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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBBAB8 it is the complementary color #144547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBBAB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBBAB8 shade: #F0BAB3, #FFCCC6, #FFDED9, #FFF0EC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBBAB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBBAB8 shade: #EBBAB8, #DAA8A5, #C99692, #B8847F and #A7726C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBBAB8 shade: #EAB9B7 and #EAB7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBBAB8 shade: #EAB9B7, #EAC7B7, #EAD5B7, #EAE2B7 and #E4EAB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBBAB8 shade matches the following richer shades: #EAB9B7, #F2B2AF and #F9ABA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBBAB8 shade: #EAB9B7, #E3C0BE, #DBC7C6, #D4CDCD and #CDD4D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBBAB8 shade: #EAB7D1, #EAB7C3, #EAB9B7, #EAC6B7 and #EAD4B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBBAB8 shade: #D87A77, #E19A97, #EAB9B7, #F3D8D7 and #FCF7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBBAB8 shade: #EBBAB8, #DEEAB7 and #B7CAEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBBAB8 shade: #EBBAB8, #B7EAB9 and #B9B7EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBBAB8 shade: #EBBAB8, #DEEAB7, #B7E9EA and #C3B7EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBBAB8 shade: #EBBAB8, #CFEAB7, #B7E9EA and #D2B7EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 22 / 8

HEX #EBBAB8

RGB 235 186 184

HSL 2.35, 0.56%, 0.82%

LAB 79.75, 17.32, 7.75

 

Complementary color

CMYK 72 / 3 / 0 / 72

HEX #144547

RGB 20 69 71

HSL 182.35, 0.56%, 0.18%

LAB 26.33, -15.27, -6.02

 

CMYK 0 / 23 / 25 / 6

HEX #F0BAB3

RGB 240 186 179

HSL 6.89, 0.67%, 0.82%

LAB 80.12, 18.45, 11.04

 

CMYK 0 / 20 / 22 / 0

HEX #FFCCC6

RGB 255 204 198

HSL 6.32, 1%, 0.89%

LAB 86.27, 17.14, 9.84

 

CMYK 0 / 13 / 15 / 0

HEX #FFDED9

RGB 255 222 217

HSL 7.89, 1%, 0.93%

LAB 91.01, 10.6, 6.64

 

CMYK 0 / 6 / 7 / 0

HEX #FFF0EC

RGB 255 240 236

HSL 12.63, 1%, 0.96%

LAB 95.85, 4.38, 3.73

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB8

RGB 235 186 184

HSL 2.35, 0.56%, 0.82%

LAB 79.75, 17.32, 7.75

 

CMYK 0 / 23 / 24 / 15

HEX #DAA8A5

RGB 218 168 165

HSL 3.4, 0.42%, 0.75%

LAB 73.3, 17.91, 8.63

 

CMYK 0 / 25 / 27 / 21

HEX #C99692

RGB 201 150 146

HSL 4.36, 0.34%, 0.68%

LAB 66.75, 18.57, 9.59

 

CMYK 0 / 28 / 31 / 28

HEX #B8847F

RGB 184 132 127

HSL 5.26, 0.29%, 0.61%

LAB 60.09, 19.31, 10.63

 

CMYK 0 / 32 / 35 / 35

HEX #A7726C

RGB 167 114 108

HSL 6.1, 0.25%, 0.54%

LAB 53.31, 20.14, 11.8

 

CMYK 0 / 21 / 22 / 8

HEX #EAB9B7

RGB 234 185 183

HSL 2.35, 0.55%, 0.82%

LAB 79.39, 17.34, 7.76

 

CMYK 0 / 22 / 22 / 8

HEX #EAB7B7

RGB 234 183 183

HSL 0, 0.55%, 0.82%

LAB 78.91, 18.4, 7.07

 

CMYK 0 / 21 / 22 / 8

HEX #EAB9B7

RGB 234 185 183

HSL 2.35, 0.55%, 0.82%

LAB 79.39, 17.34, 7.76

 

CMYK 0 / 15 / 22 / 8

HEX #EAC7B7

RGB 234 199 183

HSL 18.82, 0.55%, 0.82%

LAB 82.78, 9.93, 12.59

 

CMYK 0 / 9 / 22 / 8

HEX #EAD5B7

RGB 234 213 183

HSL 35.29, 0.55%, 0.82%

LAB 86.26, 2.62, 17.48

 

CMYK 0 / 3 / 22 / 8

HEX #EAE2B7

RGB 234 226 183

HSL 50.59, 0.55%, 0.82%

LAB 89.54, -4.06, 22.04

 

CMYK 3 / 0 / 22 / 8

HEX #E4EAB7

RGB 228 234 183

HSL 67.06, 0.55%, 0.82%

LAB 91.12, -10.29, 24.16

 

CMYK 0 / 21 / 22 / 8

HEX #EAB9B7

RGB 234 185 183

HSL 2.35, 0.55%, 0.82%

LAB 79.39, 17.34, 7.76

 

CMYK 0 / 26 / 28 / 5

HEX #F2B2AF

RGB 242 178 175

HSL 2.69, 0.72%, 0.82%

LAB 78.35, 22.88, 10.71

 

CMYK 0 / 31 / 33 / 2

HEX #F9ABA8

RGB 249 171 168

HSL 2.22, 0.87%, 0.82%

LAB 77.34, 28.26, 13.17

 

CMYK 0 / 21 / 22 / 8

HEX #EAB9B7

RGB 234 185 183

HSL 2.35, 0.55%, 0.82%

LAB 79.39, 17.34, 7.76

 

CMYK 0 / 15 / 16 / 11

HEX #E3C0BE

RGB 227 192 190

HSL 3.24, 0.4%, 0.82%

LAB 80.6, 12.12, 5.64

 

CMYK 0 / 9 / 10 / 14

HEX #DBC7C6

RGB 219 199 198

HSL 2.86, 0.23%, 0.82%

LAB 81.83, 6.83, 3.03

 

CMYK 0 / 3 / 3 / 17

HEX #D4CDCD

RGB 212 205 205

HSL 0, 0.08%, 0.82%

LAB 82.95, 2.42, 0.85

 

CMYK 4 / 0 / 0 / 16

HEX #CDD4D5

RGB 205 212 213

HSL 187.5, 0.09%, 0.82%

LAB 84.42, -2.18, -1.33

 

CMYK 0 / 22 / 11 / 8

HEX #EAB7D1

RGB 234 183 209

HSL 329.41, 0.55%, 0.82%

LAB 79.59, 22.46, -6

 

CMYK 0 / 22 / 17 / 8

HEX #EAB7C3

RGB 234 183 195

HSL 345.88, 0.55%, 0.82%

LAB 79.21, 20.21, 1.01

 

CMYK 0 / 21 / 22 / 8

HEX #EAB9B7

RGB 234 185 183

HSL 2.35, 0.55%, 0.82%

LAB 79.39, 17.34, 7.76

 

CMYK 0 / 15 / 22 / 8

HEX #EAC6B7

RGB 234 198 183

HSL 17.65, 0.55%, 0.82%

LAB 82.54, 10.46, 12.24

 

CMYK 0 / 9 / 22 / 8

HEX #EAD4B7

RGB 234 212 183

HSL 34.12, 0.55%, 0.82%

LAB 86.01, 3.13, 17.13

 

CMYK 0 / 44 / 45 / 15

HEX #D87A77

RGB 216 122 119

HSL 1.86, 0.55%, 0.66%

LAB 61.52, 36.14, 17.78

 

CMYK 0 / 32 / 33 / 12

HEX #E19A97

RGB 225 154 151

HSL 2.43, 0.55%, 0.74%

LAB 70.42, 26.19, 12.37

 

CMYK 0 / 21 / 22 / 8

HEX #EAB9B7

RGB 234 185 183

HSL 2.35, 0.55%, 0.82%

LAB 79.39, 17.34, 7.76

 

CMYK 0 / 11 / 12 / 5

HEX #F3D8D7

RGB 243 216 215

HSL 2.14, 0.54%, 0.9%

LAB 88.48, 9.17, 3.9

 

CMYK 0 / 2 / 2 / 1

HEX #FCF7F7

RGB 252 247 247

HSL 0, 0.45%, 0.98%

LAB 97.6, 1.67, 0.58

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB8

RGB 235 186 184

HSL 2.35, 0.56%, 0.82%

LAB 79.75, 17.32, 7.75

 

CMYK 5 / 0 / 22 / 8

HEX #DEEAB7

RGB 222 234 183

HSL 74.12, 0.55%, 0.82%

LAB 90.69, -12.45, 23.48

 

CMYK 22 / 14 / 0 / 8

HEX #B7CAEA

RGB 183 202 234

HSL 217.65, 0.55%, 0.82%

LAB 80.88, 0.34, -17.96

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB8

RGB 235 186 184

HSL 2.35, 0.56%, 0.82%

LAB 79.75, 17.32, 7.75

 

CMYK 22 / 0 / 21 / 8

HEX #B7EAB9

RGB 183 234 185

HSL 122.35, 0.55%, 0.82%

LAB 88.17, -25.62, 18.57

 

CMYK 21 / 22 / 0 / 8

HEX #B9B7EA

RGB 185 183 234

HSL 242.35, 0.55%, 0.82%

LAB 76.14, 11.22, -25.13

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB8

RGB 235 186 184

HSL 2.35, 0.56%, 0.82%

LAB 79.75, 17.32, 7.75

 

CMYK 5 / 0 / 22 / 8

HEX #DEEAB7

RGB 222 234 183

HSL 74.12, 0.55%, 0.82%

LAB 90.69, -12.45, 23.48

 

CMYK 22 / 0 / 0 / 8

HEX #B7E9EA

RGB 183 233 234

HSL 181.18, 0.55%, 0.82%

LAB 89.06, -15.69, -5.75

 

CMYK 17 / 22 / 0 / 8

HEX #C3B7EA

RGB 195 183 234

HSL 254.12, 0.55%, 0.82%

LAB 76.93, 14.31, -23.87

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB8

RGB 235 186 184

HSL 2.35, 0.56%, 0.82%

LAB 79.75, 17.32, 7.75

 

CMYK 12 / 0 / 22 / 8

HEX #CFEAB7

RGB 207 234 183

HSL 91.76, 0.55%, 0.82%

LAB 89.64, -17.78, 21.88

 

CMYK 22 / 0 / 0 / 8

HEX #B7E9EA

RGB 183 233 234

HSL 181.18, 0.55%, 0.82%

LAB 89.06, -15.69, -5.75

 

CMYK 10 / 22 / 0 / 8

HEX #D2B7EA

RGB 210 183 234

HSL 271.76, 0.55%, 0.82%

LAB 78.17, 19.06, -21.85

 

Description

Color code: HEX #EBBAB8 | qconv.com Color code: HEX #EBBAB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 186 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 186 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 22% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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