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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBBC0F it is the complementary color #1443F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBBC0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBBC0F shade: #F0BC0A, #FFCE1D, #FFE030, #FFF243 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBBC0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBBC0F shade: #EBBC0F, #DAAA00, #C99800, #B88600 and #A77400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBBC0F shade: #EBBC0F, #EB810F, #EB450F and #EB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBBC0F shade: #EBBC0F, #DFEB0F, #A3EB0F, #68EB0F and #2DEB0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBBC0F shade matches the following richer shades: #EBBC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBBC0F shade: #EBBC0F, #D7B023, #C2A537, #AE994C and #9A8E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBBC0F shade: #EB460F, #EB810F, #EBBB0F, #E0EB0F and #A5EB0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBBC0F shade: #9D7E0A, #C49D0D, #EBBC0F, #F2C931 and #F4D358

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBBC0F shade: #EBBC0F, #13EB0F and #630FEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBBC0F shade: #EBBC0F, #0FEBBB and #BB0FEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBBC0F shade: #EBBC0F, #13EB0F, #0F3FEB and #E70FEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBBC0F shade: #EBBC0F, #0FEB4D, #0F3FEB and #EB0FAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

Complementary color

CMYK 92 / 72 / 0 / 6

HEX #1443F0

RGB 20 67 240

HSL 227.18, 0.88%, 0.51%

LAB 38.65, 51.72, -88.85

 

CMYK 0 / 22 / 96 / 6

HEX #F0BC0A

RGB 240 188 10

HSL 46.43, 0.92%, 0.49%

LAB 78.76, 5.6, 79.74

 

CMYK 0 / 19 / 89 / 0

HEX #FFCE1D

RGB 255 206 29

HSL 46.99, 1%, 0.56%

LAB 84.74, 2.97, 82.1

 

CMYK 0 / 12 / 81 / 0

HEX #FFE030

RGB 255 224 48

HSL 51.01, 1%, 0.59%

LAB 89.29, -5.71, 81.5

 

CMYK 0 / 5 / 74 / 0

HEX #FFF243

RGB 255 242 67

HSL 55.85, 1%, 0.63%

LAB 93.96, -13.96, 80.12

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 0 / 24 / 100 / 21

HEX #C99800

RGB 201 152 0

HSL 45.37, 1%, 0.39%

LAB 65.65, 7.51, 69.78

HEX #C99800

CMYK 0 / 27 / 100 / 28

HEX #B88600

RGB 184 134 0

HSL 43.7, 1%, 0.36%

LAB 59.2, 9.72, 64.48

HEX #B88600

CMYK 0 / 31 / 100 / 35

HEX #A77400

RGB 167 116 0

HSL 41.68, 1%, 0.33%

LAB 52.63, 12.03, 59.1

HEX #A77400

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 0 / 45 / 94 / 8

HEX #EB810F

RGB 235 129 15

HSL 31.09, 0.88%, 0.49%

LAB 64.48, 34.53, 68.73

 

CMYK 0 / 71 / 94 / 8

HEX #EB450F

RGB 235 69 15

HSL 14.73, 0.88%, 0.49%

LAB 53.98, 61.72, 61.85

 

CMYK 0 / 94 / 94 / 8

HEX #EB0F0F

RGB 235 15 15

HSL 0, 0.88%, 0.49%

LAB 49.54, 74.22, 59.25

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 5 / 0 / 94 / 8

HEX #DFEB0F

RGB 223 235 15

HSL 63.27, 0.88%, 0.49%

LAB 89.46, -25.11, 86.52

 

CMYK 31 / 0 / 94 / 8

HEX #A3EB0F

RGB 163 235 15

HSL 79.64, 0.88%, 0.49%

LAB 85.62, -48.63, 81.89

 

CMYK 56 / 0 / 94 / 8

HEX #68EB0F

RGB 104 235 15

HSL 95.73, 0.88%, 0.49%

LAB 83.12, -67.16, 78.83

 

CMYK 81 / 0 / 94 / 8

HEX #2DEB0F

RGB 45 235 15

HSL 111.82, 0.88%, 0.49%

LAB 81.84, -78.02, 77.25

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 0 / 18 / 84 / 16

HEX #D7B023

RGB 215 176 35

HSL 47, 0.72%, 0.49%

LAB 73.3, 1.45, 69.9

 

CMYK 0 / 15 / 72 / 24

HEX #C2A537

RGB 194 165 55

HSL 47.48, 0.56%, 0.49%

LAB 68.5, -1.15, 58.06

 

CMYK 0 / 12 / 56 / 32

HEX #AE994C

RGB 174 153 76

HSL 47.14, 0.39%, 0.49%

LAB 63.59, -2.07, 42.74

 

CMYK 0 / 8 / 38 / 40

HEX #9A8E60

RGB 154 142 96

HSL 47.59, 0.23%, 0.49%

LAB 59.03, -2.58, 26.15

 

CMYK 0 / 70 / 94 / 8

HEX #EB460F

RGB 235 70 15

HSL 15, 0.88%, 0.49%

LAB 54.11, 61.36, 61.93

 

CMYK 0 / 45 / 94 / 8

HEX #EB810F

RGB 235 129 15

HSL 31.09, 0.88%, 0.49%

LAB 64.48, 34.53, 68.73

 

CMYK 0 / 20 / 94 / 8

HEX #EBBB0F

RGB 235 187 15

HSL 46.91, 0.88%, 0.49%

LAB 78.01, 4.01, 78.39

 

CMYK 5 / 0 / 94 / 8

HEX #E0EB0F

RGB 224 235 15

HSL 63, 0.88%, 0.49%

LAB 89.53, -24.69, 86.61

 

CMYK 30 / 0 / 94 / 8

HEX #A5EB0F

RGB 165 235 15

HSL 79.09, 0.88%, 0.49%

LAB 85.73, -47.9, 82.02

 

CMYK 0 / 20 / 94 / 38

HEX #9D7E0A

RGB 157 126 10

HSL 47.35, 0.88%, 0.33%

LAB 54.15, 1.92, 57.8

 

CMYK 0 / 20 / 93 / 23

HEX #C49D0D

RGB 196 157 13

HSL 47.21, 0.88%, 0.41%

LAB 66.43, 2.73, 68.33

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 0 / 17 / 80 / 5

HEX #F2C931

RGB 242 201 49

HSL 47.25, 0.88%, 0.57%

LAB 82.31, 0.49, 74.7

 

CMYK 0 / 14 / 64 / 4

HEX #F4D358

RGB 244 211 88

HSL 47.31, 0.88%, 0.65%

LAB 85.26, -2, 63.25

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 92 / 0 / 94 / 8

HEX #13EB0F

RGB 19 235 15

HSL 118.91, 0.88%, 0.49%

LAB 81.61, -80.08, 76.97

 

CMYK 58 / 94 / 0 / 8

HEX #630FEB

RGB 99 15 235

HSL 262.91, 0.88%, 0.49%

LAB 35.97, 74.93, -90.31

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 94 / 0 / 20 / 8

HEX #0FEBBB

RGB 15 235 187

HSL 166.91, 0.88%, 0.49%

LAB 83.5, -57.72, 10.22

 

CMYK 20 / 94 / 0 / 8

HEX #BB0FEB

RGB 187 15 235

HSL 286.91, 0.88%, 0.49%

LAB 48.14, 84.16, -69.87

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 92 / 0 / 94 / 8

HEX #13EB0F

RGB 19 235 15

HSL 118.91, 0.88%, 0.49%

LAB 81.61, -80.08, 76.97

 

CMYK 94 / 73 / 0 / 8

HEX #0F3FEB

RGB 15 63 235

HSL 226.91, 0.88%, 0.49%

LAB 37.22, 52.17, -88.39

 

CMYK 2 / 94 / 0 / 8

HEX #E70FEB

RGB 231 15 235

HSL 298.91, 0.88%, 0.49%

LAB 55.41, 90.71, -57.77

 

CMYK 0 / 20 / 94 / 8

HEX #EBBC0F

RGB 235 188 15

HSL 47.18, 0.88%, 0.49%

LAB 78.26, 3.49, 78.58

 

CMYK 94 / 0 / 67 / 8

HEX #0FEB4D

RGB 15 235 77

HSL 136.91, 0.88%, 0.49%

LAB 81.87, -76.77, 61.11

 

CMYK 94 / 73 / 0 / 8

HEX #0F3FEB

RGB 15 63 235

HSL 226.91, 0.88%, 0.49%

LAB 37.22, 52.17, -88.39

 

CMYK 0 / 94 / 26 / 8

HEX #EB0FAD

RGB 235 15 173

HSL 316.91, 0.88%, 0.49%

LAB 52.97, 83.47, -25.95

 

Description

Color code: HEX #EBBC0F | qconv.com Color code: HEX #EBBC0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 188 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 188 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 94 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 94% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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