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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBCBC44C it is the complementary color #14343B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBCBC44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBCBC44C shade: #F0CBBF4C, #FFDDD24C, #FFEFE54C, #FFFFF84C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBCBC44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBCBC44C shade: #EBCBC44C, #DAB9B14C, #C9A79E4C, #B8958B4C and #A783784C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBCBC44C shade: #EBCDC6 and #EBC6C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBCBC44C shade: #EBCDC6, #EBD7C6, #EBE1C6, #EBEBC6 and #E2EBC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBCBC44C shade matches the following richer shades: #EBCDC6, #F2C9C0, #F8C5BA and #FEC1B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBCBC44C shade: #EBCDC6, #E5D1CC, #DFD5D2, #D9D9D9 and #D3DDDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBCBC44C shade: #EBC6D4, #EBC6CA, #EBCCC6, #EBD6C6 and #EBE0C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBCBC44C shade: #D69789, #E1B2A7, #EBCDC6, #F6E8E5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBCBC44C shade: #EBCBC4, #DEEBC6 and #C6CFEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBCBC44C shade: #EBCBC4, #C6EBCC and #CCC6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBCBC44C shade: #EBCBC4, #DEEBC6, #C6E5EB and #D4C6EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBCBC44C shade: #EBCBC4, #D3EBC6, #C6E5EB and #DFC6EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 5 / 2

HEX #EBCBC44C

RGBA 235 203 196 0.3

HSLA 10.77, 0.49%, 0.85%, 0.3

LABA 84.15, 10.13, 7.63, 0.3

 

Complementary color

CMYK 20 / 4 / 0 / 23

HEX #14343B4C

RGBA 20 52 59 0.3

HSLA 190.77, 0.49%, 0.15%, 0.3

LABA 19.72, -9.23, -7.96, 0.3

 

CMYK 0 / 5 / 6 / 2

HEX #F0CBBF4C

RGBA 240 203 191 0.3

HSLA 14.69, 0.62%, 0.85%, 0.3

LABA 84.48, 11.2, 10.82, 0.3

 

CMYK 0 / 4 / 5 / 0

HEX #FFDDD24C

RGBA 255 221 210 0.3

HSLA 14.67, 1%, 0.91%, 0.3

LABA 90.61, 10.05, 9.72, 0.3

 

CMYK 0 / 2 / 3 / 0

HEX #FFEFE54C

RGBA 255 239 229 0.3

HSLA 23.08, 1%, 0.95%, 0.3

LABA 95.43, 3.75, 6.76, 0.3

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFF84C

RGBA 255 255 248 0.3

HSLA 60, 1%, 0.99%, 0.3

LABA 99.83, -1.2, 3.33, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 0 / 4 / 5 / 2

HEX #EBCBC44C

RGBA 235 203 196 0.3

HSLA 10.77, 0.49%, 0.85%, 0.3

LABA 84.15, 10.13, 7.63, 0.3

 

CMYK 0 / 5 / 6 / 4

HEX #DAB9B14C

RGBA 218 185 177 0.3

HSLA 11.71, 0.36%, 0.77%, 0.3

LABA 77.74, 10.55, 8.44, 0.3

 

CMYK 0 / 5 / 6 / 6

HEX #C9A79E4C

RGBA 201 167 158 0.3

HSLA 12.56, 0.28%, 0.7%, 0.3

LABA 71.23, 11.02, 9.3, 0.3

 

CMYK 0 / 6 / 7 / 8

HEX #B8958B4C

RGBA 184 149 139 0.3

HSLA 13.33, 0.24%, 0.63%, 0.3

LABA 64.6, 11.55, 10.22, 0.3

 

CMYK 0 / 6 / 8 / 10

HEX #A783784C

RGBA 167 131 120 0.3

HSLA 14.04, 0.21%, 0.56%, 0.3

LABA 57.85, 12.15, 11.22, 0.3

 

CMYK 0 / 13 / 16 / 8

HEX #EBCDC6

RGB 235 205 198

HSL 11.35, 0.48%, 0.85%

LAB 84.69, 9.39, 7.34

 

CMYK 0 / 16 / 16 / 8

HEX #EBC6C6

RGB 235 198 198

HSL 0, 0.48%, 0.85%

LAB 82.98, 13.08, 4.88

 

CMYK 0 / 13 / 16 / 8

HEX #EBCDC6

RGB 235 205 198

HSL 11.35, 0.48%, 0.85%

LAB 84.69, 9.39, 7.34

 

CMYK 0 / 9 / 16 / 8

HEX #EBD7C6

RGB 235 215 198

HSL 27.57, 0.48%, 0.85%

LAB 87.16, 4.17, 10.88

 

CMYK 0 / 4 / 16 / 8

HEX #EBE1C6

RGB 235 225 198

HSL 43.78, 0.48%, 0.85%

LAB 89.67, -0.99, 14.43

 

CMYK 0 / 0 / 16 / 8

HEX #EBEBC6

RGB 235 235 198

HSL 60, 0.48%, 0.85%

LAB 92.2, -6.07, 17.99

 

CMYK 4 / 0 / 16 / 8

HEX #E2EBC6

RGB 226 235 198

HSL 74.59, 0.48%, 0.85%

LAB 91.53, -9.27, 16.96

 

CMYK 0 / 13 / 16 / 8

HEX #EBCDC6

RGB 235 205 198

HSL 11.35, 0.48%, 0.85%

LAB 84.69, 9.39, 7.34

 

CMYK 0 / 17 / 21 / 5

HEX #F2C9C0

RGB 242 201 192

HSL 10.8, 0.66%, 0.85%

LAB 84.2, 13.12, 9.92

 

CMYK 0 / 21 / 25 / 3

HEX #F8C5BA

RGB 248 197 186

HSL 10.65, 0.82%, 0.85%

LAB 83.67, 16.57, 12.43

 

CMYK 0 / 24 / 30 / 0

HEX #FEC1B3

RGB 254 193 179

HSL 11.2, 0.97%, 0.85%

LAB 83.16, 19.95, 15.53

 

CMYK 0 / 13 / 16 / 8

HEX #EBCDC6

RGB 235 205 198

HSL 11.35, 0.48%, 0.85%

LAB 84.69, 9.39, 7.34

 

CMYK 0 / 9 / 11 / 10

HEX #E5D1CC

RGB 229 209 204

HSL 12, 0.32%, 0.85%

LAB 85.31, 6.11, 4.98

 

CMYK 0 / 4 / 6 / 13

HEX #DFD5D2

RGB 223 213 210

HSL 13.85, 0.17%, 0.85%

LAB 85.97, 2.92, 2.7

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 5 / 1 / 0 / 13

HEX #D3DDDF

RGB 211 221 223

HSL 190, 0.16%, 0.85%

LAB 87.43, -2.97, -2.15

 

CMYK 0 / 16 / 10 / 8

HEX #EBC6D4

RGB 235 198 212

HSL 337.3, 0.48%, 0.85%

LAB 83.34, 15.33, -2.09

 

CMYK 0 / 16 / 14 / 8

HEX #EBC6CA

RGB 235 198 202

HSL 353.51, 0.48%, 0.85%

LAB 83.08, 13.71, 2.88

 

CMYK 0 / 13 / 16 / 8

HEX #EBCCC6

RGB 235 204 198

HSL 9.73, 0.48%, 0.85%

LAB 84.45, 9.92, 6.99

 

CMYK 0 / 9 / 16 / 8

HEX #EBD6C6

RGB 235 214 198

HSL 25.95, 0.48%, 0.85%

LAB 86.91, 4.69, 10.52

 

CMYK 0 / 5 / 16 / 8

HEX #EBE0C6

RGB 235 224 198

HSL 42.16, 0.48%, 0.85%

LAB 89.42, -0.48, 14.08

 

CMYK 0 / 29 / 36 / 16

HEX #D69789

RGB 214 151 137

HSL 10.91, 0.48%, 0.69%

LAB 68.19, 21.86, 16.83

 

CMYK 0 / 21 / 26 / 12

HEX #E1B2A7

RGB 225 178 167

HSL 11.38, 0.49%, 0.77%

LAB 76.46, 15.45, 12.12

 

CMYK 0 / 13 / 16 / 8

HEX #EBCDC6

RGB 235 205 198

HSL 11.35, 0.48%, 0.85%

LAB 84.69, 9.39, 7.34

 

CMYK 0 / 6 / 7 / 4

HEX #F6E8E5

RGB 246 232 229

HSL 10.59, 0.49%, 0.93%

LAB 93, 4.23, 3.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 14 / 17 / 8

HEX #EBCBC4

RGB 235 203 196

HSL 10.77, 0.49%, 0.85%

LAB 84.15, 10.13, 7.63

 

CMYK 6 / 0 / 16 / 8

HEX #DEEBC6

RGB 222 235 198

HSL 81.08, 0.48%, 0.85%

LAB 91.24, -10.67, 16.51

 

CMYK 16 / 12 / 0 / 8

HEX #C6CFEB

RGB 198 207 235

HSL 225.41, 0.48%, 0.85%

LAB 83.25, 2.55, -14.82

 

CMYK 0 / 14 / 17 / 8

HEX #EBCBC4

RGB 235 203 196

HSL 10.77, 0.49%, 0.85%

LAB 84.15, 10.13, 7.63

 

CMYK 16 / 0 / 13 / 8

HEX #C6EBCC

RGB 198 235 204

HSL 129.73, 0.48%, 0.85%

LAB 89.76, -17.85, 11.06

 

CMYK 13 / 16 / 0 / 8

HEX #CCC6EB

RGB 204 198 235

HSL 249.73, 0.48%, 0.85%

LAB 81.41, 9.25, -17.53

 

CMYK 0 / 14 / 17 / 8

HEX #EBCBC4

RGB 235 203 196

HSL 10.77, 0.49%, 0.85%

LAB 84.15, 10.13, 7.63

 

CMYK 6 / 0 / 16 / 8

HEX #DEEBC6

RGB 222 235 198

HSL 81.08, 0.48%, 0.85%

LAB 91.24, -10.67, 16.51

 

CMYK 16 / 3 / 0 / 8

HEX #C6E5EB

RGB 198 229 235

HSL 189.73, 0.48%, 0.85%

LAB 88.94, -8.9, -6.34

 

CMYK 10 / 16 / 0 / 8

HEX #D4C6EB

RGB 212 198 235

HSL 262.7, 0.48%, 0.85%

LAB 82.05, 11.81, -16.52

 

CMYK 0 / 14 / 17 / 8

HEX #EBCBC4

RGB 235 203 196

HSL 10.77, 0.49%, 0.85%

LAB 84.15, 10.13, 7.63

 

CMYK 10 / 0 / 16 / 8

HEX #D3EBC6

RGB 211 235 198

HSL 98.92, 0.48%, 0.85%

LAB 90.48, -14.49, 15.32

 

CMYK 16 / 3 / 0 / 8

HEX #C6E5EB

RGB 198 229 235

HSL 189.73, 0.48%, 0.85%

LAB 88.94, -8.9, -6.34

 

CMYK 5 / 16 / 0 / 8

HEX #DFC6EB

RGB 223 198 235

HSL 280.54, 0.48%, 0.85%

LAB 82.95, 15.39, -15.06

 

Description

Color code: HEX #EBCBC44C | qconv.com Color code: HEX #EBCBC44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 203 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 203 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 5 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 5% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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