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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC4974C it is the complementary color #143B684C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC4974C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBC4974C shade: #F0C4924C, #FFD6A54C, #FFE8B84C, #FFFACB4C and #FFFFDE4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC4974C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBC4974C shade: #EBC4974C, #DAB2844C, #C9A0714C, #B88E5E4C and #A77C4B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBC4974C shade: #EBC598, #EBAE98 and #EB9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBC4974C shade: #EBC598, #EBDB98, #E5EB98, #CFEB98 and #B8EB98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBC4974C shade matches the following richer shades: #EBC598 and #F5C58E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBC4974C shade: #EBC598, #E2C4A2, #D8C3AC, #CEC3B6 and #C4C2C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBC4974C shade: #EB9898, #EBAE98, #EBC598, #EBDB98 and #E6EB98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBC4974C shade: #DE9E53, #E5B176, #EBC598, #F2D8BB and #F9ECDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBC4974C shade: #EBC497, #AEEB98 and #A398EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBC4974C shade: #EBC497, #98EBC5 and #C598EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBC4974C shade: #EBC497, #AEEB98, #98BFEB and #D598EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBC4974C shade: #EBC497, #98EB9B, #98BFEB and #EB98E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 11 / 2

HEX #EBC4974C

RGBA 235 196 151 0.3

HSLA 32.14, 0.68%, 0.76%, 0.3

LABA 81.5, 7.68, 27.79, 0.3

 

Complementary color

CMYK 24 / 13 / 0 / 18

HEX #143B684C

RGBA 20 59 104 0.3

HSLA 212.14, 0.68%, 0.24%, 0.3

LABA 24.56, 4.02, -30.26, 0.3

 

CMYK 0 / 6 / 12 / 2

HEX #F0C4924C

RGBA 240 196 146 0.3

HSLA 31.91, 0.76%, 0.76%, 0.3

LABA 81.88, 9.06, 31, 0.3

 

CMYK 0 / 5 / 11 / 0

HEX #FFD6A54C

RGBA 255 214 165 0.3

HSLA 32.67, 1%, 0.82%, 0.3

LABA 88, 7.67, 29.56, 0.3

 

CMYK 0 / 3 / 8 / 0

HEX #FFE8B84C

RGBA 255 232 184 0.3

HSLA 40.56, 1%, 0.86%, 0.3

LABA 92.77, 0.79, 26.24, 0.3

 

CMYK 0 / 1 / 6 / 0

HEX #FFFACB4C

RGBA 255 250 203 0.3

HSLA 54.23, 1%, 0.9%, 0.3

LABA 97.61, -5.71, 23.19, 0.3

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFDE4C

RGBA 255 255 222 0.3

HSLA 60, 1%, 0.94%, 0.3

LABA 99.24, -5.41, 15.79, 0.3

 

CMYK 0 / 5 / 11 / 2

HEX #EBC4974C

RGBA 235 196 151 0.3

HSLA 32.14, 0.68%, 0.76%, 0.3

LABA 81.5, 7.68, 27.79, 0.3

 

CMYK 0 / 6 / 12 / 4

HEX #DAB2844C

RGBA 218 178 132 0.3

HSLA 32.09, 0.54%, 0.69%, 0.3

LABA 75.08, 8.31, 28.97, 0.3

 

CMYK 0 / 6 / 13 / 6

HEX #C9A0714C

RGBA 201 160 113 0.3

HSLA 32.05, 0.45%, 0.62%, 0.3

LABA 68.57, 9.03, 30.23, 0.3

 

CMYK 0 / 7 / 15 / 8

HEX #B88E5E4C

RGBA 184 142 94 0.3

HSLA 32, 0.39%, 0.55%, 0.3

LABA 61.95, 9.88, 31.59, 0.3

 

CMYK 0 / 8 / 17 / 10

HEX #A77C4B4C

RGBA 167 124 75 0.3

HSLA 31.96, 0.38%, 0.47%, 0.3

LABA 55.22, 10.88, 33.04, 0.3

 

CMYK 0 / 16 / 35 / 8

HEX #EBC598

RGB 235 197 152

HSL 32.53, 0.67%, 0.76%

LAB 81.76, 7.27, 27.62

 

CMYK 0 / 26 / 35 / 8

HEX #EBAE98

RGB 235 174 152

HSL 15.9, 0.67%, 0.76%

LAB 76.19, 19.44, 20.03

 

CMYK 0 / 35 / 35 / 8

HEX #EB9898

RGB 235 152 152

HSL 0, 0.67%, 0.76%

LAB 71.14, 31.13, 12.98

 

CMYK 0 / 16 / 35 / 8

HEX #EBC598

RGB 235 197 152

HSL 32.53, 0.67%, 0.76%

LAB 81.76, 7.27, 27.62

 

CMYK 0 / 7 / 35 / 8

HEX #EBDB98

RGB 235 219 152

HSL 48.43, 0.67%, 0.76%

LAB 87.29, -4.1, 34.97

 

CMYK 3 / 0 / 35 / 8

HEX #E5EB98

RGB 229 235 152

HSL 64.34, 0.67%, 0.76%

LAB 90.94, -14.42, 39.64

 

CMYK 12 / 0 / 35 / 8

HEX #CFEB98

RGB 207 235 152

HSL 80.24, 0.67%, 0.76%

LAB 89.37, -22.64, 37.3

 

CMYK 22 / 0 / 35 / 8

HEX #B8EB98

RGB 184 235 152

HSL 96.87, 0.67%, 0.76%

LAB 87.91, -30.86, 35.11

 

CMYK 0 / 16 / 35 / 8

HEX #EBC598

RGB 235 197 152

HSL 32.53, 0.67%, 0.76%

LAB 81.76, 7.27, 27.62

 

CMYK 0 / 20 / 42 / 4

HEX #F5C58E

RGB 245 197 142

HSL 32.04, 0.84%, 0.76%

LAB 82.54, 10.07, 34.04

 

CMYK 0 / 16 / 35 / 8

HEX #EBC598

RGB 235 197 152

HSL 32.53, 0.67%, 0.76%

LAB 81.76, 7.27, 27.62

 

CMYK 0 / 13 / 28 / 11

HEX #E2C4A2

RGB 226 196 162

HSL 31.88, 0.52%, 0.76%

LAB 80.88, 5.59, 21

 

CMYK 0 / 10 / 20 / 15

HEX #D8C3AC

RGB 216 195 172

HSL 31.36, 0.36%, 0.76%

LAB 79.96, 3.75, 14.25

 

CMYK 0 / 5 / 12 / 19

HEX #CEC3B6

RGB 206 195 182

HSL 32.5, 0.2%, 0.76%

LAB 79.35, 1.64, 7.9

 

CMYK 0 / 1 / 2 / 23

HEX #C4C2C0

RGB 196 194 192

HSL 30, 0.03%, 0.76%

LAB 78.53, 0.33, 1.24

 

CMYK 0 / 35 / 35 / 8

HEX #EB9898

RGB 235 152 152

HSL 0, 0.67%, 0.76%

LAB 71.14, 31.13, 12.98

 

CMYK 0 / 26 / 35 / 8

HEX #EBAE98

RGB 235 174 152

HSL 15.9, 0.67%, 0.76%

LAB 76.19, 19.44, 20.03

 

CMYK 0 / 16 / 35 / 8

HEX #EBC598

RGB 235 197 152

HSL 32.53, 0.67%, 0.76%

LAB 81.76, 7.27, 27.62

 

CMYK 0 / 7 / 35 / 8

HEX #EBDB98

RGB 235 219 152

HSL 48.43, 0.67%, 0.76%

LAB 87.29, -4.1, 34.97

 

CMYK 2 / 0 / 35 / 8

HEX #E6EB98

RGB 230 235 152

HSL 63.61, 0.67%, 0.76%

LAB 91.01, -14.04, 39.76

 

CMYK 0 / 29 / 63 / 13

HEX #DE9E53

RGB 222 158 83

HSL 32.37, 0.68%, 0.6%

LAB 69.9, 16.27, 47.87

 

CMYK 0 / 23 / 48 / 10

HEX #E5B176

RGB 229 177 118

HSL 31.89, 0.68%, 0.68%

LAB 75.71, 11.83, 37.35

 

CMYK 0 / 16 / 35 / 8

HEX #EBC598

RGB 235 197 152

HSL 32.53, 0.67%, 0.76%

LAB 81.76, 7.27, 27.62

 

CMYK 0 / 11 / 23 / 5

HEX #F2D8BB

RGB 242 216 187

HSL 31.64, 0.68%, 0.84%

LAB 87.76, 4.58, 17.59

 

CMYK 0 / 5 / 11 / 2

HEX #F9ECDD

RGB 249 236 221

HSL 32.14, 0.7%, 0.92%

LAB 94.03, 1.92, 8.83

 

CMYK 0 / 17 / 36 / 8

HEX #EBC497

RGB 235 196 151

HSL 32.14, 0.68%, 0.76%

LAB 81.5, 7.68, 27.79

 

CMYK 26 / 0 / 35 / 8

HEX #AEEB98

RGB 174 235 152

HSL 104.1, 0.67%, 0.76%

LAB 87.33, -34.28, 34.25

 

CMYK 31 / 35 / 0 / 8

HEX #A398EB

RGB 163 152 235

HSL 247.95, 0.67%, 0.76%

LAB 66.7, 22.31, -40.41

 

CMYK 0 / 17 / 36 / 8

HEX #EBC497

RGB 235 196 151

HSL 32.14, 0.68%, 0.76%

LAB 81.5, 7.68, 27.79

 

CMYK 35 / 0 / 16 / 8

HEX #98EBC5

RGB 152 235 197

HSL 152.53, 0.67%, 0.76%

LAB 87.06, -33.36, 10.52

 

CMYK 16 / 35 / 0 / 8

HEX #C598EB

RGB 197 152 235

HSL 272.53, 0.67%, 0.76%

LAB 69.7, 32.2, -35.51

 

CMYK 0 / 17 / 36 / 8

HEX #EBC497

RGB 235 196 151

HSL 32.14, 0.68%, 0.76%

LAB 81.5, 7.68, 27.79

 

CMYK 26 / 0 / 35 / 8

HEX #AEEB98

RGB 174 235 152

HSL 104.1, 0.67%, 0.76%

LAB 87.33, -34.28, 34.25

 

CMYK 35 / 19 / 0 / 8

HEX #98BFEB

RGB 152 191 235

HSL 211.81, 0.67%, 0.76%

LAB 76.03, -2.49, -26.05

 

CMYK 9 / 35 / 0 / 8

HEX #D598EB

RGB 213 152 235

HSL 284.1, 0.67%, 0.76%

LAB 71.28, 37.04, -32.94

 

CMYK 0 / 17 / 36 / 8

HEX #EBC497

RGB 235 196 151

HSL 32.14, 0.68%, 0.76%

LAB 81.5, 7.68, 27.79

 

CMYK 35 / 0 / 34 / 8

HEX #98EB9B

RGB 152 235 155

HSL 122.17, 0.67%, 0.76%

LAB 86.24, -40.92, 31.07

 

CMYK 35 / 19 / 0 / 8

HEX #98BFEB

RGB 152 191 235

HSL 211.81, 0.67%, 0.76%

LAB 76.03, -2.49, -26.05

 

CMYK 0 / 35 / 1 / 8

HEX #EB98E9

RGB 235 152 233

HSL 301.45, 0.67%, 0.76%

LAB 73.55, 43.41, -28.16

 

Description

Color code: HEX #EBC4974C | qconv.com Color code: HEX #EBC4974C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 196 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 196 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 11 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 11% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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