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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBCD90 it is the complementary color #14326F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBCD90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBCD90 shade: #F0CD8B, #FFDF9E, #FFF1B1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBCD90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBCD90 shade: #EBCD90, #DABB7D, #C9A96A, #B89757 and #A78544

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBCD90 shade: #EACC8F, #EAB48F, #EA9B8F and #EA8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBCD90 shade: #EACC8F, #EAE58F, #D7EA8F, #BFEA8F and #A6EA8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBCD90 shade matches the following richer shades: #EACC8F and #F5D084

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBCD90 shade: #EACC8F, #E0C99A, #D5C5A4, #CAC1AF and #C0BEBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBCD90 shade: #EA9B8F, #EAB48F, #EACC8F, #EAE48F and #D8EA8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBCD90 shade: #DEAD49, #E4BD6C, #EACC8F, #F1DCB2 and #F7ECD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBCD90 shade: #EBCD90, #9BEA8F and #A78FEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBCD90 shade: #EBCD90, #8FEACC and #CC8FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBCD90 shade: #EBCD90, #9BEA8F, #8FADEA and #DE8FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBCD90 shade: #EBCD90, #8FEA9E, #8FADEA and #EA8FDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 39 / 8

HEX #EBCD90

RGB 235 205 144

HSL 40.22, 0.69%, 0.74%

LAB 83.62, 2.19, 34.25

 

Complementary color

CMYK 82 / 55 / 0 / 56

HEX #14326F

RGB 20 50 111

HSL 220.22, 0.69%, 0.26%

LAB 22.22, 13.38, -38.53

 

CMYK 0 / 15 / 42 / 6

HEX #F0CD8B

RGB 240 205 139

HSL 39.21, 0.77%, 0.74%

LAB 83.99, 3.62, 37.38

 

CMYK 0 / 13 / 38 / 0

HEX #FFDF9E

RGB 255 223 158

HSL 40.21, 1%, 0.81%

LAB 90.09, 2.26, 35.93

 

CMYK 0 / 5 / 31 / 0

HEX #FFF1B1

RGB 255 241 177

HSL 49.23, 1%, 0.85%

LAB 94.88, -4.63, 32.67

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 13 / 39 / 8

HEX #EBCD90

RGB 235 205 144

HSL 40.22, 0.69%, 0.74%

LAB 83.62, 2.19, 34.25

 

CMYK 0 / 14 / 43 / 15

HEX #DABB7D

RGB 218 187 125

HSL 40, 0.56%, 0.67%

LAB 77.24, 2.78, 35.46

 

CMYK 0 / 16 / 47 / 21

HEX #C9A96A

RGB 201 169 106

HSL 39.79, 0.47%, 0.6%

LAB 70.76, 3.46, 36.74

 

CMYK 0 / 18 / 53 / 28

HEX #B89757

RGB 184 151 87

HSL 39.59, 0.41%, 0.53%

LAB 64.17, 4.27, 38.07

 

CMYK 0 / 20 / 59 / 35

HEX #A78544

RGB 167 133 68

HSL 39.39, 0.42%, 0.46%

LAB 57.47, 5.24, 39.44

 

CMYK 0 / 13 / 39 / 8

HEX #EACC8F

RGB 234 204 143

HSL 40.22, 0.68%, 0.74%

LAB 83.26, 2.2, 34.28

 

CMYK 0 / 23 / 39 / 8

HEX #EAB48F

RGB 234 180 143

HSL 24.4, 0.68%, 0.74%

LAB 77.35, 14.81, 26.42

 

CMYK 0 / 34 / 39 / 8

HEX #EA9B8F

RGB 234 155 143

HSL 7.91, 0.68%, 0.74%

LAB 71.5, 28.11, 18.44

 

CMYK 0 / 39 / 39 / 8

HEX #EA8F8F

RGB 234 143 143

HSL 0, 0.68%, 0.74%

LAB 68.84, 34.45, 14.74

 

CMYK 0 / 13 / 39 / 8

HEX #EACC8F

RGB 234 204 143

HSL 40.22, 0.68%, 0.74%

LAB 83.26, 2.2, 34.28

 

CMYK 0 / 2 / 39 / 8

HEX #EAE58F

RGB 234 229 143

HSL 56.7, 0.68%, 0.74%

LAB 89.63, -10.53, 42.52

 

CMYK 8 / 0 / 39 / 8

HEX #D7EA8F

RGB 215 234 143

HSL 72.53, 0.68%, 0.74%

LAB 89.52, -20.26, 42.08

 

CMYK 18 / 0 / 39 / 8

HEX #BFEA8F

RGB 191 234 143

HSL 88.35, 0.68%, 0.74%

LAB 87.92, -29.11, 39.71

 

CMYK 29 / 0 / 39 / 8

HEX #A6EA8F

RGB 166 234 143

HSL 104.84, 0.68%, 0.74%

LAB 86.47, -37.78, 37.55

 

CMYK 0 / 13 / 39 / 8

HEX #EACC8F

RGB 234 204 143

HSL 40.22, 0.68%, 0.74%

LAB 83.26, 2.2, 34.28

 

CMYK 0 / 15 / 46 / 4

HEX #F5D084

RGB 245 208 132

HSL 40.35, 0.85%, 0.74%

LAB 85.09, 3.36, 42.43

 

CMYK 0 / 13 / 39 / 8

HEX #EACC8F

RGB 234 204 143

HSL 40.22, 0.68%, 0.74%

LAB 83.26, 2.2, 34.28

 

CMYK 0 / 10 / 31 / 12

HEX #E0C99A

RGB 224 201 154

HSL 40.29, 0.53%, 0.74%

LAB 81.81, 1.17, 26.47

 

CMYK 0 / 8 / 23 / 16

HEX #D5C5A4

RGB 213 197 164

HSL 40.41, 0.37%, 0.74%

LAB 80.04, 0.41, 18.6

 

CMYK 0 / 4 / 13 / 21

HEX #CAC1AF

RGB 202 193 175

HSL 40, 0.2%, 0.74%

LAB 78.34, 0.1, 10.18

 

CMYK 0 / 1 / 3 / 25

HEX #C0BEBA

RGB 192 190 186

HSL 40, 0.05%, 0.74%

LAB 77.03, -0.03, 2.25

 

CMYK 0 / 34 / 39 / 8

HEX #EA9B8F

RGB 234 155 143

HSL 7.91, 0.68%, 0.74%

LAB 71.5, 28.11, 18.44

 

CMYK 0 / 23 / 39 / 8

HEX #EAB48F

RGB 234 180 143

HSL 24.4, 0.68%, 0.74%

LAB 77.35, 14.81, 26.42

 

CMYK 0 / 13 / 39 / 8

HEX #EACC8F

RGB 234 204 143

HSL 40.22, 0.68%, 0.74%

LAB 83.26, 2.2, 34.28

 

CMYK 0 / 3 / 39 / 8

HEX #EAE48F

RGB 234 228 143

HSL 56.04, 0.68%, 0.74%

LAB 89.38, -10.03, 42.19

 

CMYK 8 / 0 / 39 / 8

HEX #D8EA8F

RGB 216 234 143

HSL 71.87, 0.68%, 0.74%

LAB 89.59, -19.89, 42.19

 

CMYK 0 / 22 / 67 / 13

HEX #DEAD49

RGB 222 173 73

HSL 40.27, 0.69%, 0.58%

LAB 73.48, 7.65, 56.49

 

CMYK 0 / 17 / 53 / 11

HEX #E4BD6C

RGB 228 189 108

HSL 40.5, 0.69%, 0.66%

LAB 78.45, 4.19, 45.8

 

CMYK 0 / 13 / 39 / 8

HEX #EACC8F

RGB 234 204 143

HSL 40.22, 0.68%, 0.74%

LAB 83.26, 2.2, 34.28

 

CMYK 0 / 9 / 26 / 5

HEX #F1DCB2

RGB 241 220 178

HSL 40, 0.69%, 0.82%

LAB 88.5, 0.91, 23.29

 

CMYK 0 / 4 / 14 / 3

HEX #F7ECD5

RGB 247 236 213

HSL 40.59, 0.68%, 0.9%

LAB 93.7, -0.03, 12.47

 

CMYK 0 / 13 / 39 / 8

HEX #EBCD90

RGB 235 205 144

HSL 40.22, 0.69%, 0.74%

LAB 83.62, 2.19, 34.25

 

CMYK 34 / 0 / 39 / 8

HEX #9BEA8F

RGB 155 234 143

HSL 112.09, 0.68%, 0.74%

LAB 85.91, -41.35, 36.7

 

CMYK 29 / 39 / 0 / 8

HEX #A78FEA

RGB 167 143 234

HSL 255.82, 0.68%, 0.74%

LAB 64.8, 28.3, -42.81

 

CMYK 0 / 13 / 39 / 8

HEX #EBCD90

RGB 235 205 144

HSL 40.22, 0.69%, 0.74%

LAB 83.62, 2.19, 34.25

 

CMYK 39 / 0 / 13 / 8

HEX #8FEACC

RGB 143 234 204

HSL 160.22, 0.68%, 0.74%

LAB 86.53, -33.91, 6.04

 

CMYK 13 / 39 / 0 / 8

HEX #CC8FEA

RGB 204 143 234

HSL 280.22, 0.68%, 0.74%

LAB 68.33, 38.99, -37.04

 

CMYK 0 / 13 / 39 / 8

HEX #EBCD90

RGB 235 205 144

HSL 40.22, 0.69%, 0.74%

LAB 83.62, 2.19, 34.25

 

CMYK 34 / 0 / 39 / 8

HEX #9BEA8F

RGB 155 234 143

HSL 112.09, 0.68%, 0.74%

LAB 85.91, -41.35, 36.7

 

CMYK 39 / 26 / 0 / 8

HEX #8FADEA

RGB 143 173 234

HSL 220.22, 0.68%, 0.74%

LAB 70.64, 4.71, -33.84

 

CMYK 5 / 39 / 0 / 8

HEX #DE8FEA

RGB 222 143 234

HSL 292.09, 0.68%, 0.74%

LAB 70.26, 44.35, -33.9

 

CMYK 0 / 13 / 39 / 8

HEX #EBCD90

RGB 235 205 144

HSL 40.22, 0.69%, 0.74%

LAB 83.62, 2.19, 34.25

 

CMYK 39 / 0 / 32 / 8

HEX #8FEA9E

RGB 143 234 158

HSL 129.89, 0.68%, 0.74%

LAB 85.58, -42.68, 28.59

 

CMYK 39 / 26 / 0 / 8

HEX #8FADEA

RGB 143 173 234

HSL 220.22, 0.68%, 0.74%

LAB 70.64, 4.71, -33.84

 

CMYK 0 / 39 / 6 / 8

HEX #EA8FDB

RGB 234 143 219

HSL 309.89, 0.68%, 0.74%

LAB 71.04, 45.32, -24.32

 

Description

Color code: HEX #EBCD90 | qconv.com Color code: HEX #EBCD90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 205 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 205 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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