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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDB5C it is the complementary color #1424A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDB5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDB5C shade: #F0DB57, #FFED6A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDB5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDB5C shade: #EBDB5C, #DAC949, #C9B736, #B8A523 and #A79310

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDB5C shade: #EADA5B, #EAB45B, #EA8D5B, #EA665B and #EA5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDB5C shade: #EADA5B, #D4EA5B, #ADEA5B, #86EA5B and #60EA5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDB5C shade matches the following richer shades: #EADA5B and #F9E64C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDB5C shade: #EADA5B, #DBCF6A, #CDC379, #BEB888 and #AFAC97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDB5C shade: #EA8D5B, #EAB35B, #EADA5B, #D5EA5B and #AFEA5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDB5C shade: #D9C31A, #E6D236, #EADA5B, #EFE280 and #F3EBA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDB5C shade: #EBDB5C, #5BEA67 and #A05BEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDB5C shade: #EBDB5C, #5BEADA and #DA5BEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDB5C shade: #EBDB5C, #5BEA67, #5B6CEA and #EA5BDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDB5C shade: #EBDB5C, #5BEA92, #5B6CEA and #EA5BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 61 / 8

HEX #EBDB5C

RGB 235 219 92

HSL 53.29, 0.78%, 0.64%

LAB 86.55, -9.52, 62.71

 

Complementary color

CMYK 88 / 78 / 0 / 36

HEX #1424A3

RGB 20 36 163

HSL 233.29, 0.78%, 0.36%

LAB 23.85, 42.97, -68.34

 

CMYK 0 / 9 / 64 / 6

HEX #F0DB57

RGB 240 219 87

HSL 51.76, 0.84%, 0.64%

LAB 86.94, -7.77, 65.35

 

CMYK 0 / 7 / 58 / 0

HEX #FFED6A

RGB 255 237 106

HSL 52.75, 1%, 0.71%

LAB 92.96, -9.41, 64.22

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 7 / 61 / 8

HEX #EBDB5C

RGB 235 219 92

HSL 53.29, 0.78%, 0.64%

LAB 86.55, -9.52, 62.71

 

CMYK 0 / 8 / 67 / 15

HEX #DAC949

RGB 218 201 73

HSL 52.97, 0.66%, 0.57%

LAB 80.27, -8.65, 63.5

 

CMYK 0 / 9 / 73 / 21

HEX #C9B736

RGB 201 183 54

HSL 52.65, 0.58%, 0.5%

LAB 73.9, -7.62, 63.94

 

CMYK 0 / 10 / 81 / 28

HEX #B8A523

RGB 184 165 35

HSL 52.35, 0.68%, 0.43%

LAB 67.44, -6.39, 63.72

 

CMYK 0 / 12 / 90 / 35

HEX #A79310

RGB 167 147 16

HSL 52.05, 0.83%, 0.36%

LAB 60.89, -4.92, 62.33

 

CMYK 0 / 7 / 61 / 8

HEX #EADA5B

RGB 234 218 91

HSL 53.29, 0.77%, 0.64%

LAB 86.2, -9.49, 62.73

 

CMYK 0 / 23 / 61 / 8

HEX #EAB45B

RGB 234 180 91

HSL 37.34, 0.77%, 0.64%

LAB 76.61, 10.12, 52.04

 

CMYK 0 / 40 / 61 / 8

HEX #EA8D5B

RGB 234 141 91

HSL 20.98, 0.77%, 0.64%

LAB 67.5, 30.78, 41.35

 

CMYK 0 / 56 / 61 / 8

HEX #EA665B

RGB 234 102 91

HSL 4.62, 0.77%, 0.64%

LAB 59.66, 50.34, 31.68

 

CMYK 0 / 61 / 61 / 8

HEX #EA5B5B

RGB 234 91 91

HSL 0, 0.77%, 0.64%

LAB 57.78, 55.3, 29.29

 

CMYK 0 / 7 / 61 / 8

HEX #EADA5B

RGB 234 218 91

HSL 53.29, 0.77%, 0.64%

LAB 86.2, -9.49, 62.73

 

CMYK 9 / 0 / 61 / 8

HEX #D4EA5B

RGB 212 234 91

HSL 69.23, 0.77%, 0.64%

LAB 88.73, -26.21, 64.98

 

CMYK 26 / 0 / 61 / 8

HEX #ADEA5B

RGB 173 234 91

HSL 85.59, 0.77%, 0.64%

LAB 86.25, -41.05, 61.55

 

CMYK 43 / 0 / 61 / 8

HEX #86EA5B

RGB 134 234 91

HSL 101.96, 0.77%, 0.64%

LAB 84.31, -54.15, 58.86

 

CMYK 59 / 0 / 61 / 8

HEX #60EA5B

RGB 96 234 91

HSL 117.9, 0.77%, 0.64%

LAB 82.96, -64.34, 56.97

 

CMYK 0 / 7 / 61 / 8

HEX #EADA5B

RGB 234 218 91

HSL 53.29, 0.77%, 0.64%

LAB 86.2, -9.49, 62.73

 

CMYK 0 / 8 / 69 / 2

HEX #F9E64C

RGB 249 230 76

HSL 53.41, 0.94%, 0.64%

LAB 90.44, -10.14, 73.49

 

CMYK 0 / 7 / 61 / 8

HEX #EADA5B

RGB 234 218 91

HSL 53.29, 0.77%, 0.64%

LAB 86.2, -9.49, 62.73

 

CMYK 0 / 5 / 52 / 14

HEX #DBCF6A

RGB 219 207 106

HSL 53.63, 0.61%, 0.64%

LAB 82.23, -8.97, 51.12

 

CMYK 0 / 5 / 41 / 20

HEX #CDC379

RGB 205 195 121

HSL 52.86, 0.46%, 0.64%

LAB 78.1, -7.06, 38.4

 

CMYK 0 / 3 / 28 / 25

HEX #BEB888

RGB 190 184 136

HSL 53.33, 0.29%, 0.64%

LAB 74.19, -5.47, 25.21

 

CMYK 0 / 2 / 14 / 31

HEX #AFAC97

RGB 175 172 151

HSL 52.5, 0.13%, 0.64%

LAB 70.07, -2.61, 11.19

 

CMYK 0 / 40 / 61 / 8

HEX #EA8D5B

RGB 234 141 91

HSL 20.98, 0.77%, 0.64%

LAB 67.5, 30.78, 41.35

 

CMYK 0 / 24 / 61 / 8

HEX #EAB35B

RGB 234 179 91

HSL 36.92, 0.77%, 0.64%

LAB 76.37, 10.64, 51.76

 

CMYK 0 / 7 / 61 / 8

HEX #EADA5B

RGB 234 218 91

HSL 53.29, 0.77%, 0.64%

LAB 86.2, -9.49, 62.73

 

CMYK 9 / 0 / 61 / 8

HEX #D5EA5B

RGB 213 234 91

HSL 68.81, 0.77%, 0.64%

LAB 88.8, -25.81, 65.08

 

CMYK 25 / 0 / 61 / 8

HEX #AFEA5B

RGB 175 234 91

HSL 84.76, 0.77%, 0.64%

LAB 86.36, -40.33, 61.71

 

CMYK 0 / 10 / 88 / 15

HEX #D9C31A

RGB 217 195 26

HSL 53.09, 0.79%, 0.48%

LAB 78.38, -7.76, 76.16

 

CMYK 0 / 9 / 77 / 10

HEX #E6D236

RGB 230 210 54

HSL 53.18, 0.78%, 0.56%

LAB 83.54, -9.02, 73.86

 

CMYK 0 / 7 / 61 / 8

HEX #EADA5B

RGB 234 218 91

HSL 53.29, 0.77%, 0.64%

LAB 86.2, -9.49, 62.73

 

CMYK 0 / 5 / 46 / 6

HEX #EFE280

RGB 239 226 128

HSL 52.97, 0.78%, 0.72%

LAB 89.06, -8.57, 49.22

 

CMYK 0 / 3 / 32 / 5

HEX #F3EBA5

RGB 243 235 165

HSL 53.85, 0.76%, 0.8%

LAB 92.22, -7.59, 35

 

CMYK 0 / 7 / 61 / 8

HEX #EBDB5C

RGB 235 219 92

HSL 53.29, 0.78%, 0.64%

LAB 86.55, -9.52, 62.71

 

CMYK 61 / 0 / 56 / 8

HEX #5BEA67

RGB 91 234 103

HSL 125.03, 0.77%, 0.64%

LAB 82.94, -64.08, 51.64

 

CMYK 32 / 61 / 0 / 8

HEX #A05BEA

RGB 160 91 234

HSL 268.95, 0.77%, 0.64%

LAB 52.84, 55.03, -61.89

 

CMYK 0 / 7 / 61 / 8

HEX #EBDB5C

RGB 235 219 92

HSL 53.29, 0.78%, 0.64%

LAB 86.55, -9.52, 62.71

 

CMYK 61 / 0 / 7 / 8

HEX #5BEADA

RGB 91 234 218

HSL 173.29, 0.77%, 0.64%

LAB 85.06, -41.94, -3.67

 

CMYK 7 / 61 / 0 / 8

HEX #DA5BEA

RGB 218 91 234

HSL 293.29, 0.77%, 0.64%

LAB 60.18, 68.42, -49.72

 

CMYK 0 / 7 / 61 / 8

HEX #EBDB5C

RGB 235 219 92

HSL 53.29, 0.78%, 0.64%

LAB 86.55, -9.52, 62.71

 

CMYK 61 / 0 / 56 / 8

HEX #5BEA67

RGB 91 234 103

HSL 125.03, 0.77%, 0.64%

LAB 82.94, -64.08, 51.64

 

CMYK 61 / 54 / 0 / 8

HEX #5B6CEA

RGB 91 108 234

HSL 232.87, 0.77%, 0.64%

LAB 50.56, 31.44, -65.86

 

CMYK 0 / 61 / 5 / 8

HEX #EA5BDE

RGB 234 91 222

HSL 305.03, 0.77%, 0.64%

LAB 61.87, 70.28, -40.2

 

CMYK 0 / 7 / 61 / 8

HEX #EBDB5C

RGB 235 219 92

HSL 53.29, 0.78%, 0.64%

LAB 86.55, -9.52, 62.71

 

CMYK 61 / 0 / 38 / 8

HEX #5BEA92

RGB 91 234 146

HSL 143.08, 0.77%, 0.64%

LAB 83.52, -57.65, 31.6

 

CMYK 61 / 54 / 0 / 8

HEX #5B6CEA

RGB 91 108 234

HSL 232.87, 0.77%, 0.64%

LAB 50.56, 31.44, -65.86

 

CMYK 0 / 61 / 24 / 8

HEX #EA5BB3

RGB 234 91 179

HSL 323.08, 0.77%, 0.64%

LAB 60.1, 64.02, -18.53

 

Description

Color code: HEX #EBDB5C | qconv.com Color code: HEX #EBDB5C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 219 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 219 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 61 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 61% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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