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Color name
HEX #EBC482

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC482 it is the complementary color #143B7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBC482 shade: #F0C47D, #FFD690, #FFE8A3, #FFFAB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBC482 shade: #EBC482, #DAB26F, #C9A05C, #B88E49 and #A77C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBC482 shade: #EBC584, #EBA984, #EB8D84 and #EB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBC482 shade: #EBC584, #EBE184, #DAEB84, #BEEB84 and #A2EB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBC482 shade matches the following richer shades: #EBC584 and #F7C879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBC482 shade: #EBC584, #DFC290, #D4BF9B, #C8BCA7 and #BDB9B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBC482 shade: #EB8D84, #EBA884, #EBC484, #EBDF84 and #DCEB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBC482 shade: #DFA33D, #E5B461, #EBC584, #F1D6A8 and #F7E6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBC482 shade: #EBC482, #97EB84 and #9A84EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBC482 shade: #EBC482, #84EBC4 and #C484EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBC482 shade: #EBC482, #97EB84, #84ACEB and #D884EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBC482 shade: #EBC482, #84EB90, #84ACEB and #EB84DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 45 / 8

HEX #EBC482

RGB 235 196 130

HSL 37.71, 0.72%, 0.72%

LAB 81.16, 5.4, 38.24

 

Complementary color

CMYK 84 / 53 / 0 / 51

HEX #143B7D

RGB 20 59 125

HSL 217.71, 0.72%, 0.28%

LAB 26.03, 12.86, -41.27

 

CMYK 0 / 18 / 48 / 6

HEX #F0C47D

RGB 240 196 125

HSL 37.04, 0.79%, 0.72%

LAB 81.56, 6.92, 41.39

 

CMYK 0 / 16 / 44 / 0

HEX #FFD690

RGB 255 214 144

HSL 37.84, 1%, 0.78%

LAB 87.66, 5.4, 39.85

 

CMYK 0 / 9 / 36 / 0

HEX #FFE8A3

RGB 255 232 163

HSL 45, 1%, 0.82%

LAB 92.41, -1.75, 36.44

 

CMYK 0 / 2 / 29 / 0

HEX #FFFAB6

RGB 255 250 182

HSL 55.89, 1%, 0.86%

LAB 97.23, -8.49, 33.3

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 17 / 45 / 8

HEX #EBC482

RGB 235 196 130

HSL 37.71, 0.72%, 0.72%

LAB 81.16, 5.4, 38.24

 

CMYK 0 / 18 / 49 / 15

HEX #DAB26F

RGB 218 178 111

HSL 37.57, 0.59%, 0.65%

LAB 74.76, 6.15, 39.53

 

CMYK 0 / 20 / 54 / 21

HEX #C9A05C

RGB 201 160 92

HSL 37.43, 0.5%, 0.57%

LAB 68.26, 7.03, 40.88

 

CMYK 0 / 23 / 60 / 28

HEX #B88E49

RGB 184 142 73

HSL 37.3, 0.44%, 0.5%

LAB 61.67, 8.07, 42.25

 

CMYK 0 / 26 / 68 / 35

HEX #A77C36

RGB 167 124 54

HSL 37.17, 0.51%, 0.43%

LAB 54.97, 9.3, 43.57

 

CMYK 0 / 16 / 44 / 8

HEX #EBC584

RGB 235 197 132

HSL 37.86, 0.72%, 0.72%

LAB 81.43, 5.07, 37.57

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 0 / 40 / 44 / 8

HEX #EB8D84

RGB 235 141 132

HSL 5.24, 0.72%, 0.72%

LAB 68.3, 34.68, 20.14

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 16 / 44 / 8

HEX #EBC584

RGB 235 197 132

HSL 37.86, 0.72%, 0.72%

LAB 81.43, 5.07, 37.57

 

CMYK 0 / 4 / 44 / 8

HEX #EBE184

RGB 235 225 132

HSL 54.17, 0.72%, 0.72%

LAB 88.53, -9.26, 46.55

 

CMYK 7 / 0 / 44 / 8

HEX #DAEB84

RGB 218 235 132

HSL 69.9, 0.72%, 0.72%

LAB 89.85, -20.81, 47.91

 

CMYK 19 / 0 / 44 / 8

HEX #BEEB84

RGB 190 235 132

HSL 86.21, 0.72%, 0.72%

LAB 87.98, -31.27, 45.17

 

CMYK 31 / 0 / 44 / 8

HEX #A2EB84

RGB 162 235 132

HSL 102.52, 0.72%, 0.72%

LAB 86.39, -41.02, 42.82

 

CMYK 0 / 16 / 44 / 8

HEX #EBC584

RGB 235 197 132

HSL 37.86, 0.72%, 0.72%

LAB 81.43, 5.07, 37.57

 

CMYK 0 / 19 / 51 / 3

HEX #F7C879

RGB 247 200 121

HSL 37.62, 0.89%, 0.72%

LAB 83.16, 7.3, 45.54

 

CMYK 0 / 16 / 44 / 8

HEX #EBC584

RGB 235 197 132

HSL 37.86, 0.72%, 0.72%

LAB 81.43, 5.07, 37.57

 

CMYK 0 / 13 / 35 / 13

HEX #DFC290

RGB 223 194 144

HSL 37.97, 0.55%, 0.72%

LAB 79.78, 3.22, 28.96

 

CMYK 0 / 10 / 27 / 17

HEX #D4BF9B

RGB 212 191 155

HSL 37.89, 0.4%, 0.72%

LAB 78.24, 1.93, 20.89

 

CMYK 0 / 6 / 17 / 22

HEX #C8BCA7

RGB 200 188 167

HSL 38.18, 0.23%, 0.72%

LAB 76.7, 0.74, 12.15

 

CMYK 0 / 2 / 6 / 26

HEX #BDB9B2

RGB 189 185 178

HSL 38.18, 0.08%, 0.72%

LAB 75.28, 0.15, 4.04

 

CMYK 0 / 40 / 44 / 8

HEX #EB8D84

RGB 235 141 132

HSL 5.24, 0.72%, 0.72%

LAB 68.3, 34.68, 20.14

 

CMYK 0 / 29 / 44 / 8

HEX #EBA884

RGB 235 168 132

HSL 20.97, 0.72%, 0.72%

LAB 74.4, 20.39, 28.38

 

CMYK 0 / 17 / 44 / 8

HEX #EBC484

RGB 235 196 132

HSL 37.28, 0.72%, 0.72%

LAB 81.19, 5.6, 37.25

 

CMYK 0 / 5 / 44 / 8

HEX #EBDF84

RGB 235 223 132

HSL 53.01, 0.72%, 0.72%

LAB 88.02, -8.26, 45.91

 

CMYK 6 / 0 / 44 / 8

HEX #DCEB84

RGB 220 235 132

HSL 68.74, 0.72%, 0.72%

LAB 90, -20.04, 48.12

 

CMYK 0 / 27 / 73 / 13

HEX #DFA33D

RGB 223 163 61

HSL 37.78, 0.72%, 0.56%

LAB 71.02, 12.78, 59.13

 

CMYK 0 / 21 / 58 / 10

HEX #E5B461

RGB 229 180 97

HSL 37.73, 0.72%, 0.64%

LAB 76.17, 8.46, 48.51

 

CMYK 0 / 16 / 44 / 8

HEX #EBC584

RGB 235 197 132

HSL 37.86, 0.72%, 0.72%

LAB 81.43, 5.07, 37.57

 

CMYK 0 / 11 / 30 / 5

HEX #F1D6A8

RGB 241 214 168

HSL 37.81, 0.72%, 0.8%

LAB 86.81, 2.7, 26.18

 

CMYK 0 / 7 / 18 / 3

HEX #F7E6CB

RGB 247 230 203

HSL 36.82, 0.73%, 0.88%

LAB 91.99, 1.51, 15.24

 

CMYK 0 / 17 / 45 / 8

HEX #EBC482

RGB 235 196 130

HSL 37.71, 0.72%, 0.72%

LAB 81.16, 5.4, 38.24

 

CMYK 36 / 0 / 44 / 8

HEX #97EB84

RGB 151 235 132

HSL 108.93, 0.72%, 0.72%

LAB 85.84, -44.59, 42.01

 

CMYK 34 / 44 / 0 / 8

HEX #9A84EB

RGB 154 132 235

HSL 252.82, 0.72%, 0.72%

LAB 61.11, 31.31, -49.27

 

CMYK 0 / 17 / 45 / 8

HEX #EBC482

RGB 235 196 130

HSL 37.71, 0.72%, 0.72%

LAB 81.16, 5.4, 38.24

 

CMYK 44 / 0 / 17 / 8

HEX #84EBC4

RGB 132 235 196

HSL 157.28, 0.72%, 0.72%

LAB 86.16, -38.92, 9.64

 

CMYK 17 / 44 / 0 / 8

HEX #C484EB

RGB 196 132 235

HSL 277.28, 0.72%, 0.72%

LAB 65.15, 42.81, -42.62

 

CMYK 0 / 17 / 45 / 8

HEX #EBC482

RGB 235 196 130

HSL 37.71, 0.72%, 0.72%

LAB 81.16, 5.4, 38.24

 

CMYK 36 / 0 / 44 / 8

HEX #97EB84

RGB 151 235 132

HSL 108.93, 0.72%, 0.72%

LAB 85.84, -44.59, 42.01

 

CMYK 44 / 27 / 0 / 8

HEX #84ACEB

RGB 132 172 235

HSL 216.7, 0.72%, 0.72%

LAB 69.76, 2.73, -35.81

 

CMYK 8 / 44 / 0 / 8

HEX #D884EB

RGB 216 132 235

HSL 288.93, 0.72%, 0.72%

LAB 67.35, 48.52, -39.02

 

CMYK 0 / 17 / 45 / 8

HEX #EBC482

RGB 235 196 130

HSL 37.71, 0.72%, 0.72%

LAB 81.16, 5.4, 38.24

 

CMYK 44 / 0 / 39 / 8

HEX #84EB90

RGB 132 235 144

HSL 126.99, 0.72%, 0.72%

LAB 85.17, -48.52, 35.04

 

CMYK 44 / 27 / 0 / 8

HEX #84ACEB

RGB 132 172 235

HSL 216.7, 0.72%, 0.72%

LAB 69.76, 2.73, -35.81

 

CMYK 0 / 44 / 5 / 8

HEX #EB84DF

RGB 235 132 223

HSL 306.99, 0.72%, 0.72%

LAB 69.11, 51.91, -29.49

 

Description

Color code: HEX #EBC482 | qconv.com Color code: HEX #EBC482 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 196 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 196 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 45 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 45% 8% C M Y K

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Provide designers and agencies with accurate color values.

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