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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9A13 it is the complementary color #1465EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9A13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9A13 shade: #F09A0E, #FFAC21, #FFBE34, #FFD047 and #FFE25A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9A13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9A13 shade: #EB9A13, #DA8800, #C97600, #B86400 and #A75200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9A13 shade: #EB9A13, #EB6013, #EB2513 and #EB1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9A13 shade: #EB9A13, #EBD513, #C8EB13, #8DEB13 and #53EB13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9A13 shade matches the following richer shades: #EB9A13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9A13 shade: #EB9A13, #D79527, #C2903C, #AD8B51 and #998565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9A13 shade: #EB2513, #EB5E13, #EB9813, #EBD213 and #CBEB13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9A13 shade: #9F680C, #C58110, #EB9A13, #EEAA39 and #F2BB5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9A13 shade: #EB9A13, #3AEB13 and #4213EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9A13 shade: #EB9A13, #13EB98 and #9813EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9A13 shade: #EB9A13, #3AEB13, #1366EB and #C413EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9A13 shade: #EB9A13, #13EB2C, #1366EB and #EB13D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

Complementary color

CMYK 92 / 57 / 0 / 7

HEX #1465EC

RGB 20 101 236

HSL 217.5, 0.85%, 0.5%

LAB 46.33, 29.15, -73.98

 

CMYK 0 / 36 / 94 / 6

HEX #F09A0E

RGB 240 154 14

HSL 37.17, 0.89%, 0.5%

LAB 70.64, 23.52, 73.48

 

CMYK 0 / 33 / 87 / 0

HEX #FFAC21

RGB 255 172 33

HSL 37.57, 1%, 0.56%

LAB 76.6, 20.68, 74.88

 

CMYK 0 / 25 / 80 / 0

HEX #FFBE34

RGB 255 190 52

HSL 40.79, 1%, 0.6%

LAB 80.92, 11.79, 73.04

 

CMYK 0 / 18 / 72 / 0

HEX #FFD047

RGB 255 208 71

HSL 44.67, 1%, 0.64%

LAB 85.42, 3.23, 70.57

 

CMYK 0 / 11 / 65 / 0

HEX #FFE25A

RGB 255 226 90

HSL 49.45, 1%, 0.68%

LAB 90.04, -4.93, 67.8

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 0 / 38 / 100 / 15

HEX #DA8800

RGB 218 136 0

HSL 37.43, 1%, 0.43%

LAB 63.77, 23.61, 69.48

 

CMYK 0 / 41 / 100 / 21

HEX #C97600

RGB 201 118 0

HSL 35.22, 1%, 0.39%

LAB 57.44, 26.01, 64.35

 

CMYK 0 / 46 / 100 / 28

HEX #B86400

RGB 184 100 0

HSL 32.61, 1%, 0.36%

LAB 51.04, 28.47, 59.17

 

CMYK 0 / 51 / 100 / 35

HEX #A75200

RGB 167 82 0

HSL 29.46, 1%, 0.33%

LAB 44.59, 30.95, 53.98

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 0 / 59 / 92 / 8

HEX #EB6013

RGB 235 96 19

HSL 21.39, 0.85%, 0.5%

LAB 58.11, 50.72, 63.48

 

CMYK 0 / 84 / 92 / 8

HEX #EB2513

RGB 235 37 19

HSL 5, 0.85%, 0.5%

LAB 50.72, 70.91, 58.63

 

CMYK 0 / 92 / 92 / 8

HEX #EB1313

RGB 235 19 19

HSL 0, 0.85%, 0.5%

LAB 49.71, 73.83, 58

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 0 / 9 / 92 / 8

HEX #EBD513

RGB 235 213 19

HSL 53.89, 0.85%, 0.5%

LAB 84.64, -9.26, 82.82

 

CMYK 15 / 0 / 92 / 8

HEX #C8EB13

RGB 200 235 19

HSL 69.72, 0.85%, 0.5%

LAB 87.84, -34.4, 84.13

 

CMYK 40 / 0 / 92 / 8

HEX #8DEB13

RGB 141 235 19

HSL 86.11, 0.85%, 0.5%

LAB 84.55, -56.19, 80.11

 

CMYK 65 / 0 / 92 / 8

HEX #53EB13

RGB 83 235 19

HSL 102.22, 0.85%, 0.5%

LAB 82.54, -71.93, 77.64

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 0 / 31 / 82 / 16

HEX #D79527

RGB 215 149 39

HSL 37.5, 0.69%, 0.5%

LAB 66.59, 16, 62.96

 

CMYK 0 / 26 / 69 / 24

HEX #C2903C

RGB 194 144 60

HSL 37.61, 0.53%, 0.5%

LAB 63.13, 10.48, 50.42

 

CMYK 0 / 20 / 53 / 32

HEX #AD8B51

RGB 173 139 81

HSL 37.83, 0.36%, 0.5%

LAB 59.84, 5.61, 35.66

 

CMYK 0 / 13 / 34 / 40

HEX #998565

RGB 153 133 101

HSL 36.92, 0.2%, 0.5%

LAB 56.57, 2.66, 20.07

 

CMYK 0 / 84 / 92 / 8

HEX #EB2513

RGB 235 37 19

HSL 5, 0.85%, 0.5%

LAB 50.72, 70.91, 58.63

 

CMYK 0 / 60 / 92 / 8

HEX #EB5E13

RGB 235 94 19

HSL 20.83, 0.85%, 0.5%

LAB 57.77, 51.62, 63.25

 

CMYK 0 / 35 / 92 / 8

HEX #EB9813

RGB 235 152 19

HSL 36.94, 0.85%, 0.5%

LAB 69.59, 22.53, 71.6

 

CMYK 0 / 11 / 92 / 8

HEX #EBD213

RGB 235 210 19

HSL 53.06, 0.85%, 0.5%

LAB 83.86, -7.75, 82.23

 

CMYK 14 / 0 / 92 / 8

HEX #CBEB13

RGB 203 235 19

HSL 68.89, 0.85%, 0.5%

LAB 88.05, -33.2, 84.38

 

CMYK 0 / 35 / 92 / 38

HEX #9F680C

RGB 159 104 12

HSL 37.55, 0.86%, 0.34%

LAB 48.63, 15.37, 53.34

 

CMYK 0 / 35 / 92 / 23

HEX #C58110

RGB 197 129 16

HSL 37.46, 0.85%, 0.42%

LAB 59.53, 18.49, 62.72

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 0 / 29 / 76 / 7

HEX #EEAA39

RGB 238 170 57

HSL 37.46, 0.84%, 0.58%

LAB 74.33, 15.27, 64.52

 

CMYK 0 / 23 / 61 / 5

HEX #F2BB5F

RGB 242 187 95

HSL 37.55, 0.85%, 0.66%

LAB 79.18, 10.03, 53.3

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 75 / 0 / 92 / 8

HEX #3AEB13

RGB 58 235 19

HSL 109.17, 0.85%, 0.5%

LAB 82.04, -76.29, 77.01

 

CMYK 72 / 92 / 0 / 8

HEX #4213EB

RGB 66 19 235

HSL 253.06, 0.85%, 0.5%

LAB 33.18, 72.32, -95.03

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 92 / 0 / 35 / 8

HEX #13EB98

RGB 19 235 152

HSL 156.94, 0.85%, 0.5%

LAB 82.82, -65.37, 27.42

 

CMYK 35 / 92 / 0 / 8

HEX #9813EB

RGB 152 19 235

HSL 276.94, 0.85%, 0.5%

LAB 42.97, 79.2, -78.53

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 75 / 0 / 92 / 8

HEX #3AEB13

RGB 58 235 19

HSL 109.17, 0.85%, 0.5%

LAB 82.04, -76.29, 77.01

 

CMYK 92 / 57 / 0 / 8

HEX #1366EB

RGB 19 102 235

HSL 216.94, 0.85%, 0.5%

LAB 46.5, 28.08, -73.14

 

CMYK 17 / 92 / 0 / 8

HEX #C413EB

RGB 196 19 235

HSL 289.17, 0.85%, 0.5%

LAB 49.74, 84.97, -67.21

 

CMYK 0 / 34 / 92 / 8

HEX #EB9A13

RGB 235 154 19

HSL 37.5, 0.85%, 0.5%

LAB 70.05, 21.47, 71.94

 

CMYK 92 / 0 / 81 / 8

HEX #13EB2C

RGB 19 235 44

HSL 126.94, 0.85%, 0.5%

LAB 81.7, -79.04, 71.73

 

CMYK 92 / 57 / 0 / 8

HEX #1366EB

RGB 19 102 235

HSL 216.94, 0.85%, 0.5%

LAB 46.5, 28.08, -73.14

 

CMYK 0 / 92 / 11 / 8

HEX #EB13D2

RGB 235 19 210

HSL 306.94, 0.85%, 0.5%

LAB 54.85, 87.55, -44.45

 

Description

Color code: HEX #EB9A13 | qconv.com Color code: HEX #EB9A13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 154 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 154 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 92 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 92% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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