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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9FCE it is the complementary color #146031. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9FCE shade: #F09FC9, #FFB1DC, #FFC3EF, #FFD5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9FCE shade: #EB9FCE, #DA8DBB, #C97BA8, #B86995 and #A75782

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9FCE shade: #EB9ECE, #EB9EB9, #EB9EA4 and #EB9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9FCE shade: #EB9ECE, #EB9EE2, #DF9EEB, #CA9EEB and #B59EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9FCE shade matches the following richer shades: #EB9ECE, #F594D0 and #FE8BD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9FCE shade: #EB9ECE, #E2A7CB, #D8B1C9, #CFBAC7 and #C5C4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9FCE shade: #DE9EEB, #EB9EE3, #EB9ECF, #EB9EBA and #EB9EA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9FCE shade: #DD59AB, #E47BBC, #EB9ECE, #F2C0DF and #F9E2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9FCE shade: #EB9FCE, #EBCA9E and #9EEBE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9FCE shade: #EB9FCE, #CFEB9E and #9ECFEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9FCE shade: #EB9FCE, #EBCA9E, #9EEBBA and #9EBFEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9FCE shade: #EB9FCE, #EBE19E, #9EEBBA and #9EA8EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 12 / 8

HEX #EB9FCE

RGB 235 159 206

HSL 322.89, 0.66%, 0.77%

LAB 74.14, 35.1, -12.48

 

Complementary color

CMYK 79 / 0 / 49 / 62

HEX #146031

RGB 20 96 49

HSL 142.89, 0.66%, 0.23%

LAB 35.47, -34.19, 20.49

 

CMYK 0 / 34 / 16 / 6

HEX #F09FC9

RGB 240 159 201

HSL 328.89, 0.73%, 0.78%

LAB 74.53, 35.99, -9.08

 

CMYK 0 / 31 / 14 / 0

HEX #FFB1DC

RGB 255 177 220

HSL 326.92, 1%, 0.85%

LAB 80.67, 34.61, -10.12

 

CMYK 0 / 24 / 6 / 0

HEX #FFC3EF

RGB 255 195 239

HSL 316, 1%, 0.88%

LAB 85.26, 28.29, -13.44

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 32 / 12 / 8

HEX #EB9FCE

RGB 235 159 206

HSL 322.89, 0.66%, 0.77%

LAB 74.14, 35.1, -12.48

 

CMYK 0 / 35 / 14 / 15

HEX #DA8DBB

RGB 218 141 187

HSL 324.16, 0.51%, 0.7%

LAB 67.68, 35.83, -11.81

 

CMYK 0 / 39 / 16 / 21

HEX #C97BA8

RGB 201 123 168

HSL 325.38, 0.42%, 0.64%

LAB 61.14, 36.6, -11.07

 

CMYK 0 / 43 / 19 / 28

HEX #B86995

RGB 184 105 149

HSL 326.58, 0.36%, 0.57%

LAB 54.52, 37.41, -10.24

 

CMYK 0 / 48 / 22 / 35

HEX #A75782

RGB 167 87 130

HSL 327.75, 0.31%, 0.5%

LAB 47.81, 38.22, -9.27

 

CMYK 0 / 33 / 12 / 8

HEX #EB9ECE

RGB 235 158 206

HSL 322.6, 0.66%, 0.77%

LAB 73.92, 35.62, -12.81

 

CMYK 0 / 33 / 21 / 8

HEX #EB9EB9

RGB 235 158 185

HSL 338.96, 0.66%, 0.77%

LAB 73.3, 32.37, -2.16

 

CMYK 0 / 33 / 30 / 8

HEX #EB9EA4

RGB 235 158 164

HSL 355.32, 0.66%, 0.77%

LAB 72.76, 29.46, 8.65

 

CMYK 0 / 33 / 33 / 8

HEX #EB9E9E

RGB 235 158 158

HSL 0, 0.66%, 0.77%

LAB 72.62, 28.69, 11.76

 

CMYK 0 / 33 / 12 / 8

HEX #EB9ECE

RGB 235 158 206

HSL 322.6, 0.66%, 0.77%

LAB 73.92, 35.62, -12.81

 

CMYK 0 / 33 / 4 / 8

HEX #EB9EE2

RGB 235 158 226

HSL 307.01, 0.66%, 0.77%

LAB 74.58, 39.02, -22.76

 

CMYK 5 / 33 / 0 / 8

HEX #DF9EEB

RGB 223 158 235

HSL 290.65, 0.66%, 0.77%

LAB 73.64, 36.89, -29.22

 

CMYK 14 / 33 / 0 / 8

HEX #CA9EEB

RGB 202 158 235

HSL 274.29, 0.66%, 0.77%

LAB 71.56, 30.42, -32.59

 

CMYK 23 / 33 / 0 / 8

HEX #B59EEB

RGB 181 158 235

HSL 257.92, 0.66%, 0.77%

LAB 69.67, 24.11, -35.68

 

CMYK 0 / 33 / 12 / 8

HEX #EB9ECE

RGB 235 158 206

HSL 322.6, 0.66%, 0.77%

LAB 73.92, 35.62, -12.81

 

CMYK 0 / 40 / 15 / 4

HEX #F594D0

RGB 245 148 208

HSL 322.89, 0.83%, 0.77%

LAB 72.99, 44.47, -15.19

 

CMYK 0 / 45 / 17 / 0

HEX #FE8BD2

RGB 254 139 210

HSL 322.96, 0.98%, 0.77%

LAB 72.35, 52.18, -17.14

 

CMYK 0 / 33 / 12 / 8

HEX #EB9ECE

RGB 235 158 206

HSL 322.6, 0.66%, 0.77%

LAB 73.92, 35.62, -12.81

 

CMYK 0 / 26 / 10 / 11

HEX #E2A7CB

RGB 226 167 203

HSL 323.39, 0.5%, 0.77%

LAB 74.9, 27.26, -9.79

 

CMYK 0 / 18 / 7 / 15

HEX #D8B1C9

RGB 216 177 201

HSL 323.08, 0.33%, 0.77%

LAB 76.23, 18.06, -6.83

 

CMYK 0 / 10 / 4 / 19

HEX #CFBAC7

RGB 207 186 199

HSL 322.86, 0.18%, 0.77%

LAB 77.58, 9.72, -3.83

 

CMYK 0 / 1 / 0 / 23

HEX #C5C4C5

RGB 197 196 197

HSL 300, 0.01%, 0.77%

LAB 79.26, 0.53, -0.39

 

CMYK 6 / 33 / 0 / 8

HEX #DE9EEB

RGB 222 158 235

HSL 289.87, 0.66%, 0.77%

LAB 73.53, 36.58, -29.39

 

CMYK 0 / 33 / 3 / 8

HEX #EB9EE3

RGB 235 158 227

HSL 306.23, 0.66%, 0.77%

LAB 74.61, 39.19, -23.26

 

CMYK 0 / 33 / 12 / 8

HEX #EB9ECF

RGB 235 158 207

HSL 321.82, 0.66%, 0.77%

LAB 73.95, 35.79, -13.31

 

CMYK 0 / 33 / 21 / 8

HEX #EB9EBA

RGB 235 158 186

HSL 338.18, 0.66%, 0.77%

LAB 73.33, 32.52, -2.67

 

CMYK 0 / 33 / 30 / 8

HEX #EB9EA5

RGB 235 158 165

HSL 354.55, 0.66%, 0.77%

LAB 72.78, 29.59, 8.13

 

CMYK 0 / 60 / 23 / 13

HEX #DD59AB

RGB 221 89 171

HSL 322.73, 0.66%, 0.61%

LAB 57.52, 60.11, -18.01

 

CMYK 0 / 46 / 18 / 11

HEX #E47BBC

RGB 228 123 188

HSL 322.86, 0.66%, 0.69%

LAB 65.19, 48.63, -16

 

CMYK 0 / 33 / 12 / 8

HEX #EB9ECE

RGB 235 158 206

HSL 322.6, 0.66%, 0.77%

LAB 73.92, 35.62, -12.81

 

CMYK 0 / 21 / 8 / 5

HEX #F2C0DF

RGB 242 192 223

HSL 322.8, 0.66%, 0.85%

LAB 82.86, 22.78, -8.6

 

CMYK 0 / 9 / 4 / 2

HEX #F9E2F0

RGB 249 226 240

HSL 323.48, 0.66%, 0.93%

LAB 92.05, 10.22, -3.95

 

CMYK 0 / 32 / 12 / 8

HEX #EB9FCE

RGB 235 159 206

HSL 322.89, 0.66%, 0.77%

LAB 74.14, 35.1, -12.48

 

CMYK 0 / 14 / 33 / 8

HEX #EBCA9E

RGB 235 202 158

HSL 34.29, 0.66%, 0.77%

LAB 83.11, 5.39, 26.29

 

CMYK 33 / 0 / 1 / 8

HEX #9EEBE8

RGB 158 235 232

HSL 177.66, 0.66%, 0.77%

LAB 88.21, -24.19, -6.1

 

CMYK 0 / 32 / 12 / 8

HEX #EB9FCE

RGB 235 159 206

HSL 322.89, 0.66%, 0.77%

LAB 74.14, 35.1, -12.48

 

CMYK 12 / 0 / 33 / 8

HEX #CFEB9E

RGB 207 235 158

HSL 81.82, 0.66%, 0.77%

LAB 89.46, -21.86, 34.41

 

CMYK 33 / 12 / 0 / 8

HEX #9ECFEB

RGB 158 207 235

HSL 201.82, 0.66%, 0.77%

LAB 80.68, -9.34, -18.94

 

CMYK 0 / 32 / 12 / 8

HEX #EB9FCE

RGB 235 159 206

HSL 322.89, 0.66%, 0.77%

LAB 74.14, 35.1, -12.48

 

CMYK 0 / 14 / 33 / 8

HEX #EBCA9E

RGB 235 202 158

HSL 34.29, 0.66%, 0.77%

LAB 83.11, 5.39, 26.29

 

CMYK 33 / 0 / 21 / 8

HEX #9EEBBA

RGB 158 235 186

HSL 141.82, 0.66%, 0.77%

LAB 87.11, -33.75, 16.37

 

CMYK 33 / 19 / 0 / 8

HEX #9EBFEB

RGB 158 191 235

HSL 214.29, 0.66%, 0.77%

LAB 76.39, -0.83, -25.46

 

CMYK 0 / 32 / 12 / 8

HEX #EB9FCE

RGB 235 159 206

HSL 322.89, 0.66%, 0.77%

LAB 74.14, 35.1, -12.48

 

CMYK 0 / 4 / 33 / 8

HEX #EBE19E

RGB 235 225 158

HSL 52.21, 0.66%, 0.77%

LAB 88.91, -6.43, 34.06

 

CMYK 33 / 0 / 21 / 8

HEX #9EEBBA

RGB 158 235 186

HSL 141.82, 0.66%, 0.77%

LAB 87.11, -33.75, 16.37

 

CMYK 33 / 29 / 0 / 8

HEX #9EA8EB

RGB 158 168 235

HSL 232.21, 0.66%, 0.77%

LAB 70.37, 11.86, -34.73

 

Description

Color code: HEX #EB9FCE | qconv.com Color code: HEX #EB9FCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 159 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 159 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 12 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 12% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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