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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9F28 it is the complementary color #1460D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9F28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9F28 shade: #F09F23, #FFB136, #FFC349, #FFD55C and #FFE76F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9F28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9F28 shade: #EB9F28, #DA8D15, #C97B02, #B86900 and #A75700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9F28 shade: #EB9F28, #EB6A28, #EB3628 and #EB2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9F28 shade: #EB9F28, #EBD328, #CDEB28, #99EB28 and #64EB28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9F28 shade matches the following richer shades: #EB9F28 and #FEA315

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9F28 shade: #EB9F28, #D89A3B, #C5964E, #B29261 and #9F8E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9F28 shade: #EB3528, #EB6928, #EB9D28, #EBD128 and #D1EB28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9F28 shade: #B07210, #D68A13, #EB9F28, #EEB04E and #F2C073

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9F28 shade: #EB9F28, #4FEB28 and #4F28EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9F28 shade: #EB9F28, #28EB9D and #9D28EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9F28 shade: #EB9F28, #4FEB28, #2876EB and #C428EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9F28 shade: #EB9F28, #28EB3B, #2876EB and #EB28D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

Complementary color

CMYK 91 / 55 / 0 / 16

HEX #1460D7

RGB 20 96 215

HSL 216.62, 0.83%, 0.46%

LAB 43.39, 24.26, -66.86

 

CMYK 0 / 34 / 85 / 6

HEX #F09F23

RGB 240 159 35

HSL 36.29, 0.87%, 0.54%

LAB 71.85, 21.24, 69.81

 

CMYK 0 / 31 / 79 / 0

HEX #FFB136

RGB 255 177 54

HSL 36.72, 1%, 0.61%

LAB 77.86, 18.63, 69.6

 

CMYK 0 / 24 / 71 / 0

HEX #FFC349

RGB 255 195 73

HSL 40.22, 1%, 0.64%

LAB 82.26, 10.02, 66.65

 

CMYK 0 / 16 / 64 / 0

HEX #FFD55C

RGB 255 213 92

HSL 44.54, 1%, 0.68%

LAB 86.81, 1.76, 63.51

 

CMYK 0 / 9 / 56 / 0

HEX #FFE76F

RGB 255 231 111

HSL 50, 1%, 0.72%

LAB 91.49, -6.07, 60.35

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 0 / 35 / 90 / 15

HEX #DA8D15

RGB 218 141 21

HSL 36.55, 0.82%, 0.47%

LAB 64.97, 21.18, 66.85

 

CMYK 0 / 39 / 99 / 21

HEX #C97B02

RGB 201 123 2

HSL 36.48, 0.98%, 0.4%

LAB 58.59, 23.33, 64.74

 

CMYK 0 / 43 / 100 / 28

HEX #B86900

RGB 184 105 0

HSL 34.24, 1%, 0.36%

LAB 52.17, 25.76, 59.87

 

CMYK 0 / 48 / 100 / 35

HEX #A75700

RGB 167 87 0

HSL 31.26, 1%, 0.33%

LAB 45.68, 28.26, 54.63

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 0 / 55 / 83 / 8

HEX #EB6A28

RGB 235 106 40

HSL 20.31, 0.83%, 0.54%

LAB 60, 46.48, 57.83

 

CMYK 0 / 77 / 83 / 8

HEX #EB3628

RGB 235 54 40

HSL 4.31, 0.83%, 0.54%

LAB 52.35, 67.04, 51.02

 

CMYK 0 / 83 / 83 / 8

HEX #EB2828

RGB 235 40 40

HSL 0, 0.83%, 0.54%

LAB 51.07, 70.64, 49.87

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 0 / 10 / 83 / 8

HEX #EBD328

RGB 235 211 40

HSL 52.62, 0.83%, 0.54%

LAB 84.18, -7.84, 78.49

 

CMYK 13 / 0 / 83 / 8

HEX #CDEB28

RGB 205 235 40

HSL 69.23, 0.83%, 0.54%

LAB 88.23, -31.94, 80.98

 

CMYK 35 / 0 / 83 / 8

HEX #99EB28

RGB 153 235 40

HSL 85.23, 0.83%, 0.54%

LAB 85.17, -51.57, 77.14

 

CMYK 57 / 0 / 83 / 8

HEX #64EB28

RGB 100 235 40

HSL 101.54, 0.83%, 0.54%

LAB 83.06, -67.43, 74.47

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 0 / 36 / 92 / 0

HEX #FEA315

RGB 254 163 21

HSL 36.57, 0.99%, 0.54%

LAB 74.39, 24.76, 75.76

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 0 / 29 / 73 / 15

HEX #D89A3B

RGB 216 154 59

HSL 36.31, 0.67%, 0.54%

LAB 68.04, 14.52, 56.71

 

CMYK 0 / 24 / 60 / 23

HEX #C5964E

RGB 197 150 78

HSL 36.3, 0.51%, 0.54%

LAB 65.15, 9.66, 44.14

 

CMYK 0 / 18 / 46 / 30

HEX #B29261

RGB 178 146 97

HSL 36.3, 0.34%, 0.54%

LAB 62.41, 5.44, 30.43

 

CMYK 0 / 11 / 27 / 38

HEX #9F8E74

RGB 159 142 116

HSL 36.28, 0.18%, 0.54%

LAB 59.87, 2.16, 16.19

 

CMYK 0 / 77 / 83 / 8

HEX #EB3528

RGB 235 53 40

HSL 4, 0.83%, 0.54%

LAB 52.24, 67.33, 50.93

 

CMYK 0 / 55 / 83 / 8

HEX #EB6928

RGB 235 105 40

HSL 20, 0.83%, 0.54%

LAB 59.82, 46.95, 57.67

 

CMYK 0 / 33 / 83 / 8

HEX #EB9D28

RGB 235 157 40

HSL 36, 0.83%, 0.54%

LAB 70.82, 20.31, 67.2

 

CMYK 0 / 11 / 83 / 8

HEX #EBD128

RGB 235 209 40

HSL 52, 0.83%, 0.54%

LAB 83.66, -6.83, 78.06

 

CMYK 11 / 0 / 83 / 8

HEX #D1EB28

RGB 209 235 40

HSL 68, 0.83%, 0.54%

LAB 88.51, -30.34, 81.33

 

CMYK 0 / 35 / 91 / 31

HEX #B07210

RGB 176 114 16

HSL 36.75, 0.83%, 0.38%

LAB 53.28, 17.48, 56.86

 

CMYK 0 / 36 / 91 / 16

HEX #D68A13

RGB 214 138 19

HSL 36.62, 0.84%, 0.46%

LAB 63.77, 21.04, 66.17

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 0 / 26 / 67 / 7

HEX #EEB04E

RGB 238 176 78

HSL 36.75, 0.82%, 0.62%

LAB 75.93, 13.1, 57.4

 

CMYK 0 / 21 / 52 / 5

HEX #F2C073

RGB 242 192 115

HSL 36.38, 0.83%, 0.7%

LAB 80.64, 8.93, 45.31

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 66 / 0 / 83 / 8

HEX #4FEB28

RGB 79 235 40

HSL 108, 0.83%, 0.54%

LAB 82.5, -72.04, 73.76

 

CMYK 66 / 83 / 0 / 8

HEX #4F28EB

RGB 79 40 235

HSL 252, 0.83%, 0.54%

LAB 36.32, 66.71, -89.78

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 83 / 0 / 33 / 8

HEX #28EB9D

RGB 40 235 157

HSL 156, 0.83%, 0.54%

LAB 83.07, -63.05, 25.24

 

CMYK 33 / 83 / 0 / 8

HEX #9D28EB

RGB 157 40 235

HSL 276, 0.83%, 0.54%

LAB 45.2, 75.35, -74.86

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 66 / 0 / 83 / 8

HEX #4FEB28

RGB 79 235 40

HSL 108, 0.83%, 0.54%

LAB 82.5, -72.04, 73.76

 

CMYK 83 / 50 / 0 / 8

HEX #2876EB

RGB 40 118 235

HSL 216, 0.83%, 0.54%

LAB 51.16, 19.13, -65.55

 

CMYK 17 / 83 / 0 / 8

HEX #C428EB

RGB 196 40 235

HSL 288, 0.83%, 0.54%

LAB 50.98, 81.3, -65.2

 

CMYK 0 / 32 / 83 / 8

HEX #EB9F28

RGB 235 159 40

HSL 36.62, 0.83%, 0.54%

LAB 71.29, 19.25, 67.61

 

CMYK 83 / 0 / 75 / 8

HEX #28EB3B

RGB 40 235 59

HSL 125.85, 0.83%, 0.54%

LAB 81.94, -76.6, 67.67

 

CMYK 83 / 50 / 0 / 8

HEX #2876EB

RGB 40 118 235

HSL 216, 0.83%, 0.54%

LAB 51.16, 19.13, -65.55

 

CMYK 0 / 83 / 9 / 8

HEX #EB28D7

RGB 235 40 215

HSL 306.15, 0.83%, 0.54%

LAB 56.17, 85.09, -45.2

 

Description

Color code: HEX #EB9F28 | qconv.com Color code: HEX #EB9F28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 159 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 159 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 83% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

94% - Estratégia1 Publicid...
Link: http://www.estrategia1publicidade.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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