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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9CD5 it is the complementary color #14632A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9CD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9CD5 shade: #F09CD0, #FFAEE3, #FFC0F6, #FFD2FF and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9CD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9CD5 shade: #EB9CD5, #DA8AC2, #C978AF, #B8669C and #A75489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9CD5 shade: #EB9ED5, #EB9EC1, #EB9EAC and #EB9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9CD5 shade: #EB9ED5, #EB9EEA, #D79EEB, #C29EEB and #AD9EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9CD5 shade matches the following richer shades: #EB9ED5, #F594DA and #FE8BDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9CD5 shade: #EB9ED5, #E2A7D1, #D8B1CD, #CFBAC9 and #C5C4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9CD5 shade: #D69EEB, #EB9EEB, #EB9ED6, #EB9EC2 and #EB9EAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9CD5 shade: #DD59B8, #E47BC7, #EB9ED5, #F2C0E4 and #F9E2F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9CD5 shade: #EB9CD5, #EBC29E and #9EEBE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9CD5 shade: #EB9CD5, #D6EB9E and #9ED6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9CD5 shade: #EB9CD5, #EBC29E, #9EEBB2 and #9EC7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9CD5 shade: #EB9CD5, #EBD99E, #9EEBB2 and #9EB0EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 9 / 8

HEX #EB9CD5

RGB 235 156 213

HSL 316.71, 0.66%, 0.77%

LAB 73.7, 37.84, -16.97

 

Complementary color

CMYK 80 / 0 / 58 / 61

HEX #14632A

RGB 20 99 42

HSL 136.71, 0.66%, 0.23%

LAB 36.44, -36.62, 25.63

 

CMYK 0 / 35 / 13 / 6

HEX #F09CD0

RGB 240 156 208

HSL 322.86, 0.74%, 0.78%

LAB 74.1, 38.67, -13.58

 

CMYK 0 / 32 / 11 / 0

HEX #FFAEE3

RGB 255 174 227

HSL 320.74, 1%, 0.84%

LAB 80.22, 37.29, -14.56

 

CMYK 0 / 25 / 4 / 0

HEX #FFC0F6

RGB 255 192 246

HSL 308.57, 1%, 0.88%

LAB 84.8, 31.07, -17.86

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 34 / 9 / 8

HEX #EB9CD5

RGB 235 156 213

HSL 316.71, 0.66%, 0.77%

LAB 73.7, 37.84, -16.97

 

CMYK 0 / 37 / 11 / 15

HEX #DA8AC2

RGB 218 138 194

HSL 318, 0.52%, 0.7%

LAB 67.26, 38.57, -16.36

 

CMYK 0 / 40 / 13 / 21

HEX #C978AF

RGB 201 120 175

HSL 319.26, 0.43%, 0.63%

LAB 60.73, 39.34, -15.69

 

CMYK 0 / 45 / 15 / 28

HEX #B8669C

RGB 184 102 156

HSL 320.49, 0.37%, 0.56%

LAB 54.13, 40.12, -14.92

 

CMYK 0 / 50 / 18 / 35

HEX #A75489

RGB 167 84 137

HSL 321.69, 0.33%, 0.49%

LAB 47.45, 40.89, -14.02

 

CMYK 0 / 33 / 9 / 8

HEX #EB9ED5

RGB 235 158 213

HSL 317.14, 0.66%, 0.77%

LAB 74.14, 36.78, -16.31

 

CMYK 0 / 33 / 18 / 8

HEX #EB9EC1

RGB 235 158 193

HSL 332.73, 0.66%, 0.77%

LAB 73.52, 33.57, -6.24

 

CMYK 0 / 33 / 27 / 8

HEX #EB9EAC

RGB 235 158 172

HSL 349.09, 0.66%, 0.77%

LAB 72.95, 30.52, 4.51

 

CMYK 0 / 33 / 33 / 8

HEX #EB9E9E

RGB 235 158 158

HSL 0, 0.66%, 0.77%

LAB 72.62, 28.69, 11.76

 

CMYK 0 / 33 / 9 / 8

HEX #EB9ED5

RGB 235 158 213

HSL 317.14, 0.66%, 0.77%

LAB 74.14, 36.78, -16.31

 

CMYK 0 / 33 / 0 / 8

HEX #EB9EEA

RGB 235 158 234

HSL 300.78, 0.66%, 0.77%

LAB 74.86, 40.45, -26.69

 

CMYK 9 / 33 / 0 / 8

HEX #D79EEB

RGB 215 158 235

HSL 284.42, 0.66%, 0.77%

LAB 72.83, 34.41, -30.54

 

CMYK 17 / 33 / 0 / 8

HEX #C29EEB

RGB 194 158 235

HSL 268.05, 0.66%, 0.77%

LAB 70.82, 27.99, -33.81

 

CMYK 26 / 33 / 0 / 8

HEX #AD9EEB

RGB 173 158 235

HSL 251.69, 0.66%, 0.77%

LAB 68.99, 21.77, -36.78

 

CMYK 0 / 33 / 9 / 8

HEX #EB9ED5

RGB 235 158 213

HSL 317.14, 0.66%, 0.77%

LAB 74.14, 36.78, -16.31

 

CMYK 0 / 40 / 11 / 4

HEX #F594DA

RGB 245 148 218

HSL 316.7, 0.83%, 0.77%

LAB 73.32, 46.05, -20.19

 

CMYK 0 / 45 / 13 / 0

HEX #FE8BDE

RGB 254 139 222

HSL 316.7, 0.98%, 0.77%

LAB 72.77, 54.01, -23.13

 

CMYK 0 / 33 / 9 / 8

HEX #EB9ED5

RGB 235 158 213

HSL 317.14, 0.66%, 0.77%

LAB 74.14, 36.78, -16.31

 

CMYK 0 / 26 / 8 / 11

HEX #E2A7D1

RGB 226 167 209

HSL 317.29, 0.5%, 0.77%

LAB 75.08, 28.29, -12.8

 

CMYK 0 / 18 / 5 / 15

HEX #D8B1CD

RGB 216 177 205

HSL 316.92, 0.33%, 0.77%

LAB 76.35, 18.77, -8.83

 

CMYK 0 / 10 / 3 / 19

HEX #CFBAC9

RGB 207 186 201

HSL 317.14, 0.18%, 0.77%

LAB 77.64, 10.08, -4.83

 

CMYK 0 / 1 / 0 / 23

HEX #C5C4C5

RGB 197 196 197

HSL 300, 0.01%, 0.77%

LAB 79.26, 0.53, -0.39

 

CMYK 9 / 33 / 0 / 8

HEX #D69EEB

RGB 214 158 235

HSL 283.64, 0.66%, 0.77%

LAB 72.73, 34.1, -30.7

 

CMYK 0 / 33 / 0 / 8

HEX #EB9EEB

RGB 235 158 235

HSL 300, 0.66%, 0.77%

LAB 74.9, 40.63, -27.18

 

CMYK 0 / 33 / 9 / 8

HEX #EB9ED6

RGB 235 158 214

HSL 316.36, 0.66%, 0.77%

LAB 74.17, 36.95, -16.81

 

CMYK 0 / 33 / 17 / 8

HEX #EB9EC2

RGB 235 158 194

HSL 331.95, 0.66%, 0.77%

LAB 73.55, 33.73, -6.75

 

CMYK 0 / 33 / 26 / 8

HEX #EB9EAD

RGB 235 158 173

HSL 348.31, 0.66%, 0.77%

LAB 72.98, 30.66, 4

 

CMYK 0 / 60 / 17 / 13

HEX #DD59B8

RGB 221 89 184

HSL 316.82, 0.66%, 0.61%

LAB 58.02, 61.93, -24.76

 

CMYK 0 / 46 / 13 / 11

HEX #E47BC7

RGB 228 123 199

HSL 316.57, 0.66%, 0.69%

LAB 65.58, 50.33, -21.61

 

CMYK 0 / 33 / 9 / 8

HEX #EB9ED5

RGB 235 158 213

HSL 317.14, 0.66%, 0.77%

LAB 74.14, 36.78, -16.31

 

CMYK 0 / 21 / 6 / 5

HEX #F2C0E4

RGB 242 192 228

HSL 316.8, 0.66%, 0.85%

LAB 83.01, 23.63, -11.07

 

CMYK 0 / 9 / 2 / 2

HEX #F9E2F3

RGB 249 226 243

HSL 315.65, 0.66%, 0.93%

LAB 92.13, 10.75, -5.4

 

CMYK 0 / 34 / 9 / 8

HEX #EB9CD5

RGB 235 156 213

HSL 316.71, 0.66%, 0.77%

LAB 73.7, 37.84, -16.97

 

CMYK 0 / 17 / 33 / 8

HEX #EBC29E

RGB 235 194 158

HSL 28.05, 0.66%, 0.77%

LAB 81.13, 9.58, 23.6

 

CMYK 33 / 0 / 4 / 8

HEX #9EEBE1

RGB 158 235 225

HSL 172.21, 0.66%, 0.77%

LAB 88.03, -25.76, -2.7

 

CMYK 0 / 34 / 9 / 8

HEX #EB9CD5

RGB 235 156 213

HSL 316.71, 0.66%, 0.77%

LAB 73.7, 37.84, -16.97

 

CMYK 9 / 0 / 33 / 8

HEX #D6EB9E

RGB 214 235 158

HSL 76.36, 0.66%, 0.77%

LAB 89.94, -19.3, 35.14

 

CMYK 33 / 9 / 0 / 8

HEX #9ED6EB

RGB 158 214 235

HSL 196.36, 0.66%, 0.77%

LAB 82.57, -12.97, -16.09

 

CMYK 0 / 34 / 9 / 8

HEX #EB9CD5

RGB 235 156 213

HSL 316.71, 0.66%, 0.77%

LAB 73.7, 37.84, -16.97

 

CMYK 0 / 17 / 33 / 8

HEX #EBC29E

RGB 235 194 158

HSL 28.05, 0.66%, 0.77%

LAB 81.13, 9.58, 23.6

 

CMYK 33 / 0 / 24 / 8

HEX #9EEBB2

RGB 158 235 178

HSL 135.58, 0.66%, 0.77%

LAB 86.95, -35.21, 20.29

 

CMYK 33 / 15 / 0 / 8

HEX #9EC7EB

RGB 158 199 235

HSL 208.05, 0.66%, 0.77%

LAB 78.53, -5.12, -22.2

 

CMYK 0 / 34 / 9 / 8

HEX #EB9CD5

RGB 235 156 213

HSL 316.71, 0.66%, 0.77%

LAB 73.7, 37.84, -16.97

 

CMYK 0 / 8 / 33 / 8

HEX #EBD99E

RGB 235 217 158

HSL 45.97, 0.66%, 0.77%

LAB 86.88, -2.37, 31.36

 

CMYK 33 / 0 / 24 / 8

HEX #9EEBB2

RGB 158 235 178

HSL 135.58, 0.66%, 0.77%

LAB 86.95, -35.21, 20.29

 

CMYK 33 / 25 / 0 / 8

HEX #9EB0EB

RGB 158 176 235

HSL 225.97, 0.66%, 0.77%

LAB 72.44, 7.39, -31.53

 

Description

Color code: HEX #EB9CD5 | qconv.com Color code: HEX #EB9CD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 156 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 156 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 9 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 9% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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