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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBBC99 it is the complementary color #144366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBBC99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBBC99 shade: #F0BC94, #FFCEA7, #FFE0BA, #FFF2CD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBBC99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBBC99 shade: #EBBC99, #DAAA86, #C99873, #B88660 and #A7744D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBBC99 shade: #EBBC99, #EBA699 and #EB9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBBC99 shade: #EBBC99, #EBD299, #EBE899, #D7EB99 and #C1EB99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBBC99 shade matches the following richer shades: #EBBC99, #F5BA8F and #FFB985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBBC99 shade: #EBBC99, #E1BDA3, #D7BFAD, #CDC0B7 and #C3C2C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBBC99 shade: #EB99A2, #EBA599, #EBBB99, #EBD199 and #EBE799

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBBC99 shade: #DD8E54, #E4A576, #EBBC99, #F2D2BB and #F8E9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBBC99 shade: #EBBC99, #B8EB99 and #9A99EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBBC99 shade: #EBBC99, #99EBBB and #BB99EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBBC99 shade: #EBBC99, #B8EB99, #99C9EB and #CB99EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBBC99 shade: #EBBC99, #A0EB99, #99C9EB and #E499EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

Complementary color

CMYK 80 / 34 / 0 / 60

HEX #144366

RGB 20 67 102

HSL 205.61, 0.67%, 0.24%

LAB 27.08, -2.25, -24.99

 

CMYK 0 / 22 / 38 / 6

HEX #F0BC94

RGB 240 188 148

HSL 26.09, 0.75%, 0.76%

LAB 79.97, 13.49, 27.4

 

CMYK 0 / 19 / 35 / 0

HEX #FFCEA7

RGB 255 206 167

HSL 26.59, 1%, 0.83%

LAB 86.1, 12.05, 25.95

 

CMYK 0 / 12 / 27 / 0

HEX #FFE0BA

RGB 255 224 186

HSL 33.04, 1%, 0.86%

LAB 90.83, 5.13, 22.55

 

CMYK 0 / 5 / 20 / 0

HEX #FFF2CD

RGB 255 242 205

HSL 44.4, 1%, 0.9%

LAB 95.65, -1.41, 19.45

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 0 / 22 / 39 / 15

HEX #DAAA86

RGB 218 170 134

HSL 25.71, 0.53%, 0.69%

LAB 73.14, 12.82, 25.3

 

CMYK 0 / 24 / 43 / 21

HEX #C99873

RGB 201 152 115

HSL 25.81, 0.44%, 0.62%

LAB 66.61, 13.61, 26.57

 

CMYK 0 / 27 / 48 / 28

HEX #B88660

RGB 184 134 96

HSL 25.91, 0.38%, 0.55%

LAB 59.97, 14.51, 27.95

 

CMYK 0 / 31 / 54 / 35

HEX #A7744D

RGB 167 116 77

HSL 26, 0.37%, 0.48%

LAB 53.21, 15.58, 29.46

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 0 / 29 / 35 / 8

HEX #EBA699

RGB 235 166 153

HSL 9.51, 0.67%, 0.76%

LAB 74.34, 23.82, 16.92

 

CMYK 0 / 35 / 35 / 8

HEX #EB9999

RGB 235 153 153

HSL 0, 0.67%, 0.76%

LAB 71.38, 30.72, 12.77

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 0 / 11 / 35 / 8

HEX #EBD299

RGB 235 210 153

HSL 41.71, 0.67%, 0.76%

LAB 85.02, 0.63, 31.46

 

CMYK 0 / 1 / 35 / 8

HEX #EBE899

RGB 235 232 153

HSL 57.8, 0.67%, 0.76%

LAB 90.63, -10.53, 38.84

 

CMYK 9 / 0 / 35 / 8

HEX #D7EB99

RGB 215 235 153

HSL 74.63, 0.67%, 0.76%

LAB 89.94, -19.56, 37.65

 

CMYK 18 / 0 / 35 / 8

HEX #C1EB99

RGB 193 235 153

HSL 90.73, 0.67%, 0.76%

LAB 88.47, -27.56, 35.46

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 0 / 24 / 42 / 4

HEX #F5BA8F

RGB 245 186 143

HSL 25.29, 0.84%, 0.76%

LAB 79.91, 15.95, 30.04

 

CMYK 0 / 27 / 48 / 0

HEX #FFB985

RGB 255 185 133

HSL 25.57, 1%, 0.76%

LAB 80.54, 19.4, 36.3

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 0 / 16 / 28 / 12

HEX #E1BDA3

RGB 225 189 163

HSL 25.16, 0.51%, 0.76%

LAB 79.07, 9.04, 17.94

 

CMYK 0 / 11 / 20 / 16

HEX #D7BFAD

RGB 215 191 173

HSL 25.71, 0.34%, 0.76%

LAB 78.88, 5.64, 12.18

 

CMYK 0 / 6 / 11 / 20

HEX #CDC0B7

RGB 205 192 183

HSL 24.55, 0.18%, 0.76%

LAB 78.52, 3.03, 6.16

 

CMYK 0 / 1 / 2 / 24

HEX #C3C2C0

RGB 195 194 192

HSL 40, 0.02%, 0.76%

LAB 78.46, -0.01, 1.12

 

CMYK 0 / 35 / 31 / 8

HEX #EB99A2

RGB 235 153 162

HSL 353.41, 0.67%, 0.76%

LAB 71.59, 31.85, 8.09

 

CMYK 0 / 30 / 35 / 8

HEX #EBA599

RGB 235 165 153

HSL 8.78, 0.67%, 0.76%

LAB 74.11, 24.35, 16.59

 

CMYK 0 / 20 / 35 / 8

HEX #EBBB99

RGB 235 187 153

HSL 24.88, 0.67%, 0.76%

LAB 79.33, 12.66, 23.79

 

CMYK 0 / 11 / 35 / 8

HEX #EBD199

RGB 235 209 153

HSL 40.98, 0.67%, 0.76%

LAB 84.77, 1.15, 31.13

 

CMYK 0 / 2 / 35 / 8

HEX #EBE799

RGB 235 231 153

HSL 57.07, 0.67%, 0.76%

LAB 90.37, -10.03, 38.5

 

CMYK 0 / 36 / 62 / 13

HEX #DD8E54

RGB 221 142 84

HSL 25.4, 0.67%, 0.6%

LAB 66.03, 24.51, 42.83

 

CMYK 0 / 28 / 48 / 11

HEX #E4A576

RGB 228 165 118

HSL 25.64, 0.67%, 0.68%

LAB 72.7, 17.82, 33.48

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 0 / 13 / 23 / 5

HEX #F2D2BB

RGB 242 210 187

HSL 25.09, 0.68%, 0.84%

LAB 86.28, 7.69, 15.51

 

CMYK 0 / 6 / 10 / 3

HEX #F8E9DE

RGB 248 233 222

HSL 25.38, 0.65%, 0.92%

LAB 93.24, 3.27, 7.15

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 22 / 0 / 35 / 8

HEX #B8EB99

RGB 184 235 153

HSL 97.32, 0.67%, 0.76%

LAB 87.92, -30.72, 34.63

 

CMYK 34 / 35 / 0 / 8

HEX #9A99EB

RGB 154 153 235

HSL 240.73, 0.67%, 0.76%

LAB 66.25, 19.26, -41.17

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 35 / 0 / 20 / 8

HEX #99EBBB

RGB 153 235 187

HSL 144.88, 0.67%, 0.76%

LAB 86.89, -35.03, 15.5

 

CMYK 20 / 35 / 0 / 8

HEX #BB99EB

RGB 187 153 235

HSL 264.88, 0.67%, 0.76%

LAB 69, 28.67, -36.67

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 22 / 0 / 35 / 8

HEX #B8EB99

RGB 184 235 153

HSL 97.32, 0.67%, 0.76%

LAB 87.92, -30.72, 34.63

 

CMYK 35 / 14 / 0 / 8

HEX #99C9EB

RGB 153 201 235

HSL 204.88, 0.67%, 0.76%

LAB 78.78, -7.55, -21.85

 

CMYK 14 / 35 / 0 / 8

HEX #CB99EB

RGB 203 153 235

HSL 276.59, 0.67%, 0.76%

LAB 70.51, 33.46, -34.21

 

CMYK 0 / 20 / 35 / 8

HEX #EBBC99

RGB 235 188 153

HSL 25.61, 0.67%, 0.76%

LAB 79.57, 12.13, 24.12

 

CMYK 32 / 0 / 35 / 8

HEX #A0EB99

RGB 160 235 153

HSL 114.88, 0.67%, 0.76%

LAB 86.6, -38.73, 32.64

 

CMYK 35 / 14 / 0 / 8

HEX #99C9EB

RGB 153 201 235

HSL 204.88, 0.67%, 0.76%

LAB 78.78, -7.55, -21.85

 

CMYK 3 / 35 / 0 / 8

HEX #E499EB

RGB 228 153 235

HSL 294.88, 0.67%, 0.76%

LAB 73.07, 41.09, -30.05

 

Description

Color code: HEX #EBBC99 | qconv.com Color code: HEX #EBBC99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 188 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 188 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 35% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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