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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFABCBF it is the complementary color #140543BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFABCBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFABCBF shade: #F0FAB7BF, #FFFFCABF, #FFFFDDBF, #FFFFF0BF and #FFFFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFABCBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFABCBF shade: #EBFABCBF, #DAE8A9BF, #C9D696BF, #B8C483BF and #A7B270BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFABCBF shade: #EBFABD, #FAF8BD, #FAE8BD, #FAD7BD and #FAC7BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFABCBF shade: #EBFABD, #DBFABD, #CAFABD, #BDFAC0 and #BDFAD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFABCBF shade matches the following richer shades: #EBFABD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFABCBF shade: #EBFABD, #E8F4C2, #E5EEC8, #E2E9CE and #DFE3D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFABCBF shade: #FAE8BD, #FAF8BD, #ECFABD, #DBFABD and #CBFABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFABCBF shade: #D4F470, #E0F796, #EBFABD, #F7FDE3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFABCBF shade: #EBFABC, #BDFAD7 and #F0BDFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFABCBF shade: #EBFABC, #BDECFA and #FABDEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFABCBF shade: #EBFABC, #BDFAD7, #CBBDFA and #FABDDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFABCBF shade: #EBFABC, #BDFAEA, #CBBDFA and #FABDCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 19 / 1

HEX #EBFABCBF

RGBA 235 250 188 0.75

HSLA 74.52, 0.86%, 0.86%, 0.75

LABA 95.86, -14.98, 28.17, 0.75

 

Complementary color

CMYK 53 / 69 / 0 / 55

HEX #140543BF

RGBA 20 5 67 0.75

HSLA 254.52, 0.86%, 0.14%, 0.75

LABA 5.98, 26.5, -35.42, 0.75

 

CMYK 3 / 0 / 20 / 1

HEX #F0FAB7BF

RGBA 240 250 183 0.75

HSLA 68.96, 0.87%, 0.85%, 0.75

LABA 96.13, -13.86, 31.12, 0.75

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFCABF

RGBA 255 255 202 0.75

HSLA 60, 1%, 0.9%, 0.75

LABA 98.85, -8.33, 25.41, 0.75

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFDDBF

RGBA 255 255 221 0.75

HSLA 60, 1%, 0.93%, 0.75

LABA 99.22, -5.56, 16.27, 0.75

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF0BF

RGBA 255 255 240 0.75

HSLA 60, 1%, 0.97%, 0.75

LABA 99.64, -2.55, 7.15, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 5 / 0 / 19 / 1

HEX #EBFABCBF

RGBA 235 250 188 0.75

HSLA 74.52, 0.86%, 0.86%, 0.75

LABA 95.86, -14.98, 28.17, 0.75

 

CMYK 5 / 0 / 20 / 7

HEX #DAE8A9BF

RGBA 218 232 169 0.75

HSLA 73.33, 0.58%, 0.79%, 0.75

LABA 89.62, -14.89, 29.17, 0.75

 

CMYK 5 / 0 / 22 / 12

HEX #C9D696BF

RGBA 201 214 150 0.75

HSLA 72.19, 0.44%, 0.71%, 0.75

LABA 83.29, -14.79, 30.22, 0.75

 

CMYK 5 / 0 / 25 / 17

HEX #B8C483BF

RGBA 184 196 131 0.75

HSLA 71.08, 0.36%, 0.64%, 0.75

LABA 76.87, -14.66, 31.32, 0.75

 

CMYK 5 / 0 / 28 / 23

HEX #A7B270BF

RGBA 167 178 112 0.75

HSLA 70, 0.3%, 0.57%, 0.75

LABA 70.33, -14.5, 32.47, 0.75

 

CMYK 6 / 0 / 24 / 2

HEX #EBFABD

RGB 235 250 189

HSL 74.75, 0.86%, 0.86%

LAB 95.88, -14.84, 27.68

 

CMYK 0 / 1 / 24 / 2

HEX #FAF8BD

RGB 250 248 189

HSL 58.03, 0.86%, 0.86%

LAB 96.46, -8.43, 28.67

 

CMYK 0 / 7 / 24 / 2

HEX #FAE8BD

RGB 250 232 189

HSL 42.3, 0.86%, 0.86%

LAB 92.45, -0.4, 23.16

 

CMYK 0 / 14 / 24 / 2

HEX #FAD7BD

RGB 250 215 189

HSL 25.57, 0.86%, 0.86%

LAB 88.26, 8.33, 17.33

 

CMYK 0 / 20 / 24 / 2

HEX #FAC7BD

RGB 250 199 189

HSL 9.84, 0.86%, 0.86%

LAB 84.4, 16.67, 11.9

 

CMYK 6 / 0 / 24 / 2

HEX #EBFABD

RGB 235 250 189

HSL 74.75, 0.86%, 0.86%

LAB 95.88, -14.84, 27.68

 

CMYK 12 / 0 / 24 / 2

HEX #DBFABD

RGB 219 250 189

HSL 90.49, 0.86%, 0.86%

LAB 94.78, -20.49, 26.01

 

CMYK 19 / 0 / 24 / 2

HEX #CAFABD

RGB 202 250 189

HSL 107.21, 0.86%, 0.86%

LAB 93.71, -26.3, 24.37

 

CMYK 24 / 0 / 23 / 2

HEX #BDFAC0

RGB 189 250 192

HSL 122.95, 0.86%, 0.86%

LAB 93.01, -30.08, 21.76

 

CMYK 24 / 0 / 17 / 2

HEX #BDFAD0

RGB 189 250 208

HSL 138.69, 0.86%, 0.86%

LAB 93.34, -27.28, 14.01

 

CMYK 6 / 0 / 24 / 2

HEX #EBFABD

RGB 235 250 189

HSL 74.75, 0.86%, 0.86%

LAB 95.88, -14.84, 27.68

 

CMYK 6 / 0 / 24 / 2

HEX #EBFABD

RGB 235 250 189

HSL 74.75, 0.86%, 0.86%

LAB 95.88, -14.84, 27.68

 

CMYK 5 / 0 / 20 / 4

HEX #E8F4C2

RGB 232 244 194

HSL 74.4, 0.69%, 0.86%

LAB 94.21, -12.24, 22.81

 

CMYK 4 / 0 / 16 / 7

HEX #E5EEC8

RGB 229 238 200

HSL 74.21, 0.53%, 0.86%

LAB 92.56, -9.4, 17.41

 

CMYK 3 / 0 / 12 / 9

HEX #E2E9CE

RGB 226 233 206

HSL 75.56, 0.38%, 0.86%

LAB 91.19, -6.99, 12.32

 

CMYK 2 / 0 / 7 / 11

HEX #DFE3D4

RGB 223 227 212

HSL 76, 0.21%, 0.86%

LAB 89.57, -3.98, 6.85

 

CMYK 0 / 7 / 24 / 2

HEX #FAE8BD

RGB 250 232 189

HSL 42.3, 0.86%, 0.86%

LAB 92.45, -0.4, 23.16

 

CMYK 0 / 1 / 24 / 2

HEX #FAF8BD

RGB 250 248 189

HSL 58.03, 0.86%, 0.86%

LAB 96.46, -8.43, 28.67

 

CMYK 6 / 0 / 24 / 2

HEX #ECFABD

RGB 236 250 189

HSL 73.77, 0.86%, 0.86%

LAB 95.95, -14.48, 27.79

 

CMYK 12 / 0 / 24 / 2

HEX #DBFABD

RGB 219 250 189

HSL 90.49, 0.86%, 0.86%

LAB 94.78, -20.49, 26.01

 

CMYK 19 / 0 / 24 / 2

HEX #CBFABD

RGB 203 250 189

HSL 106.23, 0.86%, 0.86%

LAB 93.77, -25.96, 24.46

 

CMYK 13 / 0 / 54 / 4

HEX #D4F470

RGB 212 244 112

HSL 74.55, 0.86%, 0.7%

LAB 91.63, -29.28, 59.21

 

CMYK 9 / 0 / 39 / 3

HEX #E0F796

RGB 224 247 150

HSL 74.23, 0.86%, 0.78%

LAB 93.7, -22.37, 44.11

 

CMYK 6 / 0 / 24 / 2

HEX #EBFABD

RGB 235 250 189

HSL 74.75, 0.86%, 0.86%

LAB 95.88, -14.84, 27.68

 

CMYK 2 / 0 / 10 / 1

HEX #F7FDE3

RGB 247 253 227

HSL 73.85, 0.87%, 0.94%

LAB 98.26, -6.39, 11.76

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 6 / 0 / 25 / 2

HEX #EBFABC

RGB 235 250 188

HSL 74.52, 0.86%, 0.86%

LAB 95.86, -14.98, 28.17

 

CMYK 24 / 0 / 14 / 2

HEX #BDFAD7

RGB 189 250 215

HSL 145.57, 0.86%, 0.86%

LAB 93.49, -25.99, 10.62

 

CMYK 4 / 24 / 0 / 2

HEX #F0BDFA

RGB 240 189 250

HSL 290.16, 0.86%, 0.86%

LAB 82.82, 28.55, -23.13

 

CMYK 6 / 0 / 25 / 2

HEX #EBFABC

RGB 235 250 188

HSL 74.52, 0.86%, 0.86%

LAB 95.86, -14.98, 28.17

 

CMYK 24 / 6 / 0 / 2

HEX #BDECFA

RGB 189 236 250

HSL 193.77, 0.86%, 0.86%

LAB 90.65, -11.98, -11.72

 

CMYK 0 / 24 / 6 / 2

HEX #FABDEC

RGB 250 189 236

HSL 313.77, 0.86%, 0.86%

LAB 83.32, 29.28, -14.79

 

CMYK 6 / 0 / 25 / 2

HEX #EBFABC

RGB 235 250 188

HSL 74.52, 0.86%, 0.86%

LAB 95.86, -14.98, 28.17

 

CMYK 24 / 0 / 14 / 2

HEX #BDFAD7

RGB 189 250 215

HSL 145.57, 0.86%, 0.86%

LAB 93.49, -25.99, 10.62

 

CMYK 19 / 24 / 0 / 2

HEX #CBBDFA

RGB 203 189 250

HSL 253.77, 0.86%, 0.86%

LAB 79.61, 17, -28.31

 

CMYK 0 / 24 / 11 / 2

HEX #FABDDF

RGB 250 189 223

HSL 326.56, 0.86%, 0.86%

LAB 82.94, 27.09, -8.41

 

CMYK 6 / 0 / 25 / 2

HEX #EBFABC

RGB 235 250 188

HSL 74.52, 0.86%, 0.86%

LAB 95.86, -14.98, 28.17

 

CMYK 24 / 0 / 6 / 2

HEX #BDFAEA

RGB 189 250 234

HSL 164.26, 0.86%, 0.86%

LAB 93.94, -22.29, 1.45

 

CMYK 19 / 24 / 0 / 2

HEX #CBBDFA

RGB 203 189 250

HSL 253.77, 0.86%, 0.86%

LAB 79.61, 17, -28.31

 

CMYK 0 / 24 / 18 / 2

HEX #FABDCD

RGB 250 189 205

HSL 344.26, 0.86%, 0.86%

LAB 82.45, 24.25, 0.53

 

Description

Color code: HEX #EBFABCBF | qconv.com Color code: HEX #EBFABCBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 250 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 250 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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