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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDF97 it is the complementary color #142068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDF97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDF97 shade: #F0DF92, #FFF1A5, #FFFFB8, #FFFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDF97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDF97 shade: #EBDF97, #DACD84, #C9BB71, #B8A95E and #A7974B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDF97 shade: #EBE098, #EBC998, #EBB398, #EB9C98 and #EB9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDF97 shade: #EBE098, #E1EB98, #CAEB98, #B4EB98 and #9EEB98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDF97 shade matches the following richer shades: #EBE098 and #F5E78E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDF97 shade: #EBE098, #E2D8A2, #D8D1AC, #CECAB6 and #C4C3C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDF97 shade: #EBB398, #EBC998, #EBDF98, #E2EB98 and #CCEB98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDF97 shade: #DECA53, #E5D576, #EBE098, #F2EABB and #F9F5DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDF97 shade: #EBDF97, #98EB9C and #BE98EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDF97 shade: #EBDF97, #98EBDF and #DF98EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDF97 shade: #EBDF97, #98EB9C, #98A5EB and #EB98E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDF97 shade: #EBDF97, #98EBB5, #98A5EB and #EB98CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 36 / 8

HEX #EBDF97

RGB 235 223 151

HSL 51.43, 0.68%, 0.76%

LAB 88.29, -6.24, 36.79

 

Complementary color

CMYK 81 / 69 / 0 / 59

HEX #142068

RGB 20 32 104

HSL 231.43, 0.68%, 0.24%

LAB 16.41, 23.47, -43.46

 

CMYK 0 / 7 / 39 / 6

HEX #F0DF92

RGB 240 223 146

HSL 49.15, 0.76%, 0.76%

LAB 88.63, -4.86, 39.83

 

CMYK 0 / 5 / 35 / 0

HEX #FFF1A5

RGB 255 241 165

HSL 50.67, 1%, 0.82%

LAB 94.69, -6.04, 38.44

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 5 / 36 / 8

HEX #EBDF97

RGB 235 223 151

HSL 51.43, 0.68%, 0.76%

LAB 88.29, -6.24, 36.79

 

CMYK 0 / 6 / 39 / 15

HEX #DACD84

RGB 218 205 132

HSL 50.93, 0.54%, 0.69%

LAB 81.97, -5.84, 37.96

 

CMYK 0 / 7 / 44 / 21

HEX #C9BB71

RGB 201 187 113

HSL 50.45, 0.45%, 0.62%

LAB 75.54, -5.36, 39.16

 

CMYK 0 / 8 / 49 / 28

HEX #B8A95E

RGB 184 169 94

HSL 50, 0.39%, 0.55%

LAB 69.02, -4.79, 40.41

 

CMYK 0 / 10 / 55 / 35

HEX #A7974B

RGB 167 151 75

HSL 49.57, 0.38%, 0.47%

LAB 62.39, -4.1, 41.66

 

CMYK 0 / 5 / 35 / 8

HEX #EBE098

RGB 235 224 152

HSL 52.05, 0.67%, 0.76%

LAB 88.56, -6.63, 36.64

 

CMYK 0 / 14 / 35 / 8

HEX #EBC998

RGB 235 201 152

HSL 35.42, 0.67%, 0.76%

LAB 82.75, 5.18, 28.95

 

CMYK 0 / 24 / 35 / 8

HEX #EBB398

RGB 235 179 152

HSL 19.52, 0.67%, 0.76%

LAB 77.38, 16.78, 21.66

 

CMYK 0 / 34 / 35 / 8

HEX #EB9C98

RGB 235 156 152

HSL 2.89, 0.67%, 0.76%

LAB 72.03, 29.01, 14.24

 

CMYK 0 / 35 / 35 / 8

HEX #EB9898

RGB 235 152 152

HSL 0, 0.67%, 0.76%

LAB 71.14, 31.13, 12.98

 

CMYK 0 / 5 / 35 / 8

HEX #EBE098

RGB 235 224 152

HSL 52.05, 0.67%, 0.76%

LAB 88.56, -6.63, 36.64

 

CMYK 4 / 0 / 35 / 8

HEX #E1EB98

RGB 225 235 152

HSL 67.23, 0.67%, 0.76%

LAB 90.64, -15.93, 39.2

 

CMYK 14 / 0 / 35 / 8

HEX #CAEB98

RGB 202 235 152

HSL 83.86, 0.67%, 0.76%

LAB 89.04, -24.46, 36.81

 

CMYK 23 / 0 / 35 / 8

HEX #B4EB98

RGB 180 235 152

HSL 99.76, 0.67%, 0.76%

LAB 87.67, -32.24, 34.76

 

CMYK 33 / 0 / 35 / 8

HEX #9EEB98

RGB 158 235 152

HSL 115.66, 0.67%, 0.76%

LAB 86.48, -39.51, 32.97

 

CMYK 0 / 5 / 35 / 8

HEX #EBE098

RGB 235 224 152

HSL 52.05, 0.67%, 0.76%

LAB 88.56, -6.63, 36.64

 

CMYK 0 / 6 / 42 / 4

HEX #F5E78E

RGB 245 231 142

HSL 51.84, 0.84%, 0.76%

LAB 91.02, -7.36, 44.95

 

CMYK 0 / 5 / 35 / 8

HEX #EBE098

RGB 235 224 152

HSL 52.05, 0.67%, 0.76%

LAB 88.56, -6.63, 36.64

 

CMYK 0 / 4 / 28 / 11

HEX #E2D8A2

RGB 226 216 162

HSL 50.63, 0.52%, 0.76%

LAB 85.95, -4.79, 27.92

 

CMYK 0 / 3 / 20 / 15

HEX #D8D1AC

RGB 216 209 172

HSL 50.45, 0.36%, 0.76%

LAB 83.54, -3.56, 19.25

 

CMYK 0 / 2 / 12 / 19

HEX #CECAB6

RGB 206 202 182

HSL 50, 0.2%, 0.76%

LAB 81.15, -2.04, 10.47

 

CMYK 0 / 1 / 2 / 23

HEX #C4C3C0

RGB 196 195 192

HSL 45, 0.03%, 0.76%

LAB 78.79, -0.2, 1.62

 

CMYK 0 / 24 / 35 / 8

HEX #EBB398

RGB 235 179 152

HSL 19.52, 0.67%, 0.76%

LAB 77.38, 16.78, 21.66

 

CMYK 0 / 14 / 35 / 8

HEX #EBC998

RGB 235 201 152

HSL 35.42, 0.67%, 0.76%

LAB 82.75, 5.18, 28.95

 

CMYK 0 / 5 / 35 / 8

HEX #EBDF98

RGB 235 223 152

HSL 51.33, 0.67%, 0.76%

LAB 88.31, -6.13, 36.31

 

CMYK 4 / 0 / 35 / 8

HEX #E2EB98

RGB 226 235 152

HSL 66.51, 0.67%, 0.76%

LAB 90.71, -15.56, 39.31

 

CMYK 13 / 0 / 35 / 8

HEX #CCEB98

RGB 204 235 152

HSL 82.41, 0.67%, 0.76%

LAB 89.17, -23.73, 37

 

CMYK 0 / 9 / 63 / 13

HEX #DECA53

RGB 222 202 83

HSL 51.37, 0.68%, 0.6%

LAB 80.96, -6.88, 60.17

 

CMYK 0 / 7 / 48 / 10

HEX #E5D576

RGB 229 213 118

HSL 51.35, 0.68%, 0.68%

LAB 84.77, -6.92, 48.61

 

CMYK 0 / 5 / 35 / 8

HEX #EBE098

RGB 235 224 152

HSL 52.05, 0.67%, 0.76%

LAB 88.56, -6.63, 36.64

 

CMYK 0 / 3 / 23 / 5

HEX #F2EABB

RGB 242 234 187

HSL 51.27, 0.68%, 0.84%

LAB 92.27, -4.62, 23.85

 

CMYK 0 / 2 / 11 / 2

HEX #F9F5DD

RGB 249 245 221

HSL 51.43, 0.7%, 0.92%

LAB 96.27, -2.64, 12.03

 

CMYK 0 / 5 / 36 / 8

HEX #EBDF97

RGB 235 223 151

HSL 51.43, 0.68%, 0.76%

LAB 88.29, -6.24, 36.79

 

CMYK 35 / 0 / 34 / 8

HEX #98EB9C

RGB 152 235 156

HSL 122.89, 0.67%, 0.76%

LAB 86.25, -40.76, 30.58

 

CMYK 19 / 35 / 0 / 8

HEX #BE98EB

RGB 190 152 235

HSL 267.47, 0.67%, 0.76%

LAB 69.04, 30.11, -36.59

 

CMYK 0 / 5 / 36 / 8

HEX #EBDF97

RGB 235 223 151

HSL 51.43, 0.68%, 0.76%

LAB 88.29, -6.24, 36.79

 

CMYK 35 / 0 / 5 / 8

HEX #98EBDF

RGB 152 235 223

HSL 171.33, 0.67%, 0.76%

LAB 87.69, -27.83, -2.18

 

CMYK 5 / 35 / 0 / 8

HEX #DF98EB

RGB 223 152 235

HSL 291.33, 0.67%, 0.76%

LAB 72.32, 40.09, -31.24

 

CMYK 0 / 5 / 36 / 8

HEX #EBDF97

RGB 235 223 151

HSL 51.43, 0.68%, 0.76%

LAB 88.29, -6.24, 36.79

 

CMYK 35 / 0 / 34 / 8

HEX #98EB9C

RGB 152 235 156

HSL 122.89, 0.67%, 0.76%

LAB 86.25, -40.76, 30.58

 

CMYK 35 / 30 / 0 / 8

HEX #98A5EB

RGB 152 165 235

HSL 230.6, 0.67%, 0.76%

LAB 69.17, 11.89, -36.62

 

CMYK 0 / 35 / 2 / 8

HEX #EB98E7

RGB 235 152 231

HSL 302.89, 0.67%, 0.76%

LAB 73.47, 43.05, -27.18

 

CMYK 0 / 5 / 36 / 8

HEX #EBDF97

RGB 235 223 151

HSL 51.43, 0.68%, 0.76%

LAB 88.29, -6.24, 36.79

 

CMYK 35 / 0 / 23 / 8

HEX #98EBB5

RGB 152 235 181

HSL 140.96, 0.67%, 0.76%

LAB 86.72, -36.45, 18.37

 

CMYK 35 / 30 / 0 / 8

HEX #98A5EB

RGB 152 165 235

HSL 230.6, 0.67%, 0.76%

LAB 69.17, 11.89, -36.62

 

CMYK 0 / 35 / 12 / 8

HEX #EB98CE

RGB 235 152 206

HSL 320.96, 0.67%, 0.76%

LAB 72.61, 38.79, -14.77

 

Description

Color code: HEX #EBDF97 | qconv.com Color code: HEX #EBDF97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 223 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 223 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 36 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 36% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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