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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBEEE5CE it is the complementary color #14111ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBEEE5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBEEE5CE shade: #F0EEE0CE, #FFFFF3CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBEEE5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBEEE5CE shade: #EBEEE5CE, #DADCD2CE, #C9CABFCE, #B8B8ACCE and #A7A699CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBEEE5CE shade: #ECEFE6, #EEEFE6, #EFEDE6, #EFEBE6 and #EFE8E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBEEE5CE shade: #ECEFE6, #EAEFE6, #E7EFE6, #E6EFE8 and #E6EFEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBEEE5CE shade matches the following richer shades: #ECEFE6, #EDF2E3, #EEF5E0, #EFF9DC and #F0FCD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBEEE5CE shade: #ECEFE6, #EBECEA, #EAE8ED, #E9E5F0 and #E8E2F4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBEEE5CE shade: #EFEDE6, #EEEFE6, #ECEFE6, #EAEFE6 and #E7EFE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBEEE5CE shade: #C6CEB4, #D9DFCD, #ECEFE6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBEEE5CE shade: #EBEEE5, #E6EFEB and #EEE6EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBEEE5CE shade: #EBEEE5, #E6ECEF and #EFE6EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBEEE5CE shade: #EBEEE5, #E6EFEB, #E9E6EF and #EFE6EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBEEE5CE shade: #EBEEE5, #E6EFED, #E9E6EF and #EFE6E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 3 / 5

HEX #EBEEE5CE

RGBA 235 238 229 0.81

HSLA 80, 0.21%, 0.92%, 0.81

LABA 93.65, -2.58, 3.99, 0.81

 

Complementary color

CMYK 19 / 28 / 0 / 73

HEX #14111ACE

RGBA 20 17 26 0.81

HSLA 260, 0.21%, 0.08%, 0.81

LABA 5.64, 3.36, -5.43, 0.81

 

CMYK 0 / 1 / 5 / 5

HEX #F0EEE0CE

RGBA 240 238 224 0.81

HSLA 52.5, 0.35%, 0.91%, 0.81

LABA 93.91, -1.72, 7, 0.81

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF3CE

RGBA 255 255 243 0.81

HSLA 60, 1%, 0.98%, 0.81

LABA 99.71, -2.05, 5.72, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 1 / 0 / 3 / 5

HEX #EBEEE5CE

RGBA 235 238 229 0.81

HSLA 80, 0.21%, 0.92%, 0.81

LABA 93.65, -2.58, 3.99, 0.81

 

CMYK 1 / 0 / 4 / 11

HEX #DADCD2CE

RGBA 218 220 210 0.81

HSLA 72, 0.13%, 0.84%, 0.81

LABA 87.36, -2.45, 4.66, 0.81

 

CMYK 0 / 0 / 4 / 17

HEX #C9CABFCE

RGBA 201 202 191 0.81

HSLA 65.45, 0.09%, 0.77%, 0.81

LABA 80.97, -2.31, 5.36, 0.81

HEX #C9CABFCE

CMYK 0 / 0 / 5 / 23

HEX #B8B8ACCE

RGBA 184 184 172 0.81

HSLA 60, 0.08%, 0.7%, 0.81

LABA 74.48, -2.16, 6.09, 0.81

HEX #B8B8ACCE

CMYK 0 / 0 / 7 / 28

HEX #A7A699CE

RGBA 167 166 153 0.81

HSLA 55.71, 0.07%, 0.63%, 0.81

LABA 67.86, -2, 6.85, 0.81

HEX #A7A699CE

CMYK 1 / 0 / 4 / 6

HEX #ECEFE6

RGB 236 239 230

HSL 80, 0.22%, 0.92%

LAB 94, -2.58, 3.99

 

CMYK 0 / 0 / 4 / 6

HEX #EEEFE6

RGB 238 239 230

HSL 66.67, 0.22%, 0.92%

LAB 94.15, -1.9, 4.22

 

CMYK 0 / 1 / 4 / 6

HEX #EFEDE6

RGB 239 237 230

HSL 46.67, 0.22%, 0.92%

LAB 93.72, -0.54, 3.61

 

CMYK 0 / 2 / 4 / 6

HEX #EFEBE6

RGB 239 235 230

HSL 33.33, 0.22%, 0.92%

LAB 93.22, 0.48, 2.89

 

CMYK 0 / 3 / 4 / 6

HEX #EFE8E6

RGB 239 232 230

HSL 13.33, 0.22%, 0.92%

LAB 92.48, 2.02, 1.8

 

CMYK 1 / 0 / 4 / 6

HEX #ECEFE6

RGB 236 239 230

HSL 80, 0.22%, 0.92%

LAB 94, -2.58, 3.99

 

CMYK 2 / 0 / 4 / 6

HEX #EAEFE6

RGB 234 239 230

HSL 93.33, 0.22%, 0.92%

LAB 93.86, -3.25, 3.76

 

CMYK 3 / 0 / 4 / 6

HEX #E7EFE6

RGB 231 239 230

HSL 113.33, 0.22%, 0.92%

LAB 93.64, -4.26, 3.41

 

CMYK 4 / 0 / 3 / 6

HEX #E6EFE8

RGB 230 239 232

HSL 133.33, 0.22%, 0.92%

LAB 93.62, -4.24, 2.33

 

CMYK 4 / 0 / 2 / 6

HEX #E6EFEA

RGB 230 239 234

HSL 146.67, 0.22%, 0.92%

LAB 93.67, -3.88, 1.37

 

CMYK 1 / 0 / 4 / 6

HEX #ECEFE6

RGB 236 239 230

HSL 80, 0.22%, 0.92%

LAB 94, -2.58, 3.99

 

CMYK 2 / 0 / 6 / 5

HEX #EDF2E3

RGB 237 242 227

HSL 80, 0.37%, 0.92%

LAB 94.76, -4.27, 6.65

 

CMYK 3 / 0 / 9 / 4

HEX #EEF5E0

RGB 238 245 224

HSL 80, 0.51%, 0.92%

LAB 95.52, -5.95, 9.3

 

CMYK 4 / 0 / 12 / 2

HEX #EFF9DC

RGB 239 249 220

HSL 80.69, 0.71%, 0.92%

LAB 96.52, -8.26, 12.79

 

CMYK 5 / 0 / 14 / 1

HEX #F0FCD9

RGB 240 252 217

HSL 80.57, 0.85%, 0.92%

LAB 97.29, -9.89, 15.43

 

CMYK 1 / 0 / 4 / 6

HEX #ECEFE6

RGB 236 239 230

HSL 80, 0.22%, 0.92%

LAB 94, -2.58, 3.99

 

CMYK 0 / 0 / 1 / 7

HEX #EBECEA

RGB 235 236 234

HSL 90, 0.05%, 0.92%

LAB 93.27, -0.68, 0.84

 

CMYK 1 / 2 / 0 / 7

HEX #EAE8ED

RGB 234 232 237

HSL 264, 0.12%, 0.92%

LAB 92.27, 1.57, -2.19

 

CMYK 3 / 5 / 0 / 6

HEX #E9E5F0

RGB 233 229 240

HSL 261.82, 0.27%, 0.92%

LAB 91.53, 3.33, -4.86

 

CMYK 5 / 7 / 0 / 4

HEX #E8E2F4

RGB 232 226 244

HSL 260, 0.45%, 0.92%

LAB 90.82, 5.3, -8.02

 

CMYK 0 / 1 / 4 / 6

HEX #EFEDE6

RGB 239 237 230

HSL 46.67, 0.22%, 0.92%

LAB 93.72, -0.54, 3.61

 

CMYK 0 / 0 / 4 / 6

HEX #EEEFE6

RGB 238 239 230

HSL 66.67, 0.22%, 0.92%

LAB 94.15, -1.9, 4.22

 

CMYK 1 / 0 / 4 / 6

HEX #ECEFE6

RGB 236 239 230

HSL 80, 0.22%, 0.92%

LAB 94, -2.58, 3.99

 

CMYK 2 / 0 / 4 / 6

HEX #EAEFE6

RGB 234 239 230

HSL 93.33, 0.22%, 0.92%

LAB 93.86, -3.25, 3.76

 

CMYK 3 / 0 / 4 / 6

HEX #E7EFE6

RGB 231 239 230

HSL 113.33, 0.22%, 0.92%

LAB 93.64, -4.26, 3.41

 

CMYK 4 / 0 / 13 / 19

HEX #C6CEB4

RGB 198 206 180

HSL 78.46, 0.21%, 0.76%

LAB 81.53, -7.32, 12

 

CMYK 3 / 0 / 8 / 13

HEX #D9DFCD

RGB 217 223 205

HSL 80, 0.22%, 0.84%

LAB 87.94, -5.19, 8.11

 

CMYK 1 / 0 / 4 / 6

HEX #ECEFE6

RGB 236 239 230

HSL 80, 0.22%, 0.92%

LAB 94, -2.58, 3.99

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 1 / 0 / 4 / 7

HEX #EBEEE5

RGB 235 238 229

HSL 80, 0.21%, 0.92%

LAB 93.65, -2.58, 3.99

 

CMYK 4 / 0 / 2 / 6

HEX #E6EFEB

RGB 230 239 235

HSL 153.33, 0.22%, 0.92%

LAB 93.69, -3.7, 0.88

 

CMYK 0 / 4 / 0 / 6

HEX #EEE6EF

RGB 238 230 239

HSL 293.33, 0.22%, 0.92%

LAB 92.13, 4.29, -3.41

 

CMYK 1 / 0 / 4 / 7

HEX #EBEEE5

RGB 235 238 229

HSL 80, 0.21%, 0.92%

LAB 93.65, -2.58, 3.99

 

CMYK 4 / 1 / 0 / 6

HEX #E6ECEF

RGB 230 236 239

HSL 200, 0.22%, 0.92%

LAB 93.03, -1.44, -2.16

 

CMYK 0 / 4 / 1 / 6

HEX #EFE6EC

RGB 239 230 236

HSL 320, 0.22%, 0.92%

LAB 92.13, 4.09, -1.84

 

CMYK 1 / 0 / 4 / 7

HEX #EBEEE5

RGB 235 238 229

HSL 80, 0.21%, 0.92%

LAB 93.65, -2.58, 3.99

 

CMYK 4 / 0 / 2 / 6

HEX #E6EFEB

RGB 230 239 235

HSL 153.33, 0.22%, 0.92%

LAB 93.69, -3.7, 0.88

 

CMYK 3 / 4 / 0 / 6

HEX #E9E6EF

RGB 233 230 239

HSL 260, 0.22%, 0.92%

LAB 91.75, 2.63, -4.01

 

CMYK 0 / 4 / 2 / 6

HEX #EFE6EA

RGB 239 230 234

HSL 333.33, 0.22%, 0.92%

LAB 92.08, 3.74, -0.87

 

CMYK 1 / 0 / 4 / 7

HEX #EBEEE5

RGB 235 238 229

HSL 80, 0.21%, 0.92%

LAB 93.65, -2.58, 3.99

 

CMYK 4 / 0 / 1 / 6

HEX #E6EFED

RGB 230 239 237

HSL 166.67, 0.22%, 0.92%

LAB 93.74, -3.34, -0.08

 

CMYK 3 / 4 / 0 / 6

HEX #E9E6EF

RGB 233 230 239

HSL 260, 0.22%, 0.92%

LAB 91.75, 2.63, -4.01

 

CMYK 0 / 4 / 3 / 6

HEX #EFE6E8

RGB 239 230 232

HSL 346.67, 0.22%, 0.92%

LAB 92.03, 3.39, 0.1

 

Description

Color code: HEX #EBEEE5CE | qconv.com Color code: HEX #EBEEE5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 238 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 238 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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