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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDC77 it is the complementary color #142388. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDC77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDC77 shade: #F0DC72, #FFEE85, #FFFF98, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDC77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDC77 shade: #EBDC77, #DACA64, #C9B851, #B8A63E and #A7942B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDC77 shade: #EADB75, #EABC75, #EA9C75, #EA7D75 and #EA7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDC77 shade: #EADB75, #DAEA75, #BAEA75, #9BEA75 and #7BEA75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDC77 shade matches the following richer shades: #EADB75 and #F7E569

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDC77 shade: #EADB75, #DED282, #D1C88F, #C4BF9C and #B7B5A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDC77 shade: #EA9C75, #EABC75, #EADB75, #DBEA75 and #BCEA75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDC77 shade: #E0C92E, #E5D252, #EADB75, #F0E599 and #F5EEBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDC77 shade: #EBDC77, #75EA7D and #AC75EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDC77 shade: #EBDC77, #75EADB and #DB75EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDC77 shade: #EBDC77, #75EA7D, #7585EA and #EA75E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDC77 shade: #EBDC77, #75EAA0, #7585EA and #EA75C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 49 / 8

HEX #EBDC77

RGB 235 220 119

HSL 52.24, 0.74%, 0.69%

LAB 87.09, -7.96, 51.05

 

Complementary color

CMYK 85 / 74 / 0 / 47

HEX #142388

RGB 20 35 136

HSL 232.24, 0.74%, 0.31%

LAB 20.55, 33.88, -57.15

 

CMYK 0 / 8 / 53 / 6

HEX #F0DC72

RGB 240 220 114

HSL 50.48, 0.81%, 0.69%

LAB 87.45, -6.37, 53.95

 

CMYK 0 / 7 / 48 / 0

HEX #FFEE85

RGB 255 238 133

HSL 51.64, 1%, 0.76%

LAB 93.5, -7.78, 52.55

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 6 / 49 / 8

HEX #EBDC77

RGB 235 220 119

HSL 52.24, 0.74%, 0.69%

LAB 87.09, -7.96, 51.05

 

CMYK 0 / 7 / 54 / 15

HEX #DACA64

RGB 218 202 100

HSL 51.86, 0.61%, 0.62%

LAB 80.78, -7.32, 52.21

 

CMYK 0 / 8 / 60 / 21

HEX #C9B851

RGB 201 184 81

HSL 51.5, 0.53%, 0.55%

LAB 74.38, -6.57, 53.31

 

CMYK 0 / 10 / 66 / 28

HEX #B8A63E

RGB 184 166 62

HSL 51.15, 0.5%, 0.48%

LAB 67.88, -5.67, 54.24

 

CMYK 0 / 11 / 74 / 35

HEX #A7942B

RGB 167 148 43

HSL 50.81, 0.59%, 0.41%

LAB 61.28, -4.58, 54.79

 

CMYK 0 / 6 / 50 / 8

HEX #EADB75

RGB 234 219 117

HSL 52.31, 0.74%, 0.69%

LAB 86.72, -8.03, 51.55

 

CMYK 0 / 20 / 50 / 8

HEX #EABC75

RGB 234 188 117

HSL 36.41, 0.74%, 0.69%

LAB 78.89, 7.95, 41.98

 

CMYK 0 / 33 / 50 / 8

HEX #EA9C75

RGB 234 156 117

HSL 20, 0.74%, 0.69%

LAB 71.25, 24.92, 32.26

 

CMYK 0 / 47 / 50 / 8

HEX #EA7D75

RGB 234 125 117

HSL 4.1, 0.74%, 0.69%

LAB 64.52, 41.12, 23.38

 

CMYK 0 / 50 / 50 / 8

HEX #EA7575

RGB 234 117 117

HSL 0, 0.74%, 0.69%

LAB 62.93, 45.13, 21.23

 

CMYK 0 / 6 / 50 / 8

HEX #EADB75

RGB 234 219 117

HSL 52.31, 0.74%, 0.69%

LAB 86.72, -8.03, 51.55

 

CMYK 7 / 0 / 50 / 8

HEX #DAEA75

RGB 218 234 117

HSL 68.21, 0.74%, 0.69%

LAB 89.41, -21.78, 54.45

 

CMYK 21 / 0 / 50 / 8

HEX #BAEA75

RGB 186 234 117

HSL 84.62, 0.74%, 0.69%

LAB 87.28, -33.91, 51.39

 

CMYK 34 / 0 / 50 / 8

HEX #9BEA75

RGB 155 234 117

HSL 100.51, 0.74%, 0.69%

LAB 85.55, -44.74, 48.9

 

CMYK 47 / 0 / 50 / 8

HEX #7BEA75

RGB 123 234 117

HSL 116.92, 0.74%, 0.69%

LAB 84.14, -54.47, 46.86

 

CMYK 0 / 6 / 50 / 8

HEX #EADB75

RGB 234 219 117

HSL 52.31, 0.74%, 0.69%

LAB 86.72, -8.03, 51.55

 

CMYK 0 / 7 / 57 / 3

HEX #F7E569

RGB 247 229 105

HSL 52.39, 0.9%, 0.69%

LAB 90.24, -8.74, 61.43

 

CMYK 0 / 6 / 50 / 8

HEX #EADB75

RGB 234 219 117

HSL 52.31, 0.74%, 0.69%

LAB 86.72, -8.03, 51.55

 

CMYK 0 / 5 / 41 / 13

HEX #DED282

RGB 222 210 130

HSL 52.17, 0.58%, 0.69%

LAB 83.57, -7.02, 41.08

 

CMYK 0 / 4 / 32 / 18

HEX #D1C88F

RGB 209 200 143

HSL 51.82, 0.42%, 0.69%

LAB 80.09, -5.5, 29.7

 

CMYK 0 / 3 / 20 / 23

HEX #C4BF9C

RGB 196 191 156

HSL 52.5, 0.25%, 0.69%

LAB 76.92, -4.02, 18.32

 

CMYK 0 / 1 / 8 / 28

HEX #B7B5A9

RGB 183 181 169

HSL 51.43, 0.09%, 0.69%

LAB 73.53, -1.44, 6.35

 

CMYK 0 / 33 / 50 / 8

HEX #EA9C75

RGB 234 156 117

HSL 20, 0.74%, 0.69%

LAB 71.25, 24.92, 32.26

 

CMYK 0 / 20 / 50 / 8

HEX #EABC75

RGB 234 188 117

HSL 36.41, 0.74%, 0.69%

LAB 78.89, 7.95, 41.98

 

CMYK 0 / 6 / 50 / 8

HEX #EADB75

RGB 234 219 117

HSL 52.31, 0.74%, 0.69%

LAB 86.72, -8.03, 51.55

 

CMYK 6 / 0 / 50 / 8

HEX #DBEA75

RGB 219 234 117

HSL 67.69, 0.74%, 0.69%

LAB 89.48, -21.39, 54.56

 

CMYK 20 / 0 / 50 / 8

HEX #BCEA75

RGB 188 234 117

HSL 83.59, 0.74%, 0.69%

LAB 87.4, -33.18, 51.57

 

CMYK 0 / 10 / 79 / 12

HEX #E0C92E

RGB 224 201 46

HSL 52.25, 0.74%, 0.53%

LAB 80.64, -7.29, 73.47

 

CMYK 0 / 8 / 64 / 10

HEX #E5D252

RGB 229 210 82

HSL 52.24, 0.74%, 0.61%

LAB 83.63, -8.09, 63.63

 

CMYK 0 / 6 / 50 / 8

HEX #EADB75

RGB 234 219 117

HSL 52.31, 0.74%, 0.69%

LAB 86.72, -8.03, 51.55

 

CMYK 0 / 5 / 36 / 6

HEX #F0E599

RGB 240 229 153

HSL 52.41, 0.74%, 0.77%

LAB 90.26, -7.12, 38.43

 

CMYK 0 / 3 / 23 / 4

HEX #F5EEBD

RGB 245 238 189

HSL 52.5, 0.74%, 0.85%

LAB 93.55, -5.26, 24.62

 

CMYK 0 / 6 / 49 / 8

HEX #EBDC77

RGB 235 220 119

HSL 52.24, 0.74%, 0.69%

LAB 87.09, -7.96, 51.05

 

CMYK 50 / 0 / 47 / 8

HEX #75EA7D

RGB 117 234 125

HSL 124.1, 0.74%, 0.69%

LAB 84.02, -55, 42.83

 

CMYK 26 / 50 / 0 / 8

HEX #AC75EA

RGB 172 117 234

HSL 268.21, 0.74%, 0.69%

LAB 59.37, 44.18, -51.36

 

CMYK 0 / 6 / 49 / 8

HEX #EBDC77

RGB 235 220 119

HSL 52.24, 0.74%, 0.69%

LAB 87.09, -7.96, 51.05

 

CMYK 50 / 0 / 6 / 8

HEX #75EADB

RGB 117 234 219

HSL 172.31, 0.74%, 0.69%

LAB 85.88, -36.73, -2.91

 

CMYK 6 / 50 / 0 / 8

HEX #DB75EA

RGB 219 117 234

HSL 292.31, 0.74%, 0.69%

LAB 64.74, 56.74, -42.52

 

CMYK 0 / 6 / 49 / 8

HEX #EBDC77

RGB 235 220 119

HSL 52.24, 0.74%, 0.69%

LAB 87.09, -7.96, 51.05

 

CMYK 50 / 0 / 47 / 8

HEX #75EA7D

RGB 117 234 125

HSL 124.1, 0.74%, 0.69%

LAB 84.02, -55, 42.83

 

CMYK 50 / 43 / 0 / 8

HEX #7585EA

RGB 117 133 234

HSL 231.79, 0.74%, 0.69%

LAB 58.51, 21.45, -53.02

 

CMYK 0 / 50 / 3 / 8

HEX #EA75E3

RGB 234 117 227

HSL 303.59, 0.74%, 0.69%

LAB 66.34, 59.62, -36.01

 

CMYK 0 / 6 / 49 / 8

HEX #EBDC77

RGB 235 220 119

HSL 52.24, 0.74%, 0.69%

LAB 87.09, -7.96, 51.05

 

CMYK 50 / 0 / 32 / 8

HEX #75EAA0

RGB 117 234 160

HSL 142.05, 0.74%, 0.69%

LAB 84.57, -49.34, 26.02

 

CMYK 50 / 43 / 0 / 8

HEX #7585EA

RGB 117 133 234

HSL 231.79, 0.74%, 0.69%

LAB 58.51, 21.45, -53.02

 

CMYK 0 / 50 / 18 / 8

HEX #EA75C0

RGB 234 117 192

HSL 321.54, 0.74%, 0.69%

LAB 64.98, 54.06, -18.51

 

Description

Color code: HEX #EBDC77 | qconv.com Color code: HEX #EBDC77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 220 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 220 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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