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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC10A it is the complementary color #143EF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC10A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBC10A shade: #F0C105, #FFD318, #FFE52B, #FFF73E and #FFFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC10A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBC10A shade: #EBC10A, #DAAF00, #C99D00, #B88B00 and #A77900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBC10A shade: #EBC10A, #EB840A, #EB480A, #EB0B0A and #EB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBC10A shade: #EBC10A, #D8EB0A, #9CEB0A, #5FEB0A and #22EB0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBC10A shade matches the following richer shades: #EBC10A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBC10A shade: #EBC10A, #D7B51E, #C3A831, #B09C45 and #9C8F59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBC10A shade: #EB460A, #EB820A, #EBBE0A, #DCEB0A and #A0EB0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBC10A shade: #9C8006, #C3A008, #EBC10A, #F6D028 and #F8D850

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBC10A shade: #EBC10A, #0AEB0A and #640AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBC10A shade: #EBC10A, #0AEBBE and #BE0AEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBC10A shade: #EBC10A, #0AEB0A, #0A37EB and #EB0AEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBC10A shade: #EBC10A, #0AEB4D, #0A37EB and #EB0AA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

Complementary color

CMYK 92 / 75 / 0 / 4

HEX #143EF5

RGB 20 62 245

HSL 228.8, 0.92%, 0.52%

LAB 38.18, 56.21, -92.45

 

CMYK 0 / 20 / 98 / 6

HEX #F0C105

RGB 240 193 5

HSL 48, 0.96%, 0.48%

LAB 80, 2.96, 81.11

 

CMYK 0 / 17 / 91 / 0

HEX #FFD318

RGB 255 211 24

HSL 48.57, 1%, 0.55%

LAB 85.96, 0.34, 83.9

 

CMYK 0 / 10 / 83 / 0

HEX #FFE52B

RGB 255 229 43

HSL 52.64, 1%, 0.58%

LAB 90.54, -8.34, 83.8

 

CMYK 0 / 3 / 76 / 0

HEX #FFF73E

RGB 255 247 62

HSL 57.51, 1%, 0.62%

LAB 95.22, -16.58, 82.81

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 0 / 20 / 100 / 15

HEX #DAAF00

RGB 218 175 0

HSL 48.17, 1%, 0.43%

LAB 73.26, 2.75, 75.88

 

CMYK 0 / 22 / 100 / 21

HEX #C99D00

RGB 201 157 0

HSL 46.87, 1%, 0.39%

LAB 66.92, 4.82, 70.66

 

CMYK 0 / 24 / 100 / 28

HEX #B88B00

RGB 184 139 0

HSL 45.33, 1%, 0.36%

LAB 60.48, 6.97, 65.36

 

CMYK 0 / 28 / 100 / 35

HEX #A77900

RGB 167 121 0

HSL 43.47, 1%, 0.33%

LAB 53.91, 9.21, 59.96

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 0 / 44 / 96 / 8

HEX #EB840A

RGB 235 132 10

HSL 32.53, 0.92%, 0.48%

LAB 65.11, 32.93, 69.98

 

CMYK 0 / 69 / 96 / 8

HEX #EB480A

RGB 235 72 10

HSL 16.53, 0.92%, 0.48%

LAB 54.36, 60.58, 63.25

 

CMYK 0 / 95 / 96 / 8

HEX #EB0B0A

RGB 235 11 10

HSL 0.27, 0.92%, 0.48%

LAB 49.4, 74.53, 60.6

 

CMYK 0 / 96 / 96 / 8

HEX #EB0A0A

RGB 235 10 10

HSL 0, 0.92%, 0.48%

LAB 49.38, 74.61, 60.59

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 8 / 0 / 96 / 8

HEX #D8EB0A

RGB 216 235 10

HSL 65.07, 0.92%, 0.48%

LAB 88.94, -28.03, 86.35

 

CMYK 34 / 0 / 96 / 8

HEX #9CEB0A

RGB 156 235 10

HSL 81.07, 0.92%, 0.48%

LAB 85.25, -51.2, 81.9

 

CMYK 60 / 0 / 96 / 8

HEX #5FEB0A

RGB 95 235 10

HSL 97.33, 0.92%, 0.48%

LAB 82.85, -69.45, 78.96

 

CMYK 86 / 0 / 96 / 8

HEX #22EB0A

RGB 34 235 10

HSL 113.6, 0.92%, 0.48%

LAB 81.72, -79.17, 77.58

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 0 / 16 / 86 / 16

HEX #D7B51E

RGB 215 181 30

HSL 48.97, 0.76%, 0.48%

LAB 74.56, -1.3, 72.19

 

CMYK 0 / 14 / 75 / 24

HEX #C3A831

RGB 195 168 49

HSL 48.9, 0.6%, 0.48%

LAB 69.35, -2.59, 61.21

 

CMYK 0 / 11 / 61 / 31

HEX #B09C45

RGB 176 156 69

HSL 48.79, 0.44%, 0.48%

LAB 64.51, -3.36, 47.23

 

CMYK 0 / 8 / 43 / 39

HEX #9C8F59

RGB 156 143 89

HSL 48.36, 0.27%, 0.48%

LAB 59.37, -3.1, 30.45

 

CMYK 0 / 70 / 96 / 8

HEX #EB460A

RGB 235 70 10

HSL 16, 0.92%, 0.48%

LAB 54.1, 61.32, 63.1

 

CMYK 0 / 45 / 96 / 8

HEX #EB820A

RGB 235 130 10

HSL 32, 0.92%, 0.48%

LAB 64.68, 33.96, 69.69

 

CMYK 0 / 19 / 96 / 8

HEX #EBBE0A

RGB 235 190 10

HSL 48, 0.92%, 0.48%

LAB 78.76, 2.4, 79.51

 

CMYK 6 / 0 / 96 / 8

HEX #DCEB0A

RGB 220 235 10

HSL 64, 0.92%, 0.48%

LAB 89.23, -26.39, 86.7

 

CMYK 32 / 0 / 96 / 8

HEX #A0EB0A

RGB 160 235 10

HSL 80, 0.92%, 0.48%

LAB 85.46, -49.77, 82.15

 

CMYK 0 / 18 / 96 / 39

HEX #9C8006

RGB 156 128 6

HSL 48.8, 0.93%, 0.32%

LAB 54.57, 0.28, 58.77

 

CMYK 0 / 18 / 96 / 24

HEX #C3A008

RGB 195 160 8

HSL 48.77, 0.92%, 0.4%

LAB 67.1, 0.61, 69.46

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 0 / 15 / 84 / 4

HEX #F6D028

RGB 246 208 40

HSL 48.93, 0.92%, 0.56%

LAB 84.41, -1.65, 79.09

 

CMYK 0 / 13 / 68 / 3

HEX #F8D850

RGB 248 216 80

HSL 48.57, 0.92%, 0.64%

LAB 86.82, -3.33, 68.29

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 96 / 0 / 96 / 8

HEX #0AEB0A

RGB 10 235 10

HSL 120, 0.92%, 0.48%

LAB 81.57, -80.54, 77.4

 

CMYK 57 / 96 / 0 / 8

HEX #640AEB

RGB 100 10 235

HSL 264, 0.92%, 0.48%

LAB 35.84, 75.72, -90.53

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 96 / 0 / 19 / 8

HEX #0AEBBE

RGB 10 235 190

HSL 168, 0.92%, 0.48%

LAB 83.55, -57.13, 8.72

 

CMYK 19 / 96 / 0 / 8

HEX #BE0AEB

RGB 190 10 235

HSL 288, 0.92%, 0.48%

LAB 48.46, 85.03, -69.32

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 96 / 0 / 96 / 8

HEX #0AEB0A

RGB 10 235 10

HSL 120, 0.92%, 0.48%

LAB 81.57, -80.54, 77.4

 

CMYK 96 / 77 / 0 / 8

HEX #0A37EB

RGB 10 55 235

HSL 228, 0.92%, 0.48%

LAB 35.59, 56.49, -91.1

 

CMYK 0 / 96 / 0 / 8

HEX #EB0AEB

RGB 235 10 235

HSL 300, 0.92%, 0.48%

LAB 55.96, 91.72, -56.85

 

CMYK 0 / 18 / 96 / 8

HEX #EBC10A

RGB 235 193 10

HSL 48.8, 0.92%, 0.48%

LAB 79.51, 0.84, 80.05

 

CMYK 96 / 0 / 67 / 8

HEX #0AEB4D

RGB 10 235 77

HSL 137.87, 0.92%, 0.48%

LAB 81.85, -76.94, 61.09

 

CMYK 96 / 77 / 0 / 8

HEX #0A37EB

RGB 10 55 235

HSL 228, 0.92%, 0.48%

LAB 35.59, 56.49, -91.1

 

CMYK 0 / 96 / 29 / 8

HEX #EB0AA7

RGB 235 10 167

HSL 318.13, 0.92%, 0.48%

LAB 52.59, 83.22, -23.02

 

Description

Color code: HEX #EBC10A | qconv.com Color code: HEX #EBC10A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 193 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 193 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 96 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 96% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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