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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBBDDB it is the complementary color #144224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBBDDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBBDDB shade: #F0BDD6, #FFCFE9, #FFE1FC and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBBDDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBBDDB shade: #EBBDDB, #DAABC8, #C999B5, #B887A2 and #A7758F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBBDDB shade: #EBBDDB, #EBBDCE, #EBBDC2 and #EBBDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBBDDB shade: #EBBDDB, #EBBDE7, #E2BDEB, #D5BDEB and #C9BDEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBBDDB shade matches the following richer shades: #EBBDDB, #F2B6DD and #F9AFDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBBDDB shade: #EBBDDB, #E4C4D9, #DDCBD6, #D6D2D4 and #CFD9D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBBDDB shade: #E1BDEB, #EBBDE8, #EBBDDB, #EBBDCF and #EBBDC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBBDDB shade: #D77EB8, #E19DC9, #EBBDDB, #F4DCEC and #FEFCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBBDDB shade: #EBBDDB, #EBD5BD and #BDEBE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBBDDB shade: #EBBDDB, #DBEBBD and #BDDBEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBBDDB shade: #EBBDDB, #EBD5BD, #BDEBCC and #BDD2EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBBDDB shade: #EBBDDB, #EBE3BD, #BDEBCC and #BDC4EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

Complementary color

CMYK 70 / 0 / 45 / 74

HEX #144224

RGB 20 66 36

HSL 140.87, 0.53%, 0.17%

LAB 24.23, -23.64, 13.77

 

CMYK 0 / 21 / 11 / 6

HEX #F0BDD6

RGB 240 189 214

HSL 330.59, 0.63%, 0.84%

LAB 81.72, 22.18, -5.49

 

CMYK 0 / 19 / 9 / 0

HEX #FFCFE9

RGB 255 207 233

HSL 327.5, 1%, 0.91%

LAB 87.86, 20.98, -6.39

 

CMYK 0 / 12 / 1 / 0

HEX #FFE1FC

RGB 255 225 252

HSL 306, 1%, 0.94%

LAB 92.64, 14.85, -9.3

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 22 / 8 / 15

HEX #DAABC8

RGB 218 171 200

HSL 322.98, 0.39%, 0.76%

LAB 74.95, 21.83, -8.16

 

CMYK 0 / 24 / 10 / 21

HEX #C999B5

RGB 201 153 181

HSL 325, 0.31%, 0.69%

LAB 68.41, 22.41, -7.56

 

CMYK 0 / 27 / 12 / 28

HEX #B887A2

RGB 184 135 162

HSL 326.94, 0.26%, 0.63%

LAB 61.76, 23.03, -6.93

 

CMYK 0 / 30 / 14 / 35

HEX #A7758F

RGB 167 117 143

HSL 328.8, 0.22%, 0.56%

LAB 54.99, 23.72, -6.24

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 20 / 12 / 8

HEX #EBBDCE

RGB 235 189 206

HSL 337.83, 0.53%, 0.83%

LAB 81.02, 19.12, -2.27

 

CMYK 0 / 20 / 17 / 8

HEX #EBBDC2

RGB 235 189 194

HSL 353.48, 0.53%, 0.83%

LAB 80.71, 17.23, 3.74

 

CMYK 0 / 20 / 20 / 8

HEX #EBBDBD

RGB 235 189 189

HSL 0, 0.53%, 0.83%

LAB 80.59, 16.47, 6.26

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 20 / 2 / 8

HEX #EBBDE7

RGB 235 189 231

HSL 305.22, 0.53%, 0.83%

LAB 81.74, 23.42, -14.63

 

CMYK 4 / 20 / 0 / 8

HEX #E2BDEB

RGB 226 189 235

HSL 288.26, 0.53%, 0.83%

LAB 81.05, 21.19, -17.9

 

CMYK 9 / 20 / 0 / 8

HEX #D5BDEB

RGB 213 189 235

HSL 271.3, 0.53%, 0.83%

LAB 79.92, 16.97, -19.72

 

CMYK 14 / 20 / 0 / 8

HEX #C9BDEB

RGB 201 189 235

HSL 255.65, 0.53%, 0.83%

LAB 78.93, 13.15, -21.31

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 25 / 9 / 5

HEX #F2B6DD

RGB 242 182 221

HSL 321, 0.7%, 0.83%

LAB 80.49, 27.74, -11.06

 

CMYK 0 / 30 / 10 / 2

HEX #F9AFDF

RGB 249 175 223

HSL 321.08, 0.86%, 0.83%

LAB 79.69, 34.13, -13.27

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 14 / 5 / 11

HEX #E4C4D9

RGB 228 196 217

HSL 320.63, 0.37%, 0.83%

LAB 82.37, 14.83, -6.26

 

CMYK 0 / 8 / 3 / 13

HEX #DDCBD6

RGB 221 203 214

HSL 323.33, 0.21%, 0.83%

LAB 83.41, 8.18, -3.19

 

CMYK 0 / 2 / 1 / 16

HEX #D6D2D4

RGB 214 210 212

HSL 330, 0.05%, 0.83%

LAB 84.56, 1.73, -0.51

 

CMYK 5 / 0 / 3 / 15

HEX #CFD9D2

RGB 207 217 210

HSL 138, 0.12%, 0.83%

LAB 85.78, -4.65, 2.27

 

CMYK 4 / 20 / 0 / 8

HEX #E1BDEB

RGB 225 189 235

HSL 286.96, 0.53%, 0.83%

LAB 80.96, 20.87, -18.05

 

CMYK 0 / 20 / 1 / 8

HEX #EBBDE8

RGB 235 189 232

HSL 303.91, 0.53%, 0.83%

LAB 81.77, 23.6, -15.12

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 20 / 12 / 8

HEX #EBBDCF

RGB 235 189 207

HSL 336.52, 0.53%, 0.83%

LAB 81.05, 19.29, -2.76

 

CMYK 0 / 20 / 17 / 8

HEX #EBBDC3

RGB 235 189 195

HSL 352.17, 0.53%, 0.83%

LAB 80.74, 17.38, 3.24

 

CMYK 0 / 41 / 14 / 16

HEX #D77EB8

RGB 215 126 184

HSL 320.9, 0.53%, 0.67%

LAB 64.02, 42.27, -15.67

 

CMYK 0 / 30 / 11 / 12

HEX #E19DC9

RGB 225 157 201

HSL 321.18, 0.53%, 0.75%

LAB 72.45, 31.95, -12.36

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 10 / 3 / 4

HEX #F4DCEC

RGB 244 220 236

HSL 320, 0.52%, 0.91%

LAB 90.08, 10.96, -4.8

 

CMYK 0 / 1 / 0 / 0

HEX #FEFCFD

RGB 254 252 253

HSL 330, 0.5%, 0.99%

LAB 99.14, 0.84, -0.25

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 9 / 20 / 8

HEX #EBD5BD

RGB 235 213 189

HSL 31.3, 0.53%, 0.83%

LAB 86.47, 3.85, 14.63

 

CMYK 20 / 0 / 1 / 8

HEX #BDEBE8

RGB 189 235 232

HSL 176.09, 0.53%, 0.83%

LAB 89.89, -15.31, -3.44

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 7 / 0 / 20 / 8

HEX #DBEBBD

RGB 219 235 189

HSL 80.87, 0.53%, 0.83%

LAB 90.85, -13.13, 20.58

 

CMYK 20 / 7 / 0 / 8

HEX #BDDBEB

RGB 189 219 235

HSL 200.87, 0.53%, 0.83%

LAB 85.75, -6.53, -11.15

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 9 / 20 / 8

HEX #EBD5BD

RGB 235 213 189

HSL 31.3, 0.53%, 0.83%

LAB 86.47, 3.85, 14.63

 

CMYK 20 / 0 / 13 / 8

HEX #BDEBCC

RGB 189 235 204

HSL 139.57, 0.53%, 0.83%

LAB 89.2, -20.78, 10.2

 

CMYK 20 / 11 / 0 / 8

HEX #BDD2EB

RGB 189 210 235

HSL 212.61, 0.53%, 0.83%

LAB 83.4, -1.84, -14.66

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 0 / 3 / 20 / 8

HEX #EBE3BD

RGB 235 227 189

HSL 49.57, 0.53%, 0.83%

LAB 89.99, -3.35, 19.56

 

CMYK 20 / 0 / 13 / 8

HEX #BDEBCC

RGB 189 235 204

HSL 139.57, 0.53%, 0.83%

LAB 89.2, -20.78, 10.2

 

CMYK 20 / 17 / 0 / 8

HEX #BDC4EB

RGB 189 196 235

HSL 230.87, 0.53%, 0.83%

LAB 79.78, 5.62, -20.11

 

Description

Color code: HEX #EBBDDB | qconv.com Color code: HEX #EBBDDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 189 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 189 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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