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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9AA3 it is the complementary color #14655C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9AA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9AA3 shade: #F09A9E, #FFACB1, #FFBEC4, #FFD0D7 and #FFE2EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9AA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9AA3 shade: #EB9AA3, #DA8890, #C9767D, #B8646A and #A75257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9AA3 shade: #EB99A2 and #EB9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9AA3 shade: #EB99A2, #EB99B8, #EB99CE, #EB99E4 and #DB99EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9AA3 shade matches the following richer shades: #EB99A2, #F58F9A and #FF8593

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9AA3 shade: #EB99A2, #E1A3AA, #D7ADB1, #CDB7B9 and #C3C0C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9AA3 shade: #EB99CE, #EB99B8, #EB99A2, #EBA599 and #EBBB99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9AA3 shade: #DD5463, #E47683, #EB99A2, #F2BBC1 and #F8DEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9AA3 shade: #EB9AA3, #E4EB99 and #99C3EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9AA3 shade: #EB9AA3, #A2EB99 and #99A2EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9AA3 shade: #EB9AA3, #E4EB99, #99EBE1 and #A099EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9AA3 shade: #EB9AA3, #CBEB99, #99EBE1 and #B899EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 31 / 8

HEX #EB9AA3

RGB 235 154 163

HSL 353.33, 0.67%, 0.76%

LAB 71.84, 31.45, 7.89

 

Complementary color

CMYK 80 / 0 / 9 / 60

HEX #14655C

RGB 20 101 92

HSL 173.33, 0.67%, 0.24%

LAB 38.25, -25.52, -1.65

 

CMYK 0 / 36 / 34 / 6

HEX #F09A9E

RGB 240 154 158

HSL 357.21, 0.74%, 0.77%

LAB 72.3, 32.65, 11.39

 

CMYK 0 / 33 / 31 / 0

HEX #FFACB1

RGB 255 172 177

HSL 356.39, 1%, 0.84%

LAB 78.43, 31.07, 9.92

 

CMYK 0 / 25 / 23 / 0

HEX #FFBEC4

RGB 255 190 196

HSL 354.46, 1%, 0.87%

LAB 82.95, 24.19, 6.15

 

CMYK 0 / 18 / 16 / 0

HEX #FFD0D7

RGB 255 208 215

HSL 351.06, 1%, 0.91%

LAB 87.62, 17.57, 2.78

 

CMYK 0 / 11 / 8 / 0

HEX #FFE2EA

RGB 255 226 234

HSL 343.45, 1%, 0.94%

LAB 92.4, 11.25, -0.25

 

CMYK 0 / 34 / 31 / 8

HEX #EB9AA3

RGB 235 154 163

HSL 353.33, 0.67%, 0.76%

LAB 71.84, 31.45, 7.89

 

CMYK 0 / 38 / 34 / 15

HEX #DA8890

RGB 218 136 144

HSL 354.15, 0.53%, 0.69%

LAB 65.38, 32.32, 9.02

 

CMYK 0 / 41 / 38 / 21

HEX #C9767D

RGB 201 118 125

HSL 354.94, 0.43%, 0.63%

LAB 58.84, 33.28, 10.31

 

CMYK 0 / 46 / 42 / 28

HEX #B8646A

RGB 184 100 106

HSL 355.71, 0.37%, 0.56%

LAB 52.23, 34.31, 11.78

 

CMYK 0 / 51 / 48 / 35

HEX #A75257

RGB 167 82 87

HSL 356.47, 0.34%, 0.49%

LAB 45.55, 35.4, 13.51

 

CMYK 0 / 35 / 31 / 8

HEX #EB99A2

RGB 235 153 162

HSL 353.41, 0.67%, 0.76%

LAB 71.59, 31.85, 8.09

 

CMYK 0 / 35 / 35 / 8

HEX #EB9999

RGB 235 153 153

HSL 0, 0.67%, 0.76%

LAB 71.38, 30.72, 12.77

 

CMYK 0 / 35 / 31 / 8

HEX #EB99A2

RGB 235 153 162

HSL 353.41, 0.67%, 0.76%

LAB 71.59, 31.85, 8.09

 

CMYK 0 / 35 / 22 / 8

HEX #EB99B8

RGB 235 153 184

HSL 337.32, 0.67%, 0.76%

LAB 72.17, 34.87, -3.27

 

CMYK 0 / 35 / 12 / 8

HEX #EB99CE

RGB 235 153 206

HSL 321.22, 0.67%, 0.76%

LAB 72.83, 38.26, -14.44

 

CMYK 0 / 35 / 3 / 8

HEX #EB99E4

RGB 235 153 228

HSL 305.12, 0.67%, 0.76%

LAB 73.58, 42, -25.38

 

CMYK 7 / 35 / 0 / 8

HEX #DB99EB

RGB 219 153 235

HSL 288.29, 0.67%, 0.76%

LAB 72.12, 38.33, -31.59

 

CMYK 0 / 35 / 31 / 8

HEX #EB99A2

RGB 235 153 162

HSL 353.41, 0.67%, 0.76%

LAB 71.59, 31.85, 8.09

 

CMYK 0 / 42 / 37 / 4

HEX #F58F9A

RGB 245 143 154

HSL 353.53, 0.84%, 0.76%

LAB 70.45, 39.72, 11.07

 

CMYK 0 / 48 / 42 / 0

HEX #FF8593

RGB 255 133 147

HSL 353.11, 1%, 0.76%

LAB 69.57, 47.55, 13.93

 

CMYK 0 / 35 / 31 / 8

HEX #EB99A2

RGB 235 153 162

HSL 353.41, 0.67%, 0.76%

LAB 71.59, 31.85, 8.09

 

CMYK 0 / 28 / 24 / 12

HEX #E1A3AA

RGB 225 163 170

HSL 353.23, 0.51%, 0.76%

LAB 72.96, 23.92, 5.49

 

CMYK 0 / 20 / 18 / 16

HEX #D7ADB1

RGB 215 173 177

HSL 354.29, 0.34%, 0.76%

LAB 74.51, 15.9, 3.76

 

CMYK 0 / 11 / 10 / 20

HEX #CDB7B9

RGB 205 183 185

HSL 354.55, 0.18%, 0.76%

LAB 76.28, 8.18, 1.85

 

CMYK 0 / 2 / 1 / 24

HEX #C3C0C1

RGB 195 192 193

HSL 340, 0.02%, 0.76%

LAB 77.96, 1.23, -0.14

 

CMYK 0 / 35 / 12 / 8

HEX #EB99CE

RGB 235 153 206

HSL 321.22, 0.67%, 0.76%

LAB 72.83, 38.26, -14.44

 

CMYK 0 / 35 / 22 / 8

HEX #EB99B8

RGB 235 153 184

HSL 337.32, 0.67%, 0.76%

LAB 72.17, 34.87, -3.27

 

CMYK 0 / 35 / 31 / 8

HEX #EB99A2

RGB 235 153 162

HSL 353.41, 0.67%, 0.76%

LAB 71.59, 31.85, 8.09

 

CMYK 0 / 30 / 35 / 8

HEX #EBA599

RGB 235 165 153

HSL 8.78, 0.67%, 0.76%

LAB 74.11, 24.35, 16.59

 

CMYK 0 / 20 / 35 / 8

HEX #EBBB99

RGB 235 187 153

HSL 24.88, 0.67%, 0.76%

LAB 79.33, 12.66, 23.79

 

CMYK 0 / 62 / 55 / 13

HEX #DD5463

RGB 221 84 99

HSL 353.43, 0.67%, 0.6%

LAB 54.67, 54.58, 20.16

 

CMYK 0 / 48 / 43 / 11

HEX #E47683

RGB 228 118 131

HSL 352.91, 0.67%, 0.68%

LAB 62.58, 43.83, 12.65

 

CMYK 0 / 35 / 31 / 8

HEX #EB99A2

RGB 235 153 162

HSL 353.41, 0.67%, 0.76%

LAB 71.59, 31.85, 8.09

 

CMYK 0 / 23 / 20 / 5

HEX #F2BBC1

RGB 242 187 193

HSL 353.45, 0.68%, 0.84%

LAB 80.89, 20.66, 4.62

 

CMYK 0 / 10 / 9 / 3

HEX #F8DEE1

RGB 248 222 225

HSL 353.08, 0.65%, 0.92%

LAB 90.61, 9.42, 1.79

 

CMYK 0 / 34 / 31 / 8

HEX #EB9AA3

RGB 235 154 163

HSL 353.33, 0.67%, 0.76%

LAB 71.84, 31.45, 7.89

 

CMYK 3 / 0 / 35 / 8

HEX #E4EB99

RGB 228 235 153

HSL 65.12, 0.67%, 0.76%

LAB 90.88, -14.68, 39.05

 

CMYK 35 / 17 / 0 / 8

HEX #99C3EB

RGB 153 195 235

HSL 209.27, 0.67%, 0.76%

LAB 77.16, -4.36, -24.31

 

CMYK 0 / 34 / 31 / 8

HEX #EB9AA3

RGB 235 154 163

HSL 353.33, 0.67%, 0.76%

LAB 71.84, 31.45, 7.89

 

CMYK 31 / 0 / 35 / 8

HEX #A2EB99

RGB 162 235 153

HSL 113.41, 0.67%, 0.76%

LAB 86.7, -38.09, 32.79

 

CMYK 35 / 31 / 0 / 8

HEX #99A2EB

RGB 153 162 235

HSL 233.41, 0.67%, 0.76%

LAB 68.47, 13.86, -37.71

 

CMYK 0 / 34 / 31 / 8

HEX #EB9AA3

RGB 235 154 163

HSL 353.33, 0.67%, 0.76%

LAB 71.84, 31.45, 7.89

 

CMYK 3 / 0 / 35 / 8

HEX #E4EB99

RGB 228 235 153

HSL 65.12, 0.67%, 0.76%

LAB 90.88, -14.68, 39.05

 

CMYK 35 / 0 / 4 / 8

HEX #99EBE1

RGB 153 235 225

HSL 172.68, 0.67%, 0.76%

LAB 87.79, -27.11, -3.08

 

CMYK 32 / 35 / 0 / 8

HEX #A099EB

RGB 160 153 235

HSL 245.12, 0.67%, 0.76%

LAB 66.71, 20.91, -40.41

 

CMYK 0 / 34 / 31 / 8

HEX #EB9AA3

RGB 235 154 163

HSL 353.33, 0.67%, 0.76%

LAB 71.84, 31.45, 7.89

 

CMYK 14 / 0 / 35 / 8

HEX #CBEB99

RGB 203 235 153

HSL 83.41, 0.67%, 0.76%

LAB 89.12, -23.97, 36.42

 

CMYK 35 / 0 / 4 / 8

HEX #99EBE1

RGB 153 235 225

HSL 172.68, 0.67%, 0.76%

LAB 87.79, -27.11, -3.08

 

CMYK 22 / 35 / 0 / 8

HEX #B899EB

RGB 184 153 235

HSL 262.68, 0.67%, 0.76%

LAB 68.73, 27.78, -37.11

 

Description

Color code: HEX #EB9AA3 | qconv.com Color code: HEX #EB9AA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 154 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 154 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 31 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 31% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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