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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDA98 it is the complementary color #142567. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDA98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDA98 shade: #F0DA93, #FFECA6, #FFFEB9, #FFFFCC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDA98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDA98 shade: #EBDA98, #DAC885, #C9B672, #B8A45F and #A7924C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDA98 shade: #EADA98, #EAC398, #EAAD98 and #EA9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDA98 shade: #EADA98, #E5EA98, #CFEA98, #B9EA98 and #A3EA98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDA98 shade matches the following richer shades: #EADA98, #F4DF8E and #FEE584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDA98 shade: #EADA98, #E0D4A2, #D6CEAC, #CDC8B6 and #C3C2C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDA98 shade: #EAAD98, #EAC398, #EAD998, #E6EA98 and #D0EA98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDA98 shade: #DDC153, #E3CD76, #EADA98, #F1E6BB and #F8F2DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDA98 shade: #EBDA98, #9AEA98 and #B898EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDA98 shade: #EBDA98, #98EAD9 and #D998EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDA98 shade: #EBDA98, #9AEA98, #98AAEA and #E998EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDA98 shade: #EBDA98, #98EAB0, #98AAEA and #EA98D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 35 / 8

HEX #EBDA98

RGB 235 218 152

HSL 47.71, 0.67%, 0.76%

LAB 87.03, -3.59, 34.63

 

Complementary color

CMYK 81 / 64 / 0 / 60

HEX #142567

RGB 20 37 103

HSL 227.71, 0.67%, 0.24%

LAB 17.7, 19.48, -40.7

 

CMYK 0 / 9 / 39 / 6

HEX #F0DA93

RGB 240 218 147

HSL 45.81, 0.76%, 0.76%

LAB 87.38, -2.21, 37.7

 

CMYK 0 / 7 / 35 / 0

HEX #FFECA6

RGB 255 236 166

HSL 47.19, 1%, 0.83%

LAB 93.45, -3.42, 36.31

 

CMYK 0 / 0 / 27 / 0

HEX #FFFEB9

RGB 255 254 185

HSL 59.14, 1%, 0.86%

LAB 98.29, -10.09, 33.22

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 7 / 35 / 8

HEX #EBDA98

RGB 235 218 152

HSL 47.71, 0.67%, 0.76%

LAB 87.03, -3.59, 34.63

 

CMYK 0 / 8 / 39 / 15

HEX #DAC885

RGB 218 200 133

HSL 47.29, 0.53%, 0.69%

LAB 80.69, -3.15, 35.8

 

CMYK 0 / 9 / 43 / 21

HEX #C9B672

RGB 201 182 114

HSL 46.9, 0.45%, 0.62%

LAB 74.25, -2.64, 37.01

 

CMYK 0 / 11 / 48 / 28

HEX #B8A45F

RGB 184 164 95

HSL 46.52, 0.39%, 0.55%

LAB 67.7, -2.03, 38.27

 

CMYK 0 / 13 / 54 / 35

HEX #A7924C

RGB 167 146 76

HSL 46.15, 0.37%, 0.48%

LAB 61.04, -1.29, 39.56

 

CMYK 0 / 7 / 35 / 8

HEX #EADA98

RGB 234 218 152

HSL 48.29, 0.66%, 0.76%

LAB 86.95, -3.97, 34.51

 

CMYK 0 / 17 / 35 / 8

HEX #EAC398

RGB 234 195 152

HSL 31.46, 0.66%, 0.76%

LAB 81.18, 7.94, 26.81

 

CMYK 0 / 26 / 35 / 8

HEX #EAAD98

RGB 234 173 152

HSL 15.37, 0.66%, 0.76%

LAB 75.85, 19.59, 19.54

 

CMYK 0 / 35 / 35 / 8

HEX #EA9898

RGB 234 152 152

HSL 0, 0.66%, 0.76%

LAB 71.02, 30.76, 12.8

 

CMYK 0 / 7 / 35 / 8

HEX #EADA98

RGB 234 218 152

HSL 48.29, 0.66%, 0.76%

LAB 86.95, -3.97, 34.51

 

CMYK 2 / 0 / 35 / 8

HEX #E5EA98

RGB 229 234 152

HSL 63.66, 0.66%, 0.76%

LAB 90.68, -13.93, 39.31

 

CMYK 12 / 0 / 35 / 8

HEX #CFEA98

RGB 207 234 152

HSL 79.76, 0.66%, 0.76%

LAB 89.1, -22.15, 36.95

 

CMYK 21 / 0 / 35 / 8

HEX #B9EA98

RGB 185 234 152

HSL 95.85, 0.66%, 0.76%

LAB 87.69, -30.04, 34.84

 

CMYK 30 / 0 / 35 / 8

HEX #A3EA98

RGB 163 234 152

HSL 111.95, 0.66%, 0.76%

LAB 86.45, -37.46, 32.98

 

CMYK 0 / 7 / 35 / 8

HEX #EADA98

RGB 234 218 152

HSL 48.29, 0.66%, 0.76%

LAB 86.95, -3.97, 34.51

 

CMYK 0 / 9 / 42 / 4

HEX #F4DF8E

RGB 244 223 142

HSL 47.65, 0.82%, 0.76%

LAB 88.9, -3.72, 42.25

 

CMYK 0 / 10 / 48 / 0

HEX #FEE584

RGB 254 229 132

HSL 47.7, 0.98%, 0.76%

LAB 91.13, -3.76, 50.12

 

CMYK 0 / 7 / 35 / 8

HEX #EADA98

RGB 234 218 152

HSL 48.29, 0.66%, 0.76%

LAB 86.95, -3.97, 34.51

 

CMYK 0 / 5 / 28 / 12

HEX #E0D4A2

RGB 224 212 162

HSL 48.39, 0.5%, 0.76%

LAB 84.76, -3.49, 26.28

 

CMYK 0 / 4 / 20 / 16

HEX #D6CEAC

RGB 214 206 172

HSL 48.57, 0.34%, 0.76%

LAB 82.6, -2.75, 17.93

 

CMYK 0 / 2 / 11 / 20

HEX #CDC8B6

RGB 205 200 182

HSL 46.96, 0.19%, 0.76%

LAB 80.55, -1.36, 9.61

 

CMYK 0 / 1 / 2 / 24

HEX #C3C2C0

RGB 195 194 192

HSL 40, 0.02%, 0.76%

LAB 78.46, -0.01, 1.12

 

CMYK 0 / 26 / 35 / 8

HEX #EAAD98

RGB 234 173 152

HSL 15.37, 0.66%, 0.76%

LAB 75.85, 19.59, 19.54

 

CMYK 0 / 17 / 35 / 8

HEX #EAC398

RGB 234 195 152

HSL 31.46, 0.66%, 0.76%

LAB 81.18, 7.94, 26.81

 

CMYK 0 / 7 / 35 / 8

HEX #EAD998

RGB 234 217 152

HSL 47.56, 0.66%, 0.76%

LAB 86.69, -3.46, 34.17

 

CMYK 2 / 0 / 35 / 8

HEX #E6EA98

RGB 230 234 152

HSL 62.93, 0.66%, 0.76%

LAB 90.75, -13.55, 39.42

 

CMYK 11 / 0 / 35 / 8

HEX #D0EA98

RGB 208 234 152

HSL 79.02, 0.66%, 0.76%

LAB 89.17, -21.78, 37.06

 

CMYK 0 / 13 / 62 / 13

HEX #DDC153

RGB 221 193 83

HSL 47.83, 0.67%, 0.6%

LAB 78.54, -2.67, 57.52

 

CMYK 0 / 10 / 48 / 11

HEX #E3CD76

RGB 227 205 118

HSL 47.89, 0.66%, 0.68%

LAB 82.54, -3.64, 45.85

 

CMYK 0 / 7 / 35 / 8

HEX #EADA98

RGB 234 218 152

HSL 48.29, 0.66%, 0.76%

LAB 86.95, -3.97, 34.51

 

CMYK 0 / 5 / 22 / 5

HEX #F1E6BB

RGB 241 230 187

HSL 47.78, 0.66%, 0.84%

LAB 91.18, -2.96, 22.33

 

CMYK 0 / 2 / 11 / 3

HEX #F8F2DD

RGB 248 242 221

HSL 46.67, 0.66%, 0.92%

LAB 95.45, -1.48, 10.84

 

CMYK 0 / 7 / 35 / 8

HEX #EBDA98

RGB 235 218 152

HSL 47.71, 0.67%, 0.76%

LAB 87.03, -3.59, 34.63

 

CMYK 34 / 0 / 35 / 8

HEX #9AEA98

RGB 154 234 152

HSL 118.54, 0.66%, 0.76%

LAB 86, -40.32, 32.29

 

CMYK 21 / 35 / 0 / 8

HEX #B898EA

RGB 184 152 234

HSL 263.41, 0.66%, 0.76%

LAB 68.45, 28.11, -37

 

CMYK 0 / 7 / 35 / 8

HEX #EBDA98

RGB 235 218 152

HSL 47.71, 0.67%, 0.76%

LAB 87.03, -3.59, 34.63

 

CMYK 35 / 0 / 7 / 8

HEX #98EAD9

RGB 152 234 217

HSL 167.56, 0.66%, 0.76%

LAB 87.26, -28.68, 0.33

 

CMYK 7 / 35 / 0 / 8

HEX #D998EA

RGB 217 152 234

HSL 287.56, 0.66%, 0.76%

LAB 71.66, 38.06, -31.78

 

CMYK 0 / 7 / 35 / 8

HEX #EBDA98

RGB 235 218 152

HSL 47.71, 0.67%, 0.76%

LAB 87.03, -3.59, 34.63

 

CMYK 34 / 0 / 35 / 8

HEX #9AEA98

RGB 154 234 152

HSL 118.54, 0.66%, 0.76%

LAB 86, -40.32, 32.29

 

CMYK 35 / 27 / 0 / 8

HEX #98AAEA

RGB 152 170 234

HSL 226.83, 0.66%, 0.76%

LAB 70.43, 8.82, -34.12

 

CMYK 0 / 35 / 0 / 8

HEX #E998EA

RGB 233 152 234

HSL 299.27, 0.66%, 0.76%

LAB 73.36, 42.97, -29

 

CMYK 0 / 7 / 35 / 8

HEX #EBDA98

RGB 235 218 152

HSL 47.71, 0.67%, 0.76%

LAB 87.03, -3.59, 34.63

 

CMYK 35 / 0 / 25 / 8

HEX #98EAB0

RGB 152 234 176

HSL 137.56, 0.66%, 0.76%

LAB 86.33, -36.9, 20.43

 

CMYK 35 / 27 / 0 / 8

HEX #98AAEA

RGB 152 170 234

HSL 226.83, 0.66%, 0.76%

LAB 70.43, 8.82, -34.12

 

CMYK 0 / 35 / 10 / 8

HEX #EA98D3

RGB 234 152 211

HSL 316.83, 0.66%, 0.76%

LAB 72.66, 39.28, -17.45

 

Description

Color code: HEX #EBDA98 | qconv.com Color code: HEX #EBDA98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 218 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 218 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 35% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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