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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBF437 it is the complementary color #140BC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBF437. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBF437 shade: #F0F432, #FFFF45, #FFFF58, #FFFF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBF437. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBF437 shade: #EBF437, #DAE224, #C9D011, #B8BE00 and #A7AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBF437 shade: #ECF538, #F5CB38, #F59838, #F56538 and #F53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBF437 shade: #ECF538, #B9F538, #86F538, #53F538 and #38F550

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBF437 shade matches the following richer shades: #ECF538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBF437 shade: #ECF538, #DCE449, #CDD35A, #BEC26B and #AEB17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBF437 shade: #F59638, #F5C938, #EEF538, #BCF538 and #8AF538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBF437 shade: #C6CF0B, #E8F211, #ECF538, #EFF760 and #F3F987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBF437 shade: #EBF437, #38F564 and #B038F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBF437 shade: #EBF437, #38EEF5 and #F538EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBF437 shade: #EBF437, #38F564, #3F38F5 and #F538C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBF437 shade: #EBF437, #38F59D, #3F38F5 and #F53890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 77 / 4

HEX #EBF437

RGB 235 244 55

HSL 62.86, 0.9%, 0.59%

LAB 92.86, -23.55, 82.1

 

Complementary color

CMYK 90 / 95 / 0 / 22

HEX #140BC8

RGB 20 11 200

HSL 242.86, 0.9%, 0.41%

LAB 25.44, 63.82, -87.79

 

CMYK 2 / 0 / 80 / 4

HEX #F0F432

RGB 240 244 50

HSL 61.24, 0.9%, 0.58%

LAB 93.21, -21.68, 83.88

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF45

RGB 255 255 69

HSL 60, 1%, 0.64%

LAB 97.31, -20.15, 82.62

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 4 / 0 / 77 / 4

HEX #EBF437

RGB 235 244 55

HSL 62.86, 0.9%, 0.59%

LAB 92.86, -23.55, 82.1

 

CMYK 4 / 0 / 84 / 11

HEX #DAE224

RGB 218 226 36

HSL 62.53, 0.77%, 0.51%

LAB 86.71, -22.5, 80.95

 

CMYK 3 / 0 / 92 / 18

HEX #C9D011

RGB 201 208 17

HSL 62.2, 0.85%, 0.44%

LAB 80.5, -21.27, 78.68

 

CMYK 3 / 0 / 100 / 25

HEX #B8BE00

RGB 184 190 0

HSL 61.89, 1%, 0.37%

LAB 74.2, -19.87, 75.16

 

CMYK 3 / 0 / 100 / 33

HEX #A7AC00

RGB 167 172 0

HSL 61.74, 1%, 0.34%

LAB 67.81, -18.25, 69.85

 

CMYK 4 / 0 / 77 / 4

HEX #ECF538

RGB 236 245 56

HSL 62.86, 0.9%, 0.59%

LAB 93.2, -23.59, 82.16

 

CMYK 0 / 17 / 77 / 4

HEX #F5CB38

RGB 245 203 56

HSL 46.67, 0.9%, 0.59%

LAB 83.13, 0.98, 73.35

 

CMYK 0 / 38 / 77 / 4

HEX #F59838

RGB 245 152 56

HSL 30.48, 0.9%, 0.59%

LAB 70.98, 27.64, 62

 

CMYK 0 / 59 / 77 / 4

HEX #F56538

RGB 245 101 56

HSL 14.29, 0.9%, 0.59%

LAB 60.79, 52.93, 51.99

 

CMYK 0 / 77 / 77 / 4

HEX #F53838

RGB 245 56 56

HSL 0, 0.9%, 0.59%

LAB 54.58, 69.79, 45.62

 

CMYK 4 / 0 / 77 / 4

HEX #ECF538

RGB 236 245 56

HSL 62.86, 0.9%, 0.59%

LAB 93.2, -23.59, 82.16

 

CMYK 24 / 0 / 77 / 4

HEX #B9F538

RGB 185 245 56

HSL 79.05, 0.9%, 0.59%

LAB 89.82, -43.59, 77.83

 

CMYK 45 / 0 / 77 / 4

HEX #86F538

RGB 134 245 56

HSL 95.24, 0.9%, 0.59%

LAB 87.32, -60.92, 74.61

 

CMYK 66 / 0 / 77 / 4

HEX #53F538

RGB 83 245 56

HSL 111.43, 0.9%, 0.59%

LAB 85.72, -73.59, 72.52

 

CMYK 77 / 0 / 67 / 4

HEX #38F550

RGB 56 245 80

HSL 127.62, 0.9%, 0.59%

LAB 85.36, -76.06, 63.82

 

CMYK 4 / 0 / 77 / 4

HEX #ECF538

RGB 236 245 56

HSL 62.86, 0.9%, 0.59%

LAB 93.2, -23.59, 82.16

 

CMYK 4 / 0 / 77 / 4

HEX #ECF538

RGB 236 245 56

HSL 62.86, 0.9%, 0.59%

LAB 93.2, -23.59, 82.16

 

CMYK 4 / 0 / 68 / 11

HEX #DCE449

RGB 220 228 73

HSL 63.1, 0.74%, 0.59%

LAB 87.57, -21.22, 70.96

 

CMYK 3 / 0 / 57 / 17

HEX #CDD35A

RGB 205 211 90

HSL 62.98, 0.58%, 0.59%

LAB 82, -17.95, 57.88

 

CMYK 2 / 0 / 45 / 24

HEX #BEC26B

RGB 190 194 107

HSL 62.76, 0.42%, 0.59%

LAB 76.43, -14.04, 43.08

 

CMYK 2 / 0 / 30 / 31

HEX #AEB17C

RGB 174 177 124

HSL 63.4, 0.25%, 0.59%

LAB 70.8, -9.67, 26.84

 

CMYK 0 / 39 / 77 / 4

HEX #F59638

RGB 245 150 56

HSL 29.84, 0.9%, 0.59%

LAB 70.53, 28.69, 61.57

 

CMYK 0 / 18 / 77 / 4

HEX #F5C938

RGB 245 201 56

HSL 46.03, 0.9%, 0.59%

LAB 82.63, 2, 72.89

 

CMYK 3 / 0 / 77 / 4

HEX #EEF538

RGB 238 245 56

HSL 62.22, 0.9%, 0.59%

LAB 93.35, -22.77, 82.35

 

CMYK 23 / 0 / 77 / 4

HEX #BCF538

RGB 188 245 56

HSL 78.1, 0.9%, 0.59%

LAB 89.99, -42.47, 78.06

 

CMYK 44 / 0 / 77 / 4

HEX #8AF538

RGB 138 245 56

HSL 93.97, 0.9%, 0.59%

LAB 87.48, -59.7, 74.82

 

CMYK 4 / 0 / 95 / 19

HEX #C6CF0B

RGB 198 207 11

HSL 62.76, 0.9%, 0.43%

LAB 79.99, -22.13, 78.87

 

CMYK 4 / 0 / 93 / 5

HEX #E8F211

RGB 232 242 17

HSL 62.67, 0.9%, 0.51%

LAB 92, -24.7, 88.55

 

CMYK 4 / 0 / 77 / 4

HEX #ECF538

RGB 236 245 56

HSL 62.86, 0.9%, 0.59%

LAB 93.2, -23.59, 82.16

 

CMYK 3 / 0 / 61 / 3

HEX #EFF760

RGB 239 247 96

HSL 63.18, 0.9%, 0.67%

LAB 94.19, -21.36, 69.39

 

CMYK 2 / 0 / 46 / 2

HEX #F3F987

RGB 243 249 135

HSL 63.16, 0.9%, 0.75%

LAB 95.39, -17.68, 53.7

 

CMYK 4 / 0 / 77 / 4

HEX #EBF437

RGB 235 244 55

HSL 62.86, 0.9%, 0.59%

LAB 92.86, -23.55, 82.1

 

CMYK 77 / 0 / 59 / 4

HEX #38F564

RGB 56 245 100

HSL 133.97, 0.9%, 0.59%

LAB 85.54, -73.95, 55.83

 

CMYK 28 / 77 / 0 / 4

HEX #B038F5

RGB 176 56 245

HSL 278.1, 0.9%, 0.59%

LAB 50.28, 75.42, -72.1

 

CMYK 4 / 0 / 77 / 4

HEX #EBF437

RGB 235 244 55

HSL 62.86, 0.9%, 0.59%

LAB 92.86, -23.55, 82.1

 

CMYK 77 / 3 / 0 / 4

HEX #38EEF5

RGB 56 238 245

HSL 182.22, 0.9%, 0.59%

LAB 86.3, -40.87, -16.11

 

CMYK 0 / 77 / 3 / 4

HEX #F538EE

RGB 245 56 238

HSL 302.22, 0.9%, 0.59%

LAB 60.26, 86.69, -51.58

 

CMYK 4 / 0 / 77 / 4

HEX #EBF437

RGB 235 244 55

HSL 62.86, 0.9%, 0.59%

LAB 92.86, -23.55, 82.1

 

CMYK 77 / 0 / 59 / 4

HEX #38F564

RGB 56 245 100

HSL 133.97, 0.9%, 0.59%

LAB 85.54, -73.95, 55.83

 

CMYK 74 / 77 / 0 / 4

HEX #3F38F5

RGB 63 56 245

HSL 242.22, 0.9%, 0.59%

LAB 38.69, 61.41, -91.55

 

CMYK 0 / 77 / 18 / 4

HEX #F538C9

RGB 245 56 201

HSL 313.97, 0.9%, 0.59%

LAB 58.47, 81.6, -33.5

 

CMYK 4 / 0 / 77 / 4

HEX #EBF437

RGB 235 244 55

HSL 62.86, 0.9%, 0.59%

LAB 92.86, -23.55, 82.1

 

CMYK 77 / 0 / 36 / 4

HEX #38F59D

RGB 56 245 157

HSL 152.06, 0.9%, 0.59%

LAB 86.3, -65.09, 29.63

 

CMYK 74 / 77 / 0 / 4

HEX #3F38F5

RGB 63 56 245

HSL 242.22, 0.9%, 0.59%

LAB 38.69, 61.41, -91.55

 

CMYK 0 / 77 / 41 / 4

HEX #F53890

RGB 245 56 144

HSL 332.06, 0.9%, 0.59%

LAB 56.34, 75.28, -3.57

 

Description

Color code: HEX #EBF437 | qconv.com Color code: HEX #EBF437 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 244 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 244 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 77% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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