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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9FF7 it is the complementary color #146008. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9FF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9FF7 shade: #F09FF2, #FFB1FF, #FFC3FF, #FFD5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9FF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9FF7 shade: #EB9FF7, #DA8DE4, #C97BD1, #B869BE and #A757AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9FF7 shade: #ECA1F7, #F7A1EC, #F7A1D4, #F7A1BD and #F7A1A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9FF7 shade: #ECA1F7, #D4A1F7, #BDA1F7, #A5A1F7 and #A1A1F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9FF7 shade matches the following richer shades: #ECA1F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9FF7 shade: #ECA1F7, #E6A9EF, #E0B1E7, #DAB9DF and #D4C2D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9FF7 shade: #BCA1F7, #D3A1F7, #EAA1F7, #F7A1ED and #F7A1D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9FF7 shade: #DC54F1, #E47AF4, #ECA1F7, #F3C7FA and #FBEDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9FF7 shade: #EB9FF7, #F7A5A1 and #A1F7C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9FF7 shade: #EB9FF7, #F7EAA1 and #A1F7EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9FF7 shade: #EB9FF7, #F7A5A1, #AEF7A1 and #A1F3F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9FF7 shade: #EB9FF7, #F7BFA1, #AEF7A1 and #A1D9F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 36 / 0 / 3

HEX #EB9FF7

RGB 235 159 247

HSL 291.82, 0.85%, 0.8%

LAB 75.56, 42.33, -32.67

 

Complementary color

CMYK 79 / 0 / 92 / 62

HEX #146008

RGB 20 96 8

HSL 111.82, 0.85%, 0.2%

LAB 35.07, -39.03, 38.67

 

CMYK 1 / 34 / 0 / 5

HEX #F09FF2

RGB 240 159 242

HSL 298.55, 0.76%, 0.79%

LAB 75.9, 42.93, -29.39

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 5 / 36 / 0 / 3

HEX #EB9FF7

RGB 235 159 247

HSL 291.82, 0.85%, 0.8%

LAB 75.56, 42.33, -32.67

 

CMYK 4 / 38 / 0 / 11

HEX #DA8DE4

RGB 218 141 228

HSL 293.1, 0.62%, 0.72%

LAB 69.15, 43.06, -32.35

 

CMYK 4 / 41 / 0 / 18

HEX #C97BD1

RGB 201 123 209

HSL 294.42, 0.48%, 0.65%

LAB 62.67, 43.81, -31.98

 

CMYK 3 / 45 / 0 / 25

HEX #B869BE

RGB 184 105 190

HSL 295.76, 0.4%, 0.58%

LAB 56.1, 44.56, -31.57

 

CMYK 2 / 49 / 0 / 33

HEX #A757AB

RGB 167 87 171

HSL 297.14, 0.33%, 0.51%

LAB 49.46, 45.28, -31.07

 

CMYK 4 / 35 / 0 / 3

HEX #ECA1F7

RGB 236 161 247

HSL 292.33, 0.84%, 0.8%

LAB 76.09, 41.58, -31.84

 

CMYK 0 / 35 / 4 / 3

HEX #F7A1EC

RGB 247 161 236

HSL 307.67, 0.84%, 0.8%

LAB 76.87, 42.99, -24.59

 

CMYK 0 / 35 / 14 / 3

HEX #F7A1D4

RGB 247 161 212

HSL 324.42, 0.84%, 0.8%

LAB 76.08, 39.02, -12.72

 

CMYK 0 / 35 / 23 / 3

HEX #F7A1BD

RGB 247 161 189

HSL 340.47, 0.84%, 0.8%

LAB 75.41, 35.58, -1.1

 

CMYK 0 / 35 / 33 / 3

HEX #F7A1A6

RGB 247 161 166

HSL 356.51, 0.84%, 0.8%

LAB 74.84, 32.53, 10.69

 

CMYK 4 / 35 / 0 / 3

HEX #ECA1F7

RGB 236 161 247

HSL 292.33, 0.84%, 0.8%

LAB 76.09, 41.58, -31.84

 

CMYK 14 / 35 / 0 / 3

HEX #D4A1F7

RGB 212 161 247

HSL 275.58, 0.84%, 0.8%

LAB 73.68, 34.33, -35.77

 

CMYK 23 / 35 / 0 / 3

HEX #BDA1F7

RGB 189 161 247

HSL 259.53, 0.84%, 0.8%

LAB 71.57, 27.56, -39.21

 

CMYK 33 / 35 / 0 / 3

HEX #A5A1F7

RGB 165 161 247

HSL 242.79, 0.84%, 0.8%

LAB 69.61, 20.81, -42.41

 

CMYK 35 / 35 / 0 / 3

HEX #A1A1F7

RGB 161 161 247

HSL 240, 0.84%, 0.8%

LAB 69.31, 19.73, -42.9

 

CMYK 4 / 35 / 0 / 3

HEX #ECA1F7

RGB 236 161 247

HSL 292.33, 0.84%, 0.8%

LAB 76.09, 41.58, -31.84

 

CMYK 4 / 35 / 0 / 3

HEX #ECA1F7

RGB 236 161 247

HSL 292.33, 0.84%, 0.8%

LAB 76.09, 41.58, -31.84

 

CMYK 4 / 29 / 0 / 6

HEX #E6A9EF

RGB 230 169 239

HSL 292.29, 0.69%, 0.8%

LAB 76.94, 33.96, -26.27

 

CMYK 3 / 23 / 0 / 9

HEX #E0B1E7

RGB 224 177 231

HSL 292.22, 0.53%, 0.8%

LAB 77.91, 26.23, -20.51

 

CMYK 2 / 17 / 0 / 13

HEX #DAB9DF

RGB 218 185 223

HSL 292.11, 0.37%, 0.8%

LAB 79, 18.43, -14.6

 

CMYK 1 / 9 / 0 / 16

HEX #D4C2D6

RGB 212 194 214

HSL 294, 0.2%, 0.8%

LAB 80.42, 9.89, -7.68

 

CMYK 24 / 35 / 0 / 3

HEX #BCA1F7

RGB 188 161 247

HSL 258.84, 0.84%, 0.8%

LAB 71.48, 27.27, -39.35

 

CMYK 15 / 35 / 0 / 3

HEX #D3A1F7

RGB 211 161 247

HSL 274.88, 0.84%, 0.8%

LAB 73.58, 34.03, -35.93

 

CMYK 5 / 35 / 0 / 3

HEX #EAA1F7

RGB 234 161 247

HSL 290.93, 0.84%, 0.8%

LAB 75.88, 40.97, -32.18

 

CMYK 0 / 35 / 4 / 3

HEX #F7A1ED

RGB 247 161 237

HSL 306.98, 0.84%, 0.8%

LAB 76.91, 43.17, -25.07

 

CMYK 0 / 35 / 13 / 3

HEX #F7A1D6

RGB 247 161 214

HSL 323.02, 0.84%, 0.8%

LAB 76.14, 39.34, -13.71

 

CMYK 9 / 65 / 0 / 5

HEX #DC54F1

RGB 220 84 241

HSL 291.97, 0.85%, 0.64%

LAB 59.8, 72.98, -54.21

 

CMYK 7 / 50 / 0 / 4

HEX #E47AF4

RGB 228 122 244

HSL 292.13, 0.85%, 0.72%

LAB 67.24, 58.6, -44.05

 

CMYK 4 / 35 / 0 / 3

HEX #ECA1F7

RGB 236 161 247

HSL 292.33, 0.84%, 0.8%

LAB 76.09, 41.58, -31.84

 

CMYK 3 / 20 / 0 / 2

HEX #F3C7FA

RGB 243 199 250

HSL 291.76, 0.84%, 0.88%

LAB 85.4, 24.21, -19.18

 

CMYK 1 / 7 / 0 / 0

HEX #FBEDFE

RGB 251 237 254

HSL 289.41, 0.89%, 0.96%

LAB 95.26, 7.68, -6.49

 

CMYK 5 / 36 / 0 / 3

HEX #EB9FF7

RGB 235 159 247

HSL 291.82, 0.85%, 0.8%

LAB 75.56, 42.33, -32.67

 

CMYK 0 / 33 / 35 / 3

HEX #F7A5A1

RGB 247 165 161

HSL 2.79, 0.84%, 0.8%

LAB 75.61, 29.82, 14.52

 

CMYK 35 / 0 / 19 / 3

HEX #A1F7C8

RGB 161 247 200

HSL 147.21, 0.84%, 0.8%

LAB 90.9, -35.75, 14.48

 

CMYK 5 / 36 / 0 / 3

HEX #EB9FF7

RGB 235 159 247

HSL 291.82, 0.85%, 0.8%

LAB 75.56, 42.33, -32.67

 

CMYK 0 / 5 / 35 / 3

HEX #F7EAA1

RGB 247 234 161

HSL 50.93, 0.84%, 0.8%

LAB 92.22, -6.04, 37.08

 

CMYK 35 / 0 / 5 / 3

HEX #A1F7EA

RGB 161 247 234

HSL 170.93, 0.84%, 0.8%

LAB 91.7, -28.72, -1.99

 

CMYK 5 / 36 / 0 / 3

HEX #EB9FF7

RGB 235 159 247

HSL 291.82, 0.85%, 0.8%

LAB 75.56, 42.33, -32.67

 

CMYK 0 / 33 / 35 / 3

HEX #F7A5A1

RGB 247 165 161

HSL 2.79, 0.84%, 0.8%

LAB 75.61, 29.82, 14.52

 

CMYK 30 / 0 / 35 / 3

HEX #AEF7A1

RGB 174 247 161

HSL 110.93, 0.84%, 0.8%

LAB 90.82, -38.43, 34.35

 

CMYK 35 / 2 / 0 / 3

HEX #A1F3F7

RGB 161 243 247

HSL 182.79, 0.84%, 0.8%

LAB 90.96, -23.85, -9.85

 

CMYK 5 / 36 / 0 / 3

HEX #EB9FF7

RGB 235 159 247

HSL 291.82, 0.85%, 0.8%

LAB 75.56, 42.33, -32.67

 

CMYK 0 / 23 / 35 / 3

HEX #F7BFA1

RGB 247 191 161

HSL 20.93, 0.84%, 0.8%

LAB 81.63, 16.12, 22.87

 

CMYK 30 / 0 / 35 / 3

HEX #AEF7A1

RGB 174 247 161

HSL 110.93, 0.84%, 0.8%

LAB 90.82, -38.43, 34.35

 

CMYK 35 / 12 / 0 / 3

HEX #A1D9F7

RGB 161 217 247

HSL 200.93, 0.84%, 0.8%

LAB 83.92, -10.79, -20.4

 

Description

Color code: HEX #EB9FF7 | qconv.com Color code: HEX #EB9FF7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 159 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 159 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 36 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 36% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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