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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9C66 it is the complementary color #146399. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9C66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9C66 shade: #F09C61, #FFAE74, #FFC087, #FFD29A and #FFE4AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9C66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9C66 shade: #EB9C66, #DA8A53, #C97840, #B8662D and #A7541A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9C66 shade: #EB9C66, #EB7866 and #EB6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9C66 shade: #EB9C66, #EBC066, #EBE466, #CEEB66 and #AAEB66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9C66 shade matches the following richer shades: #EB9C66 and #F99958

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9C66 shade: #EB9C66, #DD9E74, #CFA182, #C1A490 and #B3A69E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9C66 shade: #EB6677, #EB7766, #EB9B66, #EBBF66 and #EBE266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9C66 shade: #E16D1D, #E68441, #EB9C66, #F0B38A and #F5CBAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9C66 shade: #EB9C66, #9BEB66 and #6666EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9C66 shade: #EB9C66, #66EB9B and #9B66EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9C66 shade: #EB9C66, #9BEB66, #66B6EB and #B666EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9C66 shade: #EB9C66, #73EB66, #66B6EB and #DE66EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

Complementary color

CMYK 87 / 35 / 0 / 40

HEX #146399

RGB 20 99 153

HSL 204.36, 0.77%, 0.34%

LAB 40.2, -2.33, -35.77

 

CMYK 0 / 35 / 60 / 6

HEX #F09C61

RGB 240 156 97

HSL 24.76, 0.83%, 0.66%

LAB 71.67, 25.7, 43.44

 

CMYK 0 / 32 / 55 / 0

HEX #FFAE74

RGB 255 174 116

HSL 25.04, 1%, 0.73%

LAB 77.75, 23.69, 41.55

 

CMYK 0 / 25 / 47 / 0

HEX #FFC087

RGB 255 192 135

HSL 28.5, 1%, 0.76%

LAB 82.22, 15.93, 37.43

 

CMYK 0 / 18 / 40 / 0

HEX #FFD29A

RGB 255 210 154

HSL 33.27, 1%, 0.8%

LAB 86.84, 8.5, 33.69

 

CMYK 0 / 11 / 32 / 0

HEX #FFE4AD

RGB 255 228 173

HSL 40.24, 1%, 0.84%

LAB 91.58, 1.45, 30.26

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 0 / 37 / 62 / 15

HEX #DA8A53

RGB 218 138 83

HSL 24.44, 0.65%, 0.59%

LAB 64.73, 25.35, 41.72

 

CMYK 0 / 40 / 68 / 21

HEX #C97840

RGB 201 120 64

HSL 24.53, 0.56%, 0.52%

LAB 58.25, 26.83, 43.42

 

CMYK 0 / 45 / 76 / 28

HEX #B8662D

RGB 184 102 45

HSL 24.6, 0.61%, 0.45%

LAB 51.7, 28.5, 45.1

 

CMYK 0 / 50 / 84 / 35

HEX #A7541A

RGB 167 84 26

HSL 24.68, 0.73%, 0.38%

LAB 45.12, 30.38, 46.46

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 0 / 49 / 57 / 8

HEX #EB7866

RGB 235 120 102

HSL 8.12, 0.77%, 0.66%

LAB 63.39, 42.76, 30.31

 

CMYK 0 / 57 / 57 / 8

HEX #EB6666

RGB 235 102 102

HSL 0, 0.77%, 0.66%

LAB 60, 51.46, 25.9

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 0 / 18 / 57 / 8

HEX #EBC066

RGB 235 192 102

HSL 40.6, 0.77%, 0.66%

LAB 79.8, 5.02, 50.51

 

CMYK 0 / 3 / 57 / 8

HEX #EBE466

RGB 235 228 102

HSL 56.84, 0.77%, 0.66%

LAB 88.97, -13.31, 61.05

 

CMYK 12 / 0 / 57 / 8

HEX #CEEB66

RGB 206 235 102

HSL 73.08, 0.77%, 0.66%

LAB 88.68, -28.2, 60.14

 

CMYK 28 / 0 / 57 / 8

HEX #AAEB66

RGB 170 235 102

HSL 89.32, 0.77%, 0.66%

LAB 86.47, -41.61, 57.02

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 0 / 39 / 65 / 2

HEX #F99958

RGB 249 153 88

HSL 24.22, 0.93%, 0.66%

LAB 71.98, 30.3, 48.62

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 0 / 29 / 48 / 13

HEX #DD9E74

RGB 221 158 116

HSL 24, 0.61%, 0.66%

LAB 70.24, 18.56, 31.2

 

CMYK 0 / 22 / 37 / 19

HEX #CFA182

RGB 207 161 130

HSL 24.16, 0.45%, 0.66%

LAB 69.73, 12.84, 22.67

 

CMYK 0 / 15 / 25 / 24

HEX #C1A490

RGB 193 164 144

HSL 24.49, 0.28%, 0.66%

LAB 69.4, 7.53, 14.32

 

CMYK 0 / 7 / 12 / 30

HEX #B3A69E

RGB 179 166 158

HSL 22.86, 0.12%, 0.66%

LAB 68.99, 3.31, 5.82

 

CMYK 0 / 57 / 49 / 8

HEX #EB6677

RGB 235 102 119

HSL 352.33, 0.77%, 0.66%

LAB 60.33, 52.84, 16.57

 

CMYK 0 / 49 / 57 / 8

HEX #EB7766

RGB 235 119 102

HSL 7.67, 0.77%, 0.66%

LAB 63.19, 43.26, 30.05

 

CMYK 0 / 34 / 57 / 8

HEX #EB9B66

RGB 235 155 102

HSL 23.91, 0.77%, 0.66%

LAB 70.92, 24.59, 39.8

 

CMYK 0 / 19 / 57 / 8

HEX #EBBF66

RGB 235 191 102

HSL 40.15, 0.77%, 0.66%

LAB 79.55, 5.55, 50.21

 

CMYK 0 / 4 / 57 / 8

HEX #EBE266

RGB 235 226 102

HSL 55.94, 0.77%, 0.66%

LAB 88.45, -12.32, 60.47

 

CMYK 0 / 52 / 87 / 12

HEX #E16D1D

RGB 225 109 29

HSL 24.49, 0.77%, 0.5%

LAB 59.01, 40.93, 60.46

 

CMYK 0 / 43 / 72 / 10

HEX #E68441

RGB 230 132 65

HSL 24.36, 0.77%, 0.58%

LAB 64.73, 32.38, 51.1

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 0 / 25 / 43 / 6

HEX #F0B38A

RGB 240 179 138

HSL 24.12, 0.77%, 0.74%

LAB 77.64, 17.15, 29.57

 

CMYK 0 / 17 / 29 / 4

HEX #F5CBAF

RGB 245 203 175

HSL 24, 0.78%, 0.82%

LAB 84.6, 10.83, 19.53

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 34 / 0 / 57 / 8

HEX #9BEB66

RGB 155 235 102

HSL 96.09, 0.77%, 0.66%

LAB 85.68, -46.77, 55.91

 

CMYK 57 / 57 / 0 / 8

HEX #6666EB

RGB 102 102 235

HSL 240, 0.77%, 0.66%

LAB 49.89, 37.32, -67.47

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 57 / 0 / 34 / 8

HEX #66EB9B

RGB 102 235 155

HSL 143.91, 0.77%, 0.66%

LAB 84.28, -54.14, 28.11

 

CMYK 34 / 57 / 0 / 8

HEX #9B66EB

RGB 155 102 235

HSL 263.91, 0.77%, 0.66%

LAB 54.52, 48.39, -59.77

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 34 / 0 / 57 / 8

HEX #9BEB66

RGB 155 235 102

HSL 96.09, 0.77%, 0.66%

LAB 85.68, -46.77, 55.91

 

CMYK 57 / 23 / 0 / 8

HEX #66B6EB

RGB 102 182 235

HSL 203.91, 0.77%, 0.66%

LAB 71.06, -9.52, -33.9

 

CMYK 23 / 57 / 0 / 8

HEX #B666EB

RGB 182 102 235

HSL 276.09, 0.77%, 0.66%

LAB 57.51, 54.82, -54.82

 

CMYK 0 / 34 / 57 / 8

HEX #EB9C66

RGB 235 156 102

HSL 24.36, 0.77%, 0.66%

LAB 71.14, 24.06, 40.09

 

CMYK 51 / 0 / 57 / 8

HEX #73EB66

RGB 115 235 102

HSL 114.14, 0.77%, 0.66%

LAB 83.98, -58.83, 53.5

 

CMYK 57 / 23 / 0 / 8

HEX #66B6EB

RGB 102 182 235

HSL 203.91, 0.77%, 0.66%

LAB 71.06, -9.52, -33.9

 

CMYK 6 / 57 / 0 / 8

HEX #DE66EB

RGB 222 102 235

HSL 294.14, 0.77%, 0.66%

LAB 62.53, 64.77, -46.53

 

Description

Color code: HEX #EB9C66 | qconv.com Color code: HEX #EB9C66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 156 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 156 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 57 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 57% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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