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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC461 it is the complementary color #143B9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC461. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBC461 shade: #F0C45C, #FFD66F, #FFE882, #FFFA95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC461. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBC461 shade: #EBC461, #DAB24E, #C9A03B, #B88E28 and #A77C15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBC461 shade: #EBC460, #EB9E60, #EB7960 and #EB6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBC461 shade: #EBC460, #EBEA60, #C8EB60, #A2EB60 and #7DEB60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBC461 shade matches the following richer shades: #EBC460 and #FACA52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBC461 shade: #EBC460, #DDBE6F, #CEB77D, #C0B18B and #B2AB9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBC461 shade: #EB7A60, #EB9F60, #EBC460, #EBE960 and #C9EB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBC461 shade: #DEA71B, #E7B63B, #EBC460, #F0D285 and #F4DFAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBC461 shade: #EBC461, #6CEB60 and #8C60EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBC461 shade: #EBC461, #60EBC4 and #C460EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBC461 shade: #EBC461, #6CEB60, #6088EB and #E060EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBC461 shade: #EBC461, #60EB7E, #6088EB and #EB60CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 59 / 8

HEX #EBC461

RGB 235 196 97

HSL 43.04, 0.78%, 0.65%

LAB 80.74, 2.57, 53.97

 

Complementary color

CMYK 87 / 63 / 0 / 38

HEX #143B9E

RGB 20 59 158

HSL 223.04, 0.78%, 0.35%

LAB 28.76, 26.41, -57.22

 

CMYK 0 / 18 / 62 / 6

HEX #F0C45C

RGB 240 196 92

HSL 42.16, 0.83%, 0.65%

LAB 81.17, 4.3, 56.89

 

CMYK 0 / 16 / 56 / 0

HEX #FFD66F

RGB 255 214 111

HSL 42.92, 1%, 0.72%

LAB 87.24, 2.52, 55.45

 

CMYK 0 / 9 / 49 / 0

HEX #FFE882

RGB 255 232 130

HSL 48.96, 1%, 0.75%

LAB 91.95, -5.05, 52.09

 

CMYK 0 / 2 / 42 / 0

HEX #FFFA95

RGB 255 250 149

HSL 57.17, 1%, 0.79%

LAB 96.74, -12.19, 48.91

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 17 / 59 / 8

HEX #EBC461

RGB 235 196 97

HSL 43.04, 0.78%, 0.65%

LAB 80.74, 2.57, 53.97

 

CMYK 0 / 18 / 64 / 15

HEX #DAB24E

RGB 218 178 78

HSL 42.86, 0.65%, 0.58%

LAB 74.38, 3.59, 55.12

 

CMYK 0 / 20 / 71 / 21

HEX #C9A03B

RGB 201 160 59

HSL 42.68, 0.57%, 0.51%

LAB 67.93, 4.79, 56.08

 

CMYK 0 / 23 / 78 / 28

HEX #B88E28

RGB 184 142 40

HSL 42.5, 0.64%, 0.44%

LAB 61.39, 6.2, 56.62

 

CMYK 0 / 26 / 87 / 35

HEX #A77C15

RGB 167 124 21

HSL 42.33, 0.78%, 0.37%

LAB 54.75, 7.89, 56.27

 

CMYK 0 / 17 / 59 / 8

HEX #EBC460

RGB 235 196 96

HSL 43.17, 0.78%, 0.65%

LAB 80.73, 2.5, 54.43

 

CMYK 0 / 33 / 59 / 8

HEX #EB9E60

RGB 235 158 96

HSL 26.76, 0.78%, 0.65%

LAB 71.53, 22.55, 43.65

 

CMYK 0 / 49 / 59 / 8

HEX #EB7960

RGB 235 121 96

HSL 10.79, 0.78%, 0.65%

LAB 63.49, 41.82, 33.76

 

CMYK 0 / 59 / 59 / 8

HEX #EB6060

RGB 235 96 96

HSL 0, 0.78%, 0.65%

LAB 58.86, 53.76, 27.84

 

CMYK 0 / 17 / 59 / 8

HEX #EBC460

RGB 235 196 96

HSL 43.17, 0.78%, 0.65%

LAB 80.73, 2.5, 54.43

 

CMYK 0 / 0 / 59 / 8

HEX #EBEA60

RGB 235 234 96

HSL 59.57, 0.78%, 0.65%

LAB 90.48, -16.68, 65.3

 

CMYK 15 / 0 / 59 / 8

HEX #C8EB60

RGB 200 235 96

HSL 75.11, 0.78%, 0.65%

LAB 88.23, -31, 62.1

 

CMYK 31 / 0 / 59 / 8

HEX #A2EB60

RGB 162 235 96

HSL 91.51, 0.78%, 0.65%

LAB 85.98, -44.96, 58.97

 

CMYK 47 / 0 / 59 / 8

HEX #7DEB60

RGB 125 235 96

HSL 107.48, 0.78%, 0.65%

LAB 84.29, -56.72, 56.6

 

CMYK 0 / 17 / 59 / 8

HEX #EBC460

RGB 235 196 96

HSL 43.17, 0.78%, 0.65%

LAB 80.73, 2.5, 54.43

 

CMYK 0 / 19 / 67 / 2

HEX #FACA52

RGB 250 202 82

HSL 42.86, 0.94%, 0.65%

LAB 83.53, 4.76, 64.12

 

CMYK 0 / 17 / 59 / 8

HEX #EBC460

RGB 235 196 96

HSL 43.17, 0.78%, 0.65%

LAB 80.73, 2.5, 54.43

 

CMYK 0 / 14 / 50 / 13

HEX #DDBE6F

RGB 221 190 111

HSL 43.09, 0.62%, 0.65%

LAB 78.08, 1.06, 43.71

 

CMYK 0 / 11 / 39 / 19

HEX #CEB77D

RGB 206 183 125

HSL 42.96, 0.45%, 0.65%

LAB 75.12, 0.06, 32.5

 

CMYK 0 / 8 / 28 / 25

HEX #C0B18B

RGB 192 177 139

HSL 43.02, 0.3%, 0.65%

LAB 72.57, -0.57, 21.42

 

CMYK 0 / 4 / 13 / 30

HEX #B2AB9A

RGB 178 171 154

HSL 42.5, 0.13%, 0.65%

LAB 70.12, -0.45, 9.64

 

CMYK 0 / 48 / 59 / 8

HEX #EB7A60

RGB 235 122 96

HSL 11.22, 0.78%, 0.65%

LAB 63.69, 41.32, 34.01

 

CMYK 0 / 32 / 59 / 8

HEX #EB9F60

RGB 235 159 96

HSL 27.19, 0.78%, 0.65%

LAB 71.76, 22.01, 43.93

 

CMYK 0 / 17 / 59 / 8

HEX #EBC460

RGB 235 196 96

HSL 43.17, 0.78%, 0.65%

LAB 80.73, 2.5, 54.43

 

CMYK 0 / 1 / 59 / 8

HEX #EBE960

RGB 235 233 96

HSL 59.14, 0.78%, 0.65%

LAB 90.22, -16.19, 65.02

 

CMYK 14 / 0 / 59 / 8

HEX #C9EB60

RGB 201 235 96

HSL 74.68, 0.78%, 0.65%

LAB 88.29, -30.61, 62.2

 

CMYK 0 / 25 / 88 / 13

HEX #DEA71B

RGB 222 167 27

HSL 43.08, 0.78%, 0.49%

LAB 71.72, 9.09, 70.9

 

CMYK 0 / 21 / 74 / 9

HEX #E7B63B

RGB 231 182 59

HSL 42.91, 0.78%, 0.57%

LAB 76.53, 6.04, 65.62

 

CMYK 0 / 17 / 59 / 8

HEX #EBC460

RGB 235 196 96

HSL 43.17, 0.78%, 0.65%

LAB 80.73, 2.5, 54.43

 

CMYK 0 / 13 / 45 / 6

HEX #F0D285

RGB 240 210 133

HSL 43.18, 0.78%, 0.73%

LAB 85.16, 0.43, 41.91

 

CMYK 0 / 9 / 30 / 4

HEX #F4DFAA

RGB 244 223 170

HSL 42.97, 0.77%, 0.81%

LAB 89.35, -0.53, 28.64

 

CMYK 0 / 17 / 59 / 8

HEX #EBC461

RGB 235 196 97

HSL 43.04, 0.78%, 0.65%

LAB 80.74, 2.57, 53.97

 

CMYK 54 / 0 / 59 / 8

HEX #6CEB60

RGB 108 235 96

HSL 114.82, 0.78%, 0.65%

LAB 83.68, -61.29, 55.74

 

CMYK 40 / 59 / 0 / 8

HEX #8C60EB

RGB 140 96 235

HSL 258.99, 0.78%, 0.65%

LAB 51.77, 48.3, -64.28

 

CMYK 0 / 17 / 59 / 8

HEX #EBC461

RGB 235 196 97

HSL 43.04, 0.78%, 0.65%

LAB 80.74, 2.57, 53.97

 

CMYK 59 / 0 / 17 / 8

HEX #60EBC4

RGB 96 235 196

HSL 163.17, 0.78%, 0.65%

LAB 84.94, -46.85, 7.73

 

CMYK 17 / 59 / 0 / 8

HEX #C460EB

RGB 196 96 235

HSL 283.17, 0.78%, 0.65%

LAB 58.13, 61.13, -53.72

 

CMYK 0 / 17 / 59 / 8

HEX #EBC461

RGB 235 196 97

HSL 43.04, 0.78%, 0.65%

LAB 80.74, 2.57, 53.97

 

CMYK 54 / 0 / 59 / 8

HEX #6CEB60

RGB 108 235 96

HSL 114.82, 0.78%, 0.65%

LAB 83.68, -61.29, 55.74

 

CMYK 59 / 42 / 0 / 8

HEX #6088EB

RGB 96 136 235

HSL 222.73, 0.78%, 0.65%

LAB 58.13, 15.64, -54.25

 

CMYK 5 / 59 / 0 / 8

HEX #E060EB

RGB 224 96 235

HSL 295.25, 0.78%, 0.65%

LAB 61.84, 67.91, -47.61

 

CMYK 0 / 17 / 59 / 8

HEX #EBC461

RGB 235 196 97

HSL 43.04, 0.78%, 0.65%

LAB 80.74, 2.57, 53.97

 

CMYK 59 / 0 / 46 / 8

HEX #60EB7E

RGB 96 235 126

HSL 132.95, 0.78%, 0.65%

LAB 83.66, -60.26, 41.74

 

CMYK 59 / 42 / 0 / 8

HEX #6088EB

RGB 96 136 235

HSL 222.73, 0.78%, 0.65%

LAB 58.13, 15.64, -54.25

 

CMYK 0 / 59 / 13 / 8

HEX #EB60CD

RGB 235 96 205

HSL 312.95, 0.78%, 0.65%

LAB 62.03, 65.85, -30.37

 

Description

Color code: HEX #EBC461 | qconv.com Color code: HEX #EBC461 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 196 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 196 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 59 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 59% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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