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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFB4B it is the complementary color #1404B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFB4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFB4B shade: #F0FB46, #FFFF59, #FFFF6C, #FFFF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFB4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFB4B shade: #EBFB4B, #DAE938, #C9D725, #B8C512 and #A7B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFB4B shade: #EBFB4B, #FBDC4B, #FBAC4B, #FB7D4B and #FB4D4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFB4B shade: #EBFB4B, #BCFB4B, #8CFB4B, #5DFB4B and #4BFB69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFB4B shade matches the following richer shades: #EBFB4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFB4B shade: #EBFB4B, #DFEC5A, #D3DE69, #C7CF78 and #BBC086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFB4B shade: #FBAC4B, #FBDB4B, #EDFB4B, #BEFB4B and #8FFB4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFB4B shade: #DAEF05, #E7FB23, #EBFB4B, #F0FC74 and #F4FD9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFB4B shade: #EBFB4B, #4BFB7D and #C44BFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFB4B shade: #EBFB4B, #4BEDFB and #FB4BED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFB4B shade: #EBFB4B, #4BFB7D, #5A4BFB and #FB4BC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFB4B shade: #EBFB4B, #4BFBB2, #5A4BFB and #FB4B95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

Complementary color

CMYK 89 / 98 / 0 / 29

HEX #1404B4

RGB 20 4 180

HSL 245.45, 0.96%, 0.36%

LAB 22.06, 60.18, -81.59

 

CMYK 4 / 0 / 72 / 2

HEX #F0FB46

RGB 240 251 70

HSL 63.65, 0.96%, 0.63%

LAB 95.14, -24.26, 79.86

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 6 / 0 / 76 / 9

HEX #DAE938

RGB 218 233 56

HSL 65.08, 0.8%, 0.57%

LAB 88.67, -25.21, 77.58

 

CMYK 7 / 0 / 83 / 16

HEX #C9D725

RGB 201 215 37

HSL 64.72, 0.71%, 0.49%

LAB 82.46, -24.24, 76.65

 

CMYK 7 / 0 / 91 / 23

HEX #B8C512

RGB 184 197 18

HSL 64.36, 0.83%, 0.42%

LAB 76.17, -23.09, 74.61

 

CMYK 7 / 0 / 100 / 30

HEX #A7B300

RGB 167 179 0

HSL 64.02, 1%, 0.35%

LAB 69.79, -21.76, 71.31

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 0 / 12 / 70 / 2

HEX #FBDC4B

RGB 251 220 75

HSL 49.43, 0.96%, 0.64%

LAB 88.07, -4.36, 71.56

 

CMYK 0 / 31 / 70 / 2

HEX #FBAC4B

RGB 251 172 75

HSL 33.07, 0.96%, 0.64%

LAB 76.39, 20.46, 59.64

 

CMYK 0 / 50 / 70 / 2

HEX #FB7D4B

RGB 251 125 75

HSL 17.05, 0.96%, 0.64%

LAB 66.28, 44.59, 48.73

 

CMYK 0 / 69 / 70 / 2

HEX #FB4D4B

RGB 251 77 75

HSL 0.68, 0.96%, 0.64%

LAB 58.34, 65.48, 39.68

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 25 / 0 / 70 / 2

HEX #BCFB4B

RGB 188 251 75

HSL 81.48, 0.96%, 0.64%

LAB 91.77, -44.11, 73.74

 

CMYK 44 / 0 / 70 / 2

HEX #8CFB4B

RGB 140 251 75

HSL 97.84, 0.96%, 0.64%

LAB 89.43, -60.22, 70.62

 

CMYK 63 / 0 / 70 / 2

HEX #5DFB4B

RGB 93 251 75

HSL 113.86, 0.96%, 0.64%

LAB 87.89, -72.22, 68.55

 

CMYK 70 / 0 / 58 / 2

HEX #4BFB69

RGB 75 251 105

HSL 130.23, 0.96%, 0.64%

LAB 87.73, -72.59, 56.28

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 6 / 0 / 62 / 7

HEX #DFEC5A

RGB 223 236 90

HSL 65.34, 0.79%, 0.64%

LAB 90.05, -22.86, 67.04

 

CMYK 5 / 0 / 53 / 13

HEX #D3DE69

RGB 211 222 105

HSL 65.64, 0.64%, 0.64%

LAB 85.56, -19.76, 55.32

 

CMYK 4 / 0 / 42 / 19

HEX #C7CF78

RGB 199 207 120

HSL 65.52, 0.48%, 0.64%

LAB 80.81, -15.66, 42.21

 

CMYK 3 / 0 / 30 / 25

HEX #BBC086

RGB 187 192 134

HSL 65.17, 0.32%, 0.64%

LAB 76.06, -11.06, 28.72

 

CMYK 0 / 31 / 70 / 2

HEX #FBAC4B

RGB 251 172 75

HSL 33.07, 0.96%, 0.64%

LAB 76.39, 20.46, 59.64

 

CMYK 0 / 13 / 70 / 2

HEX #FBDB4B

RGB 251 219 75

HSL 49.09, 0.96%, 0.64%

LAB 87.81, -3.85, 71.31

 

CMYK 6 / 0 / 70 / 2

HEX #EDFB4B

RGB 237 251 75

HSL 64.77, 0.96%, 0.64%

LAB 94.95, -25.23, 77.95

 

CMYK 24 / 0 / 70 / 2

HEX #BEFB4B

RGB 190 251 75

HSL 80.8, 0.96%, 0.64%

LAB 91.89, -43.37, 73.9

 

CMYK 43 / 0 / 70 / 2

HEX #8FFB4B

RGB 143 251 75

HSL 96.82, 0.96%, 0.64%

LAB 89.55, -59.32, 70.78

 

CMYK 9 / 0 / 98 / 6

HEX #DAEF05

RGB 218 239 5

HSL 65.38, 0.96%, 0.48%

LAB 90.16, -29.13, 87.72

 

CMYK 8 / 0 / 86 / 2

HEX #E7FB23

RGB 231 251 35

HSL 65.56, 0.96%, 0.56%

LAB 94.36, -29.02, 87.81

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 5 / 0 / 54 / 1

HEX #F0FC74

RGB 240 252 116

HSL 65.29, 0.96%, 0.72%

LAB 95.75, -21.92, 62.7

 

CMYK 4 / 0 / 38 / 1

HEX #F4FD9C

RGB 244 253 156

HSL 65.57, 0.96%, 0.8%

LAB 96.77, -17.1, 45.4

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 70 / 0 / 50 / 2

HEX #4BFB7D

RGB 75 251 125

HSL 137.05, 0.96%, 0.64%

LAB 87.95, -69.98, 47.48

 

CMYK 22 / 70 / 0 / 2

HEX #C44BFB

RGB 196 75 251

HSL 281.25, 0.96%, 0.64%

LAB 55.82, 73.36, -66.34

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 70 / 6 / 0 / 2

HEX #4BEDFB

RGB 75 237 251

HSL 184.77, 0.96%, 0.64%

LAB 86.52, -36.66, -18.89

 

CMYK 0 / 70 / 6 / 2

HEX #FB4BED

RGB 251 75 237

HSL 304.77, 0.96%, 0.64%

LAB 63.06, 82.32, -46.54

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 70 / 0 / 50 / 2

HEX #4BFB7D

RGB 75 251 125

HSL 137.05, 0.96%, 0.64%

LAB 87.95, -69.98, 47.48

 

CMYK 64 / 70 / 0 / 2

HEX #5A4BFB

RGB 90 75 251

HSL 245.11, 0.96%, 0.64%

LAB 44.48, 55.99, -85.31

 

CMYK 0 / 70 / 20 / 2

HEX #FB4BC9

RGB 251 75 201

HSL 317.05, 0.96%, 0.64%

LAB 61.45, 77.32, -28.8

 

CMYK 6 / 0 / 70 / 2

HEX #EBFB4B

RGB 235 251 75

HSL 65.45, 0.96%, 0.64%

LAB 94.81, -26.03, 77.76

 

CMYK 70 / 0 / 29 / 2

HEX #4BFBB2

RGB 75 251 178

HSL 155.11, 0.96%, 0.64%

LAB 88.78, -60.7, 22.4

 

CMYK 64 / 70 / 0 / 2

HEX #5A4BFB

RGB 90 75 251

HSL 245.11, 0.96%, 0.64%

LAB 44.48, 55.99, -85.31

 

CMYK 0 / 70 / 41 / 2

HEX #FB4B95

RGB 251 75 149

HSL 334.77, 0.96%, 0.64%

LAB 59.63, 71.43, -1.56

 

Description

Color code: HEX #EBFB4B | qconv.com Color code: HEX #EBFB4B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 251 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 251 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 70 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 70% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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