CMYK 7 / 0 / 74 / 1

HEX #EBFD42

RGB 235 253 66

HSL 65.78, 0.98%, 0.63%

LAB 95.29, -27.37, 81.13

 

CMYK 73 / 0 / 52 / 1

HEX #44FD79

RGB 68 253 121

HSL 137.19, 0.98%, 0.63%

LAB 88.38, -72.25, 49.83

 

CMYK 67 / 73 / 0 / 1

HEX #5444FD

RGB 84 68 253

HSL 245.19, 0.98%, 0.63%

LAB 42.93, 59.6, -88.98

 

CMYK 0 / 73 / 21 / 1

HEX #FD44C9

RGB 253 68 201

HSL 316.86, 0.98%, 0.63%

LAB 60.99, 80.01, -29.48

 

CMYK 7 / 0 / 74 / 1

HEX #EBFD42

RGB 235 253 66

HSL 65.78, 0.98%, 0.63%

LAB 95.29, -27.37, 81.13

 

CMYK 73 / 0 / 30 / 1

HEX #44FDB0

RGB 68 253 176

HSL 155.03, 0.98%, 0.63%

LAB 89.21, -62.81, 23.99

 

CMYK 67 / 73 / 0 / 1

HEX #5444FD

RGB 84 68 253

HSL 245.19, 0.98%, 0.63%

LAB 42.93, 59.6, -88.98

 

CMYK 0 / 73 / 43 / 1

HEX #FD4491

RGB 253 68 145

HSL 335.03, 0.98%, 0.63%

LAB 59.03, 73.89, -0.05

 

Description

Color code: HEX #EBFD42 | qconv.com Color code: HEX #EBFD42 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 253 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 253 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 74 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 74% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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