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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDA9E it is the complementary color #142561. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDA9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDA9E shade: #F0DA99, #FFECAC, #FFFEBF, #FFFFD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDA9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDA9E shade: #EBDA9E, #DAC88B, #C9B678, #B8A465 and #A79252

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDA9E shade: #EBD99D, #EBC59D, #EBB09D and #EB9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDA9E shade: #EBD99D, #E7EB9D, #D2EB9D, #BDEB9D and #A8EB9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDA9E shade matches the following richer shades: #EBD99D, #F4DF94 and #FEE48A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDA9E shade: #EBD99D, #E1D4A7, #D8CFB0, #CECABA and #C5C4C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDA9E shade: #EBAF9D, #EBC49D, #EBD89D, #E8EB9D and #D3EB9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDA9E shade: #DDBF59, #E4CC7B, #EBD99D, #F2E6BF and #F9F4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDA9E shade: #EBDA9E, #A0EB9D and #BA9DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDA9E shade: #EBDA9E, #9DEBD8 and #D89DEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDA9E shade: #EBDA9E, #A0EB9D, #9DAFEB and #E89DEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDA9E shade: #EBDA9E, #9DEBB2, #9DAFEB and #EB9DD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 33 / 8

HEX #EBDA9E

RGB 235 218 158

HSL 46.75, 0.66%, 0.77%

LAB 87.13, -2.88, 31.69

 

Complementary color

CMYK 79 / 62 / 0 / 62

HEX #142561

RGB 20 37 97

HSL 226.75, 0.66%, 0.23%

LAB 17.15, 16.97, -37.64

 

CMYK 0 / 9 / 36 / 6

HEX #F0DA99

RGB 240 218 153

HSL 44.83, 0.74%, 0.77%

LAB 87.47, -1.54, 34.78

 

CMYK 0 / 7 / 33 / 0

HEX #FFECAC

RGB 255 236 172

HSL 46.27, 1%, 0.84%

LAB 93.55, -2.72, 33.41

 

CMYK 0 / 0 / 25 / 0

HEX #FFFEBF

RGB 255 254 191

HSL 59.06, 1%, 0.87%

LAB 98.39, -9.32, 30.34

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 7 / 33 / 8

HEX #EBDA9E

RGB 235 218 158

HSL 46.75, 0.66%, 0.77%

LAB 87.13, -2.88, 31.69

 

CMYK 0 / 8 / 36 / 15

HEX #DAC88B

RGB 218 200 139

HSL 46.33, 0.52%, 0.7%

LAB 80.78, -2.47, 32.82

 

CMYK 0 / 9 / 40 / 21

HEX #C9B678

RGB 201 182 120

HSL 45.93, 0.43%, 0.63%

LAB 74.34, -1.99, 34.01

 

CMYK 0 / 11 / 45 / 28

HEX #B8A465

RGB 184 164 101

HSL 45.54, 0.37%, 0.56%

LAB 67.78, -1.43, 35.26

 

CMYK 0 / 13 / 51 / 35

HEX #A79252

RGB 167 146 82

HSL 45.18, 0.34%, 0.49%

LAB 61.12, -0.75, 36.56

 

CMYK 0 / 8 / 33 / 8

HEX #EBD99D

RGB 235 217 157

HSL 46.15, 0.66%, 0.77%

LAB 86.86, -2.49, 31.85

 

CMYK 0 / 16 / 33 / 8

HEX #EBC59D

RGB 235 197 157

HSL 30.77, 0.66%, 0.77%

LAB 81.85, 7.88, 25.11

 

CMYK 0 / 25 / 33 / 8

HEX #EBB09D

RGB 235 176 157

HSL 14.62, 0.66%, 0.77%

LAB 76.77, 18.98, 18.12

 

CMYK 0 / 33 / 33 / 8

HEX #EB9D9D

RGB 235 157 157

HSL 0, 0.66%, 0.77%

LAB 72.37, 29.09, 11.96

 

CMYK 0 / 8 / 33 / 8

HEX #EBD99D

RGB 235 217 157

HSL 46.15, 0.66%, 0.77%

LAB 86.86, -2.49, 31.85

 

CMYK 2 / 0 / 33 / 8

HEX #E7EB9D

RGB 231 235 157

HSL 63.08, 0.66%, 0.77%

LAB 91.16, -13.08, 37.47

 

CMYK 11 / 0 / 33 / 8

HEX #D2EB9D

RGB 210 235 157

HSL 79.23, 0.66%, 0.77%

LAB 89.65, -20.89, 35.2

 

CMYK 20 / 0 / 33 / 8

HEX #BDEB9D

RGB 189 235 157

HSL 95.38, 0.66%, 0.77%

LAB 88.29, -28.42, 33.15

 

CMYK 29 / 0 / 33 / 8

HEX #A8EB9D

RGB 168 235 157

HSL 111.54, 0.66%, 0.77%

LAB 87.08, -35.54, 31.33

 

CMYK 0 / 8 / 33 / 8

HEX #EBD99D

RGB 235 217 157

HSL 46.15, 0.66%, 0.77%

LAB 86.86, -2.49, 31.85

 

CMYK 0 / 9 / 39 / 4

HEX #F4DF94

RGB 244 223 148

HSL 46.88, 0.81%, 0.77%

LAB 88.99, -3.09, 39.36

 

CMYK 0 / 10 / 46 / 0

HEX #FEE48A

RGB 254 228 138

HSL 46.55, 0.98%, 0.77%

LAB 90.96, -2.71, 46.99

 

CMYK 0 / 8 / 33 / 8

HEX #EBD99D

RGB 235 217 157

HSL 46.15, 0.66%, 0.77%

LAB 86.86, -2.49, 31.85

 

CMYK 0 / 6 / 26 / 12

HEX #E1D4A7

RGB 225 212 167

HSL 46.55, 0.49%, 0.77%

LAB 84.94, -2.45, 23.93

 

CMYK 0 / 4 / 19 / 15

HEX #D8CFB0

RGB 216 207 176

HSL 46.5, 0.34%, 0.77%

LAB 83.1, -1.94, 16.54

 

CMYK 0 / 2 / 10 / 19

HEX #CECABA

RGB 206 202 186

HSL 48, 0.17%, 0.77%

LAB 81.24, -1.39, 8.47

 

CMYK 0 / 1 / 1 / 23

HEX #C5C4C3

RGB 197 196 195

HSL 30, 0.02%, 0.77%

LAB 79.21, 0.17, 0.61

 

CMYK 0 / 26 / 33 / 8

HEX #EBAF9D

RGB 235 175 157

HSL 13.85, 0.66%, 0.77%

LAB 76.53, 19.52, 17.79

 

CMYK 0 / 17 / 33 / 8

HEX #EBC49D

RGB 235 196 157

HSL 30, 0.66%, 0.77%

LAB 81.61, 8.4, 24.77

 

CMYK 0 / 8 / 33 / 8

HEX #EBD89D

RGB 235 216 157

HSL 45.38, 0.66%, 0.77%

LAB 86.61, -1.98, 31.51

 

CMYK 1 / 0 / 33 / 8

HEX #E8EB9D

RGB 232 235 157

HSL 62.31, 0.66%, 0.77%

LAB 91.24, -12.7, 37.58

 

CMYK 10 / 0 / 33 / 8

HEX #D3EB9D

RGB 211 235 157

HSL 78.46, 0.66%, 0.77%

LAB 89.72, -20.53, 35.31

 

CMYK 0 / 14 / 60 / 13

HEX #DDBF59

RGB 221 191 89

HSL 46.36, 0.66%, 0.61%

LAB 78.08, -1.23, 54.31

 

CMYK 0 / 11 / 46 / 11

HEX #E4CC7B

RGB 228 204 123

HSL 46.29, 0.66%, 0.69%

LAB 82.44, -2.25, 43.27

 

CMYK 0 / 8 / 33 / 8

HEX #EBD99D

RGB 235 217 157

HSL 46.15, 0.66%, 0.77%

LAB 86.86, -2.49, 31.85

 

CMYK 0 / 5 / 21 / 5

HEX #F2E6BF

RGB 242 230 191

HSL 45.88, 0.66%, 0.85%

LAB 91.34, -2.04, 20.49

 

CMYK 0 / 2 / 9 / 2

HEX #F9F4E2

RGB 249 244 226

HSL 46.96, 0.66%, 0.93%

LAB 96.13, -1.34, 9.25

 

CMYK 0 / 7 / 33 / 8

HEX #EBDA9E

RGB 235 218 158

HSL 46.75, 0.66%, 0.77%

LAB 87.13, -2.88, 31.69

 

CMYK 32 / 0 / 33 / 8

HEX #A0EB9D

RGB 160 235 157

HSL 117.69, 0.66%, 0.77%

LAB 86.66, -38.11, 30.7

 

CMYK 21 / 33 / 0 / 8

HEX #BA9DEB

RGB 186 157 235

HSL 262.31, 0.66%, 0.77%

LAB 69.86, 26.15, -35.34

 

CMYK 0 / 7 / 33 / 8

HEX #EBDA9E

RGB 235 218 158

HSL 46.75, 0.66%, 0.77%

LAB 87.13, -2.88, 31.69

 

CMYK 33 / 0 / 8 / 8

HEX #9DEBD8

RGB 157 235 216

HSL 165.38, 0.66%, 0.77%

LAB 87.75, -28, 1.6

 

CMYK 8 / 33 / 0 / 8

HEX #D89DEB

RGB 216 157 235

HSL 285.38, 0.66%, 0.77%

LAB 72.7, 35.26, -30.72

 

CMYK 0 / 7 / 33 / 8

HEX #EBDA9E

RGB 235 218 158

HSL 46.75, 0.66%, 0.77%

LAB 87.13, -2.88, 31.69

 

CMYK 32 / 0 / 33 / 8

HEX #A0EB9D

RGB 160 235 157

HSL 117.69, 0.66%, 0.77%

LAB 86.66, -38.11, 30.7

 

CMYK 33 / 26 / 0 / 8

HEX #9DAFEB

RGB 157 175 235

HSL 226.15, 0.66%, 0.77%

LAB 72.11, 7.67, -32.04

 

CMYK 1 / 33 / 0 / 8

HEX #E89DEB

RGB 232 157 235

HSL 297.69, 0.66%, 0.77%

LAB 74.36, 40.22, -28.03

 

CMYK 0 / 7 / 33 / 8

HEX #EBDA9E

RGB 235 218 158

HSL 46.75, 0.66%, 0.77%

LAB 87.13, -2.88, 31.69

 

CMYK 33 / 0 / 24 / 8

HEX #9DEBB2

RGB 157 235 178

HSL 136.15, 0.66%, 0.77%

LAB 86.9, -35.51, 20.21

 

CMYK 33 / 26 / 0 / 8

HEX #9DAFEB

RGB 157 175 235

HSL 226.15, 0.66%, 0.77%

LAB 72.11, 7.67, -32.04

 

CMYK 0 / 33 / 9 / 8

HEX #EB9DD6

RGB 235 157 214

HSL 316.15, 0.66%, 0.77%

LAB 73.95, 37.48, -17.14

 

Description

Color code: HEX #EBDA9E | qconv.com Color code: HEX #EBDA9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 218 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 218 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 33 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 33% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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