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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBAF2F it is the complementary color #1450D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBAF2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBAF2F shade: #F0AF2A, #FFC13D, #FFD350, #FFE563 and #FFF776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBAF2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBAF2F shade: #EBAF2F, #DA9D1C, #C98B09, #B87900 and #A76700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBAF2F shade: #EAAE2E, #EA7C2E, #EA492E and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBAF2F shade: #EAAE2E, #EAE12E, #C1EA2E, #8EEA2E and #5BEA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBAF2F shade matches the following richer shades: #EAAE2E and #FDB51C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBAF2F shade: #EAAE2E, #D8A841, #C5A153, #B39A66 and #A09378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBAF2F shade: #EA472E, #EA792E, #EAAC2E, #EADE2E and #C5EA2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBAF2F shade: #B48012, #DA9B16, #EAAE2E, #EEBD54 and #F2CB79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBAF2F shade: #EBAF2F, #47EA2E and #602EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBAF2F shade: #EBAF2F, #2EEAAC and #AC2EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBAF2F shade: #EBAF2F, #47EA2E, #2E6DEA and #D12EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBAF2F shade: #EBAF2F, #2EEA4E, #2E6DEA and #EA2ECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 80 / 8

HEX #EBAF2F

RGB 235 175 47

HSL 40.85, 0.82%, 0.55%

LAB 75.16, 10.99, 68.72

 

Complementary color

CMYK 90 / 62 / 0 / 18

HEX #1450D0

RGB 20 80 208

HSL 220.85, 0.82%, 0.45%

LAB 38.62, 31.99, -70.63

 

CMYK 0 / 27 / 83 / 6

HEX #F0AF2A

RGB 240 175 42

HSL 40.3, 0.87%, 0.55%

LAB 75.67, 12.98, 70.95

 

CMYK 0 / 24 / 76 / 0

HEX #FFC13D

RGB 255 193 61

HSL 40.82, 1%, 0.62%

LAB 81.69, 10.55, 70.66

 

CMYK 0 / 17 / 69 / 0

HEX #FFD350

RGB 255 211 80

HSL 44.91, 1%, 0.66%

LAB 86.22, 2.12, 67.88

 

CMYK 0 / 10 / 61 / 0

HEX #FFE563

RGB 255 229 99

HSL 50, 1%, 0.69%

LAB 90.87, -5.89, 64.93

 

CMYK 0 / 3 / 54 / 0

HEX #FFF776

RGB 255 247 118

HSL 56.5, 1%, 0.73%

LAB 95.62, -13.45, 61.96

 

CMYK 0 / 26 / 80 / 8

HEX #EBAF2F

RGB 235 175 47

HSL 40.85, 0.82%, 0.55%

LAB 75.16, 10.99, 68.72

 

CMYK 0 / 28 / 87 / 15

HEX #DA9D1C

RGB 218 157 28

HSL 40.74, 0.77%, 0.48%

LAB 68.83, 12.71, 68.18

 

CMYK 0 / 31 / 96 / 21

HEX #C98B09

RGB 201 139 9

HSL 40.63, 0.91%, 0.41%

LAB 62.43, 14.69, 66.25

 

CMYK 0 / 34 / 100 / 28

HEX #B87900

RGB 184 121 0

HSL 39.46, 1%, 0.36%

LAB 55.95, 16.93, 62.31

 

CMYK 0 / 38 / 100 / 35

HEX #A76700

RGB 167 103 0

HSL 37.01, 1%, 0.33%

LAB 49.39, 19.37, 56.97

 

CMYK 0 / 26 / 80 / 8

HEX #EAAE2E

RGB 234 174 46

HSL 40.85, 0.82%, 0.55%

LAB 74.8, 11.06, 68.7

 

CMYK 0 / 47 / 80 / 8

HEX #EA7C2E

RGB 234 124 46

HSL 24.89, 0.82%, 0.55%

LAB 63.43, 37.36, 58.43

 

CMYK 0 / 69 / 80 / 8

HEX #EA492E

RGB 234 73 46

HSL 8.62, 0.82%, 0.55%

LAB 54.51, 60.54, 50.04

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 26 / 80 / 8

HEX #EAAE2E

RGB 234 174 46

HSL 40.85, 0.82%, 0.55%

LAB 74.8, 11.06, 68.7

 

CMYK 0 / 4 / 80 / 8

HEX #EAE12E

RGB 234 225 46

HSL 57.13, 0.82%, 0.55%

LAB 87.75, -15.07, 79.99

 

CMYK 18 / 0 / 80 / 8

HEX #C1EA2E

RGB 193 234 46

HSL 73.09, 0.82%, 0.55%

LAB 87.18, -36.06, 78.34

 

CMYK 39 / 0 / 80 / 8

HEX #8EEA2E

RGB 142 234 46

HSL 89.36, 0.82%, 0.55%

LAB 84.38, -54.65, 74.77

 

CMYK 61 / 0 / 80 / 8

HEX #5BEA2E

RGB 91 234 46

HSL 105.64, 0.82%, 0.55%

LAB 82.52, -68.93, 72.39

 

CMYK 0 / 26 / 80 / 8

HEX #EAAE2E

RGB 234 174 46

HSL 40.85, 0.82%, 0.55%

LAB 74.8, 11.06, 68.7

 

CMYK 0 / 28 / 89 / 1

HEX #FDB51C

RGB 253 181 28

HSL 40.8, 0.98%, 0.55%

LAB 78.47, 15.04, 77.38

 

CMYK 0 / 26 / 80 / 8

HEX #EAAE2E

RGB 234 174 46

HSL 40.85, 0.82%, 0.55%

LAB 74.8, 11.06, 68.7

 

CMYK 0 / 22 / 70 / 15

HEX #D8A841

RGB 216 168 65

HSL 40.93, 0.66%, 0.55%

LAB 71.55, 7.3, 57.74

 

CMYK 0 / 18 / 58 / 23

HEX #C5A153

RGB 197 161 83

HSL 41.05, 0.5%, 0.55%

LAB 68.01, 4.06, 45

 

CMYK 0 / 14 / 43 / 30

HEX #B39A66

RGB 179 154 102

HSL 40.52, 0.34%, 0.55%

LAB 64.69, 2.01, 30.69

 

CMYK 0 / 8 / 25 / 37

HEX #A09378

RGB 160 147 120

HSL 40.5, 0.17%, 0.55%

LAB 61.39, 0.37, 16.06

 

CMYK 0 / 70 / 80 / 8

HEX #EA472E

RGB 234 71 46

HSL 7.98, 0.82%, 0.55%

LAB 54.23, 61.29, 49.78

 

CMYK 0 / 48 / 80 / 8

HEX #EA792E

RGB 234 121 46

HSL 23.94, 0.82%, 0.55%

LAB 62.81, 38.88, 57.87

 

CMYK 0 / 26 / 80 / 8

HEX #EAAC2E

RGB 234 172 46

HSL 40.21, 0.82%, 0.55%

LAB 74.31, 12.12, 68.26

 

CMYK 0 / 5 / 80 / 8

HEX #EADE2E

RGB 234 222 46

HSL 56.17, 0.82%, 0.55%

LAB 86.96, -13.59, 79.31

 

CMYK 16 / 0 / 80 / 8

HEX #C5EA2E

RGB 197 234 46

HSL 71.81, 0.82%, 0.55%

LAB 87.44, -34.48, 78.66

 

CMYK 0 / 29 / 90 / 29

HEX #B48012

RGB 180 128 18

HSL 40.74, 0.82%, 0.39%

LAB 57.26, 11.5, 59.66

 

CMYK 0 / 29 / 90 / 15

HEX #DA9B16

RGB 218 155 22

HSL 40.71, 0.82%, 0.47%

LAB 68.32, 13.67, 69.17

 

CMYK 0 / 26 / 80 / 8

HEX #EAAE2E

RGB 234 174 46

HSL 40.85, 0.82%, 0.55%

LAB 74.8, 11.06, 68.7

 

CMYK 0 / 21 / 65 / 7

HEX #EEBD54

RGB 238 189 84

HSL 40.91, 0.82%, 0.63%

LAB 79.16, 6.61, 58.22

 

CMYK 0 / 16 / 50 / 5

HEX #F2CB79

RGB 242 203 121

HSL 40.66, 0.82%, 0.71%

LAB 83.43, 3.73, 45.76

 

CMYK 0 / 26 / 80 / 8

HEX #EBAF2F

RGB 235 175 47

HSL 40.85, 0.82%, 0.55%

LAB 75.16, 10.99, 68.72

 

CMYK 70 / 0 / 80 / 8

HEX #47EA2E

RGB 71 234 46

HSL 112.02, 0.82%, 0.55%

LAB 82.05, -72.92, 71.77

 

CMYK 59 / 80 / 0 / 8

HEX #602EEA

RGB 96 46 234

HSL 255.96, 0.82%, 0.55%

LAB 38.52, 65.6, -85.53

 

CMYK 0 / 26 / 80 / 8

HEX #EBAF2F

RGB 235 175 47

HSL 40.85, 0.82%, 0.55%

LAB 75.16, 10.99, 68.72

 

CMYK 80 / 0 / 26 / 8

HEX #2EEAAC

RGB 46 234 172

HSL 160.21, 0.82%, 0.55%

LAB 83.13, -58.95, 17.57

 

CMYK 26 / 80 / 0 / 8

HEX #AC2EEA

RGB 172 46 234

HSL 280.21, 0.82%, 0.55%

LAB 47.84, 75.71, -69.9

 

CMYK 0 / 26 / 80 / 8

HEX #EBAF2F

RGB 235 175 47

HSL 40.85, 0.82%, 0.55%

LAB 75.16, 10.99, 68.72

 

CMYK 70 / 0 / 80 / 8

HEX #47EA2E

RGB 71 234 46

HSL 112.02, 0.82%, 0.55%

LAB 82.05, -72.92, 71.77

 

CMYK 80 / 53 / 0 / 8

HEX #2E6DEA

RGB 46 109 234

HSL 219.89, 0.82%, 0.55%

LAB 48.83, 24.95, -68.75

 

CMYK 11 / 80 / 0 / 8

HEX #D12EEA

RGB 209 46 234

HSL 292.02, 0.82%, 0.55%

LAB 53.44, 81.91, -60.57

 

CMYK 0 / 26 / 80 / 8

HEX #EBAF2F

RGB 235 175 47

HSL 40.85, 0.82%, 0.55%

LAB 75.16, 10.99, 68.72

 

CMYK 80 / 0 / 67 / 8

HEX #2EEA4E

RGB 46 234 78

HSL 130.21, 0.82%, 0.55%

LAB 81.83, -74.1, 60.76

 

CMYK 80 / 53 / 0 / 8

HEX #2E6DEA

RGB 46 109 234

HSL 219.89, 0.82%, 0.55%

LAB 48.83, 24.95, -68.75

 

CMYK 0 / 80 / 13 / 8

HEX #EA2ECB

RGB 234 46 203

HSL 309.89, 0.82%, 0.55%

LAB 55.84, 82, -38.88

 

Description

Color code: HEX #EBAF2F | qconv.com Color code: HEX #EBAF2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 175 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 175 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 80% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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