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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFB6B it is the complementary color #140494. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFB6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFB6B shade: #F0FB66, #FFFF79, #FFFF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFB6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFB6B shade: #EBFB6B, #DAE958, #C9D745, #B8C532 and #A7B31F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFB6B shade: #EBFB6A, #FBE46A, #FBBD6A, #FB966A and #FB6F6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFB6B shade: #EBFB6A, #C4FB6A, #9DFB6A, #75FB6A and #6AFB85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFB6B shade matches the following richer shades: #EBFB6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFB6B shade: #EBFB6A, #E1EF76, #D8E283, #CED68F and #C5CA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFB6B shade: #FBBC6A, #FBE36A, #EDFB6A, #C6FB6A and #9FFB6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFB6B shade: #E0F919, #E6FA42, #EBFB6A, #F0FC92 and #F6FDBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFB6B shade: #EBFB6B, #6AFB95 and #D06AFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFB6B shade: #EBFB6B, #6AEDFB and #FB6AED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFB6B shade: #EBFB6B, #6AFB95, #786AFB and #FB6AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFB6B shade: #EBFB6B, #6AFBC1, #786AFB and #FB6AA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 57 / 2

HEX #EBFB6B

RGB 235 251 107

HSL 66.67, 0.95%, 0.7%

LAB 95.04, -24.08, 65.68

 

Complementary color

CMYK 86 / 97 / 0 / 42

HEX #140494

RGB 20 4 148

HSL 246.67, 0.95%, 0.3%

LAB 17.34, 51.75, -69.97

 

CMYK 4 / 0 / 59 / 2

HEX #F0FB66

RGB 240 251 102

HSL 64.43, 0.95%, 0.69%

LAB 95.36, -22.47, 68.23

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 6 / 0 / 57 / 2

HEX #EBFB6B

RGB 235 251 107

HSL 66.67, 0.95%, 0.7%

LAB 95.04, -24.08, 65.68

 

CMYK 6 / 0 / 62 / 9

HEX #DAE958

RGB 218 233 88

HSL 66.21, 0.77%, 0.63%

LAB 88.87, -23.55, 66.48

 

CMYK 7 / 0 / 68 / 16

HEX #C9D745

RGB 201 215 69

HSL 65.75, 0.65%, 0.56%

LAB 82.62, -22.91, 67.01

 

CMYK 7 / 0 / 75 / 23

HEX #B8C532

RGB 184 197 50

HSL 65.31, 0.6%, 0.48%

LAB 76.29, -22.13, 67.07

 

CMYK 7 / 0 / 83 / 30

HEX #A7B31F

RGB 167 179 31

HSL 64.86, 0.7%, 0.41%

LAB 69.86, -21.17, 66.34

 

CMYK 6 / 0 / 58 / 2

HEX #EBFB6A

RGB 235 251 106

HSL 66.62, 0.95%, 0.7%

LAB 95.03, -24.15, 66.09

 

CMYK 0 / 9 / 58 / 2

HEX #FBE46A

RGB 251 228 106

HSL 50.48, 0.95%, 0.7%

LAB 90.34, -6.55, 61.19

 

CMYK 0 / 25 / 58 / 2

HEX #FBBD6A

RGB 251 189 106

HSL 34.34, 0.95%, 0.7%

LAB 80.71, 13.46, 50.05

 

CMYK 0 / 40 / 58 / 2

HEX #FB966A

RGB 251 150 106

HSL 18.21, 0.95%, 0.7%

LAB 71.8, 33.85, 39.23

 

CMYK 0 / 56 / 58 / 2

HEX #FB6F6A

RGB 251 111 106

HSL 2.07, 0.95%, 0.7%

LAB 64.1, 53.13, 29.45

 

CMYK 6 / 0 / 58 / 2

HEX #EBFB6A

RGB 235 251 106

HSL 66.62, 0.95%, 0.7%

LAB 95.03, -24.15, 66.09

 

CMYK 22 / 0 / 58 / 2

HEX #C4FB6A

RGB 196 251 106

HSL 82.76, 0.95%, 0.7%

LAB 92.47, -38.97, 62.53

 

CMYK 37 / 0 / 58 / 2

HEX #9DFB6A

RGB 157 251 106

HSL 98.9, 0.95%, 0.7%

LAB 90.41, -52.38, 59.63

 

CMYK 53 / 0 / 58 / 2

HEX #75FB6A

RGB 117 251 106

HSL 115.45, 0.95%, 0.7%

LAB 88.84, -63.82, 57.4

 

CMYK 58 / 0 / 47 / 2

HEX #6AFB85

RGB 106 251 133

HSL 131.17, 0.95%, 0.7%

LAB 88.81, -62.99, 44.92

 

CMYK 6 / 0 / 58 / 2

HEX #EBFB6A

RGB 235 251 106

HSL 66.62, 0.95%, 0.7%

LAB 95.03, -24.15, 66.09

 

CMYK 6 / 0 / 58 / 2

HEX #EBFB6A

RGB 235 251 106

HSL 66.62, 0.95%, 0.7%

LAB 95.03, -24.15, 66.09

 

CMYK 6 / 0 / 51 / 6

HEX #E1EF76

RGB 225 239 118

HSL 66.94, 0.79%, 0.7%

LAB 91.26, -21.37, 56.3

 

CMYK 4 / 0 / 42 / 11

HEX #D8E283

RGB 216 226 131

HSL 66.32, 0.62%, 0.7%

LAB 87.31, -17.29, 45.19

 

CMYK 4 / 0 / 33 / 16

HEX #CED68F

RGB 206 214 143

HSL 66.76, 0.46%, 0.7%

LAB 83.55, -13.8, 34.22

 

CMYK 2 / 0 / 23 / 21

HEX #C5CA9B

RGB 197 202 155

HSL 66.38, 0.31%, 0.7%

LAB 79.89, -9.5, 22.95

 

CMYK 0 / 25 / 58 / 2

HEX #FBBC6A

RGB 251 188 106

HSL 33.93, 0.95%, 0.7%

LAB 80.47, 13.98, 49.76

 

CMYK 0 / 10 / 58 / 2

HEX #FBE36A

RGB 251 227 106

HSL 50.07, 0.95%, 0.7%

LAB 90.09, -6.04, 60.9

 

CMYK 6 / 0 / 58 / 2

HEX #EDFB6A

RGB 237 251 106

HSL 65.79, 0.95%, 0.7%

LAB 95.18, -23.37, 66.29

 

CMYK 21 / 0 / 58 / 2

HEX #C6FB6A

RGB 198 251 106

HSL 81.93, 0.95%, 0.7%

LAB 92.59, -38.23, 62.69

 

CMYK 37 / 0 / 58 / 2

HEX #9FFB6A

RGB 159 251 106

HSL 98.07, 0.95%, 0.7%

LAB 90.51, -51.74, 59.77

 

CMYK 10 / 0 / 90 / 2

HEX #E0F919

RGB 224 249 25

HSL 66.7, 0.95%, 0.54%

LAB 93.31, -31.1, 88.35

 

CMYK 8 / 0 / 74 / 2

HEX #E6FA42

RGB 230 250 66

HSL 66.52, 0.95%, 0.62%

LAB 94.14, -27.97, 79.92

 

CMYK 6 / 0 / 58 / 2

HEX #EBFB6A

RGB 235 251 106

HSL 66.62, 0.95%, 0.7%

LAB 95.03, -24.15, 66.09

 

CMYK 5 / 0 / 42 / 1

HEX #F0FC92

RGB 240 252 146

HSL 66.79, 0.95%, 0.78%

LAB 96.09, -19.19, 49.3

 

CMYK 3 / 0 / 26 / 1

HEX #F6FDBA

RGB 246 253 186

HSL 66.27, 0.94%, 0.86%

LAB 97.39, -12.75, 31.38

 

CMYK 6 / 0 / 57 / 2

HEX #EBFB6B

RGB 235 251 107

HSL 66.67, 0.95%, 0.7%

LAB 95.04, -24.08, 65.68

 

CMYK 58 / 0 / 41 / 2

HEX #6AFB95

RGB 106 251 149

HSL 137.79, 0.95%, 0.7%

LAB 89.03, -60.54, 37.44

 

CMYK 17 / 58 / 0 / 2

HEX #D06AFB

RGB 208 106 251

HSL 282.21, 0.95%, 0.7%

LAB 62.24, 62.53, -55.97

 

CMYK 6 / 0 / 57 / 2

HEX #EBFB6B

RGB 235 251 107

HSL 66.67, 0.95%, 0.7%

LAB 95.04, -24.08, 65.68

 

CMYK 58 / 6 / 0 / 2

HEX #6AEDFB

RGB 106 237 251

HSL 185.79, 0.95%, 0.7%

LAB 87.29, -32.02, -17.65

 

CMYK 0 / 58 / 6 / 2

HEX #FB6AED

RGB 251 106 237

HSL 305.79, 0.95%, 0.7%

LAB 67.23, 70.72, -39.99

 

CMYK 6 / 0 / 57 / 2

HEX #EBFB6B

RGB 235 251 107

HSL 66.67, 0.95%, 0.7%

LAB 95.04, -24.08, 65.68

 

CMYK 58 / 0 / 41 / 2

HEX #6AFB95

RGB 106 251 149

HSL 137.79, 0.95%, 0.7%

LAB 89.03, -60.54, 37.44

 

CMYK 52 / 58 / 0 / 2

HEX #786AFB

RGB 120 106 251

HSL 245.79, 0.95%, 0.7%

LAB 53.24, 43.16, -70.91

 

CMYK 0 / 58 / 17 / 2

HEX #FB6AD0

RGB 251 106 208

HSL 317.79, 0.95%, 0.7%

LAB 66.04, 66.36, -25.68

 

CMYK 6 / 0 / 57 / 2

HEX #EBFB6B

RGB 235 251 107

HSL 66.67, 0.95%, 0.7%

LAB 95.04, -24.08, 65.68

 

CMYK 58 / 0 / 23 / 2

HEX #6AFBC1

RGB 106 251 193

HSL 156, 0.95%, 0.7%

LAB 89.82, -52.3, 16.26

 

CMYK 52 / 58 / 0 / 2

HEX #786AFB

RGB 120 106 251

HSL 245.79, 0.95%, 0.7%

LAB 53.24, 43.16, -70.91

 

CMYK 0 / 58 / 35 / 2

HEX #FB6AA4

RGB 251 106 164

HSL 336, 0.95%, 0.7%

LAB 64.56, 60.74, -2.97

 

Description

Color code: HEX #EBFB6B | qconv.com Color code: HEX #EBFB6B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 251 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 251 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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