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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBF363 it is the complementary color #140C9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBF363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBF363 shade: #F0F35E, #FFFF71, #FFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBF363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBF363 shade: #EBF363, #DAE150, #C9CF3D, #B8BD2A and #A7AB17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBF363 shade: #EBF362, #F3D462, #F3AD62, #F38662 and #F36262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBF363 shade: #EBF362, #C4F362, #9DF362, #76F362 and #62F376

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBF363 shade matches the following richer shades: #EBF362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBF363 shade: #EBF362, #DFE670, #D3D87E, #C7CA8B and #BBBD99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBF363 shade: #F3AD62, #F3D462, #ECF362, #C5F362 and #9FF362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBF363 shade: #E1ED16, #E6F03C, #EBF362, #F0F689 and #F5F9AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBF363 shade: #EBF363, #62F387 and #C162F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBF363 shade: #EBF363, #62ECF3 and #F362EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBF363 shade: #EBF363, #62F387, #6A62F3 and #F362CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBF363 shade: #EBF363, #62F3B2, #6A62F3 and #F362A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 59 / 5

HEX #EBF363

RGB 235 243 99

HSL 63.33, 0.86%, 0.67%

LAB 92.87, -20.83, 66.64

 

Complementary color

CMYK 87 / 92 / 0 / 39

HEX #140C9C

RGB 20 12 156

HSL 243.33, 0.86%, 0.33%

LAB 19.27, 51.59, -71.68

 

CMYK 1 / 0 / 61 / 5

HEX #F0F35E

RGB 240 243 94

HSL 61.21, 0.86%, 0.66%

LAB 93.2, -19.16, 69.16

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 3 / 0 / 59 / 5

HEX #EBF363

RGB 235 243 99

HSL 63.33, 0.86%, 0.67%

LAB 92.87, -20.83, 66.64

 

CMYK 3 / 0 / 64 / 12

HEX #DAE150

RGB 218 225 80

HSL 62.9, 0.71%, 0.6%

LAB 86.67, -20.19, 67.35

 

CMYK 3 / 0 / 71 / 19

HEX #C9CF3D

RGB 201 207 61

HSL 62.47, 0.6%, 0.53%

LAB 80.39, -19.42, 67.71

 

CMYK 3 / 0 / 78 / 26

HEX #B8BD2A

RGB 184 189 42

HSL 62.04, 0.64%, 0.45%

LAB 74.03, -18.49, 67.49

 

CMYK 2 / 0 / 87 / 33

HEX #A7AB17

RGB 167 171 23

HSL 61.62, 0.76%, 0.38%

LAB 67.58, -17.36, 66.28

 

CMYK 3 / 0 / 60 / 5

HEX #EBF362

RGB 235 243 98

HSL 63.31, 0.86%, 0.67%

LAB 92.86, -20.9, 67.05

 

CMYK 0 / 13 / 60 / 5

HEX #F3D462

RGB 243 212 98

HSL 47.17, 0.86%, 0.67%

LAB 85.52, -2.29, 59.13

 

CMYK 0 / 29 / 60 / 5

HEX #F3AD62

RGB 243 173 98

HSL 31.03, 0.86%, 0.67%

LAB 75.96, 18.01, 48.14

 

CMYK 0 / 45 / 60 / 5

HEX #F38662

RGB 243 134 98

HSL 14.9, 0.86%, 0.67%

LAB 67.27, 38.41, 37.63

 

CMYK 0 / 60 / 60 / 5

HEX #F36262

RGB 243 98 98

HSL 0, 0.86%, 0.67%

LAB 60.49, 55.72, 29.06

 

CMYK 3 / 0 / 60 / 5

HEX #EBF362

RGB 235 243 98

HSL 63.31, 0.86%, 0.67%

LAB 92.86, -20.9, 67.05

 

CMYK 19 / 0 / 60 / 5

HEX #C4F362

RGB 196 243 98

HSL 79.45, 0.86%, 0.67%

LAB 90.19, -36.03, 63.36

 

CMYK 35 / 0 / 60 / 5

HEX #9DF362

RGB 157 243 98

HSL 95.59, 0.86%, 0.67%

LAB 88.04, -49.84, 60.37

 

CMYK 51 / 0 / 60 / 5

HEX #76F362

RGB 118 243 98

HSL 111.72, 0.86%, 0.67%

LAB 86.42, -61.47, 58.1

 

CMYK 60 / 0 / 51 / 5

HEX #62F376

RGB 98 243 118

HSL 128.28, 0.86%, 0.67%

LAB 86.01, -63.89, 48.49

 

CMYK 3 / 0 / 60 / 5

HEX #EBF362

RGB 235 243 98

HSL 63.31, 0.86%, 0.67%

LAB 92.86, -20.9, 67.05

 

CMYK 3 / 0 / 60 / 5

HEX #EBF362

RGB 235 243 98

HSL 63.31, 0.86%, 0.67%

LAB 92.86, -20.9, 67.05

 

CMYK 3 / 0 / 51 / 10

HEX #DFE670

RGB 223 230 112

HSL 63.56, 0.7%, 0.67%

LAB 88.66, -18.31, 55.96

 

CMYK 2 / 0 / 42 / 15

HEX #D3D87E

RGB 211 216 126

HSL 63.33, 0.54%, 0.67%

LAB 84.21, -14.81, 43.69

 

CMYK 1 / 0 / 31 / 21

HEX #C7CA8B

RGB 199 202 139

HSL 62.86, 0.37%, 0.67%

LAB 79.75, -10.91, 31.18

 

CMYK 1 / 0 / 19 / 26

HEX #BBBD99

RGB 187 189 153

HSL 63.33, 0.21%, 0.67%

LAB 75.61, -6.81, 18.01

 

CMYK 0 / 29 / 60 / 5

HEX #F3AD62

RGB 243 173 98

HSL 31.03, 0.86%, 0.67%

LAB 75.96, 18.01, 48.14

 

CMYK 0 / 13 / 60 / 5

HEX #F3D462

RGB 243 212 98

HSL 47.17, 0.86%, 0.67%

LAB 85.52, -2.29, 59.13

 

CMYK 3 / 0 / 60 / 5

HEX #ECF362

RGB 236 243 98

HSL 62.9, 0.86%, 0.67%

LAB 92.93, -20.5, 67.15

 

CMYK 19 / 0 / 60 / 5

HEX #C5F362

RGB 197 243 98

HSL 79.03, 0.86%, 0.67%

LAB 90.25, -35.65, 63.45

 

CMYK 35 / 0 / 60 / 5

HEX #9FF362

RGB 159 243 98

HSL 94.76, 0.86%, 0.67%

LAB 88.14, -49.18, 60.5

 

CMYK 5 / 0 / 91 / 7

HEX #E1ED16

RGB 225 237 22

HSL 63.35, 0.86%, 0.51%

LAB 90.15, -25.14, 86.31

 

CMYK 4 / 0 / 75 / 6

HEX #E6F03C

RGB 230 240 60

HSL 63.33, 0.86%, 0.59%

LAB 91.45, -23.5, 79.26

 

CMYK 3 / 0 / 60 / 5

HEX #EBF362

RGB 235 243 98

HSL 63.31, 0.86%, 0.67%

LAB 92.86, -20.9, 67.05

 

CMYK 2 / 0 / 44 / 4

HEX #F0F689

RGB 240 246 137

HSL 63.3, 0.86%, 0.75%

LAB 94.42, -17.19, 51.51

 

CMYK 2 / 0 / 30 / 2

HEX #F5F9AF

RGB 245 249 175

HSL 63.24, 0.86%, 0.83%

LAB 96.1, -12.56, 35.17

 

CMYK 3 / 0 / 59 / 5

HEX #EBF363

RGB 235 243 99

HSL 63.33, 0.86%, 0.67%

LAB 92.87, -20.83, 66.64

 

CMYK 60 / 0 / 44 / 5

HEX #62F387

RGB 98 243 135

HSL 135.31, 0.86%, 0.67%

LAB 86.23, -61.44, 40.64

 

CMYK 21 / 60 / 0 / 5

HEX #C162F3

RGB 193 98 243

HSL 279.31, 0.86%, 0.67%

LAB 58.55, 61.12, -57.53

 

CMYK 3 / 0 / 59 / 5

HEX #EBF363

RGB 235 243 99

HSL 63.33, 0.86%, 0.67%

LAB 92.87, -20.83, 66.64

 

CMYK 60 / 3 / 0 / 5

HEX #62ECF3

RGB 98 236 243

HSL 182.9, 0.86%, 0.67%

LAB 86.53, -35.1, -14.61

 

CMYK 0 / 60 / 3 / 5

HEX #F362EC

RGB 243 98 236

HSL 302.9, 0.86%, 0.67%

LAB 64.84, 71.89, -43.26

 

CMYK 3 / 0 / 59 / 5

HEX #EBF363

RGB 235 243 99

HSL 63.33, 0.86%, 0.67%

LAB 92.87, -20.83, 66.64

 

CMYK 60 / 0 / 44 / 5

HEX #62F387

RGB 98 243 135

HSL 135.31, 0.86%, 0.67%

LAB 86.23, -61.44, 40.64

 

CMYK 56 / 60 / 0 / 5

HEX #6A62F3

RGB 106 98 243

HSL 243.31, 0.86%, 0.67%

LAB 49.82, 42.88, -72.05

 

CMYK 0 / 60 / 15 / 5

HEX #F362CF

RGB 243 98 207

HSL 314.9, 0.86%, 0.67%

LAB 63.59, 67.44, -28.99

 

CMYK 3 / 0 / 59 / 5

HEX #EBF363

RGB 235 243 99

HSL 63.33, 0.86%, 0.67%

LAB 92.87, -20.83, 66.64

 

CMYK 60 / 0 / 27 / 5

HEX #62F3B2

RGB 98 243 178

HSL 153.1, 0.86%, 0.67%

LAB 86.95, -53.71, 19.95

 

CMYK 56 / 60 / 0 / 5

HEX #6A62F3

RGB 106 98 243

HSL 243.31, 0.86%, 0.67%

LAB 49.82, 42.88, -72.05

 

CMYK 0 / 60 / 33 / 5

HEX #F362A4

RGB 243 98 164

HSL 332.69, 0.86%, 0.67%

LAB 62.06, 61.8, -6.81

 

Description

Color code: HEX #EBF363 | qconv.com Color code: HEX #EBF363 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 243 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 243 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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