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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9FC1 it is the complementary color #14603E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9FC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9FC1 shade: #F09FBC, #FFB1CF, #FFC3E2, #FFD5F5 and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9FC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9FC1 shade: #EB9FC1, #DA8DAE, #C97B9B, #B86988 and #A75775

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9FC1 shade: #EB9EC0, #EB9EAB and #EB9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9FC1 shade: #EB9EC0, #EB9ED5, #EB9EEA, #D79EEB and #C29EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9FC1 shade matches the following richer shades: #EB9EC0, #F594BF and #FE8BBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9FC1 shade: #EB9EC0, #E2A7C1, #D8B1C2, #CFBAC3 and #C5C4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9FC1 shade: #EB9EEA, #EB9ED5, #EB9EC0, #EB9EAC and #EBA49E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9FC1 shade: #DD5994, #E47BAA, #EB9EC0, #F2C0D6 and #F9E2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9FC1 shade: #EB9FC1, #EBD89E and #9EDFEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9FC1 shade: #EB9FC1, #C0EB9E and #9EC0EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9FC1 shade: #EB9FC1, #EBD89E, #9EEBC8 and #9EB1EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9FC1 shade: #EB9FC1, #E7EB9E, #9EEBC8 and #A29EEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 18 / 8

HEX #EB9FC1

RGB 235 159 193

HSL 333.16, 0.66%, 0.77%

LAB 73.75, 33.04, -5.91

 

Complementary color

CMYK 79 / 0 / 35 / 62

HEX #14603E

RGB 20 96 62

HSL 153.16, 0.66%, 0.23%

LAB 35.72, -31.41, 13.12

 

CMYK 0 / 34 / 22 / 6

HEX #F09FBC

RGB 240 159 188

HSL 338.52, 0.73%, 0.78%

LAB 74.16, 34.04, -2.48

 

CMYK 0 / 31 / 19 / 0

HEX #FFB1CF

RGB 255 177 207

HSL 336.92, 1%, 0.85%

LAB 80.3, 32.61, -3.64

 

CMYK 0 / 24 / 11 / 0

HEX #FFC3E2

RGB 255 195 226

HSL 329, 1%, 0.88%

LAB 84.88, 26.13, -7.07

 

CMYK 0 / 16 / 4 / 0

HEX #FFD5F5

RGB 255 213 245

HSL 314.29, 1%, 0.92%

LAB 89.6, 19.88, -10.14

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 32 / 18 / 8

HEX #EB9FC1

RGB 235 159 193

HSL 333.16, 0.66%, 0.77%

LAB 73.75, 33.04, -5.91

 

CMYK 0 / 35 / 20 / 15

HEX #DA8DAE

RGB 218 141 174

HSL 334.29, 0.51%, 0.7%

LAB 67.29, 33.8, -5.11

 

CMYK 0 / 39 / 23 / 21

HEX #C97B9B

RGB 201 123 155

HSL 335.38, 0.42%, 0.64%

LAB 60.74, 34.6, -4.23

 

CMYK 0 / 43 / 26 / 28

HEX #B86988

RGB 184 105 136

HSL 336.46, 0.36%, 0.57%

LAB 54.1, 35.46, -3.23

 

CMYK 0 / 48 / 30 / 35

HEX #A75775

RGB 167 87 117

HSL 337.5, 0.31%, 0.5%

LAB 47.39, 36.34, -2.06

 

CMYK 0 / 33 / 18 / 8

HEX #EB9EC0

RGB 235 158 192

HSL 333.51, 0.66%, 0.77%

LAB 73.49, 33.42, -5.73

 

CMYK 0 / 33 / 27 / 8

HEX #EB9EAB

RGB 235 158 171

HSL 349.87, 0.66%, 0.77%

LAB 72.93, 30.39, 5.03

 

CMYK 0 / 33 / 33 / 8

HEX #EB9E9E

RGB 235 158 158

HSL 0, 0.66%, 0.77%

LAB 72.62, 28.69, 11.76

 

CMYK 0 / 33 / 18 / 8

HEX #EB9EC0

RGB 235 158 192

HSL 333.51, 0.66%, 0.77%

LAB 73.49, 33.42, -5.73

 

CMYK 0 / 33 / 9 / 8

HEX #EB9ED5

RGB 235 158 213

HSL 317.14, 0.66%, 0.77%

LAB 74.14, 36.78, -16.31

 

CMYK 0 / 33 / 0 / 8

HEX #EB9EEA

RGB 235 158 234

HSL 300.78, 0.66%, 0.77%

LAB 74.86, 40.45, -26.69

 

CMYK 9 / 33 / 0 / 8

HEX #D79EEB

RGB 215 158 235

HSL 284.42, 0.66%, 0.77%

LAB 72.83, 34.41, -30.54

 

CMYK 17 / 33 / 0 / 8

HEX #C29EEB

RGB 194 158 235

HSL 268.05, 0.66%, 0.77%

LAB 70.82, 27.99, -33.81

 

CMYK 0 / 33 / 18 / 8

HEX #EB9EC0

RGB 235 158 192

HSL 333.51, 0.66%, 0.77%

LAB 73.49, 33.42, -5.73

 

CMYK 0 / 40 / 22 / 4

HEX #F594BF

RGB 245 148 191

HSL 333.4, 0.83%, 0.77%

LAB 72.46, 41.93, -6.58

 

CMYK 0 / 45 / 25 / 0

HEX #FE8BBE

RGB 254 139 190

HSL 333.39, 0.98%, 0.77%

LAB 71.73, 49.35, -6.99

 

CMYK 0 / 33 / 18 / 8

HEX #EB9EC0

RGB 235 158 192

HSL 333.51, 0.66%, 0.77%

LAB 73.49, 33.42, -5.73

 

CMYK 0 / 26 / 15 / 11

HEX #E2A7C1

RGB 226 167 193

HSL 333.56, 0.5%, 0.77%

LAB 74.61, 25.62, -4.74

 

CMYK 0 / 18 / 10 / 15

HEX #D8B1C2

RGB 216 177 194

HSL 333.85, 0.33%, 0.77%

LAB 76.03, 16.86, -3.31

 

CMYK 0 / 10 / 6 / 19

HEX #CFBAC3

RGB 207 186 195

HSL 334.29, 0.18%, 0.77%

LAB 77.47, 9, -1.82

 

CMYK 0 / 1 / 1 / 23

HEX #C5C4C4

RGB 197 196 196

HSL 0, 0.01%, 0.77%

LAB 79.23, 0.35, 0.11

 

CMYK 0 / 33 / 0 / 8

HEX #EB9EEA

RGB 235 158 234

HSL 300.78, 0.66%, 0.77%

LAB 74.86, 40.45, -26.69

 

CMYK 0 / 33 / 9 / 8

HEX #EB9ED5

RGB 235 158 213

HSL 317.14, 0.66%, 0.77%

LAB 74.14, 36.78, -16.31

 

CMYK 0 / 33 / 18 / 8

HEX #EB9EC0

RGB 235 158 192

HSL 333.51, 0.66%, 0.77%

LAB 73.49, 33.42, -5.73

 

CMYK 0 / 33 / 27 / 8

HEX #EB9EAC

RGB 235 158 172

HSL 349.09, 0.66%, 0.77%

LAB 72.95, 30.52, 4.51

 

CMYK 0 / 30 / 33 / 8

HEX #EBA49E

RGB 235 164 158

HSL 4.68, 0.66%, 0.77%

LAB 73.99, 25.5, 13.69

 

CMYK 0 / 60 / 33 / 13

HEX #DD5994

RGB 221 89 148

HSL 333.18, 0.66%, 0.61%

LAB 56.74, 57.18, -5.79

 

CMYK 0 / 46 / 25 / 11

HEX #E47BAA

RGB 228 123 170

HSL 333.14, 0.66%, 0.69%

LAB 64.61, 46.04, -6.68

 

CMYK 0 / 33 / 18 / 8

HEX #EB9EC0

RGB 235 158 192

HSL 333.51, 0.66%, 0.77%

LAB 73.49, 33.42, -5.73

 

CMYK 0 / 21 / 12 / 5

HEX #F2C0D6

RGB 242 192 214

HSL 333.6, 0.66%, 0.85%

LAB 82.61, 21.28, -4.15

 

CMYK 0 / 9 / 5 / 2

HEX #F9E2EC

RGB 249 226 236

HSL 333.91, 0.66%, 0.93%

LAB 91.95, 9.54, -2.01

 

CMYK 0 / 32 / 18 / 8

HEX #EB9FC1

RGB 235 159 193

HSL 333.16, 0.66%, 0.77%

LAB 73.75, 33.04, -5.91

 

CMYK 0 / 8 / 33 / 8

HEX #EBD89E

RGB 235 216 158

HSL 45.19, 0.66%, 0.77%

LAB 86.62, -1.86, 31.02

 

CMYK 33 / 5 / 0 / 8

HEX #9EDFEB

RGB 158 223 235

HSL 189.35, 0.66%, 0.77%

LAB 85.02, -17.55, -12.42

 

CMYK 0 / 32 / 18 / 8

HEX #EB9FC1

RGB 235 159 193

HSL 333.16, 0.66%, 0.77%

LAB 73.75, 33.04, -5.91

 

CMYK 18 / 0 / 33 / 8

HEX #C0EB9E

RGB 192 235 158

HSL 93.51, 0.66%, 0.77%

LAB 88.49, -27.23, 32.95

 

CMYK 33 / 18 / 0 / 8

HEX #9EC0EB

RGB 158 192 235

HSL 213.51, 0.66%, 0.77%

LAB 76.66, -1.37, -25.05

 

CMYK 0 / 32 / 18 / 8

HEX #EB9FC1

RGB 235 159 193

HSL 333.16, 0.66%, 0.77%

LAB 73.75, 33.04, -5.91

 

CMYK 0 / 8 / 33 / 8

HEX #EBD89E

RGB 235 216 158

HSL 45.19, 0.66%, 0.77%

LAB 86.62, -1.86, 31.02

 

CMYK 33 / 0 / 15 / 8

HEX #9EEBC8

RGB 158 235 200

HSL 152.73, 0.66%, 0.77%

LAB 87.41, -31.04, 9.5

 

CMYK 33 / 25 / 0 / 8

HEX #9EB1EB

RGB 158 177 235

HSL 225.19, 0.66%, 0.77%

LAB 72.7, 6.84, -31.12

 

CMYK 0 / 32 / 18 / 8

HEX #EB9FC1

RGB 235 159 193

HSL 333.16, 0.66%, 0.77%

LAB 73.75, 33.04, -5.91

 

CMYK 2 / 0 / 33 / 8

HEX #E7EB9E

RGB 231 235 158

HSL 63.12, 0.66%, 0.77%

LAB 91.18, -12.96, 36.99

 

CMYK 33 / 0 / 15 / 8

HEX #9EEBC8

RGB 158 235 200

HSL 152.73, 0.66%, 0.77%

LAB 87.41, -31.04, 9.5

 

CMYK 31 / 33 / 0 / 8

HEX #A29EEB

RGB 162 158 235

HSL 243.12, 0.66%, 0.77%

LAB 68.12, 18.63, -38.21

 

Description

Color code: HEX #EB9FC1 | qconv.com Color code: HEX #EB9FC1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 159 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 159 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 18 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 18% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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