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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBABB1 it is the complementary color #14544E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBABB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBABB1 shade: #F0ABAC, #FFBDBF, #FFCFD2, #FFE1E5 and #FFF3F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBABB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBABB1 shade: #EBABB1, #DA999E, #C9878B, #B87578 and #A76365

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBABB1 shade: #ECACB2 and #ECACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBABB1 shade: #ECACB2, #ECACC3, #ECACD4, #ECACE5 and #E1ACEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBABB1 shade matches the following richer shades: #ECACB2, #F4A4AC and #FC9CA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBABB1 shade: #ECACB2, #E3B5B9, #DBBDC0, #D3C5C6 and #CBCDCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBABB1 shade: #ECACD4, #ECACC4, #ECACB3, #ECB7AC and #ECC8AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBABB1 shade: #DC6A74, #E48B93, #ECACB2, #F3CED1 and #FBEFF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBABB1 shade: #EBABB1, #E5ECAC and #ACCCEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBABB1 shade: #EBABB1, #B3ECAC and #ACB3EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBABB1 shade: #EBABB1, #E5ECAC, #ACECE5 and #B3ACEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBABB1 shade: #EBABB1, #D2ECAC, #ACECE5 and #C6ACEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 25 / 8

HEX #EBABB1

RGB 235 171 177

HSL 354.38, 0.62%, 0.8%

LAB 76.05, 24.3, 6.22

 

Complementary color

CMYK 76 / 0 / 7 / 67

HEX #14544E

RGB 20 84 78

HSL 174.38, 0.62%, 0.2%

LAB 31.9, -21.2, -2.26

 

CMYK 0 / 29 / 28 / 6

HEX #F0ABAC

RGB 240 171 172

HSL 359.13, 0.7%, 0.81%

LAB 76.45, 25.45, 9.61

 

CMYK 0 / 26 / 25 / 0

HEX #FFBDBF

RGB 255 189 191

HSL 358.18, 1%, 0.87%

LAB 82.6, 24.02, 8.33

 

CMYK 0 / 19 / 18 / 0

HEX #FFCFD2

RGB 255 207 210

HSL 356.25, 1%, 0.91%

LAB 87.26, 17.33, 4.91

 

CMYK 0 / 12 / 10 / 0

HEX #FFE1E5

RGB 255 225 229

HSL 352, 1%, 0.94%

LAB 92.03, 10.94, 1.83

 

CMYK 0 / 5 / 3 / 0

HEX #FFF3F8

RGB 255 243 248

HSL 335, 1%, 0.98%

LAB 96.88, 4.88, -0.97

 

CMYK 0 / 27 / 25 / 8

HEX #EBABB1

RGB 235 171 177

HSL 354.38, 0.62%, 0.8%

LAB 76.05, 24.3, 6.22

 

CMYK 0 / 30 / 28 / 15

HEX #DA999E

RGB 218 153 158

HSL 355.38, 0.47%, 0.73%

LAB 69.58, 25.03, 7.18

 

CMYK 0 / 33 / 31 / 21

HEX #C9878B

RGB 201 135 139

HSL 356.36, 0.38%, 0.66%

LAB 63.02, 25.83, 8.22

 

CMYK 0 / 36 / 35 / 28

HEX #B87578

RGB 184 117 120

HSL 357.31, 0.32%, 0.59%

LAB 56.36, 26.72, 9.39

 

CMYK 0 / 41 / 40 / 35

HEX #A76365

RGB 167 99 101

HSL 358.24, 0.28%, 0.52%

LAB 49.59, 27.71, 10.72

 

CMYK 0 / 27 / 25 / 7

HEX #ECACB2

RGB 236 172 178

HSL 354.38, 0.63%, 0.8%

LAB 76.41, 24.28, 6.21

 

CMYK 0 / 27 / 27 / 7

HEX #ECACAC

RGB 236 172 172

HSL 0, 0.63%, 0.8%

LAB 76.26, 23.45, 9.28

 

CMYK 0 / 27 / 25 / 7

HEX #ECACB2

RGB 236 172 178

HSL 354.38, 0.63%, 0.8%

LAB 76.41, 24.28, 6.21

 

CMYK 0 / 27 / 17 / 7

HEX #ECACC3

RGB 236 172 195

HSL 338.44, 0.63%, 0.8%

LAB 76.85, 26.79, -2.42

 

CMYK 0 / 27 / 10 / 7

HEX #ECACD4

RGB 236 172 212

HSL 322.5, 0.63%, 0.8%

LAB 77.34, 29.52, -10.96

 

CMYK 0 / 27 / 3 / 7

HEX #ECACE5

RGB 236 172 229

HSL 306.56, 0.63%, 0.8%

LAB 77.87, 32.45, -19.38

 

CMYK 5 / 27 / 0 / 7

HEX #E1ACEC

RGB 225 172 236

HSL 289.69, 0.63%, 0.8%

LAB 77.02, 30.2, -24.56

 

CMYK 0 / 27 / 25 / 7

HEX #ECACB2

RGB 236 172 178

HSL 354.38, 0.63%, 0.8%

LAB 76.41, 24.28, 6.21

 

CMYK 0 / 33 / 30 / 4

HEX #F4A4AC

RGB 244 164 172

HSL 354, 0.78%, 0.8%

LAB 75.3, 30.62, 8.02

 

CMYK 0 / 38 / 35 / 1

HEX #FC9CA5

RGB 252 156 165

HSL 354.38, 0.94%, 0.8%

LAB 74.31, 36.83, 10.58

 

CMYK 0 / 27 / 25 / 7

HEX #ECACB2

RGB 236 172 178

HSL 354.38, 0.63%, 0.8%

LAB 76.41, 24.28, 6.21

 

CMYK 0 / 20 / 19 / 11

HEX #E3B5B9

RGB 227 181 185

HSL 354.78, 0.45%, 0.8%

LAB 77.8, 17.22, 4.3

 

CMYK 0 / 14 / 12 / 14

HEX #DBBDC0

RGB 219 189 192

HSL 354, 0.29%, 0.8%

LAB 79.19, 11.16, 2.43

 

CMYK 0 / 7 / 6 / 17

HEX #D3C5C6

RGB 211 197 198

HSL 355.71, 0.14%, 0.8%

LAB 80.66, 5.07, 1.25

 

CMYK 1 / 0 / 0 / 20

HEX #CBCDCD

RGB 203 205 205

HSL 180, 0.02%, 0.8%

LAB 82.25, -0.68, -0.25

 

CMYK 0 / 27 / 10 / 7

HEX #ECACD4

RGB 236 172 212

HSL 322.5, 0.63%, 0.8%

LAB 77.34, 29.52, -10.96

 

CMYK 0 / 27 / 17 / 7

HEX #ECACC4

RGB 236 172 196

HSL 337.5, 0.63%, 0.8%

LAB 76.87, 26.94, -2.93

 

CMYK 0 / 27 / 24 / 7

HEX #ECACB3

RGB 236 172 179

HSL 353.44, 0.63%, 0.8%

LAB 76.43, 24.42, 5.7

 

CMYK 0 / 22 / 27 / 7

HEX #ECB7AC

RGB 236 183 172

HSL 10.31, 0.63%, 0.8%

LAB 78.86, 17.59, 12.96

 

CMYK 0 / 15 / 27 / 7

HEX #ECC8AC

RGB 236 200 172

HSL 26.25, 0.63%, 0.8%

LAB 82.98, 8.62, 18.74

 

CMYK 0 / 52 / 47 / 14

HEX #DC6A74

RGB 220 106 116

HSL 354.74, 0.62%, 0.64%

LAB 58.77, 45.46, 15.8

 

CMYK 0 / 39 / 36 / 11

HEX #E48B93

RGB 228 139 147

HSL 354.61, 0.62%, 0.72%

LAB 67.33, 34.8, 10.27

 

CMYK 0 / 27 / 25 / 7

HEX #ECACB2

RGB 236 172 178

HSL 354.38, 0.63%, 0.8%

LAB 76.41, 24.28, 6.21

 

CMYK 0 / 15 / 14 / 5

HEX #F3CED1

RGB 243 206 209

HSL 355.14, 0.61%, 0.88%

LAB 85.91, 13.44, 3.34

 

CMYK 0 / 5 / 4 / 2

HEX #FBEFF0

RGB 251 239 240

HSL 355, 0.6%, 0.96%

LAB 95.39, 4.2, 0.95

 

CMYK 0 / 27 / 25 / 8

HEX #EBABB1

RGB 235 171 177

HSL 354.38, 0.62%, 0.8%

LAB 76.05, 24.3, 6.22

 

CMYK 3 / 0 / 27 / 7

HEX #E5ECAC

RGB 229 236 172

HSL 66.56, 0.63%, 0.8%

LAB 91.52, -12.43, 30.33

 

CMYK 27 / 14 / 0 / 7

HEX #ACCCEC

RGB 172 204 236

HSL 210, 0.63%, 0.8%

LAB 80.75, -3.54, -19.3

 

CMYK 0 / 27 / 25 / 8

HEX #EBABB1

RGB 235 171 177

HSL 354.38, 0.62%, 0.8%

LAB 76.05, 24.3, 6.22

 

CMYK 24 / 0 / 27 / 7

HEX #B3ECAC

RGB 179 236 172

HSL 113.44, 0.63%, 0.8%

LAB 88.23, -30.04, 25.33

 

CMYK 27 / 24 / 0 / 7

HEX #ACB3EC

RGB 172 179 236

HSL 233.44, 0.63%, 0.8%

LAB 74.23, 9.99, -29.23

 

CMYK 0 / 27 / 25 / 8

HEX #EBABB1

RGB 235 171 177

HSL 354.38, 0.62%, 0.8%

LAB 76.05, 24.3, 6.22

 

CMYK 3 / 0 / 27 / 7

HEX #E5ECAC

RGB 229 236 172

HSL 66.56, 0.63%, 0.8%

LAB 91.52, -12.43, 30.33

 

CMYK 27 / 0 / 3 / 7

HEX #ACECE5

RGB 172 236 229

HSL 173.44, 0.63%, 0.8%

LAB 89.12, -21.46, -3.11

 

CMYK 24 / 27 / 0 / 7

HEX #B3ACEC

RGB 179 172 236

HSL 246.56, 0.63%, 0.8%

LAB 72.99, 15.94, -31.1

 

CMYK 0 / 27 / 25 / 8

HEX #EBABB1

RGB 235 171 177

HSL 354.38, 0.62%, 0.8%

LAB 76.05, 24.3, 6.22

 

CMYK 11 / 0 / 27 / 7

HEX #D2ECAC

RGB 210 236 172

HSL 84.38, 0.63%, 0.8%

LAB 90.17, -19.34, 28.29

 

CMYK 27 / 0 / 3 / 7

HEX #ACECE5

RGB 172 236 229

HSL 173.44, 0.63%, 0.8%

LAB 89.12, -21.46, -3.11

 

CMYK 16 / 27 / 0 / 7

HEX #C6ACEC

RGB 198 172 236

HSL 264.38, 0.63%, 0.8%

LAB 74.55, 21.71, -28.56

 

Description

Color code: HEX #EBABB1 | qconv.com Color code: HEX #EBABB1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 171 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 171 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 25 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 25% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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