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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9A15 it is the complementary color #1465EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9A15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9A15 shade: #F09A10, #FFAC23, #FFBE36, #FFD049 and #FFE25C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9A15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9A15 shade: #EB9A15, #DA8802, #C97600, #B86400 and #A75200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9A15 shade: #EB9A14, #EB6014, #EB2614 and #EB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9A15 shade: #EB9A14, #EBD314, #C8EB14, #8EEB14 and #55EB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9A15 shade matches the following richer shades: #EB9A14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9A15 shade: #EB9A14, #D69529, #C18F3E, #AD8A52 and #988567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9A15 shade: #EB2614, #EB5F14, #EB9814, #EBD214 and #CAEB14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9A15 shade: #9F680E, #C58111, #EB9A14, #EEAA3A and #F1BA60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9A15 shade: #EB9A15, #3CEB14 and #4314EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9A15 shade: #EB9A15, #14EB98 and #9814EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9A15 shade: #EB9A15, #3CEB14, #1467EB and #C314EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9A15 shade: #EB9A15, #14EB2D, #1467EB and #EB14D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 91 / 8

HEX #EB9A15

RGB 235 154 21

HSL 37.29, 0.84%, 0.5%

LAB 70.05, 21.5, 71.56

 

Complementary color

CMYK 91 / 57 / 0 / 8

HEX #1465EA

RGB 20 101 234

HSL 217.29, 0.84%, 0.5%

LAB 46.17, 28.38, -73.1

 

CMYK 0 / 36 / 93 / 6

HEX #F09A10

RGB 240 154 16

HSL 36.96, 0.88%, 0.5%

LAB 70.65, 23.55, 73.17

 

CMYK 0 / 33 / 86 / 0

HEX #FFAC23

RGB 255 172 35

HSL 37.36, 1%, 0.57%

LAB 76.61, 20.72, 74.38

 

CMYK 0 / 25 / 79 / 0

HEX #FFBE36

RGB 255 190 54

HSL 40.6, 1%, 0.61%

LAB 80.93, 11.86, 72.39

 

CMYK 0 / 18 / 71 / 0

HEX #FFD049

RGB 255 208 73

HSL 44.51, 1%, 0.64%

LAB 85.43, 3.32, 69.82

 

CMYK 0 / 11 / 64 / 0

HEX #FFE25C

RGB 255 226 92

HSL 49.33, 1%, 0.68%

LAB 90.06, -4.82, 67

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A15

RGB 235 154 21

HSL 37.29, 0.84%, 0.5%

LAB 70.05, 21.5, 71.56

 

CMYK 0 / 38 / 99 / 15

HEX #DA8802

RGB 218 136 2

HSL 37.22, 0.98%, 0.43%

LAB 63.77, 23.63, 69.18

 

CMYK 0 / 41 / 100 / 21

HEX #C97600

RGB 201 118 0

HSL 35.22, 1%, 0.39%

LAB 57.44, 26.01, 64.35

 

CMYK 0 / 46 / 100 / 28

HEX #B86400

RGB 184 100 0

HSL 32.61, 1%, 0.36%

LAB 51.04, 28.47, 59.17

 

CMYK 0 / 51 / 100 / 35

HEX #A75200

RGB 167 82 0

HSL 29.46, 1%, 0.33%

LAB 44.59, 30.95, 53.98

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A14

RGB 235 154 20

HSL 37.4, 0.84%, 0.5%

LAB 70.05, 21.49, 71.75

 

CMYK 0 / 59 / 91 / 8

HEX #EB6014

RGB 235 96 20

HSL 21.21, 0.84%, 0.5%

LAB 58.11, 50.73, 63.22

 

CMYK 0 / 84 / 91 / 8

HEX #EB2614

RGB 235 38 20

HSL 5.02, 0.84%, 0.5%

LAB 50.8, 70.71, 58.34

 

CMYK 0 / 91 / 91 / 8

HEX #EB1414

RGB 235 20 20

HSL 0, 0.84%, 0.5%

LAB 49.75, 73.72, 57.67

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A14

RGB 235 154 20

HSL 37.4, 0.84%, 0.5%

LAB 70.05, 21.49, 71.75

 

CMYK 0 / 10 / 91 / 8

HEX #EBD314

RGB 235 211 20

HSL 53.3, 0.84%, 0.5%

LAB 84.12, -8.24, 82.29

 

CMYK 15 / 0 / 91 / 8

HEX #C8EB14

RGB 200 235 20

HSL 69.77, 0.84%, 0.5%

LAB 87.85, -34.38, 84.01

 

CMYK 40 / 0 / 91 / 8

HEX #8EEB14

RGB 142 235 20

HSL 85.95, 0.84%, 0.5%

LAB 84.6, -55.84, 80.04

 

CMYK 64 / 0 / 91 / 8

HEX #55EB14

RGB 85 235 20

HSL 101.86, 0.84%, 0.5%

LAB 82.59, -71.5, 77.57

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A14

RGB 235 154 20

HSL 37.4, 0.84%, 0.5%

LAB 70.05, 21.49, 71.75

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A14

RGB 235 154 20

HSL 37.4, 0.84%, 0.5%

LAB 70.05, 21.49, 71.75

 

CMYK 0 / 30 / 81 / 16

HEX #D69529

RGB 214 149 41

HSL 37.46, 0.68%, 0.5%

LAB 66.48, 15.63, 62.14

 

CMYK 0 / 26 / 68 / 24

HEX #C18F3E

RGB 193 143 62

HSL 37.1, 0.51%, 0.5%

LAB 62.79, 10.71, 49.1

 

CMYK 0 / 20 / 53 / 32

HEX #AD8A52

RGB 173 138 82

HSL 36.92, 0.36%, 0.5%

LAB 59.59, 6.26, 34.82

 

CMYK 0 / 13 / 32 / 40

HEX #988567

RGB 152 133 103

HSL 36.73, 0.19%, 0.5%

LAB 56.52, 2.51, 18.84

 

CMYK 0 / 84 / 91 / 8

HEX #EB2614

RGB 235 38 20

HSL 5.02, 0.84%, 0.5%

LAB 50.8, 70.71, 58.34

 

CMYK 0 / 60 / 91 / 8

HEX #EB5F14

RGB 235 95 20

HSL 20.93, 0.84%, 0.5%

LAB 57.94, 51.18, 63.1

 

CMYK 0 / 35 / 91 / 8

HEX #EB9814

RGB 235 152 20

HSL 36.84, 0.84%, 0.5%

LAB 69.59, 22.54, 71.41

 

CMYK 0 / 11 / 91 / 8

HEX #EBD214

RGB 235 210 20

HSL 53.02, 0.84%, 0.5%

LAB 83.86, -7.74, 82.09

 

CMYK 14 / 0 / 91 / 8

HEX #CAEB14

RGB 202 235 20

HSL 69.21, 0.84%, 0.5%

LAB 87.98, -33.58, 84.17

 

CMYK 0 / 35 / 91 / 38

HEX #9F680E

RGB 159 104 14

HSL 37.24, 0.84%, 0.34%

LAB 48.64, 15.4, 52.86

 

CMYK 0 / 35 / 91 / 23

HEX #C58111

RGB 197 129 17

HSL 37.33, 0.84%, 0.42%

LAB 59.54, 18.5, 62.51

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A14

RGB 235 154 20

HSL 37.4, 0.84%, 0.5%

LAB 70.05, 21.49, 71.75

 

CMYK 0 / 29 / 76 / 7

HEX #EEAA3A

RGB 238 170 58

HSL 37.33, 0.84%, 0.58%

LAB 74.34, 15.31, 64.15

 

CMYK 0 / 23 / 60 / 5

HEX #F1BA60

RGB 241 186 96

HSL 37.24, 0.84%, 0.66%

LAB 78.85, 10.21, 52.42

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A15

RGB 235 154 21

HSL 37.29, 0.84%, 0.5%

LAB 70.05, 21.5, 71.56

 

CMYK 74 / 0 / 91 / 8

HEX #3CEB14

RGB 60 235 20

HSL 108.84, 0.84%, 0.5%

LAB 82.07, -75.98, 76.92

 

CMYK 71 / 91 / 0 / 8

HEX #4314EB

RGB 67 20 235

HSL 253.12, 0.84%, 0.5%

LAB 33.33, 72.13, -94.78

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A15

RGB 235 154 21

HSL 37.29, 0.84%, 0.5%

LAB 70.05, 21.5, 71.56

 

CMYK 91 / 0 / 35 / 8

HEX #14EB98

RGB 20 235 152

HSL 156.84, 0.84%, 0.5%

LAB 82.82, -65.33, 27.43

 

CMYK 35 / 91 / 0 / 8

HEX #9814EB

RGB 152 20 235

HSL 276.84, 0.84%, 0.5%

LAB 43.02, 79.05, -78.44

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A15

RGB 235 154 21

HSL 37.29, 0.84%, 0.5%

LAB 70.05, 21.5, 71.56

 

CMYK 74 / 0 / 91 / 8

HEX #3CEB14

RGB 60 235 20

HSL 108.84, 0.84%, 0.5%

LAB 82.07, -75.98, 76.92

 

CMYK 91 / 56 / 0 / 8

HEX #1467EB

RGB 20 103 235

HSL 216.84, 0.84%, 0.5%

LAB 46.77, 27.48, -72.69

 

CMYK 17 / 91 / 0 / 8

HEX #C314EB

RGB 195 20 235

HSL 288.84, 0.84%, 0.5%

LAB 49.62, 84.7, -67.41

 

CMYK 0 / 34 / 91 / 8

HEX #EB9A15

RGB 235 154 21

HSL 37.29, 0.84%, 0.5%

LAB 70.05, 21.5, 71.56

 

CMYK 91 / 0 / 81 / 8

HEX #14EB2D

RGB 20 235 45

HSL 126.98, 0.84%, 0.5%

LAB 81.7, -78.94, 71.49

 

CMYK 91 / 56 / 0 / 8

HEX #1467EB

RGB 20 103 235

HSL 216.84, 0.84%, 0.5%

LAB 46.77, 27.48, -72.69

 

CMYK 0 / 91 / 11 / 8

HEX #EB14D2

RGB 235 20 210

HSL 306.98, 0.84%, 0.5%

LAB 54.88, 87.45, -44.4

 

Description

Color code: HEX #EB9A15 | qconv.com Color code: HEX #EB9A15 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 154 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 154 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 91 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 91% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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