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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9A38 it is the complementary color #1465C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9A38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9A38 shade: #F09A33, #FFAC46, #FFBE59, #FFD06C and #FFE27F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9A38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9A38 shade: #EB9A38, #DA8825, #C97612, #B86400 and #A75200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9A38 shade: #EB9A37, #EB6937, #EB3937 and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9A38 shade: #EB9A37, #EBCA37, #DCEB37, #ABEB37 and #7BEB37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9A38 shade matches the following richer shades: #EB9A37 and #FD9C26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9A38 shade: #EB9A37, #DA9849, #C8975B, #B6956D and #A4937E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9A38 shade: #EB3737, #EB6737, #EB9737, #EBC737 and #DFEB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9A38 shade: #BD7013, #E38616, #EB9A37, #EFAD5D and #F3C083

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9A38 shade: #EB9A38, #67EB37 and #4F37EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9A38 shade: #EB9A38, #37EB97 and #9737EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9A38 shade: #EB9A38, #67EB37, #378BEB and #BB37EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9A38 shade: #EB9A38, #37EB3D, #378BEB and #EB37E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 76 / 8

HEX #EB9A38

RGB 235 154 56

HSL 32.85, 0.82%, 0.57%

LAB 70.22, 22.44, 60.84

 

Complementary color

CMYK 90 / 49 / 0 / 22

HEX #1465C7

RGB 20 101 199

HSL 212.85, 0.82%, 0.43%

LAB 43.62, 14.7, -57.3

 

CMYK 0 / 36 / 79 / 6

HEX #F09A33

RGB 240 154 51

HSL 32.7, 0.86%, 0.57%

LAB 70.78, 24.34, 63.55

 

CMYK 0 / 33 / 73 / 0

HEX #FFAC46

RGB 255 172 70

HSL 33.08, 1%, 0.64%

LAB 76.8, 21.87, 62.37

 

CMYK 0 / 25 / 65 / 0

HEX #FFBE59

RGB 255 190 89

HSL 36.51, 1%, 0.67%

LAB 81.19, 13.46, 58.69

 

CMYK 0 / 18 / 58 / 0

HEX #FFD06C

RGB 255 208 108

HSL 40.82, 1%, 0.71%

LAB 85.73, 5.38, 55.09

 

CMYK 0 / 11 / 50 / 0

HEX #FFE27F

RGB 255 226 127

HSL 46.41, 1%, 0.75%

LAB 90.41, -2.29, 51.65

 

CMYK 0 / 34 / 76 / 8

HEX #EB9A38

RGB 235 154 56

HSL 32.85, 0.82%, 0.57%

LAB 70.22, 22.44, 60.84

 

CMYK 0 / 38 / 83 / 15

HEX #DA8825

RGB 218 136 37

HSL 32.82, 0.71%, 0.5%

LAB 63.87, 24.22, 61.41

 

CMYK 0 / 41 / 91 / 21

HEX #C97612

RGB 201 118 18

HSL 32.79, 0.84%, 0.43%

LAB 57.48, 26.24, 60.98

 

CMYK 0 / 46 / 100 / 28

HEX #B86400

RGB 184 100 0

HSL 32.61, 1%, 0.36%

LAB 51.04, 28.47, 59.17

 

CMYK 0 / 51 / 100 / 35

HEX #A75200

RGB 167 82 0

HSL 29.46, 1%, 0.33%

LAB 44.59, 30.95, 53.98

 

CMYK 0 / 34 / 77 / 8

HEX #EB9A37

RGB 235 154 55

HSL 33, 0.82%, 0.57%

LAB 70.21, 22.4, 61.24

 

CMYK 0 / 55 / 77 / 8

HEX #EB6937

RGB 235 105 55

HSL 16.67, 0.82%, 0.57%

LAB 59.93, 47.43, 51.1

 

CMYK 0 / 76 / 77 / 8

HEX #EB3937

RGB 235 57 55

HSL 0.67, 0.82%, 0.57%

LAB 52.8, 66.59, 43.71

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 34 / 77 / 8

HEX #EB9A37

RGB 235 154 55

HSL 33, 0.82%, 0.57%

LAB 70.21, 22.4, 61.24

 

CMYK 0 / 14 / 77 / 8

HEX #EBCA37

RGB 235 202 55

HSL 49, 0.82%, 0.57%

LAB 81.94, -2.79, 72.24

 

CMYK 6 / 0 / 77 / 8

HEX #DCEB37

RGB 220 235 55

HSL 65, 0.82%, 0.57%

LAB 89.35, -25.38, 78.54

 

CMYK 27 / 0 / 77 / 8

HEX #ABEB37

RGB 171 235 55

HSL 81.33, 0.82%, 0.57%

LAB 86.18, -44.51, 74.47

 

CMYK 48 / 0 / 77 / 8

HEX #7BEB37

RGB 123 235 55

HSL 97.33, 0.82%, 0.57%

LAB 83.92, -60.51, 71.52

 

CMYK 0 / 34 / 77 / 8

HEX #EB9A37

RGB 235 154 55

HSL 33, 0.82%, 0.57%

LAB 70.21, 22.4, 61.24

 

CMYK 0 / 38 / 85 / 1

HEX #FD9C26

RGB 253 156 38

HSL 32.93, 0.98%, 0.57%

LAB 72.76, 28.3, 70.32

 

CMYK 0 / 34 / 77 / 8

HEX #EB9A37

RGB 235 154 55

HSL 33, 0.82%, 0.57%

LAB 70.21, 22.4, 61.24

 

CMYK 0 / 30 / 67 / 15

HEX #DA9849

RGB 218 152 73

HSL 32.69, 0.66%, 0.57%

LAB 67.9, 17.19, 50.32

 

CMYK 0 / 25 / 55 / 22

HEX #C8975B

RGB 200 151 91

HSL 33.03, 0.5%, 0.57%

LAB 65.88, 11.41, 38.46

 

CMYK 0 / 18 / 40 / 29

HEX #B6956D

RGB 182 149 109

HSL 32.88, 0.33%, 0.57%

LAB 63.79, 6.78, 25.77

 

CMYK 0 / 10 / 23 / 36

HEX #A4937E

RGB 164 147 126

HSL 33.16, 0.17%, 0.57%

LAB 61.88, 2.86, 13.43

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 56 / 77 / 8

HEX #EB6737

RGB 235 103 55

HSL 16, 0.82%, 0.57%

LAB 59.56, 48.38, 50.73

 

CMYK 0 / 36 / 77 / 8

HEX #EB9737

RGB 235 151 55

HSL 32, 0.82%, 0.57%

LAB 69.52, 23.99, 60.57

 

CMYK 0 / 15 / 77 / 8

HEX #EBC737

RGB 235 199 55

HSL 48, 0.82%, 0.57%

LAB 81.17, -1.25, 71.54

 

CMYK 5 / 0 / 77 / 8

HEX #DFEB37

RGB 223 235 55

HSL 64, 0.82%, 0.57%

LAB 89.57, -24.16, 78.82

 

CMYK 0 / 41 / 90 / 26

HEX #BD7013

RGB 189 112 19

HSL 32.82, 0.82%, 0.41%

LAB 54.51, 24.37, 57.77

 

CMYK 0 / 41 / 90 / 11

HEX #E38616

RGB 227 134 22

HSL 32.78, 0.82%, 0.49%

LAB 64.51, 28.73, 66.79

 

CMYK 0 / 34 / 77 / 8

HEX #EB9A37

RGB 235 154 55

HSL 33, 0.82%, 0.57%

LAB 70.21, 22.4, 61.24

 

CMYK 0 / 28 / 61 / 6

HEX #EFAD5D

RGB 239 173 93

HSL 32.88, 0.82%, 0.65%

LAB 75.47, 16.02, 49.9

 

CMYK 0 / 21 / 46 / 5

HEX #F3C083

RGB 243 192 131

HSL 32.68, 0.82%, 0.73%

LAB 80.96, 10.78, 37.63

 

CMYK 0 / 34 / 76 / 8

HEX #EB9A38

RGB 235 154 56

HSL 32.85, 0.82%, 0.57%

LAB 70.22, 22.44, 60.84

 

CMYK 56 / 0 / 77 / 8

HEX #67EB37

RGB 103 235 55

HSL 104, 0.82%, 0.57%

LAB 83.22, -65.93, 70.61

 

CMYK 66 / 77 / 0 / 8

HEX #4F37EB

RGB 79 55 235

HSL 248, 0.82%, 0.57%

LAB 38.54, 60.25, -86.12

 

CMYK 0 / 34 / 76 / 8

HEX #EB9A38

RGB 235 154 56

HSL 32.85, 0.82%, 0.57%

LAB 70.22, 22.44, 60.84

 

CMYK 77 / 0 / 36 / 8

HEX #37EB97

RGB 55 235 151

HSL 152, 0.82%, 0.57%

LAB 83.16, -62.76, 28.45

 

CMYK 36 / 77 / 0 / 8

HEX #9737EB

RGB 151 55 235

HSL 272, 0.82%, 0.57%

LAB 46.06, 69.61, -73.49

 

CMYK 0 / 34 / 76 / 8

HEX #EB9A38

RGB 235 154 56

HSL 32.85, 0.82%, 0.57%

LAB 70.22, 22.44, 60.84

 

CMYK 56 / 0 / 77 / 8

HEX #67EB37

RGB 103 235 55

HSL 104, 0.82%, 0.57%

LAB 83.22, -65.93, 70.61

 

CMYK 77 / 41 / 0 / 8

HEX #378BEB

RGB 55 139 235

HSL 212, 0.82%, 0.57%

LAB 57.34, 7.62, -55.59

 

CMYK 20 / 77 / 0 / 8

HEX #BB37EB

RGB 187 55 235

HSL 284, 0.82%, 0.57%

LAB 51.03, 75.68, -65.18

 

CMYK 0 / 34 / 76 / 8

HEX #EB9A38

RGB 235 154 56

HSL 32.85, 0.82%, 0.57%

LAB 70.22, 22.44, 60.84

 

CMYK 77 / 0 / 74 / 8

HEX #37EB3D

RGB 55 235 61

HSL 122, 0.82%, 0.57%

LAB 82.14, -74.75, 67.29

 

CMYK 77 / 41 / 0 / 8

HEX #378BEB

RGB 55 139 235

HSL 212, 0.82%, 0.57%

LAB 57.34, 7.62, -55.59

 

CMYK 0 / 77 / 3 / 8

HEX #EB37E5

RGB 235 55 229

HSL 302, 0.82%, 0.57%

LAB 58.09, 83.67, -50.09

 

Description

Color code: HEX #EB9A38 | qconv.com Color code: HEX #EB9A38 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 154 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 154 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 76 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 76% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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