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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFC7B it is the complementary color #140384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFC7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFC7B shade: #F0FC76, #FFFF89, #FFFF9C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFC7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFC7B shade: #EBFC7B, #DAEA68, #C9D855, #B8C642 and #A7B42F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFC7B shade: #ECFC7D, #FCEB7D, #FCC87D, #FCA67D and #FC847D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFC7B shade: #ECFC7D, #C9FC7D, #A7FC7D, #85FC7D and #7DFC98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFC7B shade matches the following richer shades: #ECFC7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFC7B shade: #ECFC7D, #E4F288, #DCE793, #D4DC9D and #CCD1A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFC7B shade: #FCC77D, #FCE97D, #EDFC7D, #CCFC7D and #AAFC7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFC7B shade: #DFFB2C, #E6FC55, #ECFC7D, #F2FDA5 and #F8FECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFC7B shade: #EBFC7B, #7DFCA5 and #D87DFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFC7B shade: #EBFC7B, #7DEDFC and #FC7DED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFC7B shade: #EBFC7B, #7DFCA5, #8C7DFC and #FC7DD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFC7B shade: #EBFC7B, #7DFCCC, #8C7DFC and #FC7DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 51 / 1

HEX #EBFC7B

RGB 235 252 123

HSL 67.91, 0.96%, 0.74%

LAB 95.46, -23.28, 59.15

 

Complementary color

CMYK 85 / 98 / 0 / 48

HEX #140384

RGB 20 3 132

HSL 247.91, 0.96%, 0.26%

LAB 14.84, 47.75, -64.1

 

CMYK 5 / 0 / 53 / 1

HEX #F0FC76

RGB 240 252 118

HSL 65.37, 0.96%, 0.73%

LAB 95.77, -21.76, 61.84

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 7 / 0 / 51 / 1

HEX #EBFC7B

RGB 235 252 123

HSL 67.91, 0.96%, 0.74%

LAB 95.46, -23.28, 59.15

 

CMYK 7 / 0 / 56 / 8

HEX #DAEA68

RGB 218 234 104

HSL 67.38, 0.76%, 0.66%

LAB 89.28, -22.88, 60.17

 

CMYK 7 / 0 / 61 / 15

HEX #C9D855

RGB 201 216 85

HSL 66.87, 0.63%, 0.59%

LAB 83.01, -22.39, 61.05

 

CMYK 7 / 0 / 67 / 22

HEX #B8C642

RGB 184 198 66

HSL 66.36, 0.54%, 0.52%

LAB 76.66, -21.78, 61.7

 

CMYK 7 / 0 / 74 / 29

HEX #A7B42F

RGB 167 180 47

HSL 65.86, 0.59%, 0.45%

LAB 70.22, -21.03, 61.9

 

CMYK 6 / 0 / 50 / 1

HEX #ECFC7D

RGB 236 252 125

HSL 67.56, 0.95%, 0.74%

LAB 95.55, -22.72, 58.38

 

CMYK 0 / 7 / 50 / 1

HEX #FCEB7D

RGB 252 235 125

HSL 51.97, 0.95%, 0.74%

LAB 92.39, -8.17, 54.93

 

CMYK 0 / 21 / 50 / 1

HEX #FCC87D

RGB 252 200 125

HSL 35.43, 0.95%, 0.74%

LAB 83.7, 9.66, 44.32

 

CMYK 0 / 34 / 50 / 1

HEX #FCA67D

RGB 252 166 125

HSL 19.37, 0.95%, 0.74%

LAB 75.73, 27.45, 34.21

 

CMYK 0 / 48 / 50 / 1

HEX #FC847D

RGB 252 132 125

HSL 3.31, 0.95%, 0.74%

LAB 68.52, 44.89, 24.7

 

CMYK 6 / 0 / 50 / 1

HEX #ECFC7D

RGB 236 252 125

HSL 67.56, 0.95%, 0.74%

LAB 95.55, -22.72, 58.38

 

CMYK 20 / 0 / 50 / 1

HEX #C9FC7D

RGB 201 252 125

HSL 84.09, 0.95%, 0.74%

LAB 93.24, -35.84, 55.07

 

CMYK 34 / 0 / 50 / 1

HEX #A7FC7D

RGB 167 252 125

HSL 100.16, 0.95%, 0.74%

LAB 91.38, -47.58, 52.38

 

CMYK 47 / 0 / 50 / 1

HEX #85FC7D

RGB 133 252 125

HSL 116.22, 0.95%, 0.74%

LAB 89.9, -57.78, 50.24

 

CMYK 50 / 0 / 40 / 1

HEX #7DFC98

RGB 125 252 152

HSL 132.76, 0.95%, 0.74%

LAB 89.97, -56.04, 37.31

 

CMYK 6 / 0 / 50 / 1

HEX #ECFC7D

RGB 236 252 125

HSL 67.56, 0.95%, 0.74%

LAB 95.55, -22.72, 58.38

 

CMYK 6 / 0 / 50 / 1

HEX #ECFC7D

RGB 236 252 125

HSL 67.56, 0.95%, 0.74%

LAB 95.55, -22.72, 58.38

 

CMYK 6 / 0 / 44 / 5

HEX #E4F288

RGB 228 242 136

HSL 67.92, 0.8%, 0.74%

LAB 92.48, -19.96, 49.4

 

CMYK 5 / 0 / 36 / 9

HEX #DCE793

RGB 220 231 147

HSL 67.86, 0.64%, 0.74%

LAB 89.15, -16.44, 39.69

 

CMYK 4 / 0 / 29 / 14

HEX #D4DC9D

RGB 212 220 157

HSL 67.62, 0.47%, 0.74%

LAB 85.81, -12.74, 30.13

 

CMYK 2 / 0 / 20 / 18

HEX #CCD1A8

RGB 204 209 168

HSL 67.32, 0.31%, 0.74%

LAB 82.52, -8.59, 19.81

 

CMYK 0 / 21 / 50 / 1

HEX #FCC77D

RGB 252 199 125

HSL 34.96, 0.95%, 0.74%

LAB 83.45, 10.18, 44.02

 

CMYK 0 / 8 / 50 / 1

HEX #FCE97D

RGB 252 233 125

HSL 51.02, 0.95%, 0.74%

LAB 91.89, -7.17, 54.32

 

CMYK 6 / 0 / 50 / 1

HEX #EDFC7D

RGB 237 252 125

HSL 67.09, 0.95%, 0.74%

LAB 95.62, -22.33, 58.48

 

CMYK 19 / 0 / 50 / 1

HEX #CCFC7D

RGB 204 252 125

HSL 82.68, 0.95%, 0.74%

LAB 93.42, -34.75, 55.33

 

CMYK 33 / 0 / 50 / 1

HEX #AAFC7D

RGB 170 252 125

HSL 98.74, 0.95%, 0.74%

LAB 91.53, -46.59, 52.6

 

CMYK 11 / 0 / 82 / 2

HEX #DFFB2C

RGB 223 251 44

HSL 68.12, 0.96%, 0.58%

LAB 93.82, -32, 85.34

 

CMYK 9 / 0 / 66 / 1

HEX #E6FC55

RGB 230 252 85

HSL 67.9, 0.97%, 0.66%

LAB 94.78, -27.95, 74.06

 

CMYK 6 / 0 / 50 / 1

HEX #ECFC7D

RGB 236 252 125

HSL 67.56, 0.95%, 0.74%

LAB 95.55, -22.72, 58.38

 

CMYK 4 / 0 / 35 / 1

HEX #F2FDA5

RGB 242 253 165

HSL 67.5, 0.96%, 0.82%

LAB 96.76, -16.83, 40.95

 

CMYK 2 / 0 / 19 / 0

HEX #F8FECE

RGB 248 254 206

HSL 67.5, 0.96%, 0.9%

LAB 98.15, -9.76, 22.34

 

CMYK 7 / 0 / 51 / 1

HEX #EBFC7B

RGB 235 252 123

HSL 67.91, 0.96%, 0.74%

LAB 95.46, -23.28, 59.15

 

CMYK 50 / 0 / 35 / 1

HEX #7DFCA5

RGB 125 252 165

HSL 138.9, 0.95%, 0.74%

LAB 90.18, -53.89, 31.11

 

CMYK 14 / 50 / 0 / 1

HEX #D87DFC

RGB 216 125 252

HSL 282.99, 0.95%, 0.74%

LAB 66.74, 55.46, -49.31

 

CMYK 7 / 0 / 51 / 1

HEX #EBFC7B

RGB 235 252 123

HSL 67.91, 0.96%, 0.74%

LAB 95.46, -23.28, 59.15

 

CMYK 50 / 6 / 0 / 1

HEX #7DEDFC

RGB 125 237 252

HSL 187.09, 0.95%, 0.74%

LAB 87.95, -28.11, -17.12

 

CMYK 0 / 50 / 6 / 1

HEX #FC7DED

RGB 252 125 237

HSL 307.09, 0.95%, 0.74%

LAB 70.51, 62.52, -34.87

 

CMYK 7 / 0 / 51 / 1

HEX #EBFC7B

RGB 235 252 123

HSL 67.91, 0.96%, 0.74%

LAB 95.46, -23.28, 59.15

 

CMYK 50 / 0 / 35 / 1

HEX #7DFCA5

RGB 125 252 165

HSL 138.9, 0.95%, 0.74%

LAB 90.18, -53.89, 31.11

 

CMYK 44 / 50 / 0 / 1

HEX #8C7DFC

RGB 140 125 252

HSL 247.09, 0.95%, 0.74%

LAB 59.22, 36.58, -61.73

 

CMYK 0 / 50 / 16 / 1

HEX #FC7DD4

RGB 252 125 212

HSL 318.9, 0.95%, 0.74%

LAB 69.55, 58.63, -22.53

 

CMYK 7 / 0 / 51 / 1

HEX #EBFC7B

RGB 235 252 123

HSL 67.91, 0.96%, 0.74%

LAB 95.46, -23.28, 59.15

 

CMYK 50 / 0 / 19 / 1

HEX #7DFCCC

RGB 125 252 204

HSL 157.32, 0.95%, 0.74%

LAB 90.94, -46.38, 12.26

 

CMYK 44 / 50 / 0 / 1

HEX #8C7DFC

RGB 140 125 252

HSL 247.09, 0.95%, 0.74%

LAB 59.22, 36.58, -61.73

 

CMYK 0 / 50 / 31 / 1

HEX #FC7DAE

RGB 252 125 174

HSL 336.85, 0.95%, 0.74%

LAB 68.33, 53.47, -3.09

 

Description

Color code: HEX #EBFC7B | qconv.com Color code: HEX #EBFC7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 252 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 252 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 51 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 51% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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