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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDAAD it is the complementary color #142552. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDAAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDAAD shade: #F0DAA8, #FFECBB, #FFFECE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDAAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDAAD shade: #EBDAAD, #DAC89A, #C9B687, #B8A474 and #A79261

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDAAD shade: #EBDAAD, #EBC9AD, #EBB8AD and #EBADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDAAD shade: #EBDAAD, #EBEBAD, #DBEBAD, #CAEBAD and #B9EBAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDAAD shade matches the following richer shades: #EBDAAD, #F3DEA5 and #FCE29C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDAAD shade: #EBDAAD, #E3D6B5, #DBD3BD, #D2CFC6 and #CACBCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDAAD shade: #EBB8AD, #EBC9AD, #EBD9AD, #EBEAAD and #DCEBAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDAAD shade: #DBBC6A, #E3CB8C, #EBDAAD, #F3E9CE and #FBF8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDAAD shade: #EBDAAD, #B2EBAD and #C1ADEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDAAD shade: #EBDAAD, #ADEBD9 and #D9ADEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDAAD shade: #EBDAAD, #B2EBAD, #ADBFEB and #E6ADEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDAAD shade: #EBDAAD, #ADEBBA, #ADBFEB and #EBADDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

Complementary color

CMYK 76 / 55 / 0 / 68

HEX #142552

RGB 20 37 82

HSL 223.55, 0.61%, 0.2%

LAB 15.91, 10.63, -29.63

 

CMYK 0 / 9 / 30 / 6

HEX #F0DAA8

RGB 240 218 168

HSL 41.67, 0.71%, 0.8%

LAB 87.73, 0.26, 27.41

 

CMYK 0 / 7 / 27 / 0

HEX #FFECBB

RGB 255 236 187

HSL 43.24, 1%, 0.87%

LAB 93.81, -0.85, 26.13

 

CMYK 0 / 0 / 19 / 0

HEX #FFFECE

RGB 255 254 206

HSL 58.78, 1%, 0.9%

LAB 98.67, -7.27, 23.13

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 0 / 8 / 29 / 15

HEX #DAC89A

RGB 218 200 154

HSL 43.13, 0.46%, 0.73%

LAB 81.04, -0.62, 25.34

 

CMYK 0 / 9 / 33 / 21

HEX #C9B687

RGB 201 182 135

HSL 42.73, 0.38%, 0.66%

LAB 74.59, -0.22, 26.43

 

CMYK 0 / 11 / 37 / 28

HEX #B8A474

RGB 184 164 116

HSL 42.35, 0.32%, 0.59%

LAB 68.02, 0.25, 27.59

 

CMYK 0 / 13 / 42 / 35

HEX #A79261

RGB 167 146 97

HSL 42, 0.28%, 0.52%

LAB 61.34, 0.8, 28.84

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 0 / 14 / 26 / 8

HEX #EBC9AD

RGB 235 201 173

HSL 27.1, 0.61%, 0.8%

LAB 83.15, 7.85, 18.44

 

CMYK 0 / 22 / 26 / 8

HEX #EBB8AD

RGB 235 184 173

HSL 10.65, 0.61%, 0.8%

LAB 79.02, 16.83, 12.63

 

CMYK 0 / 26 / 26 / 8

HEX #EBADAD

RGB 235 173 173

HSL 0, 0.61%, 0.8%

LAB 76.42, 22.68, 8.94

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 0 / 0 / 26 / 8

HEX #EBEBAD

RGB 235 235 173

HSL 60, 0.61%, 0.8%

LAB 91.73, -9.58, 30.19

 

CMYK 7 / 0 / 26 / 8

HEX #DBEBAD

RGB 219 235 173

HSL 75.48, 0.61%, 0.8%

LAB 90.55, -15.46, 28.39

 

CMYK 14 / 0 / 26 / 8

HEX #CAEBAD

RGB 202 235 173

HSL 91.94, 0.61%, 0.8%

LAB 89.39, -21.54, 26.62

 

CMYK 21 / 0 / 26 / 8

HEX #B9EBAD

RGB 185 235 173

HSL 108.39, 0.61%, 0.8%

LAB 88.33, -27.4, 25

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 0 / 9 / 32 / 5

HEX #F3DEA5

RGB 243 222 165

HSL 43.85, 0.76%, 0.8%

LAB 88.93, -1.02, 30.62

 

CMYK 0 / 10 / 38 / 1

HEX #FCE29C

RGB 252 226 156

HSL 43.75, 0.94%, 0.8%

LAB 90.55, -0.64, 37.49

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 0 / 6 / 20 / 11

HEX #E3D6B5

RGB 227 214 181

HSL 43.04, 0.45%, 0.8%

LAB 85.89, -0.77, 17.93

HEX #E3D6B5

CMYK 0 / 4 / 14 / 14

HEX #DBD3BD

RGB 219 211 189

HSL 44, 0.29%, 0.8%

LAB 84.65, -0.92, 11.87

HEX #DBD3BD

CMYK 0 / 1 / 6 / 18

HEX #D2CFC6

RGB 210 207 198

HSL 45, 0.12%, 0.8%

LAB 83.13, -0.55, 4.82

HEX #D2CFC6

CMYK 2 / 1 / 0 / 19

HEX #CACBCE

RGB 202 203 206

HSL 225, 0.04%, 0.8%

LAB 81.69, 0.22, -1.62

HEX #CACBCE

CMYK 0 / 22 / 26 / 8

HEX #EBB8AD

RGB 235 184 173

HSL 10.65, 0.61%, 0.8%

LAB 79.02, 16.83, 12.63

 

CMYK 0 / 14 / 26 / 8

HEX #EBC9AD

RGB 235 201 173

HSL 27.1, 0.61%, 0.8%

LAB 83.15, 7.85, 18.44

 

CMYK 0 / 8 / 26 / 8

HEX #EBD9AD

RGB 235 217 173

HSL 42.58, 0.61%, 0.8%

LAB 87.15, -0.46, 23.96

 

CMYK 0 / 0 / 26 / 8

HEX #EBEAAD

RGB 235 234 173

HSL 59.03, 0.61%, 0.8%

LAB 91.47, -9.08, 29.84

 

CMYK 6 / 0 / 26 / 8

HEX #DCEBAD

RGB 220 235 173

HSL 74.52, 0.61%, 0.8%

LAB 90.62, -15.1, 28.5

 

CMYK 0 / 14 / 52 / 14

HEX #DBBC6A

RGB 219 188 106

HSL 43.54, 0.61%, 0.64%

LAB 77.32, 0.84, 45.23

 

CMYK 0 / 11 / 38 / 11

HEX #E3CB8C

RGB 227 203 140

HSL 43.45, 0.61%, 0.72%

LAB 82.34, -0.37, 34.5

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 0 / 4 / 15 / 5

HEX #F3E9CE

RGB 243 233 206

HSL 43.78, 0.61%, 0.88%

LAB 92.48, -1, 14.33

 

CMYK 0 / 1 / 5 / 2

HEX #FBF8EF

RGB 251 248 239

HSL 45, 0.6%, 0.96%

LAB 97.58, -0.54, 4.66

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 24 / 0 / 26 / 8

HEX #B2EBAD

RGB 178 235 173

HSL 115.16, 0.61%, 0.8%

LAB 87.92, -29.74, 24.38

 

CMYK 18 / 26 / 0 / 8

HEX #C1ADEB

RGB 193 173 235

HSL 259.35, 0.61%, 0.8%

LAB 74.33, 19.4, -28.39

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 26 / 0 / 8 / 8

HEX #ADEBD9

RGB 173 235 217

HSL 162.58, 0.61%, 0.8%

LAB 88.6, -23.2, 2.41

 

CMYK 8 / 26 / 0 / 8

HEX #D9ADEB

RGB 217 173 235

HSL 282.58, 0.61%, 0.8%

LAB 76.46, 26.92, -24.95

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 24 / 0 / 26 / 8

HEX #B2EBAD

RGB 178 235 173

HSL 115.16, 0.61%, 0.8%

LAB 87.92, -29.74, 24.38

 

CMYK 26 / 19 / 0 / 8

HEX #ADBFEB

RGB 173 191 235

HSL 222.58, 0.61%, 0.8%

LAB 77.37, 3.48, -23.88

 

CMYK 2 / 26 / 0 / 8

HEX #E6ADEB

RGB 230 173 235

HSL 295.16, 0.61%, 0.8%

LAB 77.7, 31.07, -22.94

 

CMYK 0 / 7 / 26 / 8

HEX #EBDAAD

RGB 235 218 173

HSL 43.55, 0.61%, 0.8%

LAB 87.4, -0.97, 24.3

 

CMYK 26 / 0 / 21 / 8

HEX #ADEBBA

RGB 173 235 186

HSL 132.58, 0.61%, 0.8%

LAB 87.89, -29.14, 17.58

 

CMYK 26 / 19 / 0 / 8

HEX #ADBFEB

RGB 173 191 235

HSL 222.58, 0.61%, 0.8%

LAB 77.37, 3.48, -23.88

 

CMYK 0 / 26 / 6 / 8

HEX #EBADDE

RGB 235 173 222

HSL 312.58, 0.61%, 0.8%

LAB 77.77, 30.35, -15.75

 

Description

Color code: HEX #EBDAAD | qconv.com Color code: HEX #EBDAAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 218 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 218 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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