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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBAD9E it is the complementary color #145261. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBAD9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBAD9E shade: #F0AD99, #FFBFAC, #FFD1BF, #FFE3D2 and #FFF5E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBAD9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBAD9E shade: #EBAD9E, #DA9B8B, #C98978, #B87765 and #A76552

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBAD9E shade: #EBAD9E and #EB9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBAD9E shade: #EBAD9E, #EBC29E, #EBD69E, #EBEB9E and #D6EB9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBAD9E shade matches the following richer shades: #EBAD9E, #F5A794 and #FEA18B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBAD9E shade: #EBAD9E, #E2B3A7, #D8B8B1, #CFBEBA and #C5C4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBAD9E shade: #EB9EB9, #EB9EA4, #EBAC9E, #EBC09E and #EBD59E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBAD9E shade: #DD7359, #E4907B, #EBAD9E, #F2CAC0 and #F9E7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBAD9E shade: #EBAD9E, #CDEB9E and #9EAEEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBAD9E shade: #EBAD9E, #9EEBAC and #AC9EEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBAD9E shade: #EBAD9E, #CDEB9E, #9EDDEB and #BB9EEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBAD9E shade: #EBAD9E, #B6EB9E, #9EDDEB and #D39EEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

Complementary color

CMYK 79 / 15 / 0 / 62

HEX #145261

RGB 20 82 97

HSL 191.69, 0.66%, 0.23%

LAB 31.91, -13.55, -14.29

 

CMYK 0 / 28 / 36 / 6

HEX #F0AD99

RGB 240 173 153

HSL 13.79, 0.74%, 0.77%

LAB 76.5, 22, 20

 

CMYK 0 / 25 / 33 / 0

HEX #FFBFAC

RGB 255 191 172

HSL 13.73, 1%, 0.84%

LAB 82.65, 20.49, 18.55

 

CMYK 0 / 18 / 25 / 0

HEX #FFD1BF

RGB 255 209 191

HSL 16.88, 1%, 0.87%

LAB 87.3, 13.56, 15.01

 

CMYK 0 / 11 / 18 / 0

HEX #FFE3D2

RGB 255 227 210

HSL 22.67, 1%, 0.91%

LAB 92.07, 6.96, 11.8

HEX #FFE3D2

CMYK 0 / 4 / 10 / 0

HEX #FFF5E5

RGB 255 245 229

HSL 36.92, 1%, 0.95%

LAB 96.91, 0.7, 8.88

HEX #FFF5E5

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 0 / 29 / 36 / 15

HEX #DA9B8B

RGB 218 155 139

HSL 12.15, 0.52%, 0.7%

LAB 69.62, 21.49, 17.77

 

CMYK 0 / 32 / 40 / 21

HEX #C98978

RGB 201 137 120

HSL 12.59, 0.43%, 0.63%

LAB 63.06, 22.38, 19.03

 

CMYK 0 / 35 / 45 / 28

HEX #B87765

RGB 184 119 101

HSL 13.01, 0.37%, 0.56%

LAB 56.41, 23.38, 20.43

 

CMYK 0 / 40 / 51 / 35

HEX #A76552

RGB 167 101 82

HSL 13.41, 0.34%, 0.49%

LAB 49.66, 24.52, 22.02

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 0 / 33 / 33 / 8

HEX #EB9E9E

RGB 235 158 158

HSL 0, 0.66%, 0.77%

LAB 72.62, 28.69, 11.76

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 0 / 17 / 33 / 8

HEX #EBC29E

RGB 235 194 158

HSL 28.05, 0.66%, 0.77%

LAB 81.13, 9.58, 23.6

 

CMYK 0 / 9 / 33 / 8

HEX #EBD69E

RGB 235 214 158

HSL 43.64, 0.66%, 0.77%

LAB 86.12, -0.83, 30.34

 

CMYK 0 / 0 / 33 / 8

HEX #EBEB9E

RGB 235 235 158

HSL 60, 0.66%, 0.77%

LAB 91.48, -11.45, 37.44

 

CMYK 9 / 0 / 33 / 8

HEX #D6EB9E

RGB 214 235 158

HSL 76.36, 0.66%, 0.77%

LAB 89.94, -19.3, 35.14

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 0 / 32 / 40 / 4

HEX #F5A794

RGB 245 167 148

HSL 11.75, 0.83%, 0.77%

LAB 75.57, 26.51, 21.51

 

CMYK 0 / 37 / 45 / 0

HEX #FEA18B

RGB 254 161 139

HSL 11.48, 0.98%, 0.77%

LAB 75.09, 32.14, 25.91

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 0 / 21 / 26 / 11

HEX #E2B3A7

RGB 226 179 167

HSL 12.2, 0.5%, 0.77%

LAB 76.8, 15.29, 12.62

 

CMYK 0 / 15 / 18 / 15

HEX #D8B8B1

RGB 216 184 177

HSL 10.77, 0.33%, 0.77%

LAB 77.31, 10.35, 7.8

 

CMYK 0 / 8 / 10 / 19

HEX #CFBEBA

RGB 207 190 186

HSL 11.43, 0.18%, 0.77%

LAB 78.25, 5.32, 4.18

 

CMYK 0 / 1 / 1 / 23

HEX #C5C4C4

RGB 197 196 196

HSL 0, 0.01%, 0.77%

LAB 79.23, 0.35, 0.11

 

CMYK 0 / 33 / 21 / 8

HEX #EB9EB9

RGB 235 158 185

HSL 338.96, 0.66%, 0.77%

LAB 73.3, 32.37, -2.16

 

CMYK 0 / 33 / 30 / 8

HEX #EB9EA4

RGB 235 158 164

HSL 355.32, 0.66%, 0.77%

LAB 72.76, 29.46, 8.65

 

CMYK 0 / 27 / 33 / 8

HEX #EBAC9E

RGB 235 172 158

HSL 10.91, 0.66%, 0.77%

LAB 75.85, 21.24, 16.29

 

CMYK 0 / 18 / 33 / 8

HEX #EBC09E

RGB 235 192 158

HSL 26.49, 0.66%, 0.77%

LAB 80.64, 10.63, 22.93

 

CMYK 0 / 9 / 33 / 8

HEX #EBD59E

RGB 235 213 158

HSL 42.86, 0.66%, 0.77%

LAB 85.87, -0.31, 30

 

CMYK 0 / 48 / 60 / 13

HEX #DD7359

RGB 221 115 89

HSL 11.82, 0.66%, 0.61%

LAB 60.21, 39.06, 33.08

 

CMYK 0 / 37 / 46 / 11

HEX #E4907B

RGB 228 144 123

HSL 12, 0.66%, 0.69%

LAB 67.93, 29.51, 24.48

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 0 / 17 / 21 / 5

HEX #F2CAC0

RGB 242 202 192

HSL 12, 0.66%, 0.85%

LAB 84.44, 12.6, 10.26

 

CMYK 0 / 7 / 9 / 2

HEX #F9E7E2

RGB 249 231 226

HSL 13.04, 0.66%, 0.93%

LAB 92.92, 5.29, 4.62

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 13 / 0 / 33 / 8

HEX #CDEB9E

RGB 205 235 158

HSL 83.38, 0.66%, 0.77%

LAB 89.33, -22.58, 34.21

 

CMYK 33 / 26 / 0 / 8

HEX #9EAEEB

RGB 158 174 235

HSL 227.53, 0.66%, 0.77%

LAB 71.92, 8.5, -32.33

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 33 / 0 / 27 / 8

HEX #9EEBAC

RGB 158 235 172

HSL 130.91, 0.66%, 0.77%

LAB 86.83, -36.26, 23.23

 

CMYK 27 / 33 / 0 / 8

HEX #AC9EEB

RGB 172 158 235

HSL 250.91, 0.66%, 0.77%

LAB 68.91, 21.48, -36.91

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 13 / 0 / 33 / 8

HEX #CDEB9E

RGB 205 235 158

HSL 83.38, 0.66%, 0.77%

LAB 89.33, -22.58, 34.21

 

CMYK 33 / 6 / 0 / 8

HEX #9EDDEB

RGB 158 221 235

HSL 190.91, 0.66%, 0.77%

LAB 84.47, -16.54, -13.24

 

CMYK 20 / 33 / 0 / 8

HEX #BB9EEB

RGB 187 158 235

HSL 262.6, 0.66%, 0.77%

LAB 70.19, 25.89, -34.83

 

CMYK 0 / 26 / 33 / 8

HEX #EBAD9E

RGB 235 173 158

HSL 11.69, 0.66%, 0.77%

LAB 76.08, 20.71, 16.62

 

CMYK 23 / 0 / 33 / 8

HEX #B6EB9E

RGB 182 235 158

HSL 101.3, 0.66%, 0.77%

LAB 87.89, -30.7, 32.03

 

CMYK 33 / 6 / 0 / 8

HEX #9EDDEB

RGB 158 221 235

HSL 190.91, 0.66%, 0.77%

LAB 84.47, -16.54, -13.24

 

CMYK 10 / 33 / 0 / 8

HEX #D39EEB

RGB 211 158 235

HSL 281.3, 0.66%, 0.77%

LAB 72.43, 33.18, -31.18

 

Description

Color code: HEX #EBAD9E | qconv.com Color code: HEX #EBAD9E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 173 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 173 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 33 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 33% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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