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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDEA8 it is the complementary color #142157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDEA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDEA8 shade: #F0DEA3, #FFF0B6, #FFFFC9, #FFFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDEA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDEA8 shade: #EBDEA8, #DACC95, #C9BA82, #B8A86F and #A7965C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDEA8 shade: #EBDEA7, #EBCBA7, #EBB9A7 and #EBA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDEA8 shade: #EBDEA7, #E6EBA7, #D3EBA7, #C1EBA7 and #AFEBA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDEA8 shade matches the following richer shades: #EBDEA7, #F3E39F and #FCE896

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDEA8 shade: #EBDEA7, #E2D8B0, #D9D3B9, #D1CEC1 and #C8C8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDEA8 shade: #EBB9A7, #EBCBA7, #EBDDA7, #E6EBA7 and #D4EBA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDEA8 shade: #DBC464, #E3D186, #EBDEA7, #F2EAC9 and #FAF7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDEA8 shade: #EBDEA8, #A7EBA7 and #C2A7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDEA8 shade: #EBDEA8, #A7EBDD and #DDA7EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDEA8 shade: #EBDEA8, #A7EBA7, #A7B5EB and #EBA7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDEA8 shade: #EBDEA8, #A7EBBB, #A7B5EB and #EBA7D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 29 / 8

HEX #EBDEA8

RGB 235 222 168

HSL 48.36, 0.63%, 0.79%

LAB 88.32, -3.67, 28.15

 

Complementary color

CMYK 77 / 62 / 0 / 66

HEX #142157

RGB 20 33 87

HSL 228.36, 0.63%, 0.21%

LAB 15.09, 15.74, -34.34

 

CMYK 0 / 8 / 32 / 6

HEX #F0DEA3

RGB 240 222 163

HSL 45.97, 0.72%, 0.79%

LAB 88.64, -2.4, 31.22

 

CMYK 0 / 6 / 29 / 0

HEX #FFF0B6

RGB 255 240 182

HSL 47.67, 1%, 0.86%

LAB 94.72, -3.5, 29.92

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA8

RGB 235 222 168

HSL 48.36, 0.63%, 0.79%

LAB 88.32, -3.67, 28.15

 

CMYK 0 / 6 / 32 / 15

HEX #DACC95

RGB 218 204 149

HSL 47.83, 0.48%, 0.72%

LAB 81.98, -3.33, 29.22

 

CMYK 0 / 7 / 35 / 21

HEX #C9BA82

RGB 201 186 130

HSL 47.32, 0.4%, 0.65%

LAB 75.54, -2.94, 30.35

 

CMYK 0 / 9 / 40 / 28

HEX #B8A86F

RGB 184 168 111

HSL 46.85, 0.34%, 0.58%

LAB 69, -2.48, 31.55

 

CMYK 0 / 10 / 45 / 35

HEX #A7965C

RGB 167 150 92

HSL 46.4, 0.3%, 0.51%

LAB 62.34, -1.94, 32.81

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA7

RGB 235 222 167

HSL 48.53, 0.63%, 0.79%

LAB 88.3, -3.8, 28.64

 

CMYK 0 / 14 / 29 / 8

HEX #EBCBA7

RGB 235 203 167

HSL 31.76, 0.63%, 0.79%

LAB 83.53, 6, 22.13

 

CMYK 0 / 21 / 29 / 8

HEX #EBB9A7

RGB 235 185 167

HSL 15.88, 0.63%, 0.79%

LAB 79.13, 15.49, 16.02

 

CMYK 0 / 29 / 29 / 8

HEX #EBA7A7

RGB 235 167 167

HSL 0, 0.63%, 0.79%

LAB 74.88, 25.06, 10.03

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA7

RGB 235 222 167

HSL 48.53, 0.63%, 0.79%

LAB 88.3, -3.8, 28.64

 

CMYK 2 / 0 / 29 / 8

HEX #E6EBA7

RGB 230 235 167

HSL 64.41, 0.63%, 0.79%

LAB 91.25, -12.22, 32.53

 

CMYK 10 / 0 / 29 / 8

HEX #D3EBA7

RGB 211 235 167

HSL 81.18, 0.63%, 0.79%

LAB 89.89, -19.19, 30.46

 

CMYK 18 / 0 / 29 / 8

HEX #C1EBA7

RGB 193 235 167

HSL 97.06, 0.63%, 0.79%

LAB 88.71, -25.58, 28.67

 

CMYK 26 / 0 / 29 / 8

HEX #AFEBA7

RGB 175 235 167

HSL 112.94, 0.63%, 0.79%

LAB 87.64, -31.69, 27.05

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA7

RGB 235 222 167

HSL 48.53, 0.63%, 0.79%

LAB 88.3, -3.8, 28.64

 

CMYK 0 / 7 / 35 / 5

HEX #F3E39F

RGB 243 227 159

HSL 48.57, 0.78%, 0.79%

LAB 90.09, -4.27, 35.23

 

CMYK 0 / 8 / 40 / 1

HEX #FCE896

RGB 252 232 150

HSL 48.24, 0.94%, 0.79%

LAB 91.96, -4.31, 42.32

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA7

RGB 235 222 167

HSL 48.53, 0.63%, 0.79%

LAB 88.3, -3.8, 28.64

 

CMYK 0 / 4 / 22 / 11

HEX #E2D8B0

RGB 226 216 176

HSL 48, 0.46%, 0.79%

LAB 86.21, -2.89, 20.99

 

CMYK 0 / 3 / 15 / 15

HEX #D9D3B9

RGB 217 211 185

HSL 48.75, 0.3%, 0.79%

LAB 84.4, -2.27, 13.62

 

CMYK 0 / 1 / 8 / 18

HEX #D1CEC1

RGB 209 206 193

HSL 48.75, 0.15%, 0.79%

LAB 82.67, -1.24, 6.82

 

CMYK 1 / 1 / 0 / 21

HEX #C8C8CA

RGB 200 200 202

HSL 240, 0.02%, 0.79%

LAB 80.66, 0.37, -1.01

 

CMYK 0 / 21 / 29 / 8

HEX #EBB9A7

RGB 235 185 167

HSL 15.88, 0.63%, 0.79%

LAB 79.13, 15.49, 16.02

 

CMYK 0 / 14 / 29 / 8

HEX #EBCBA7

RGB 235 203 167

HSL 31.76, 0.63%, 0.79%

LAB 83.53, 6, 22.13

 

CMYK 0 / 6 / 29 / 8

HEX #EBDDA7

RGB 235 221 167

HSL 47.65, 0.63%, 0.79%

LAB 88.05, -3.29, 28.29

 

CMYK 2 / 0 / 29 / 8

HEX #E6EBA7

RGB 230 235 167

HSL 64.41, 0.63%, 0.79%

LAB 91.25, -12.22, 32.53

 

CMYK 10 / 0 / 29 / 8

HEX #D4EBA7

RGB 212 235 167

HSL 80.29, 0.63%, 0.79%

LAB 89.95, -18.83, 30.57

 

CMYK 0 / 11 / 54 / 14

HEX #DBC464

RGB 219 196 100

HSL 48.4, 0.62%, 0.63%

LAB 79.31, -3.83, 50.52

 

CMYK 0 / 8 / 41 / 11

HEX #E3D186

RGB 227 209 134

HSL 48.39, 0.62%, 0.71%

LAB 83.78, -4.11, 39.43

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA7

RGB 235 222 167

HSL 48.53, 0.63%, 0.79%

LAB 88.3, -3.8, 28.64

 

CMYK 0 / 3 / 17 / 5

HEX #F2EAC9

RGB 242 234 201

HSL 48.29, 0.61%, 0.87%

LAB 92.55, -2.61, 17.01

 

CMYK 0 / 1 / 6 / 2

HEX #FAF7EA

RGB 250 247 234

HSL 48.75, 0.62%, 0.95%

LAB 97.14, -1.21, 6.59

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA8

RGB 235 222 168

HSL 48.36, 0.63%, 0.79%

LAB 88.32, -3.67, 28.15

 

CMYK 29 / 0 / 29 / 8

HEX #A7EBA7

RGB 167 235 167

HSL 120, 0.63%, 0.79%

LAB 87.2, -34.29, 26.38

 

CMYK 17 / 29 / 0 / 8

HEX #C2A7EB

RGB 194 167 235

HSL 263.82, 0.63%, 0.79%

LAB 72.96, 23.01, -30.49

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA8

RGB 235 222 168

HSL 48.36, 0.63%, 0.79%

LAB 88.32, -3.67, 28.15

 

CMYK 29 / 0 / 6 / 8

HEX #A7EBDD

RGB 167 235 221

HSL 167.65, 0.63%, 0.79%

LAB 88.38, -24.11, -0.04

 

CMYK 6 / 29 / 0 / 8

HEX #DDA7EB

RGB 221 167 235

HSL 287.65, 0.63%, 0.79%

LAB 75.46, 31.43, -26.45

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA8

RGB 235 222 168

HSL 48.36, 0.63%, 0.79%

LAB 88.32, -3.67, 28.15

 

CMYK 29 / 0 / 29 / 8

HEX #A7EBA7

RGB 167 235 167

HSL 120, 0.63%, 0.79%

LAB 87.2, -34.29, 26.38

 

CMYK 29 / 23 / 0 / 8

HEX #A7B5EB

RGB 167 181 235

HSL 227.65, 0.63%, 0.79%

LAB 74.36, 7.19, -28.53

 

CMYK 0 / 29 / 0 / 8

HEX #EBA7EB

RGB 235 167 235

HSL 300, 0.63%, 0.79%

LAB 76.86, 35.87, -24.18

 

CMYK 0 / 6 / 29 / 8

HEX #EBDEA8

RGB 235 222 168

HSL 48.36, 0.63%, 0.79%

LAB 88.32, -3.67, 28.15

 

CMYK 29 / 0 / 20 / 8

HEX #A7EBBB

RGB 167 235 187

HSL 137.65, 0.63%, 0.79%

LAB 87.59, -30.84, 16.59

 

CMYK 29 / 23 / 0 / 8

HEX #A7B5EB

RGB 167 181 235

HSL 227.65, 0.63%, 0.79%

LAB 74.36, 7.19, -28.53

 

CMYK 0 / 29 / 9 / 8

HEX #EBA7D6

RGB 235 167 214

HSL 318.53, 0.63%, 0.79%

LAB 76.16, 32.18, -13.81

 

Description

Color code: HEX #EBDEA8 | qconv.com Color code: HEX #EBDEA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 222 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 222 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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