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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBECE1 it is the complementary color #14131E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBECE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBECE1 shade: #F0ECDC and #FFFEEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBECE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBECE1 shade: #EBECE1, #DADACE, #C9C8BB, #B8B6A8 and #A7A495

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBECE1 shade: #EAEBDF, #EBE9DF, #EBE6DF, #EBE3DF and #EBE0DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBECE1 shade: #EAEBDF, #E7EBDF, #E4EBDF, #E1EBDF and #DFEBE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBECE1 shade matches the following richer shades: #EAEBDF, #EDEFDB, #F0F3D7, #F4F7D3 and #F7FBCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBECE1 shade: #EAEBDF, #E6E6E4, #E3E2E8, #DFDEEC and #DCDAF0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBECE1 shade: #EBE6DF, #EBE9DF, #EAEBDF, #E7EBDF and #E4EBDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBECE1 shade: #C8CAAD, #D9DBC6, #EAEBDF and #FBFBF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBECE1 shade: #EBECE1, #DFEBE3 and #E7DFEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBECE1 shade: #EBECE1, #DFEAEB and #EBDFEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBECE1 shade: #EBECE1, #DFEBE3, #E0DFEB and #EBDFE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBECE1 shade: #EBECE1, #DFEBE6, #E0DFEB and #EBDFE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 5 / 7

HEX #EBECE1

RGB 235 236 225

HSL 65.45, 0.22%, 0.9%

LAB 93.05, -2.25, 5.2

 

Complementary color

CMYK 33 / 37 / 0 / 88

HEX #14131E

RGB 20 19 30

HSL 245.45, 0.22%, 0.1%

LAB 6.4, 3.38, -7.39

 

CMYK 0 / 2 / 8 / 6

HEX #F0ECDC

RGB 240 236 220

HSL 48, 0.4%, 0.9%

LAB 93.31, -1.37, 8.22

 

CMYK 0 / 0 / 6 / 0

HEX #FFFEEF

RGB 255 254 239

HSL 56.25, 1%, 0.97%

LAB 99.37, -2.21, 7.27

 

CMYK 0 / 0 / 5 / 7

HEX #EBECE1

RGB 235 236 225

HSL 65.45, 0.22%, 0.9%

LAB 93.05, -2.25, 5.2

 

CMYK 0 / 0 / 6 / 15

HEX #DADACE

RGB 218 218 206

HSL 60, 0.14%, 0.83%

LAB 86.75, -2.1, 5.89

 

CMYK 0 / 0 / 7 / 21

HEX #C9C8BB

RGB 201 200 187

HSL 55.71, 0.11%, 0.76%

LAB 80.36, -1.95, 6.61

 

CMYK 0 / 1 / 9 / 28

HEX #B8B6A8

RGB 184 182 168

HSL 52.5, 0.1%, 0.69%

LAB 73.85, -1.79, 7.37

 

CMYK 0 / 2 / 11 / 35

HEX #A7A495

RGB 167 164 149

HSL 50, 0.09%, 0.62%

LAB 67.23, -1.61, 8.16

 

CMYK 0 / 0 / 5 / 8

HEX #EAEBDF

RGB 234 235 223

HSL 65, 0.23%, 0.9%

LAB 92.68, -2.42, 5.69

 

CMYK 0 / 1 / 5 / 8

HEX #EBE9DF

RGB 235 233 223

HSL 50, 0.23%, 0.9%

LAB 92.25, -1.06, 5.08

 

CMYK 0 / 2 / 5 / 8

HEX #EBE6DF

RGB 235 230 223

HSL 35, 0.23%, 0.9%

LAB 91.5, 0.48, 3.99

 

CMYK 0 / 3 / 5 / 8

HEX #EBE3DF

RGB 235 227 223

HSL 20, 0.23%, 0.9%

LAB 90.75, 2.02, 2.9

 

CMYK 0 / 5 / 5 / 8

HEX #EBE0DF

RGB 235 224 223

HSL 5, 0.23%, 0.9%

LAB 90, 3.57, 1.82

 

CMYK 0 / 0 / 5 / 8

HEX #EAEBDF

RGB 234 235 223

HSL 65, 0.23%, 0.9%

LAB 92.68, -2.42, 5.69

 

CMYK 2 / 0 / 5 / 8

HEX #E7EBDF

RGB 231 235 223

HSL 80, 0.23%, 0.9%

LAB 92.46, -3.44, 5.34

 

CMYK 3 / 0 / 5 / 8

HEX #E4EBDF

RGB 228 235 223

HSL 95, 0.23%, 0.9%

LAB 92.24, -4.46, 5

 

CMYK 4 / 0 / 5 / 8

HEX #E1EBDF

RGB 225 235 223

HSL 110, 0.23%, 0.9%

LAB 92.02, -5.47, 4.66

 

CMYK 5 / 0 / 4 / 8

HEX #DFEBE1

RGB 223 235 225

HSL 130, 0.23%, 0.9%

LAB 91.93, -5.79, 3.46

 

CMYK 0 / 0 / 5 / 8

HEX #EAEBDF

RGB 234 235 223

HSL 65, 0.23%, 0.9%

LAB 92.68, -2.42, 5.69

 

CMYK 1 / 0 / 8 / 6

HEX #EDEFDB

RGB 237 239 219

HSL 66, 0.38%, 0.9%

LAB 93.82, -4.09, 9.44

 

CMYK 1 / 0 / 12 / 5

HEX #F0F3D7

RGB 240 243 215

HSL 66.43, 0.54%, 0.9%

LAB 94.96, -5.71, 13.17

 

CMYK 1 / 0 / 15 / 3

HEX #F4F7D3

RGB 244 247 211

HSL 65, 0.69%, 0.9%

LAB 96.19, -6.94, 16.99

 

CMYK 2 / 0 / 18 / 2

HEX #F7FBCF

RGB 247 251 207

HSL 65.45, 0.85%, 0.9%

LAB 97.34, -8.48, 20.68

 

CMYK 0 / 0 / 5 / 8

HEX #EAEBDF

RGB 234 235 223

HSL 65, 0.23%, 0.9%

LAB 92.68, -2.42, 5.69

 

CMYK 0 / 0 / 1 / 10

HEX #E6E6E4

RGB 230 230 228

HSL 60, 0.04%, 0.9%

LAB 91.24, -0.35, 0.96

 

CMYK 2 / 3 / 0 / 9

HEX #E3E2E8

RGB 227 226 232

HSL 250, 0.12%, 0.9%

LAB 90.11, 1.42, -2.81

 

CMYK 6 / 6 / 0 / 7

HEX #DFDEEC

RGB 223 222 236

HSL 244.29, 0.27%, 0.9%

LAB 88.92, 2.92, -6.71

 

CMYK 8 / 9 / 0 / 6

HEX #DCDAF0

RGB 220 218 240

HSL 245.45, 0.42%, 0.9%

LAB 87.8, 4.8, -10.5

 

CMYK 0 / 2 / 5 / 8

HEX #EBE6DF

RGB 235 230 223

HSL 35, 0.23%, 0.9%

LAB 91.5, 0.48, 3.99

 

CMYK 0 / 1 / 5 / 8

HEX #EBE9DF

RGB 235 233 223

HSL 50, 0.23%, 0.9%

LAB 92.25, -1.06, 5.08

 

CMYK 0 / 0 / 5 / 8

HEX #EAEBDF

RGB 234 235 223

HSL 65, 0.23%, 0.9%

LAB 92.68, -2.42, 5.69

 

CMYK 2 / 0 / 5 / 8

HEX #E7EBDF

RGB 231 235 223

HSL 80, 0.23%, 0.9%

LAB 92.46, -3.44, 5.34

 

CMYK 3 / 0 / 5 / 8

HEX #E4EBDF

RGB 228 235 223

HSL 95, 0.23%, 0.9%

LAB 92.24, -4.46, 5

 

CMYK 1 / 0 / 14 / 21

HEX #C8CAAD

RGB 200 202 173

HSL 64.14, 0.21%, 0.74%

LAB 80.48, -5.67, 14.26

HEX #C8CAAD

CMYK 1 / 0 / 10 / 14

HEX #D9DBC6

RGB 217 219 198

HSL 65.71, 0.23%, 0.82%

LAB 86.75, -4.31, 10.09

HEX #D9DBC6

CMYK 0 / 0 / 5 / 8

HEX #EAEBDF

RGB 234 235 223

HSL 65, 0.23%, 0.9%

LAB 92.68, -2.42, 5.69

HEX #EAEBDF

CMYK 0 / 0 / 1 / 2

HEX #FBFBF9

RGB 251 251 249

HSL 60, 0.2%, 0.98%

LAB 98.57, -0.34, 0.95

HEX #FBFBF9

CMYK 0 / 0 / 5 / 7

HEX #EBECE1

RGB 235 236 225

HSL 65.45, 0.22%, 0.9%

LAB 93.05, -2.25, 5.2

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE3

RGB 223 235 227

HSL 140, 0.23%, 0.9%

LAB 91.98, -5.43, 2.49

 

CMYK 2 / 5 / 0 / 8

HEX #E7DFEB

RGB 231 223 235

HSL 280, 0.23%, 0.9%

LAB 89.75, 4.86, -4.89

 

CMYK 0 / 0 / 5 / 7

HEX #EBECE1

RGB 235 236 225

HSL 65.45, 0.22%, 0.9%

LAB 93.05, -2.25, 5.2

 

CMYK 5 / 0 / 0 / 8

HEX #DFEAEB

RGB 223 234 235

HSL 185, 0.23%, 0.9%

LAB 91.92, -3.46, -1.76

 

CMYK 0 / 5 / 0 / 8

HEX #EBDFEA

RGB 235 223 234

HSL 305, 0.23%, 0.9%

LAB 90.03, 6.02, -3.9

 

CMYK 0 / 0 / 5 / 7

HEX #EBECE1

RGB 235 236 225

HSL 65.45, 0.22%, 0.9%

LAB 93.05, -2.25, 5.2

 

CMYK 5 / 0 / 3 / 8

HEX #DFEBE3

RGB 223 235 227

HSL 140, 0.23%, 0.9%

LAB 91.98, -5.43, 2.49

 

CMYK 5 / 5 / 0 / 8

HEX #E0DFEB

RGB 224 223 235

HSL 245, 0.23%, 0.9%

LAB 89.22, 2.54, -5.73

 

CMYK 0 / 5 / 2 / 8

HEX #EBDFE7

RGB 235 223 231

HSL 320, 0.23%, 0.9%

LAB 89.96, 5.48, -2.45

 

CMYK 0 / 0 / 5 / 7

HEX #EBECE1

RGB 235 236 225

HSL 65.45, 0.22%, 0.9%

LAB 93.05, -2.25, 5.2

 

CMYK 5 / 0 / 2 / 8

HEX #DFEBE6

RGB 223 235 230

HSL 155, 0.23%, 0.9%

LAB 92.05, -4.89, 1.03

 

CMYK 5 / 5 / 0 / 8

HEX #E0DFEB

RGB 224 223 235

HSL 245, 0.23%, 0.9%

LAB 89.22, 2.54, -5.73

 

CMYK 0 / 5 / 3 / 8

HEX #EBDFE4

RGB 235 223 228

HSL 335, 0.23%, 0.9%

LAB 89.88, 4.95, -0.99

 

Description

Color code: HEX #EBECE1 | qconv.com Color code: HEX #EBECE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 236 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 236 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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