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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBBAB7 it is the complementary color #144548. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBBAB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBBAB7 shade: #F0BAB2, #FFCCC5, #FFDED8, #FFF0EB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBBAB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBBAB7 shade: #EBBAB7, #DAA8A4, #C99691, #B8847E and #A7726B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBBAB7 shade: #EBB9B6 and #EBB6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBBAB7 shade: #EBB9B6, #EBC8B6, #EBD6B6, #EBE4B6 and #E4EBB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBBAB7 shade matches the following richer shades: #EBB9B6, #F2B3AF and #FAACA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBBAB7 shade: #EBB9B6, #E3C0BE, #DCC7C5, #D4CDCD and #CDD4D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBBAB7 shade: #EBB6D0, #EBB6C2, #EBB9B6, #EBC7B6 and #EBD5B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBBAB7 shade: #D97B76, #E29A96, #EBB9B6, #F4D8D7 and #FDF8F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBBAB7 shade: #EBBAB7, #DEEBB6 and #B6C9EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBBAB7 shade: #EBBAB7, #B6EBB9 and #B9B6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBBAB7 shade: #EBBAB7, #DEEBB6, #B6E8EB and #C4B6EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBBAB7 shade: #EBBAB7, #CEEBB6, #B6E8EB and #D3B6EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 22 / 8

HEX #EBBAB7

RGB 235 186 183

HSL 3.46, 0.57%, 0.82%

LAB 79.73, 17.18, 8.25

 

Complementary color

CMYK 72 / 4 / 0 / 72

HEX #144548

RGB 20 69 72

HSL 183.46, 0.57%, 0.18%

LAB 26.37, -14.92, -6.62

 

CMYK 0 / 23 / 26 / 6

HEX #F0BAB2

RGB 240 186 178

HSL 7.74, 0.67%, 0.82%

LAB 80.1, 18.31, 11.54

 

CMYK 0 / 20 / 23 / 0

HEX #FFCCC5

RGB 255 204 197

HSL 7.24, 1%, 0.89%

LAB 86.24, 17, 10.34

 

CMYK 0 / 13 / 15 / 0

HEX #FFDED8

RGB 255 222 216

HSL 9.23, 1%, 0.92%

LAB 90.99, 10.44, 7.13

 

CMYK 0 / 6 / 8 / 0

HEX #FFF0EB

RGB 255 240 235

HSL 15, 1%, 0.96%

LAB 95.82, 4.22, 4.21

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB7

RGB 235 186 183

HSL 3.46, 0.57%, 0.82%

LAB 79.73, 17.18, 8.25

 

CMYK 0 / 23 / 25 / 15

HEX #DAA8A4

RGB 218 168 164

HSL 4.44, 0.42%, 0.75%

LAB 73.28, 17.77, 9.15

 

CMYK 0 / 25 / 28 / 21

HEX #C99691

RGB 201 150 145

HSL 5.36, 0.34%, 0.68%

LAB 66.73, 18.43, 10.11

 

CMYK 0 / 28 / 32 / 28

HEX #B8847E

RGB 184 132 126

HSL 6.21, 0.29%, 0.61%

LAB 60.07, 19.17, 11.17

 

CMYK 0 / 32 / 36 / 35

HEX #A7726B

RGB 167 114 107

HSL 7, 0.25%, 0.54%

LAB 53.29, 20.01, 12.35

 

CMYK 0 / 21 / 23 / 8

HEX #EBB9B6

RGB 235 185 182

HSL 3.4, 0.57%, 0.82%

LAB 79.46, 17.56, 8.41

 

CMYK 0 / 23 / 23 / 8

HEX #EBB6B6

RGB 235 182 182

HSL 0, 0.57%, 0.82%

LAB 78.75, 19.16, 7.39

 

CMYK 0 / 21 / 23 / 8

HEX #EBB9B6

RGB 235 185 182

HSL 3.4, 0.57%, 0.82%

LAB 79.46, 17.56, 8.41

 

CMYK 0 / 15 / 23 / 8

HEX #EBC8B6

RGB 235 200 182

HSL 20.38, 0.57%, 0.82%

LAB 83.1, 9.63, 13.58

 

CMYK 0 / 9 / 23 / 8

HEX #EBD6B6

RGB 235 214 182

HSL 36.23, 0.57%, 0.82%

LAB 86.57, 2.33, 18.45

 

CMYK 0 / 3 / 23 / 8

HEX #EBE4B6

RGB 235 228 182

HSL 52.08, 0.57%, 0.82%

LAB 90.1, -4.85, 23.35

 

CMYK 3 / 0 / 23 / 8

HEX #E4EBB6

RGB 228 235 182

HSL 67.92, 0.57%, 0.82%

LAB 91.36, -10.93, 25

 

CMYK 0 / 21 / 23 / 8

HEX #EBB9B6

RGB 235 185 182

HSL 3.4, 0.57%, 0.82%

LAB 79.46, 17.56, 8.41

 

CMYK 0 / 26 / 28 / 5

HEX #F2B3AF

RGB 242 179 175

HSL 3.58, 0.72%, 0.82%

LAB 78.59, 22.35, 11.04

 

CMYK 0 / 31 / 33 / 2

HEX #FAACA8

RGB 250 172 168

HSL 2.93, 0.89%, 0.82%

LAB 77.67, 28.11, 13.66

 

CMYK 0 / 21 / 23 / 8

HEX #EBB9B6

RGB 235 185 182

HSL 3.4, 0.57%, 0.82%

LAB 79.46, 17.56, 8.41

 

CMYK 0 / 15 / 16 / 11

HEX #E3C0BE

RGB 227 192 190

HSL 3.24, 0.4%, 0.82%

LAB 80.6, 12.12, 5.64

 

CMYK 0 / 10 / 10 / 14

HEX #DCC7C5

RGB 220 199 197

HSL 5.22, 0.25%, 0.82%

LAB 81.89, 7.02, 3.67

 

CMYK 0 / 3 / 3 / 17

HEX #D4CDCD

RGB 212 205 205

HSL 0, 0.08%, 0.82%

LAB 82.95, 2.42, 0.85

 

CMYK 3 / 0 / 0 / 17

HEX #CDD4D4

RGB 205 212 212

HSL 180, 0.08%, 0.82%

LAB 84.39, -2.37, -0.84

 

CMYK 0 / 23 / 11 / 8

HEX #EBB6D0

RGB 235 182 208

HSL 330.57, 0.57%, 0.82%

LAB 79.43, 23.18, -5.7

 

CMYK 0 / 23 / 17 / 8

HEX #EBB6C2

RGB 235 182 194

HSL 346.42, 0.57%, 0.82%

LAB 79.05, 20.95, 1.33

 

CMYK 0 / 21 / 23 / 8

HEX #EBB9B6

RGB 235 185 182

HSL 3.4, 0.57%, 0.82%

LAB 79.46, 17.56, 8.41

 

CMYK 0 / 15 / 23 / 8

HEX #EBC7B6

RGB 235 199 182

HSL 19.25, 0.57%, 0.82%

LAB 82.85, 10.16, 13.23

 

CMYK 0 / 9 / 23 / 8

HEX #EBD5B6

RGB 235 213 182

HSL 35.09, 0.57%, 0.82%

LAB 86.32, 2.84, 18.11

 

CMYK 0 / 43 / 46 / 15

HEX #D97B76

RGB 217 123 118

HSL 3.03, 0.57%, 0.66%

LAB 61.85, 35.89, 18.82

 

CMYK 0 / 32 / 34 / 11

HEX #E29A96

RGB 226 154 150

HSL 3.16, 0.57%, 0.74%

LAB 70.51, 26.45, 13.06

 

CMYK 0 / 21 / 23 / 8

HEX #EBB9B6

RGB 235 185 182

HSL 3.4, 0.57%, 0.82%

LAB 79.46, 17.56, 8.41

 

CMYK 0 / 11 / 12 / 4

HEX #F4D8D7

RGB 244 216 215

HSL 2.07, 0.57%, 0.9%

LAB 88.57, 9.52, 4.04

 

CMYK 0 / 2 / 2 / 1

HEX #FDF8F7

RGB 253 248 247

HSL 10, 0.6%, 0.98%

LAB 97.93, 1.49, 1.06

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB7

RGB 235 186 183

HSL 3.46, 0.57%, 0.82%

LAB 79.73, 17.18, 8.25

 

CMYK 6 / 0 / 23 / 8

HEX #DEEBB6

RGB 222 235 182

HSL 74.72, 0.57%, 0.82%

LAB 90.93, -13.1, 24.33

 

CMYK 23 / 14 / 0 / 8

HEX #B6C9EB

RGB 182 201 235

HSL 218.49, 0.57%, 0.82%

LAB 80.58, 0.8, -18.95

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB7

RGB 235 186 183

HSL 3.46, 0.57%, 0.82%

LAB 79.73, 17.18, 8.25

 

CMYK 23 / 0 / 21 / 8

HEX #B6EBB9

RGB 182 235 185

HSL 123.4, 0.57%, 0.82%

LAB 88.38, -26.42, 18.86

 

CMYK 21 / 23 / 0 / 8

HEX #B9B6EB

RGB 185 182 235

HSL 243.4, 0.57%, 0.82%

LAB 75.93, 12, -26

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB7

RGB 235 186 183

HSL 3.46, 0.57%, 0.82%

LAB 79.73, 17.18, 8.25

 

CMYK 6 / 0 / 23 / 8

HEX #DEEBB6

RGB 222 235 182

HSL 74.72, 0.57%, 0.82%

LAB 90.93, -13.1, 24.33

 

CMYK 23 / 1 / 0 / 8

HEX #B6E8EB

RGB 182 232 235

HSL 183.4, 0.57%, 0.82%

LAB 88.76, -15.27, -6.72

 

CMYK 17 / 23 / 0 / 8

HEX #C4B6EB

RGB 196 182 235

HSL 255.85, 0.57%, 0.82%

LAB 76.79, 15.39, -24.6

 

CMYK 0 / 21 / 22 / 8

HEX #EBBAB7

RGB 235 186 183

HSL 3.46, 0.57%, 0.82%

LAB 79.73, 17.18, 8.25

 

CMYK 12 / 0 / 23 / 8

HEX #CEEBB6

RGB 206 235 182

HSL 92.83, 0.57%, 0.82%

LAB 89.82, -18.78, 22.63

 

CMYK 23 / 1 / 0 / 8

HEX #B6E8EB

RGB 182 232 235

HSL 183.4, 0.57%, 0.82%

LAB 88.76, -15.27, -6.72

 

CMYK 10 / 23 / 0 / 8

HEX #D3B6EB

RGB 211 182 235

HSL 272.83, 0.57%, 0.82%

LAB 78.05, 20.12, -22.57

 

Description

Color code: HEX #EBBAB7 | qconv.com Color code: HEX #EBBAB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 186 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 186 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 22% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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